David B. Smith

David B. Smith (b. 1977, Washington, D.C.) is a multi-disciplinary artist, who works in fabric-based photo-sculpture, sound and performance. He lives in Brooklyn, NY.

Early life

Born and raised in Washington D.C., Smith attended Oberlin College and graduated with a BA in Art History in 1999. The following year he moved to Chicago, and relocated to New York in 2001. He received an MFA in Photography from Bard College in 2007.

Career

Smith’s work has appeared in exhibitions at MoMa PS1, The International Center of Photography, Asia Song Society, Johannes Vogt Gallery, Essex Flowers, 56 Henry Gallery, The Spring / Break Art Show, and the 2008 Beijing Triennial. He has been a Visiting Artist at Cooper Union, NYU ITP Program and ICP/Bard College, and taught at Pratt Institute and SUNY Old Westbury. In 2019, his work was part of the Textile Biennial at the Rijswijk Museum^[1] in the Netherlands. His work has been discussed in The Observer,^[2] Art Fag City,^[3] VICE,^[4] Time Out New York, The Washington Post, and in the New York Times.^[5]

Influences

Textiles, soft sculpture and folk art practices influence Smith’s works, and he often blends these forms within a single piece. Speculative fiction and comic book narratives are a lens through which Smith creates, and his works imagine future worlds, creatures, and societies as a way to envision decolonized space and reinvestigate notions of race, climate change and alternate states of consciousness.

Smith writes:

“Sci-fi narratives are very compelling to me - imagining stories and persons, objects and creatures from other planets, VR realities, or star systems. Digital technologies and image gathering help reveal these worlds and continue a line of artistic questioning and layering until I get work that exists in a 3D - an interactive and physically relational element, creating viewer interconnectivity....revealing worlds and selves that might be hidden beneath historical and preconceived notions of what something is to invite the question of what something could be.”

Creation process

For Smith, every object, person or memory is informed by a cultural landscape, made of images, lived experiences, memories, gestures, and sound. He playfully offers the range of possibility within these experiences by bending, folding, and layering textiles with digital, sonic, found, and created images. The resulting works are referential and unfamiliar, creating a discombobulating effect for the viewer, whether a soft sculpture, a sound score or a performance.

Collections

Residencies

Textiles Arts Center, New York, NY, 2019
Marble House Project, Dorset, VT, 2018
Socrates Sculpture Park, Queens, NY, 2017
Franconia Sculpture Park, Shafer, MN, 2016
Apex Art International Fellow, New Zealand, 2015

Solo exhibitions

Cloudminders, Geary Contemporary, NY, 2019
Cave Dwellers, Spring / Break Art Fair, NY, 2019
Soft Bodies, Halsey McKay Gallery, East Hampton, 2018
Under the Surface, LMAK Gallery, New York, NY, 2018
Sampler, Planthouse Gallery, New York, NY, 2018
The Unseen, Halsey McKay Gallery, NY, NY, 2016
Extruded Daydream, Spring / Break Art Show, NY, 2016
Seeing Backwards, Calico Gallery, Brooklyn, NY, 2015

Group exhibitions

Textile Biennial, Museum Rijswijk, Netherlands, 2019
Psychedelic Healing Center, Essex Flowers, New York, NY, 2019
The Socrates Annual, Socrates Sculpture Park, Queens, NY, 2017
In Search of Lost Time, International Center of Photography, Manhattan, NY, 2017
Thread by Thread, LMAK Gallery, New York, NY 2017
Olympia’s Eyes, Zevitas Marcus Gallery, Los Angeles, CA, 2016
Mi Casa, Tu Casa, Johannes Vogt Gallery, New York, 2016
reMap 4, Athens, Greece, 2013
Fuel for the Fire, Zwirner Gallery, New York, NY, 2012
Fall Collection, MoMa PS1, Queens, New York, 2009
Waterways, Venice, Italy, 2005

Art fairs

NADA Miami, Halsey McKay Gallery, 2019
Dallas Art Fair, Halsey McKay Gallery, 2017
Art Brussels, Johannes Vogt Gallery, 2016

References

^ Museum, Rijswijk (November 11, 2019). "2019 Textile Biennial". Rijswijk Museum. Retrieved November 11, 2019.
^ Johnson, Paddy (March 7, 2019). "Spring Break 2019's Best Booths Reveal the Art Fairs Offbeat Heart". Observer. Retrieved November 11, 2019.
^ Green, Chris (March 3, 2016). "Springbreak Too Many Cooks in the Post Office". Art Fag City. Retrieved November 11, 2019.
^ Shi, Diana (July 2, 2016). "AI Dreamgirls and Digital Shrimp Cocktails Color This Post-Internet Group Show". VICE. Retrieved November 11, 2019.
^ Cunningham, Bill (March 4, 2016). "On The Street - Bill Cunningham, Art Rules". New York Times. Retrieved November 11, 2019.
^ Cooper Cafritz, Peggy (2018). Fired Up! Ready to Go!: Finding Beauty, Demanding Equity: An African American Life in Art. The Collections of Peggy Cooper Cafritz. Rizzoli. pp. https://www.rizzoliusa.com/book/9780847860586/. ISBN 978-0-8478-6058-6.

[1] Museum, Rijswijk (November 11, 2019). "2019 Textile Biennial". Rijswijk Museum. Retrieved November 11, 2019.

[2] Johnson, Paddy (March 7, 2019). "Spring Break 2019's Best Booths Reveal the Art Fairs Offbeat Heart". Observer. Retrieved November 11, 2019.

[3] Green, Chris (March 3, 2016). "Springbreak Too Many Cooks in the Post Office". Art Fag City. Retrieved November 11, 2019.

[4] Shi, Diana (July 2, 2016). "AI Dreamgirls and Digital Shrimp Cocktails Color This Post-Internet Group Show". VICE. Retrieved November 11, 2019.

[5] Cunningham, Bill (March 4, 2016). "On The Street - Bill Cunningham, Art Rules". New York Times. Retrieved November 11, 2019.

[6] Cooper Cafritz, Peggy (2018). Fired Up! Ready to Go!: Finding Beauty, Demanding Equity: An African American Life in Art. The Collections of Peggy Cooper Cafritz. Rizzoli. pp. https://www.rizzoliusa.com/book/9780847860586/. ISBN 978-0-8478-6058-6.

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