Jump to content

Boarding House Blues

From Wikipedia, the free encyclopedia
Boarding House Blues
Original film poster
Directed byJosh Binney
Written byHal Seeger (writer)
Produced byE.M. Glucksman (producer)
StarringSee below
CinematographySydney Zucker
Production
company
Release date
  • 1948 (1948)
Running time
90 minutes
CountryUnited States
LanguageEnglish

Boarding House Blues is a 1948 American musical race film directed by Josh Binney[1][2][3] which featured the first starring film role by Moms Mabley. It was the penultimate feature film of All-American News, a company that made newsreels about black Americans.[4][5]

Premise

[edit]

Mom (Moms Mabley) runs a boarding house for struggling entertainers,[6][7] similar to the situation decades earlier when Mabley had lived in a boarding house for black entertainers in Buffalo, New York.[8]

When the boarding house is threatened with closure and all the tenants evicted due to non-payments, everyone gets together to put on a show to raise the money needed to save Mom and their home.[9] The plot functions as a showcase[8] for performance and comedy sketches and in the end enough money is raised to fend off the landlord.[6]

Legacy

[edit]

The film was the first starring role for Mabley and showcased her "vaudeville-circuit comedy and captured her signature stances and expressions."[10] The film was also one of the early iterations of Mabley's "Moms" persona.[11]

In 1994, the National Film Theatre in London featured the film in their "A Separate Cinema" season, which focused on the pioneers of black cinema in the United States.[12] The film was cited as an example of "subversive" low budget black cinema in the 1940s.[12]

In 2022, the American Film Institute showed the film as part of the institute's "NYC's Postwar Film Renaissance" series.[13]

Cast

[edit]

Soundtrack

[edit]
  • John Mason and Company – "Gimme"
  • The Berry Brothers – "You'll Never Know" (Written by Harry Warren, lyrics by Mack Gordon)
  • Una Mae Carlisle – "Throw It out of Your Mind" (Written by Louis Armstrong and Billy Kyle)
  • Una Mae Carlisle – "It Ain't Like That" (Written by Hot Lips Page)
  • Stump and Stumpy[15] – "We've Got Rhythm to Spare"
  • Paul Breckenridge with Lucky Millinder band "We Slumber"
  • Anistine Allen with Lucky Millinder band – "Let It Roll"
  • Bull Moose Jackson with Lucky Millinder band – "Yes I Do"

Notes

[edit]
  1. ^ African American Films Through 1959: A Comprehensive, Illustrated Filmography by Larry Richards, McFarland, 1998, page 258.
  2. ^ Astor Pictures: A Filmography and History of the Reissue King, 1933-1965 by Michael R. Pitts, McFarland, 2019, page 45.
  3. ^ "AFI|Catalog". catalog.afi.com.
  4. ^ "With All-American News (Sorted by Popularity Ascending)". IMDb.
  5. ^ pp. 3–4 Moon, Spencer Reel Black Talk: A Sourcebook of 50 American Filmmakers Greenwood Publishing Group, 1997
  6. ^ a b On the Real Side: A History of African American Comedy by Mel Watkins, Chicago Review Press, 1999.
  7. ^ "Documentary offers look at early black films". The Jackson Sun. 1990-06-08. p. 37. Retrieved 2023-06-20 – via Newspapers.com.
  8. ^ a b Icons of African American Comedy by Eddie Tafoya, ABC-CLIO, 2011, page 20.
  9. ^ "Boarding House Blues" (archived), Black Film Archive.
  10. ^ Beyond Blaxploitation by Novotny Lawrence, Wayne State University Press, 2016.
  11. ^ Cracking Up Black Feminist Comedy in the Twentieth and Twenty-First Century United States by Katelyn Hale Wood, University of Iowa Press, 2021, page 33.
  12. ^ a b "Homage to films noirs: David Robinson selects highlights from an NFT season celebrating the Pioneers of black American cinema" The Times, pp. 37, issue. 64952, 1994.
  13. ^ "NYC's Postwar Film Renaissance," American Film Institute, accessed July 9, 2022.
  14. ^ Icons of African American Comedy. Abc-Clio. 2 June 2011. ISBN 9780313380853.
  15. ^ a b c d e "A few early black films still survive". The News Journal. 1990-06-22. p. 74. Retrieved 2023-06-20.
[edit]