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Dawn Sime

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Dawn Sime (1 June 1932 – 28 May 2001), who was also known as Dawn Frances Sloggett and Dawn Westbrook, was an abstract painter who was part of the expressionist movement in Melbourne in the late 1950s and 1960s.[1] A pioneer of abstraction at the time, she was among only a few in the field[2][3] She spent most of her life in Melbourne and died in Castlemaine.[1][4][5][6]

Education and career

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As the youngest and only girl in her family, Sime enjoyed reading and drawing and expressed a wish to attend art school at 16 years of age.[7] She was inspired by British modernists such as Henry Moore, Barbara Hepworth, and Ben Nicholson.[3] She was also taken by Asian art, especially after her brother had returned with art prints from a recent South-East Asian tour in the army.[3] Mostly self-taught, she trained formally at the Melbourne Technical College in 1948 for 6 months where she met and eventually married Ian Sime, another aspiring artist.[7][8]

Together the Simes joined the Contemporary Art Society in the early 1950s.[7] They developed a style of surrealist-based biomorphic abstraction, challenging the popular figurative expressionist painting style of the time as seen in the works of Arthur Boyd, John Perceval, Charles Blackman, and Joy Hester.[7]

Joined by the sculptors Julius Kane and Clifford Last, the Simes exhibited their artworks at Georges and Mirka Mora's studio on Collins Street.[7] Sime also founded with John and Sunday Reed the first artist-run contemporary art space, the Museum of Modern Art Australia, later known as the Heide Museum.[7]

Her works gained recognition once one of her paintings was featured in a major survey of Australian painting held at the Tate Gallery in London in 1962.[7] From then on, she started to sell and exhibit extensively.[7] Her reputation enabled her to become an art teacher at the Fintona Girls' School without having any formal teaching training.[8]

In the early 1960s, her marriage to Ian Sime dissolved which coincided with the waning of her success as an artist. Her success came to halt when she married Erik Westbrook, the director of the National Gallery of Victoria.[7] It was then perceived that her art career could not be taken seriously as the National Gallery of Victoria Director's wife.[7] However, Sime persevered and continued to maintain her art practice and exhibited throughout the 1970s up until the early 1990s.[7] In 1988, she and Westbrook, then retired as NGV director, moved to Castlemaine.[3][9]

Exhibitions and residencies

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  • 1960 Gallery 43, Dalgety St, St. Kilda[8]
  • 1964, exhibited at Helena Rubinstein by invitation at the Art Gallery of New South Wales[10]
  • 1962, she represented Australia at the Tate Gallery in London[10]
  • 1972, received a Fellowship to study in the USA[10]
  • 1964 and 1973: plexiglass sculptures commissioned[10]
  • 1965, exhibited at the South Yarra Gallery[9]
  • 1979, exhibited alongside Elizabeth Gower, Jennifer Plunkett, and Isabel Davies at the Powlett St Gallery, Melbourne[11]
  • 1987, held an outdoor studio for 2 weeks at the Victoria Gardens in High Street as the Prahan Council's artist-in-residence[12][13]
  • 1995, A l'ombre des jeunes filles et des fleurs: In the shadow of young girls and flowers, group show, Benalla Art Gallery, Benalla , Vic. 10 March – 28 May[14]
  • 1996, Looking through: selected works by Dawn Sime, Ian Potter Museum of Art, University of Melbourne, Melbourne, Vic. a retrospective of Sime's works from the 1960s,[15][14] while her early works were shown at the Heide Museum that same year[7]
  • 1992, exhibited at the David Ellis Fine Art Gallery[3][9]
  • 1997, exhibited in a group show at the Museum of Modern Art, Heide alongside Erica Gilchrist and Mirka Mora[16]

Collections

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The Women's Art Register artist files highlight her presence in the following gallery collections.

The Register holds 3 slides of Sime's work:[10]

  1. Leaf tower, 1970, oil wash on paper, 24" x 36"
  2. Notation for asparagus, 1975, photo-montage drawing, 18" x 36"
  3. Through a glass darkly, 1976, photo-montage drawing.

References

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  1. ^ a b "Dawn Sime :: biography at :: at Design and Art Australia Online". www.daao.org.au. Retrieved 6 March 2021.
  2. ^ "Another Look: Six Women Artists of the 1950s". Artlink Magazine. Retrieved 14 March 2021.
  3. ^ a b c d e Kinnane, Gary (22 August 1992). "Nature's spirit reaps benefits". The Age.
  4. ^ "Dawn Sime (b.1932, d.2001)". Castlemaine Art Museum Collection Online. Retrieved 6 March 2021.
  5. ^ "Castlemaine State Festival: – Opening of Dawn Sime: Hidden Treasures – Frances Lindsay [director of University of Melbourne Art Galleries] & Dawn Sime, November 1996 [picture]". Trove. Retrieved 6 March 2021.
  6. ^ "Dawn Sime". Heide Museum of Modern Art. Retrieved 6 March 2021.
  7. ^ a b c d e f g h i j k l Heathcote, Christopher (22 June 2001). "Dawn Frances Westbrook". The Age.
  8. ^ a b c Unknown (May 1960). "Dawn holds a 'one-man' exhibition". The Herald.
  9. ^ a b c De La Rue, Andrew (1992). "Shepparton?".
  10. ^ a b c d e f g h i j k l Women's Art Register Archive, accessed March 6th 2021.
  11. ^ Unknown (2 August 1979). "Visual excitement". The Herald.
  12. ^ Tremain, Catherine (14 September 1987). "Artists wanted to share green, airy studio". The Age.
  13. ^ unknown (9 September 1987). "Painting in the Park". Southern Cross.
  14. ^ a b "Dawn Sime :: biography at :: at Design and Art Australia Online". www.daao.org.au. Retrieved 14 March 2021.
  15. ^ Nelson, Robert (22 May 1996). "Two shows put politics back in landscapes". The Age.
  16. ^ Zimmer, Jenny (18 December 1996). "The attraction of abstraction". The Age.
  17. ^ "Dawn Sime". Artists NGV. Archived from the original on 12 September 2015. Retrieved 14 March 2021.
  18. ^ "Dawn SIME". Art Gallery WA Collection Online. Retrieved 14 March 2021.
  19. ^ Sime, Dawn. "Lettuce door". The Art Gallery of Ballarat. Archived from the original on 22 March 2019. Retrieved 14 March 2021.
  20. ^ "Dawn Sime". Auckland Art Gallery. Retrieved 14 March 2021.
  21. ^ "Dawn Sime, Noctambule I". Castlemaine Art Museum Collection Online. Retrieved 18 September 2021.
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