D.I.Y. (song)
| "D.I.Y." | ||||
|---|---|---|---|---|
 Original 1978 UK vinyl single | ||||
| Single by Peter Gabriel | ||||
| from the album Peter Gabriel (Scratch) | ||||
| B-side | "Perspective" | |||
| Released | 12 May 1978[1] | |||
| Studio | Relight Studios, Hilvarenbeek, The Netherlands The Hit Factory, New York | |||
| Genre | ||||
| Length | 2:37 | |||
| Label | Charisma Records | |||
| Songwriter(s) | Peter Gabriel | |||
| Producer(s) | Robert Fripp | |||
| Peter Gabriel singles chronology | ||||
| ||||
"D.I.Y." is a song written and recorded by English musician Peter Gabriel. It was included on his 1978 self-titled solo album and was released as a single in May with "Perspective" as a B-side, although it failed to chart.
A re-recorded version of "D.I.Y." was issued by Charisma Records in September 1978 with both "Mother Of Violence" and "Me And My Teddy Bear" as the B-side; this single fared no better than the original. The re-recording of "D.I.Y.", which featured horns and an additional chorus, was later included on the 2019 compilation album Flotsam and Jetsam.[3][4] The D.I.Y. acronym stands for do it yourself, which at the time echoed the prevailing attitude of self-sufficiency in the UK.[5] Peter Christopherson created the single artwork.[3]
Background
[edit]Gabriel wrote "D.I.Y." as a response to some of the emerging bands at the time, including the Sex Pistols. Rather than faithfully emulate the stylistic choices of these artists, Gabriel instead opted to capture the spirit of this music through an acoustic arrangement.[6] "D.I.Y." possesses a mid-tempo arrangement with accompaniment of drums, a chapman stick, acoustic guitar, mandolin, and piano, the latter of which plays a series of ascending chromatic scales at various points throughout the song.[4]
While certain musical arrangements on Gabriel's 1978 eponymous release were developed by his backing band, Gabriel had already created the primary riff for "D.I.Y." prior to the song's formal presentation to the rest of the band.[6] The chorus consists of the repetition of the song title, with an additional processed voice spelling out the acronym "do it yourself".[4]
Steve Taylor of Smash Hits reported that Gabriel and Robert Fripp engaged in "serious arguments" over the direction of "D.I.Y."[7] Gabriel expressed some disappointment with the song's vocals, believing that they were not as light as he had hoped. He attributed this to the creative choices of Fripp, who aimed for rawer production and encouraged Gabriel to utilise some vocal takes that were tracked early on in the recording process.[8]
In NME, Nick Kent commented that "D.I.Y. seem[ed] destined to sink without a trace only three weeks after its release" in the UK, although Gabriel said that he "still believe[d] in D.I.Y. commercially" despite this.[9] He also told the Liverpool Daily Post that he was surprised about the single's lack of success, saying that he and the record company originally thought that "D.I.Y." was an "obvious single, but not many people agreed."[10]
In a 1979 interview with International Musician and Recording World, Gabriel denied that the song was about his departure from Genesis.[11] Rather, he said that the lyrics partially pertained to the idea that people who lack autonomy are bereft of fulfillment and satisfaction.[6] He stated that the song was about encouraging others to take initiative to actualize more optimal outcomes. "One has responsibility for a lot more than most people are prepared to accept. I believe in small groups of people having a lot more control over themselves than they do in the present."[8]
Critical reception and analysis
[edit]The Chicago Sun-Times thought that "D.I.Y." was one of the few highlights on Gabriel's 1978 eponymous release.[12] Rolling Stone was also complimentary of the song, labeling it as a "good rock number".[13] The Rolling Stone Album Guide described the song as "a paean to self-produced punk" that was "especially prescient in the post-Napster world."[14] Robert Christgau of The Village Voice earmarked "D.I.Y." as a "hard-rock landmark in a hard-rock year."[15] NME noted the song's "potent" snare drum and "exquisite chord sequence complimenting the rhythm."[16] Paste and The Guardian included the song on their lists of the greatest Peter Gabriel songs, with the latter deeming it a "crisp new-wave stomper".[17][18]
In his book Without Frontiers: The Life and Music of Peter Gabriel, author Daryl Easlea favorably compared D.I.Y. to Gabriel's lead single from his debut album, "Solsbury Hill", adding that it was "another plea for independence" that evoked "the do it yourself ethos of the new wave movement".[19] However, author Graeme Scarfe was more critical, saying that the song "lacks the charm of 'Solsbury Hill'".[5] In a concert review for Gabriel's 1978 tour, the Derby Telegraph identified punk influences in "D.I.Y." and felt that the song was a musical departure from "Solsbury Hill".[20]
Track listing
[edit]- Original 7" single
- "D.I.Y." – 2:37
- "Perspective" – 5:07[3]
- 7" Reissue
- "D.I.Y." (re-recorded single version) – 2:53
- "Mother of Violence" (single mix) – 3:15
- "Teddy Bear" – 2:17[3]
Personnel
[edit]- Peter Gabriel – vocals, piano
- Sid McGinnis – acoustic guitar, mandolin
- Todd Cochran – keyboards
- Tony Levin – Chapman stick
- Jerry Marotta – drums
References
[edit]- ^ "Music Week" (PDF). p. 9.
