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Don't Let It End

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"Don't Let It End"
Single by Styx
from the album Kilroy Was Here
B-side"(A.D. 1928) Rockin' the Paradise"
ReleasedApril 1983 (1983-04)
Recorded1982
GenreSoft rock
Length4:53
LabelA&M
Songwriter(s)Dennis DeYoung
Producer(s)Styx
Styx singles chronology
"Mr. Roboto"
(1983) 		"Don't Let It End"
(1983) 		"High Time"
(1983)

"Don't Let It End" is the third track and the second top 10 single on the 1983 album Kilroy Was Here, by Styx. The song is also reprised at the end of the album.[1]

Background

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The song was written and sung by Dennis DeYoung. The track is a mid-tempo ballad about one who breaks up with a lover and pleads to get the person back. Styx guitarist James Young said that "it has sort of an underlying double meaning – music is what we love. It's obviously a love song between two people, but it's meant to carry over, and at the end in the reprise it is more blatant [that rock 'n' roll rather than romance is what the singer wants to keep alive]."[2]

According to DeYoung, the track was originally slated as the first single from Kilroy Was Here until the staff at A&M suggested "Mr. Roboto". DeYoung said:

["Don't Let It End" is] not gonna scare our audience. It's not gonna upset radio. It's not gonna make anybody crazy, because they'll say "Oh, we know that side of Styx. We've been listening to these assholes for over eleven years. We know what that is."[3]

But ultimately the band decided to take a chance that the power of "Mr. Roboto" would be a better choice as the lead single.[3]

Reception

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The song reached number 6 on the US Billboard Hot 100 the week of July 2, 1983[4] and number 56 on the UK Singles Chart. It also reached number 15 on the Canadian RPM Top Singles chart the week of July 2, 1983. At the time, it was the seventh Styx single to peak in the top 10 of the Billboard Hot 100. It also reached number 13 on the Billboard Adult Contemporary chart.[5]

Cash Box noted that the song is "a return to [DeYoung's] soft romantic side" after the more futuristic "Mr. Roboto" and that guitarist Tommy Shaw "breaks up the weak-kneed plea with sturdy rock guitar work."[6] AllMusic critic Mike DeGagne considered it one of Styx's best singles, saying that it "almost captures the same endearing qualities as their number one hit, 'Babe', did four years earlier."[1] The Morning Call said that DeYoung's lead vocal sounded like Neil Sedaka and the song was similar to previous Styx ballads.[7] Rapid City Journal critic Tim Gebhart called it a "beautiful ballad in the traditional Styx vein.[8] Midder rated it as Styx's 4th best song, calling it "a stirring ballad that showcases Styx’s softer side and explores the pain of a failing relationship" and praising the "haunting piano melody, soaring vocals, and poignant lyrics."[9]

AllMusic critic Stephen Thomas Erlewine criticized the compilation album Come Sail Away – The Styx Anthology for excluding this song.[10]

Despite the song's success, along with "Show Me the Way", "Babe" and "The Best of Times" it has not been performed live by the band since singer Dennis DeYoung was dismissed in 1999. DeYoung, however, still performs the song regularly on his solo tours.

Video

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The video of the track was directed by Brian Gibson. It starts out with Dennis portraying Kilroy looking at a picture of a girlfriend he lost (the picture is of Dennis' wife in real life, Suzanne) and then gets up to go in another room which morphs into the prison that his character of Kilroy was in. Then Dennis morphs into the Kilroy as prisoner character and joins the members of Styx who play prisoners in the video performing the track and then the end shows Dennis as he appeared at the intro.

The reprise of the track was more to do with not letting rock and roll die and had a teaser of the riff to "Mr. Roboto" before ending like a 50s rocker with Tommy Shaw singing the first section and DeYoung the finale. The live version ends with the ending guitar chords from "Twist and Shout".

Charts

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Personnel

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References

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  1. ^ a b DeGagne, Mike. "Kilroy Was Here". AllMusic. Retrieved 2024-02-29.
  2. ^ Bishop, Pete (September 11, 1983). "Styx keeps social messages flowing in songs". Pittsburgh Press. p. J-1. Retrieved 2024-02-29 – via newspapers.com.
  3. ^ a b Beviglia, Jim (2018). Playing Back the 80s: A Decade of Unstoppable Hits. Rowman & Littlefield. p. 83. ISBN 9781538116401.
  4. ^ a b Joel Whitburn's Top Pop Singles 1955-1990 - ISBN 0-89820-089-X
  5. ^ "Adult Contemporary" (PDF). Billboard. June 25, 1983. p. 35. Retrieved 2024-02-29.
  6. ^ "Reviews" (PDF). Cash Box. April 30, 1983. p. 8. Retrieved 2022-07-18.
  7. ^ "Records". The Morning Call. April 9, 1983. p. 84. Retrieved 2024-02-29 – via newspapers.com.
  8. ^ Gebhart, Tim (April 1, 1983). "Records '83". Rapid City Journal. p. V-5. Retrieved 2024-02-29 – via newspapers.com.
  9. ^ Fenton, Will (January 3, 2024). "14 Best Styx Songs of All Time (Greatest Hits)". Midder. Retrieved 2024-02-29.
  10. ^ Erlewine, Stephen Thomas. "Come Sail Away: The Styx Anthology". AllMusic. Retrieved 2023-01-21.
  11. ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 1983-07-30. Retrieved 2019-08-01.
  12. ^ "Styx – Don't Let It End" (in German). GfK Entertainment charts. Retrieved March 1, 2024.
  13. ^ "Styx: Artist Chart History". Official Charts Company. Retrieved July 8, 2023.
  14. ^ Whitburn, Joel (2002). Top Adult Contemporary: 1961-2001. Record Research. p. 236.
  15. ^ "Top 100 Hits of 1983/Top 100 Songs of 1983". Musicoutfitters.com. Retrieved 24 April 2021.
  16. ^ "Top 100 Year End Charts: 1983". Cashbox Magazine. Archived from the original on 2012-09-11. Retrieved 2016-06-05.
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