Jump to content

Dermot Seymour

From Wikipedia, the free encyclopedia

Dermot Seymour
RUA
Born1956
Belfast, County Antrim
NationalityBritish
EducationUlster Polytechnic
Alma materUlster Polytechnic
Known forLandscapes, animals, people
StyleSocial Realism
SpouseAlice Maher

Dermot Seymour RUA (b.1956) is a Northern Irish painter, an elected member of Aosdána and an Academician of the Royal Ulster Academy of Arts. His work explores a variety of themes relating to conflict, symbolism and identity in Northern Ireland.

Life & work

[edit]

Dermot Seymour was born and raised on the lower Shankill Road in Belfast. Seymour studied graphic design at the Ulster Polytechnic between 1975–78,[1] where he was to return in 1981 attaining an Advanced Diploma in Art and Design.[2][3]

Seymour's work is a reaction to growing up at the height of The Troubles. He juxtaposes idyllic landscapes with a host of other elements, ranging from farm animals to military helicopters, exploring symbolism and identity to show the absurdities inherent in Northern Irish society. In doing so he exposes the tensions between militarization and the ordinary rural and urban communities. In a 2007 interview with The Sunday Times, Seymour said of his work,

"...in the North an object is never simply an object: it carries additional territorial significance. So, for instance, in the North, if you see a cow it isn't simply a cow. You ask: whose cow is that? It becomes a tribal symbol."[4]

Seymour's hyper-real paintings are satirical and oft times described wrongly as 'Surrealist'.[5] In a 1997 interview with Ian Wieczorek he rejected this labelling by saying:

"Dali or Magritte or anyone like that wouldn't really come into my head at all. I think a lot of those Surrealists were deliberately surreal, they were contriving things. I was busy playing around with things that were actually there in front of me, in the world that was around me."[6]

As a student in 1978 Seymour and Terence Murphy painted a community mural in the Highfields Estate in Belfast on the side of a high-rise building. The painting was commissioned as part of the Belfast Community Arts Project '78 with the subjects being members of a local boxing club.[7] In 1981 he showed his first solo exhibition at the Art and Research Exchange, Belfast in an exhibition entitled Northern Images.[8] He had previously shown in that same space in a group show of1978.[2] In 1982 Seymour showed at the Octagon Gallery in a joint exhibition with Leslie Stannage.[1][9]

Theatre Ireland commissioned Seymour to illustrate two scripts and two consecutive covers for their double souvenir issues published in June 1984.[10] His first Dublin show came a few months later when he joined another Ulster born artist Liam Magee at the Project Arts Centre, in an exhibition called Two Tribes.[11] Seymour relocated to Dublin in 1985 and two years later he moved to Annaghmakerrig, County Monaghan.[12] The critic Dorothy Walker selected Seymour's work for inclusion in the 1986 Guinness Peat Aviation Exhibition and Awards for emerging young artists. He was selected alongside fellow Ulster artists John Kindness and Willie Doherty, but he was not amongst the prizewinners on this occasion.[13] Seymour showed at the annual Oireachtas show in the same year.[14] The Paula Allen Gallery in New York was the venue for Seymour's first transatlantic one-man show in 1987, where he was to exhibit for a further two consecutive years.[15] Seymour received the patronage of The Arts Council of Northern Ireland once more when they hosted a solo exhibition in their Bedford Street gallery in 1989.[16]

Throughout the nineties Seymour showed frequently at venues across Ireland including solo shows at the Project Arts Centre, Dublin and the Linenhall Arts Centre, Castlebar in 1992,[17] and a joint exhibition with Micky Donnelly at the Fenderesky Gallery in Belfast, 1996.[18]

After the turn of the century Seymour completed a number of portraits depicting politicians and sportsmen, such as Brian Cowen, Pat Rabbite and Roy Keane. All show a world-weariness and sensitivity and each portrait focuses on the eyes, with the exception of his depiction of a loyalist paramilitary which focuses on his reflective sunglasses hiding his eyes.[4] More recently Seymour has shown works exploring the effects of contemporary issues on Ireland: Brexit, in the 2017 exhibition Hidden dips, Blind summits -The road to Brexitaria[19] and also the Covid crisis, in the 2020 show entitled A Covid border tangle.[20]

Awards

[edit]

The Arts Council of Northern Ireland awarded Seymour a bursary of £400 to purchase photographic equipment in 1983.[21] Since then he has received awards from many institutions including the Claremorris Open Exhibition, An Chomhairle Ealaíon and from the Government of Ireland's Department of Foreign Affairs.[2] In 1987 he received a joint award from the Arts Council of Northern Ireland and the Ireland-America Arts Exchange of a PS1 international studio fellowship which took him to New York for six months.[22][23] The artist received a further Arts Council of Northern Ireland bursary in 1993.[4] Seymour won a Marten Toonder Award in 1996.[24] Seymour's peers elected him to membership of Aosdána in 1997 along with seven others, including the fellow Northerner and poet Ciaran Carson, and the Limerick artist John Shinnors.[25][12]

Legacy

[edit]

Seymour's work can be found in many private and public collections including those of the Royal Ulster Academy, European Central Bank, Ulster Museum,[26] Arts Council of Northern Ireland, University of Ulster and the Irish Museum of Modern Art.[27]

