Battle of Yesil Kol Nor
Appearance
Battle of Yesil Kol Nor | |||||||
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Part of the Revolt of the Altishahr Khojas | |||||||
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Belligerents | |||||||
Qing dynasty | Altishahr Khojas | ||||||
Commanders and leaders | |||||||
Fude Arigun |
Khwāja-i Jahān Burhān al-Dīn | ||||||
Strength | |||||||
10,000 infantry 10 zamburaks 20 cannons | 10,000 infantry | ||||||
Casualties and losses | |||||||
400 |
2,000 surrendered many dead and wounded |
The Battle of Yesil Kol Nor (Chinese: 伊西洱庫爾淖爾之戰) is an 18th-century war painting created by Chinese court painters and European Jesuits. It was commissioned by the Qianlong Emperor of the Chinese Qing dynasty as part of an order of 16 large battle paintings (8 metres wide by 4 metres tall) to commemorate battles that took place in Qurman, in modern-day Tajikistan in February 1759. The battles resulted in the Qing Empire successfully regaining control of Xinjiang from the Turks who had occupied the province following the ousting of the Dzungar people from the region by Qing forces.[1]
References
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