- ^ Reed, Ryan (19 July 2013). "Peter Gabriel Albums From Worst To Best". Stereogum. Retrieved 4 July 2024.
- ^ a b c d "D.I.Y." PeterGabriel.com. Retrieved 19 March 2024.
- ^ a b c Bowman, Durrell (2 September 2016). Experiencing Peter Gabriel: A Listener's Companion. Lanham, Maryland: Rowman & Littlefield. pp. 64–65. ISBN 9781442252004.
- ^ a b Scarfe, Graeme (2021). Peter Gabriel: Every Album, Every Song. United Kingdom: SonicBond. p. 18. ISBN 978-1-78952-138-2.
- ^ a b c Clarke, Steve (20 January 1979). "The Technology of Being Gabriel". New Musical Express. p. 23. Retrieved 21 March 2024.
- ^ Taylor, Steve (26 June 1980). "Fame Without Frontiers". Smash Hits. p. 33. Retrieved 7 September 2024.
- ^ a b Bright, Spencer (1988). Peter Gabriel: An Authorized Biography. London, UK: Sidgwick & Jackson. pp. 89–90. ISBN 0-283-99498-3.
- ^ Kent, Nick (10 June 1978). "Gabriel: The Image Gets a Tweak". NME. p. 32. Retrieved 1 June 2024 – via The Genesis Archive.
- ^ Easton, Phil (17 June 1978). "Peter Airs His Head..." Liverpool Daily Post. Retrieved 1 June 2024 – via The Genesis Archive.
- ^ Sweeting, Adam (January 1979). "Peter Gabriel - Past, Present and Future". International Musician and Recording World. p. 38. Retrieved 22 March 2024.
- ^ DeRogatis, Jim (4 July 1993). "A Solo Discography". HighBeam Research. Archived from the original on 19 November 2018. Retrieved 22 March 2024.
- ^ Marsh, Dave (26 July 2001). "Peter Gabriel [2]". Rolling Stone. Retrieved 22 March 2024.
- ^ Considine, J. D. (2004). "Peter Gabriel". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 319–20. ISBN 0-7432-0169-8.
- ^ Christgau, Robert (4 September 1978). "Christgau's Consumer Guide". The Village Voice. Retrieved 22 March 2024.
- ^ Clark, Steve (25 August 1978). "Through the Dark, Brightly". New Musical Express. Retrieved 16 August 2024 – via The Genesis Archive.
- ^ Steiner, Andy (4 October 2023). "The 20 Greatest Peter Gabriel Songs of All Time". Paste. Retrieved 20 June 2024.
- ^ Doran, John (2 November 2016). "Peter Gabriel – 10 of the best". The Guardian. ISSN 0261-3077. Retrieved 16 August 2024.
- ^ Easlea, Daryl (2014). Without Frontiers: The Life and Music of Peter Gabriel. London, UK: Omnibus Press. pp. 176–177. ISBN 978-1-4683-0964-5.
- ^ Brooks, Sue (25 August 1978). "Gabriel Glows in Great Hall". Derby Telegraph. Retrieved 14 August 2024 – via The Genesis Archive.