Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action
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Outstanding Achievement in Sound Mixing for a Motion Picture – Animated
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- Ford v Ferrari – Steven A. Morrow production mixer, David Giammarco & Paul Massey, re-recording mixers; Tyson Lozensky, scoring mixer; David Betancourt, adr mixer; Richard Duarte, foley mixer
- The Irishman – Tod Maitland, production mixer; Tom Fleischman & Eugene Gearty, re-recording mixers; Mark DeSimone, adr mixer; George A. Lara, foley mixer
- Joker – Tod Maitland production mixer; Tom Ozanich & Dean Zupancic re-recording mixers; Daniel Kresco, scoring mixer; Thomas J. O’Connell, adr mixer; Richard Duarte, foley mixer
- Once Upon a Time in Hollywood – Mark Ulano, production mixer; Christian Minkler & Michael Minkler, re-recording mixers; Kyle Rochlin foley mixer
- Rocketman – John Hayes, production mixer; Mathew Collinge & Mike Prestwood Smith, re-recording mixers; Mark Appleby, adr mixer; Glen Gathard, foley mixer
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- Toy Story 4 – Doc Kane, original dialogue mixer; Nathan Nance & Michael Semanick, re-recording mixers; David Bouche, scoring mixer; Vince Caro, adr mixer; Scott Curtis, foley mixer
- Abominable – Tighe Sheldon, original dialogue mixer; Myron Nettinga, re-recording mixer; Nick Wollage, scoring mixer; David Jobe, foley mixer
- Frozen II – Paul McGrath, original dialogue mixer; David E. Fluhr, Gabriel Guy & re-recording mixers; David Boucher, song mixer; Greg Hayes, scoring mixer; Doc Kane, adr mixer; Scott Curtis, foley mixer
- How to Train Your Dragon: The Hidden World – Tighe Sheldon, original dialogue mixer; Scott R. Lewis, Shawn Murphy, Gary Rizzo, re-recording mixer; Blake Collins, foley mixer
- The Lion King – Ron Judkins, original dialogue mixer; Christopher Boyes & Lora Hirschberg, re-recording mixers; Alan Meyerson, scoring mixer; Blake Collins foley mixer
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Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary
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Outstanding Achievement in Sound Mixing for a Television Movie or Mini-Series
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- Making Waves: The Art of Cinematic Sound – David J. Turner, production mixer; Tom Myers, re-recording mixer; Dan Blanck, scoring mixer; Frank Rinella, adr mixer
- Apollo 11 – Eric Milano & Brian Eimer, re-recording mixers
- Echo in the Canyon – John Rampey, production mixer; Chris Jenkins & Paul Karpinski, re-recording mixers; Dave Way, music mixer
- Miles Davis: Birth of the Cool – Gautam Choudury, production mixer; Benny Mouthon, re-recording mixer
- Woodstock: Three Days That Defined a Generation – Kevin Peters, re-recording mixer; Ryan Collison, foley mixer
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- Chernobyl – Vincent Piponnier, production mixer; Stuart Hilliker, re-recording mixer; Gibran Farrah, adr mixer; Philip Clements, foley mixer (Episode: "1:23:45") (HBO)
- Apollo: Missions to the Moon – John Warrin, re-recording mixer; John W. Chapman, scoring mixer (Nat Geo)
- Deadwood: The Movie – Geoffrey Patterson, production mixer; John W. Cook II & William Freesh, re-recording mixers (HBO)
- El Camino: A Breaking Bad Movie – Phillip W. Palmer, production mixer; Larry Benjamin & Kevin Valentine, re-recording mixers; Greg Hayes, scoring mixer; Chris Navarro, adr mixer; Stacey Michaels, foley mixer (Netflix)
- True Detective – Geoffrey Patterson, production mixer; Tateum Kohut & Greg Orloff, re-recording mixers; Biff Dawes, scoring mixer; Chris Navarro, adr mixer; Nerses Gezalyan, foley mixer (Episode: "The Great War and Modern Memory") (HBO)
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Outstanding Achievement in Sound Mixing for Television Series – One Hour
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Outstanding Achievement in Sound Mixing for Television Series – Half Hour
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- Game of Thrones – Daniel Crowley, Ronan Hill & Simon Kerr, production mixers; Onnalee Blank & Matthew Waters, re-recording mixers; Brett Voss, foley mixer (Episode: "The Bells") (HBO)
- The Handmaid's Tale – Sylvain Arseneault, production mixer; Joe Morrow & Lou Solakofski, re-recording mixers; Scott Smith & Adam Taylor, scoring mixers; Andrea Rusch, adr mixer; Kevin Schultz, foley mixer (Episode: "Heroic") (Hulu)
- Peaky Blinders – Stu Wright, production mixer; Nigel Heath & Brad Rees, re-recording mixers; Jimmy Robertson, scoring mixer; Oliver Brierley, adr mixer; Ciaran Smith, foley mixer (Episode: "Mr. Jones" (Netflix)
- Stranger Things – Michael Rayle, production mixer; Will Files & Mark Paterson, re-recording mixers; Hector Carlos Ramirez, scoring mixer; Bill Higley, adr mixer; Peter Persuad, foley mixer (Episode: "Chapter Eight: The Battle of Starcourt") (Netflix)
- Tom Clancy's Jack Ryan – Michael Barosky (production mixer; Daniel Leahy, Steve Pederson & re-recording mixers; Benjamin Darier, adr mixer; Brett Voss, foley mixer (Episode: "Persona Non Grata") (Amazon)
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- Barry – Benjamin Patrick, production mixer; Elmo Ponsdomenech & Jason “Frenchie” Gaya, re-recording mixers; Aaron Hasson, adr mixer; John Sanacore, foley mixer (Episode: "ronny/lily") (HBO)
- Fleabag – Christian Bourne, production mixer; David Drake, re-recording mixer; James Gregory, adr mixer (Episode: Episode 6") (Amazon)
- Modern Family – Stephen Tibbo, production mixer; Dean Okrand & Brian Harman, re-recording mixers; Matt Hovland, adr mixer; David Torres, foley mixer (Episode: "A Year of Birthdays") (ABC)
- Russian Doll – Phil Rosati, production mixer; Lewis Goldstein & Thomas Ryan, re-recording mixers; Jerrell Suelto, adr mixer; Wen Hsuan-Tseng, foley mixer (Episode: "The Way Out") (HBO)
- Veep – William F. MacPherson, production mixer; John W. Cook II & William Freesh, re-recording mixers; Scott Sheppard, scoring mixer; Jesse Dodd, adr mixer; Mike Marino, foley mixer (Episode: "Veep") (HBO)
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Outstanding Achievement in Sound Mixing for Television Non Fiction, Variety or Music – Series or Specials
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- David Bowie: Finding Fame – Sean O’Neil, production mixer; Greg Gettens, re-recording mixer
- Country Music: Will the Circle Be Unbroken? (1968-1972) – Jacob Feinberg & William Tzouris, production mixers; Martyn Zub, re-recording mixer
- Deadliest Catch – Bob Bronow re-recording mixer (Episode: "Sixty Foot Monster")
- Formula 1: Drive to Survive – Nick Fry, Steve Speed & James Evans, re-recording mixers (Episode: "The Next Generation")
- Hitsville: The Making of Motown – Pete Orlanski, production mixer; Richard Kondal, re-recording mixer; Eduard Zemliano, foley mixer
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