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Bibi Zogbé

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Bibi Zogbé
Born
Labibé Zogbé

1890
Lebanon
Died1973
EducationCollège de la Sainte Famille, Beirut
MovementArab modernist art

Bibi Zogbé (1890 – 1973) was a Lebanese-born painter based in Buenos Aires, Argentina best known for her depiction of wild flora. Nicknamed “La Pintura de Flores,” or “the flower painter” in Spanish, she often painted heavily symbolic still lifes as well as portraits. She traveled widely and painted during trips to Dakar, Beirut, and Paris, as well as exhibited her work in Chile, Brazil, Cuba and the United States.[1] Though she received relatively little recognition during her lifetime, she has begun to receive new attention as a figure in the twentieth-century Arab and Lebanese modernist art movements.[2][3][4][5][6]

Early life in Lebanon and settlement in Argentina

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Zogbé was born as Labibé Zogbé in 1890 to a wealthy Lebanese family. She grew up in the small coastal Lebanese town of Sahel Alma. Her father became the ambassador of Lebanon in Argentina, which had welcomed a small but significant population of migrants of Lebanese origin from 1887 onwards.[7][8][9] While growing up in Lebanon, Zogbé attended a local Catholic school and later the Sainte Famille College in Beirut, where she received a French education.[4]

In 1906, when Zogbé was sixteen years old, she left Lebanon for a marriage that her parents had arranged for her in Argentina. She married Domingo Samaja, a wealthy Lebanese-Argentinian immigrant.[10] She legally divorced him in the early 1930s and never remarried.[7] Though the marriage did not last, she reportedly cultivated an enduring love of art during the many trips she took with Samaja to Paris.

As an adult, Zogbé settled permanently in Buenos Aires. By this time, Argentina hosted a substantial population of people Lebanese origin – a population that numbered 148,270 people in 1926.[11] Members of this community developed a distinct Lebanese-Argentine cultural identity,[12] even while many retained, like Zogbé, a firm connection to Lebanon.[2][12]

Career

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Zogbé began to exhibit her work in Argentinian galleries starting in the 1930s. Her first solo exhibition occurred in 1934 at the Whitcomb Gallery in Buenos Aires. She later held shows at the Charpentier Gallery in Paris in 1935 and another show in Chile in 1939.[5] She also exhibited in Rio de Janeiro, Brazil and in Uruguay.[13] At the time, Lebanese artwork was heavily influenced by French impressionism, Spanish modernism, and German expressionism. Zogbé drew inspiration from these styles in her oil paintings. She returned to Beirut for an extended stay in 1947, during which time the Lebanese government sponsored articles on three artists including Zogbé,[10] and gained success in the local market. During this period, her art featured in a solo show at the Cénacle Libanais, an esteemed literary salon attended by prominent Lebanese intellectuals.[4][14]

Zogbé was able to travel frequently because she had resources as well as a lack of family commitments. She did much of her painting while traveling.[5]

Artistic style and content

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Zogbé, who painted in the medium of oil, became known in some circles as “La Pintura de Flores,” meaning “the flower painter,” because she so often depicted wild flowers and plants, including cacti, chrysanthemums, hydrangeas, and on at least one occasion, a Japanese apple tree.[5] Although she produced most of her work in Argentina, she focused often on colorful plant life native to Lebanon.[4] She also traveled to West Africa. In addition, Zogbé painted a few figurative paintings such as “Bahias,” showing a mother carrying her son, and “Femme aux Fleurs,” a portrait which pictures a woman surrounded by flowers.[15] The time she spent in Dakar inspired paintings such as “A Village in Senegal.”[7] Zogbé's modernist style contrasted with classical and European styles, and may have reflected the fact her art education was largely self-taught.[5] The art auction house Christies described her style as "avant-garde."[4]

Reputation and legacy

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In 1947, Lebanon funded publications about three national artists, and Zogbé was the only woman featured.[5] Later that year, she was awarded the Lebanese Cedar Medallion of Excellence for her artistic efforts.[3][5] In the twenty-first century, Zogbé began to receive more recognition as a pioneering Lebanese woman artist and painter in the Arab modernist style, with her works prized for their vivid colors and for their "double meanings" or symbolism.[5] In 2022, the Beirut gallery, Galerie Tanit, hosted a new exhibit of her art, while in recent years museums in Lebanon have also put her work on display.[16] Zogbé has also inspired other artists, such as Swiss-born Lebanese fashion designer Sandra Mansour. In 2022, Mansour incorporated some of her floral patterns in her fashion line, Fleur du Soleil, for H&M.[17]