Seymour has been represented by the Kevin Kavanagh Gallery for a number of years.[4] He continues to live and work in rural County Mayo where he has resided since 1990.[12]

References

[edit]
  1. ^ a b Guide to exhibited artists. Oxford: Clio Press. 1985. p. 302. ISBN 0-903450-95-X. OCLC 12365430. Archived from the original on 26 October 2020. Retrieved 6 January 2022.
  2. ^ a b c Buckman, David (2006). Artists in Britain since 1945. Bristol: Art Dictionaries. p. 1431. ISBN 0-9532609-5-X. OCLC 944950137.
  3. ^ "Poly's high standard 'an example to all'". Belfast Telegraph. 23 November 1981. p. 9. Retrieved 6 January 2022.
  4. ^ a b c d O'Byrne, Robert (2010). Dictionary of living Irish artists. Dublin, Ireland: Plurabelle Publishing. p. 342. ISBN 978-0-9563011-0-9. OCLC 668186926.
  5. ^ "Dermot Seymour". Archived from the original on 7 January 2022. Retrieved 7 January 2022.
  6. ^ Seymour, Dermot; Wieczorek, Ian (1997). "The Circa Interview: Dermot Seymour: On Cows and Helicopters". Circa (82): 23. doi:10.2307/25563206. ISSN 0263-9475. JSTOR 25563206 – via JSTOR.
  7. ^ "Dermot Seymour and Terence Murphy". Irish Times. 6 September 1978. p. 5. Retrieved 7 January 2022.
  8. ^ "Artist Dermot draws on his experience of Belfast street life". Belfast Telegraph. 29 April 1981. p. 9. Retrieved 6 January 2022.
  9. ^ Baird, Elizabeth (17 June 1983). "Show with a difference". Belfast Telegraph. p. 10. Retrieved 6 January 2022.
  10. ^ "Stage Business". Theatre Ireland (6): 109. 1984. ISSN 0263-6344. JSTOR 25488903 – via JSTOR.
  11. ^ Cooke, Harriet (1984). "Two Tribes · Liam Magee & Dermot Seymour". Irish Arts Review (1984-1987). 1 (4): 58. ISSN 0790-178X. JSTOR 20491695 – via JSTOR.
  12. ^ a b c Benson, Ciaran (2004). In the time of shaking: Irish artists for Amnesty International. Amnesty International. Dublin: Art for Amnesty. p. 281. ISBN 0-9547258-0-8. OCLC 55132808. Archived from the original on 8 October 2020.
  13. ^ McCrum, Sean (2 November 1986). "Seven show current drift". Sunday Tribune. p. 19. Retrieved 6 January 2022.
  14. ^ McCrum, Sean (28 September 1986). "Autumn fruits". Sunday Tribune. p. 20. Retrieved 6 January 2022.
  15. ^ When time began to rant and rage: figurative painting from twentieth-century Ireland. James Christen Steward, Bruce Arnold, Walker Art Gallery. London: Merrell Holberton Publishers. 1998. p. 282. ISBN 1-85894-059-1. OCLC 40736132. Archived from the original on 5 October 2020.{{cite book}}: CS1 maint: others (link)
  16. ^ "What's on today". Irish Times. 2 November 1989. p. 17. Retrieved 7 January 2022.
  17. ^ MacAvock, Desmond (26 November 1992). "Dermot Seymour: Project Arts Centre". Irish Times. p. 12. Retrieved 7 January 2022.
  18. ^ "What's On Today". Irish Times. 17 June 1996. p. 23. Retrieved 7 January 2022.
  19. ^ "Hidden dips, Blind summits -The road to Brexitaria". Kevin Kavanagh Gallery. 19 October 2017. Archived from the original on 7 January 2022. Retrieved 7 January 2022.
  20. ^ "A covid border tangle". Kevin Kavanagh Gallery. 1 October 2020. Archived from the original on 7 January 2022. Retrieved 7 January 2022.
  21. ^ "News". Circa (11): 26–30. 1983. ISSN 0263-9475. JSTOR 25556802 – via JSTOR.
  22. ^ "Backdrop". Irish Times. 27 June 1987. p. 29. Retrieved 7 January 2022.
  23. ^ "Circa Notes". Circa (35): 9–11. 1987. ISSN 0263-9475. JSTOR 25557214 – via JSTOR.
  24. ^ The Whoseday Book: a millennium journal. Marie Donnelly, Seamus Heaney, Lochlann Gerard Quinn, Irish Hospice Foundation. Dublin: Irish Hospice Foundation. 1999. p. 235. ISBN 0-9534880-0-4. OCLC 191573596.{{cite book}}: CS1 maint: others (link)
  25. ^ Moroney, Mic (27 November 1997). "Stormy Aosdana Assembly Votes against call for Stuart resignation". Irish Times. p. 7. Retrieved 7 January 2022.
  26. ^ "National Museums NI". www.nmni.com. Archived from the original on 13 April 2004. Retrieved 8 January 2022.
  27. ^ "Dermot Seymour RUA". Royal Ulster Academy of Arts. Archived from the original on 6 January 2022. Retrieved 6 January 2022.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Dermot_Seymour&oldid=1256120022"