Clean Break (theatre company)
Clean Break is a women's theatre company based in London, focused on telling the stories of imprisoned women.
History
[edit]Clean Break was started in 1979 by prisoners at HMP Askham Grange,[1] who expanded the prison's annual Christmas show into Efemera, a two-hour show about prison life. It was later performed for a two-night run at York Arts Centre, which made its 21 cast members the first British prisoners to perform onstage outside of a prison.[2] Upon their release, founders Jenny Hicks and Jackie Holboroug formed the theatre company, Clean Break, in order to tell the stories of women in prison.[3][4]
In 1998 the company moved from its base in Camden to a refurbished building in Kentish Town.[5][6]
Productions
[edit]Productions include Sam Holcroft's Dancing Bears at the Soho Theatre,[7] Little on the inside by Alice Birch at the Edinburgh Festival Fringe 2014,[8] and Pests by Vivienne Franzmann (a co-production with Royal Court Theatre and Royal Exchange Theatre).[citation needed]
[BLANK], a play by Alice Birch, premiered at the Donmar Warehouse in October 2019.[9]
In 2019 Inside Bitch was performed at Theatre Upstairs at The Royal Court Theatre.[10]
In 2021, Typical Girls by Morgan Lloyd Malcolm ran at Sheffield Theatres,[11] and in 2022 Favour by Ambreen Razia premiered at Bush Theatre.[12]
Clean Break's first co-production with the National Theatre, Dixon and Daughters by Deborah Bruce, premiered in April 2023.[13]
Residencies
[edit]The company also organises residencies in women's prisons in the UK, using directors, playwrights, and actors to work with women in prison to create their own work.[citation needed]
The playwright Lucy Kirkwood was writer in residence at Clean Break in 2015.[14]
Recognition
[edit]Clean Break trustee Alice Millest was named Young Board Member of the Year at the 2014 Arts & Business Awards.[15]
Clean Break were shortlisted for the Guardian Charity of the Year Awards in 2014[6] and received a Highly Commended Award from the Longford Trust.[16]
References
[edit]- ^ Gardner, Lyn (8 November 2010). "Clean Break and the invisible women | Stage". The Guardian. Retrieved 10 February 2015.
- ^ Trueman, Matt (26 February 2019). "'A world to escape into': how theatre gives prisoners a way out". The Guardian. ISSN 0261-3077. Retrieved 18 June 2020.
- ^ Joseph, Naomi (8 July 2014). "Working with women: Clean Break". Arts Professional. Retrieved 10 February 2015.
- ^ "Clean Break". Arts Council. 1 October 2009. Archived from the original on 10 February 2015. Retrieved 10 February 2015.
- ^ Perman, Lucy (13 March 2013). "Restorative theatre: working inside out with prisons and offenders | Culture professionals network". The Guardian. Retrieved 10 February 2015.
- ^ a b "Charity Awards 2014 - shortlist | Voluntary Sector Network". The Guardian. 1 October 2014. Retrieved 10 February 2015.
- ^ Bowie-Sell, Daisy. "Charged, Clean Break, Soho Theatre, review". The Daily Telegraph. London. ISSN 0307-1235. OCLC 49632006. Retrieved 10 February 2015.
- ^ "Little on the Inside, Almeida Theatre". Everything Theatre. 1 August 2013.
- ^ "Production – Donmar Warehouse". www.donmarwarehouse.com. Retrieved 13 May 2019.
- ^ Billington, Rachel (29 March 2019). "Bitching drama – insidetime & insideinformation". Retrieved 18 June 2020.
- ^ "Review: Typical Girls –'Energetic and empathetic, punk-tinged gig-theatre'". The Stage.
- ^ Razia, Ambreen (30 June 2022). "Playwright Ambreen Razia: Why do we never hear stories about working-class South Asian women?". Independent.co.uk.
- ^ Akbar, Arifa (26 April 2023). "Dixon and Daughters review – comic domestic noir reveals grim shadows". The Guardian. ISSN 0261-3077. Retrieved 12 June 2023.
- ^ "Lucy Kirkwood". Playscripts, Inc. 2015. Archived from the original on 17 May 2022. Retrieved 10 February 2015.
- ^ Millest, Alice (2015). "Alice Millest & Clean Break | Arts & Business". artsandbusiness.bitc.org.uk. Retrieved 10 February 2015.
- ^ "Longford Trust - Longford Prize Winner: Prisoners' Advice Service (PAS)". longfordtrust.org. 22 November 2012. Archived from the original on 10 November 2014. Retrieved 10 February 2015.