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Dave Greber

From Wikipedia, the free encyclopedia
Dave Greber
Born (1982-10-02) October 2, 1982 (age 42)
Philadelphia, Pennsylvania, United States
EducationTulane University
Temple University
Websitewww.thesculpted.com

Dave Greber (born October 2, 1982) is an American digital artist and installation artist known for his digital animations and Video installations.[1][2][3] His work explores the relationship between the natural world, mysticism and contemporary modes of communication.[4][5][6]

Career

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Greber began exhibiting video installations and sculptures as a member of New Orleans–based art collective The Front in 2009.[7][8] His work was featured in Prospect 1.5, part of the Prospect New Orleans triennial, curated by Dan Cameron.[9][10] In historic French Quarter site, Madame Johns Legacy, he constructed a 4-channel video installation relating tarot card divination and the international television show Deal or No Deal.[11][12] C24 Gallery's inaugural exhibition, "Double Crescent: Art from Istanbul and New Orleans,” featured an installation by Greber, curated by Prospect New Orleans founder Dan Cameron.[13] The show included both emerging artists and established artists from New Orleans and Istanbul, in 9,000-square-foot space at 514 West 24th Street, Chelsea, NYC.[14] Greber exhibited solo shows featuring video installations and objects with the Arthur Roger Gallery in New Orleans: Stilllives, Peekaboo, Still Brothy and 7000-Day Candles.[15][16]

A single-channel piece by Greber was featured in Lorna Mills' Ways of Something, a collection of one-minute videos by 113 web-based artists compiled and curated by Mills and released in March 2015. It is a contemporary remake of John Berger’s BBC documentary Ways of Seeing (1972). The resulting piece was collected and featured as part of the Whitney Museum's exhibition of video work, Dreamlands: Immersive Cinema and Art, 1905–2016.[17]

State of the Art, Crystal Bridges Museum of American Art’s national survey of artists, featured Greber's large-scale video installations. The exhibit toured extensively around the southern United States following its inaugural exhibit in Bentonville, AK.[18][19] His solo exhibition The Casebearer was presented at The Ogden Museum of Southern Art.[20][21] Greber's art Stilllives II: Vignette was featured in an exhibition at the Minneapolis Institute of Art.[22]

Greber was commissioned by the MTA Arts & Design to create Skyyys, a 52-channel video installation which played throughout the Fulton Center Transportation Hub, in New York City from July 2018 to March 2019.[23][24][25] It won the Silver Apex award at the Digital Signage Expo in 2019, which recognizes achievement in the installation of digital displays and interactive technology.[26][27]

References

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  1. ^ "Book of Rocks, Flowers and Birds and Precious Horshes". The Advocate. November 2010. Retrieved 2023-02-10.
  2. ^ Cameron, Dan (2011-03-17). "Roving Eye: A Tale of Two Cities". Art in America. Retrieved 2023-02-10.
  3. ^ "Troy Dugas and Dave Greber in Oxford American's 100 Under 100: The New Superstars of Southern Art". Arthur Roger Gallery. 2012-03-16. Retrieved 2023-02-09.
  4. ^ Peacock, Leslie Newell (2014-08-05). "More about 'State of the Art' coming to Crystal Bridges". Arkansas Times. Retrieved 2023-02-10.
  5. ^ "Artist, alumnus creates a whimsical world". Tulane News. Retrieved 2023-02-09.
  6. ^ "Artist Profile: Dave Greber". Rhizome. 2 November 2011. Retrieved 2023-02-10.
  7. ^ Correspondent, Lawrence Toppman Arts. "What's America's 'State of the Art'? This show wants to tell you". charlotteobserver. Retrieved 2023-02-10. {{cite web}}: |last= has generic name (help)
  8. ^ Stillman, Nick (2012). ""Spaces: Antenna, the Front, Good Children Gallery"". Artforum. Vol. 50, no. 9. ISSN 0004-3532. Retrieved 2023-02-09.
  9. ^ Vetrocq, Marcia E. (2011-01-04). "Homepage New Orleans Prospects". ARTnews.com. Retrieved 2023-02-09.
  10. ^ d'Addario, John (2011-07-07). "Videos by Dave Greber: Life, The Universe and Everything". Hyperallergic. Retrieved 2023-02-09.
  11. ^ "Watch The Latest Digital Art Piece Running On NYC Fulton Center's Digital Signage Network". Sixteen:Nine. 2018-07-12. Retrieved 2023-02-10.
  12. ^ "Homepage New Orleans Prospects". Art in America. 2011-01-04. Retrieved 2023-02-10.
  13. ^ "Exploring the Given Reality with Dave Greber". Crystal Bridges Museum of American Art. 2014-10-21. Retrieved 2023-02-10.
  14. ^ Boucher, Brian (2011-07-12). "Young Turks Take Chelsea". ARTnews.com. Retrieved 2023-02-11.
  15. ^ Combs, Marianne (19 February 2016). "Not a fan of contemporary art? See this show". www.mprnews.org. Retrieved 2023-02-10.
  16. ^ Bomb, Pelican (14 July 2015). "Forest Bathing™ Dispatch: On the Appalachian Trail". Pelican Bomb. Retrieved 2023-02-10.
  17. ^ "2016: The Year According to Paul Soulellis". walkerart.org. Retrieved 2023-02-11.
  18. ^ "State of the Art at Crystal Bridges: Pure Pop for Now People". Glasstire. 2014-09-12. Retrieved 2023-02-10.
  19. ^ Bomb, Pelican (15 March 2012). "A Pumpkin Pencil for the Soul: The Video Art of Dave Greber". Pelican Bomb. Retrieved 2023-02-10.
  20. ^ "Strange Things: Dave Greber at The Ogden". www.neworleansreview.org. Retrieved 2023-02-10.
  21. ^ "Online exhibition and event programme 'A Structure Envisioned For Changing Circumstances' curated by Maija Rudovska". Echo Gone Wrong. 2022-02-19. Retrieved 2023-02-10.
  22. ^ "Not a fan of contemporary art? See this show". MPR News. 19 February 2016. Retrieved 2023-02-09.
  23. ^ "Last chance to see "remarkable" installations at Dashboard Co-Op's "COSMS"". ARTS ATL. 2014-03-04. Retrieved 2023-02-10.
  24. ^ "Artist, alumnus creates a whimsical world". Tulane News. Retrieved 2023-02-09.
  25. ^ Bomb, Pelican (29 October 2018). "For What Public: Dave Greber at Fulton Center". Pelican Bomb. Retrieved 2023-02-10.
  26. ^ "Community-Supported Art: New Orleans Arts Org Brings a Locavore Model to Collecting | BLOUIN ARTINFO". www.blouinartinfo.com. Retrieved 2023-02-10.
  27. ^ Bookhardt, D. Eric. "Spaces: Antenna, Front & Good Children at the CAC". Retrieved 2023-02-10.
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