Cihanoğlu family
The Cihanoğlu family is a Turkish family that established dominance around Aydın in the 18th century, when the central government weakened and regional feudal lordships came to the fore in the Ottoman Empire. The name translates as "son of Cihan".
History
[edit]The Cihanoğlu were a powerful and wealthy derebey family that dominated the Aydın Güzelhisarı and Koçarlı regions in the 18th and 19th centuries.[1][2]
The family traces its origin to Mehmet Bey. Returning from the siege of Rhodes, Suleiman the Magnificent passed with his army through this area, which was inhabited by a Turkish tribe numbering about 250 people. They were hospital to Suleiman and he allowed them to build a fortification there. Mehmet Bey, a member of the local tribe who had fought with Suleiman, produced a son, who was named Cihan, the founder of the family of the Cihanoğlu (i.e. "the sons of Cihan).[3][4]
The family made important contributions to the Ottoman architectural landscape.[5] An important feature that draws attention as a hallmark in the family's 18th century works is that they pioneered Turkish baroque architecture. Indeed, the baroque style, which would become a part of the architectural landscape with the works of the Balyan family in Istanbul only 70–80 years later, in the mid- 19th century, was applied in Aydın by the Cihanoğlu long before. They are credited with the introduction in Anatolia of the new Ottoman taste of art (infused with Western influences, especially from Baroque and Rococo).[6]
They built the Tower of Koçarlι in Koçarlι in the early 1760s, one of three towers of the Aydın Province. They did so to protect their interests in the area. They built Cincin Castle (built by Abdul Aziz Cihanoğlu in the 18th century), in Turkish Cincin Kalesi, in the village of the same name.[7][3] They built the Cihanoğlu Mosque.[8][9] The structure, called Cihanoğlu Complex, consists of the mosque, a madrasa, a tomb-sabil and a fountain.[10] It was built in 1756–57, and is considered one of the brightest examples of Ottoman baroque.[10]
They commissioned two mosques in Cincin. One has a mihrab closely resembling Guarino Guarini's Altar of San Lorenzo.[6] One of the mosques they built has a mihrab encircled by spiral columns in Bernini's style.[11]
References
[edit]- ^ Turkey. Eski Eserler ve Müzeler Genel Müdürlüğü (1987). IX. Kazı, Araştırma ve Arkeometri Sempozyumu bildiri özetleri: 6-10 Nisan 1987, Ankara. T.C. Kültür ve Turizm Bakanlığı, Eski Eserler ve Müzeler Genel Müdürlüğü. p. 55.
- ^ Türkiye Ekonomik ve Toplumsal Tarih Vakfı (1998). Osmanlı'dan Cumhuriyet'e problemler, araştırmalar, tartışmalar 1. Uluslararası Tarih Kongresi, 24-26 Mayıs, 1993, Ankara. Türkiye Ekonomik ve Toplumsal Tarih Vakfı. ISBN 978-975-333-068-8.
- ^ a b "Cincin Castle". Castles.nl. Archived from the original on 28 August 2021. Retrieved 28 August 2021.
- ^ Türkiye Ekonomik ve Toplumsal Tarih Vakfı (1998). Osmanlı'dan Cumhuriyet'e problemler, araştırmalar, tartışmalar 1. Uluslararası Tarih Kongresi, 24-26 Mayıs, 1993, Ankara. Türkiye Ekonomik ve Toplumsal Tarih Vakfı. ISBN 978-975-333-068-8.
- ^ Reşat Kasaba; Suraiya Faroqhi; Kate Fleet; Suraiya N. Faroqhi (2006). Kunt, I. Metin; Fleet, Kate; Kasaba, Suraiya N. Faroqhi, Reşat (eds.). The Cambridge History of Turkey. Cambridge University Press. p. 532. ISBN 978-0-521-62095-6.
- ^ a b Museum With No Frontiers (2007). Discover Islamic Art in the Mediterranean. Museum With No Frontiers. ISBN 978-9953-36-957-0.
- ^ "Cihanoğlu Tower". Castles.nl. Archived from the original on 28 August 2021. Retrieved 28 August 2021.
- ^ Metin Sözen; İlhan Akşit (1987). The Evolution of Turkish Art and Architecture. Haşet Kitabevi.
- ^ Arel, Ayda (2002). Bir şehr-i ruşenâbâd, kâr-ı anka bir bender Tanzimat öncesi İzmir sanatında yeni yönelimler. İzmir Büyükşehir Belediyesi Kültür Yayını. p. 39. ISBN 978-975-18-0064-0.
- ^ a b M. BAHA TANMAN. "CİHANOĞLU KÜLLİYESİ". İslâm Ansiklopedisi. Archived from the original on 28 August 2021. Retrieved 28 August 2021.
- ^ Liskar, Elisabeth (1984). Akten des XXV. Internationalen Kongresses für Kunstgeschichte: Europa und die Kunst des Islam, 15. bis 18. Jahrhundert. Böhlau. ISBN 978-3-205-06385-8.
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