Carl Fischer Music
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| Founded | 1872 |
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| Founder | Carl Fischer |
| Country of origin | United States |
| Headquarters location | 48 Wall Street, 28th Floor, New York City, New York, 10043 |
| Publication types | Sheet music |
| Official website | www |
Carl Fischer Music is a sheet music publisher. It was founded in 1872 in the East Village neighborhood of New York City as a musical instrument repair shop. Except for a brief period in the early 1930s, it has always been the family-owned business of the Fischer-Connor family.
In 2013, the company moved to the Wall Street area.
They publish both performance and educational music for students, teachers, and virtuosos.
Carl Fischer's composers and editors give clinics and sessions nationally. The company claims to serve more than 2,000 retailers around the world.[1]
History
[edit]1870s into the 20th century
[edit]In 1872, Carl Fischer opened his musical instrument repair shop in the East Village neighborhood of New York City. After noticing that many of his customers were searching for instrumental arrangements of well-known works that didn't exist, Fischer began creating and reproducing arrangements, which led him into the music publishing business. Carl Fischer became the preeminent publisher of music for concert band composers such as Percy Grainger and John Philip Sousa, as well as the transcriptions of Erik W. G. Leidzén and Mayhew Lake.
Carl Fischer was also a musical instrument dealer; from the 1890s to 1914 he imported wooden flutes made by Emil Rittershausen (Berlin, Germany). During this early period, Carl Fisher was also the sole U.S. agent for Besson instruments but also imported stenciled brass instruments from Courtois, Alexander, and Bohland & Fuchs.[2] In 1910, Fischer won the importation rights for woodwinds manufactured by Buffet-Crampon of France. In 1929, the C.G. Conn Ltd. corporation acquired the musical instrument department from the company, maintaining the Carl Fischer retail operations as a consortium between Conn and the music publisher under the Carl Fischer name. Instruments from various manufacturers of the period were sold under the Carl Fischer House brand.
As the company grew and diversified, Fischer's three sons joined the team: Carl, Jr., Walter S., and George. In 1924, Carl Fischer Music was invited to be a member of ASCAP, adding the company's publications to an established network of artists and composers. The company continued to grow, necessitating the building of Carl Fischer's new headquarters in 1926, located in Cooper Square, Manhattan. This building housed administrative offices and a retail store. {{Citation needed|date=July 2023}}
1930s and 1940s
[edit]Walter S. Fischer succeeded his father as President of Carl Fischer Music in 1923.
In 1930, National Broadcast Company (NBC) bought Leo Feist, Inc., the largest music publisher of the time, and Carl Fischer, Inc. They operated semi-autonomously within an NBC-owned holding company, Radio Music Company.[3]
In 1932, the Fischer and Feist families bought back their interests from NBC, taking the two companies private again.[3]
In 1939, Walter S. Fischer's son-in-law, Frank Hayden Connor, became his assistant.
Classical music had been a part of the company's catalog starting in the 1920s, it was the 1930s and 1940s that were marked by the significant contributions of works and arrangements from well-established classical music figures such as Mischa Elman, Jascha Heifetz, Charlotte Ruegger, and Joseph Szigeti. The company also holds copyright to The U.S. Air Force Song.
Connor became the president of the company and opened Carl Fischer's second retail location, which also housed a concert hall at 165 West 57th Street in midtown Manhattan. This five-story building was the largest music store in New York City until it was sold in 1959. In 1940, the company acquired the York Band Instrument Company for $300,000. Production at the York facility was switched over to munitions during World War II, after which the York brand subsequently down-scaled their production to budget lines of instruments provided by various suppliers.
The 1950s through the 1970s
[edit]Notable additions to the catalog during the 1950s, 1960s, and 1970s include significant works by Howard Hanson, Norman Dello Joio, Lukas Foss, Peter Mennin, Douglas Moore, and Anton Webern. During this period, Carl Fischer Music represented Oxford University Press, Paterson's of London, Henle Verlag of Germany, Cundy-Bettoney, Eastman School of Music (containing music by then-director Howard Hanson), the Fillmore Music catalog (containing Henry Fillmore's marches), and the Charles Foley catalog (containing the compositions of Fritz Kreisler).
1980s and 1990s
[edit]Walter Fischer Connor became president and chairman of the board, as well as chairman of Boosey and Hawkes, a British music publishing company, for a short time. During this time, Carl Fischer Music developed the Rack Sense program, the first sophisticated computerized system for stocking music stores with high-turnover print music products. Composer Andrew Balent created the Sounds Spectacular series for bands, a forerunner in the area of music for young bands. It was also during this period that Carl Fischer Music began to publish the works of fast-rising composers such as Henry Brant, Michael Colgrass, Sebastian Currier, Jason Eckardt, Daron Hagen, Lee Hyla, Martin Bresnick, David Carlson, Paul Lansky, Daniel S. Godfrey, Samuel Jones, and David Maslanka. In 1999, F. Hayden Connor, the great-grandson of founder Carl Fischer, became chairman, and music publishing icon Sandy Feldstein was hired to lead the firm into the 21st century. Carl Fischer Music moved its corporate headquarters to the landmark Bayard-Condict Building in the NoHo neighborhood of Greenwich Village.
2000s–present day
[edit]
The 2000s saw the launch of the Performance Series for school concert band and string orchestra. The Series features original works and arrangements organized by grade level for directors' ease of use. In 2008, BriLee Music joined the Carl Fischer choral catalog. Carl Fischer Music continues to release enhanced editions of essential methods, such as the Wohlfahrt Violin Studies and the Rose Studies for Flute and Clarinet.
In 2011, former TMEA president and active educator Denise Eaton joined the editorial team as choral editor.[4] Carl Fischer Music is under the leadership of CEO Sonya Kim. In 2013 the Carl Fischer Music administrative offices moved to 48 Wall Street.
References
[edit]- ^ "About Us". www.carlfischer.com. Retrieved 2022-07-23.
- ^ Dundas, R. J. (1986). Twentieth Century Brass Musical Instruments in the United States. Queen City Brass Publications. p. 27. ISBN 0-9617093-0-8.
- ^ a b "2 MUSIC PUBLISHERS QUIT RADIO MERGER; Carl Fischer, Inc., and Leo Feist, Inc., Effect Transfer of Stock Ownership. PLAN HELD IMPRACTICABLE Firms Had Functioned for 2 Years as Units in Radio Music Company, N.B.C. Subsidiary". The New York Times. 1932-01-30. ISSN 0362-4331. Retrieved 2024-05-27.
- ^ "Denise Eaton". Music for All Choir. Retrieved 2022-07-23.