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Beauty of Loulan

From Wikipedia, the free encyclopedia
The "Beauty of Loulan" (also "Beauty of Krorän"). Museum exhibit and detail of the face, Xinjiang Museum.[1][2]
The mummy was excavated at the eastern end of the Tarim Basin, in Loulan.

The Beauty of Loulan (楼兰美女), also Beauty of Krorän or Loulan Beauty, is the preserved dead body of a woman who lived around 1800 BC in the Xinjiang region of China. Due to her excellent state of conservation, she is one of the most famous Tarim mummies.

Exceptionally well-preserved by the elements, the body was discovered in 1980 by Chinese archaeologists alongside several other mummies. The body is not of Chinese appearance, leading to the popular belief that the woman was of Uyghur origin. The government of China barred study of the mummies, but samples were smuggled out of the country and tested to find evidence of European ancestry in 1993. These findings were corroborated by further studies by Chinese researchers in 2007 and 2009. The mummy has since been displayed in museums.

Discovery

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Loulan Beauty from Tiebanhe Riverside (about 3800 years ago).

The mummy was found on April 1, 1980, in the Tiebanhe cemetery (铁板河墓) near Loulan, on the Silk Road in the Xinjiang, by Chinese archaeologist Mu Shunying (穆舜英) and members of the Archaeological Institute of the Xinjiang Academy of Social Sciences. She is one of the Tarim mummies, named after where they were found, the Tarim Basin.[3]

For many years, the Chinese government forbade the testing of the mummy's DNA, due to fears that it would aid Uyghur nationalists.[4] In 1993, Victor H. Mair and Italian geneticist Paolo Francalacci, were able to test some tissue samples, and although the Chinese government confiscated the samples, Mair claims a Chinese scientist later 'slipped in to their hands' as they were leaving. They concluded that the Loulan Beauty's ancestry came from Europe. Later, in 2007 and 2009, scientists from China's Jilin University and Fudan University both tested samples and corroborated the findings, suggesting that her ancestors may have traveled to Xinjiang through Siberia. Following the conclusion that the body is not Uighur, the Chinese government allowed the Loulan Beauty to be displayed in museums.[3]

In 1980, her likeness was reconstructed by a Japanese painter named Yamaguchi Terunari (山本耀也), and displayed besides her in the museum. As of 2008, the mummy is displayed on the second floor of the Xinjiang Museum, "Mummy Hall"(古尸馆). The Chinese government has not allowed further access to the mummies by scientists outside China.[4]

Description

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Portrait

The mummy is wrapped in a wool cloth, cowhide leather, and linen. She is wearing leather shoes. There were several items made out of clay and some grain found nearby.

Unlike Egyptian mummies, which were preserved on purpose, the Loulan Beauty and other Tarim mummies were preserved unintentionally. The Loulan Beauty was buried near a salt lake in the desert, where the arid and dry conditions preserved even the finer details of her face, such as her eyelashes.[3]

The woman is estimated to have been in her 40s at the time of her death.[3] The body is 152–155 cm in stature, and her blood type was O[citation needed].

On examination by researchers, her shoes and clothing had been worn out and fixed repeatedly.[3] Her hair was infested with lice.[3] She had inhaled a great amount of sand, dust, and charcoal and she may have died of lung problems.[3] She lived around 1800 BC.[4]

Significance

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Collectively, the Tarim mummies are evidence of settlement in East Asia by people with European genetic markers far earlier than previously believed. In his 2007 paper on the mummies, Jin Li, a scientist at Fudan University also claimed to find evidence of South and East Asian genetic markers among the set, although Victor H. Mair disputes this finding. Elizabeth Wayland Barber examined the cloth fabrics preserved with the mummies and argued that they show ties to the Caucasus and even Scotland.[4]

See also

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References

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  1. ^ Anderson, Matthew (2012). "The "Silk Roads" in Time and Space: Migrations, Motifs, and Materials" (PDF). Sino-Platonic Papers: 96–97.
  2. ^ "Beauty of Kroran (Book description)".
  3. ^ a b c d e f g Barbara Demick (November 21, 2010). "A beauty that was government's beast". The Washington Post.
  4. ^ a b c d Gilles Sabrie (November 18, 2008). "The Dead Tell a Tale China Doesn't Care to Listen To". The New York Times.
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