References

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  1. ^ Wolf, Caroline Olivia. "Temas y trayectorias internacionales de Bibi Zogbé en la prensa argentina", in Colores del alma. El legado de Bibí Zogbé. Buenos Aires, Argentina: Fundación Bibi Zogbé, 2024. ISBN 978-631-90656-0-2.
  2. ^ a b Wolf, Caroline Olivia (2022). Transnational Traces in the Espigas Repository: Bibí Zogbé’s Artistic Production and Early Critical Reception at the Galerías Witcomb (1934–1937) / Huellas transnacionales en el acervo de Espigas: la producción artística y recepción crítica temprana de Bibí Zogbé en las Galerías Witcomb (1934-1937) (in Spanish and English). Buenos Aires, Argentina: Cuadernos series, vol.2, no. 6, Fundacion Espigas. ISBN 978-987-1398-51-5.
  3. ^ a b Bibí Zogbé: Pintora de Flores [Bibí Zogbé: Painter of Flowers] (in Spanish and English) (edited by Virginia Agote, with texts by Virginia Agote and Eduardo Peñaforte. ed.). San Juan, Argentina: Museo Provincial de Bellas Artes Franklin Rawson. 2012.
  4. ^ a b c d e Zogbé, Bibi (2015). "Crisantemos". Christies. Retrieved December 5, 2022.
  5. ^ a b c d e f g h "Bibi Zogbé: The Flower Painter - AramcoWorld". www.aramcoworld.com. Retrieved 2022-12-05.
  6. ^ Colores del alma. El legado de Bibi Zogbe [Colors of the soul. The legacy of Bibí Zogbé.] (in Spanish) (Exhibition catalog, edited by curator Yamila Valieras, with texts by Virginia Agote, Emanuel Díaz Ruíz, Victor G. Fernandez, Nesrin Karavar, Jorge Marun, Yamila Valeiras, Roberto J. Vilella, and Olivia Wolf. ed.). Buenos Aires, Argentina: Fundación Bibí Zogbé. 2024. ISBN 978-631-90656-0-2.
  7. ^ a b c Ayad, Myrna (2021-05-01). "Remembering Bibi Zogbe: 'La Pintora de las Flores', who holds pride of place in the canon of Modern Arab art". The National. Retrieved 2022-12-05.
  8. ^ Hourani, Albert; Shehadi, Nadim, eds. (1982). The Lebanese in the World: A Century of Emigration. London: I.B. Tauris.
  9. ^ Harfouch, Nabil (1978). The Lebanese in the World. Beirut: Documents and Censuses, Vol. III. p. 49.
  10. ^ a b Barakat, Saleh (April 29, 2021). "Her Homeland in Many Ways was Her Garden of Eden". The National. Retrieved December 12, 2022.
  11. ^ Humphrey, Michael (2004). Lebanese Identities: Between Cities, Nations and Trans-Nations. Arab Studies Quarterly 26, no. 1. pp. 31–36.
  12. ^ a b Kemp, Bianca (June 6, 2016). "Ethnicity Homegrown: How the Lebanese-Argentines in Buenos Aires Construct Ethnicity". American University in Cairo, Master's Thesis. – via AUC Knowledge Fountain.
  13. ^ Zaidan Gallery (2022-01-17). "01 Painting, Middle East Artists, Bibi Zogbé, with Footnotes, #41". Zaidan Gallery. Retrieved 2022-12-05.
  14. ^ Shehadi, Nadim (1987). The idea of Lebanon : economy and state in the Cénacle Libanais 1946-54. Oxford: Centre for Lebanese Studies. ISBN 1-870552-04-0. OCLC 20179626.
  15. ^ "BIBI ZOGBÉ - Artists". Dalloul Art Foundation. Retrieved 2022-12-05.
  16. ^ "Galerie Tanit, Beirut, Beirut, Lebanon". www.mutualart.com. Retrieved 2022-12-05.
  17. ^ "H&M Collaborates With Beirut-Based Designer, Sandra Mansour, For A Feminine Collection Dedicated To The Love Of Nature". markets.businessinsider.com. Retrieved 2022-12-13.

[1]

  1. ^ Wolf, Caroline Olivia (2022). Transnational Traces in the Espigas Repository: Bibí Zogbé’s Artistic Production and Early Critical Reception at the Galerías Witcomb (1934–1937) / Huellas transnacionales en el acervo de Espigas: la producción artística y recepción crítica temprana de Bibí Zogbé en las Galerías Witcomb (1934-1937) (in Spanish and English). Buenos Aires, Argentina: Fundacion Espigas, Cuadernos series. ISBN 978-987-1398-51-5.
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