Bulat-Batır
| Bulat-Batır | |
|---|---|
 | |
| Directed by | Yuri Tarich Vladimir Korsh-Sablin |
| Written by | Natan Zarhi Abdraxman Şakirov |
| Starring | Vasiliy Yaroslavtsev Ada Vojtsik Ivan Klyukvin Galina Kravchenko |
| Cinematography | Grigori Giber, N. Sokolov, Vladimir Solodnikov (II) |
| Distributed by | Sovkino Tatkino |
Release date |
|
| Country | Soviet Union |
| Languages | - = Silent film Russian intertitles Tatar intertitles |
Bulat-Batır or Bulat-batyr (Russian: Була́т-Баты́р, Tatar: بولات باتر) is a 1928 silent historical drama film, believed to be the first Tatar film and probably the only Tatar full-length feature silent film. The film was shot mostly in Kazan, and the Kazan Kremlin was one of its stills. The film is devoted to the Pugachev rebellion and its alternative names include Pugachyovshchina (Russian: Пугачёвщина), Flames on Volga and Revolt in Kazan.[1]
The story was written by Abdraxman Şakirov, a young Communist from Agryz and the script was written by Natan Zarhi, a Soviet scenario writer.
Plot
[edit]In the 18th century, a small Tatar village celebrates the Sabantuy festival. Orthodox monks accompanied by soldiers appear to forcibly baptize the population of the village. Locals resist and soldiers commit a punitive action. The wife of peasant Bulat is killed by soldiers, his son Asfan is carried off. Bulat stays alone with another son, Asma. 15 years after Bulat and Asma joined the Pugachev rebellion and Bulat became famous as a defender of paupers. But his son Asfan, who was reared among nobles, received a commission and led a punitive force directed to suppress a rebellion in his motherland.
Cast
[edit]- Vasiliy Yaroslavtsev as Bulat-Batır
- Ada Vojtsik as Asma
- Ivan Klyukvin as Asfan
- Galina Kravchenko as Elena von Brandt
- Naum Rogozhin as von Kanits
- Ivan Arkanov as Suleiman Murza
- Nikolai Vitovtov as Derzhavin
- Alexandr Zhukov as Timur
- Boris Yurtsev as Murat
- Eduard Kulganek as general Potyomkin, second cousin of Catherine II's favorite Grigory Potemkin
- Mstislav Kotelnikov as Beloborodov, emissary of Pugachov
- Tatyana Barysheva as genius of victory
- Kayum Pozdnyakov
- Lev Ivanov as Kayum
- Stepan Borisov as Yemelyan Pugachev
Critical reception
[edit]![[icon]](/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (March 2009) |
It is known that after the premiere in Germany one White émigré Antonov-Ivanov attempted to burn a copy of the film in the "Concordia" cinema as a sign of protest against "Bolshevik Propaganda".[2]
The film received a positive review from The New York Times praising it for the authentic atmosphere.[3] Bryher praised the scenery and the cinematography.[1]
See also
[edit]References
[edit]- ^ a b Bryher (1922). Film Problems Of Soviet Russia. Riant Chateau TERRITET Switzerland. pp. 109–111.
- ^ "Beginning of December. Berlin". No. 50. Kino. 11 December 1928. Archived from the original on 23 March 2016. Retrieved 13 June 2021.
{{cite magazine}}: Cite magazine requires|magazine=(help) - ^ "TARTARS' REVOLT SHOWN.; "Flames on Volga" a Vivid Picture of Catherine the Great's Days". The New York Times.
External links
[edit]- Bulat-Batır at IMDb
- (in Russian) Кино-Театр.РУ
- (in Russian) "Республика Татарстан". Восемьдесят ярких страниц истории
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