Draft:Contemporary vocal technique
Introduction
[edit]History and Development
[edit]Contemporary Vocal Technique refers to a range of vocal practices that have adapted to the needs of various music styles, particularly in contemporary commercial music (CCM). The roots of these techniques can be traced back to earlier genres like jazz and blues, which prioritized emotional expression and distinctive vocal effects. With the rise of contemporary genres such as rock and pop, it became clear that singers required versatile and resilient vocal techniques.
Historically, there has been a shift from traditional vocal training methods, like the bel canto approach, towards more diverse strategies that address the unique vocal demands of contemporary styles. Many choral directors encounter difficulties when trying to incorporate CCM into their teaching because they often lack specialized training in these methods. By connecting the foundational principles of bel canto with modern vocal science and techniques like the Estill Voice Training System, educators can better equip singers to handle the challenges of performing across different musical genres[1].
Key Principles of Contemporary Vocal Technique
[edit]The voice is made up of vocal cords, which need air to produce sound. Singers train to control breathing and play long, high and dynamic notes.
Breath Management
Posture
The diaphragm
Types of breathing
Anatomy
The Larynx
Technique Components
[edit]Different types of Contemporary Vocal Technique's:
- Heavy modal: The Heavy modal technique produces a robust, resonant tone in the middle frequencies.The sound characteristics of the Heavy Modal can be described as leading to a lively, expansive, full-bodied and warm overall quality when executed correctly.
- Twang
- Belting
source: https://singingcarrots.com/blog/contemporary-vocal-techniques-heavy-modal-twang-belting
Comparison with Classical Vocal Technique
[edit]Source: Gaps between classical and contemporary technique. Winnie, B. J. (2017). Bridging the gap between classical and contemporary vocal technique: implications for the choral rehearsal. Voice and Speech Review, 11(1), 55–71. https://doi.org/10.1080/23268263.2017.1370803 [2]
Prominent Contemporary Vocal Techniques and Methods
[edit]Applications in Different Genres
[edit]Training and Education in Contemporary Vocal Techniques
[edit]Contemporay vocal technique has been widely used internationally in a range of vocal pedagogy contexts, including the training and education of choirs and choral ensembles.[3][4]
Criticisms and Controversies
[edit]Information from sources for in the article:
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References
[edit]- ^ Winnie, Brian J. (2014-04-30). "Contemporary Vocal Technique in the Choral Rehearsal: Exploratory Strategies for Learning". University of Washington's collection of research works.
- ^ Winnie, Brian J. (2017-01-02). "Bridging the gap between classical and contemporary vocal technique: implications for the choral rehearsal". Voice and Speech Review. 11 (1): 55–71. doi:10.1080/23268263.2017.1370803. ISSN 2326-8263.
- ^ Browder, Luke Lee (2023). Contemporary Vocal Pedagogy in the Choral Ensemble Rehearsal: A Guide for Secondary Educators (PhD thesis). University of South Carolina.
- ^ Shumska, L.; Chyncheva, L.; Dorokhina, L.; Homenko, A.; Yotka, Y. (2024). "Innovative vocal technologies in the educational choir of a higher education institution: A competency-based approach". Multidisciplinary Reviews. 7 (44). doi:10.31893/multirev.2024spe044. Retrieved 1 November 2024.
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