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Barrelhouse Buck McFarland

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Barrelhouse Buck McFarland
Birth nameThomas F. McFarland
Born(1903-09-16)September 16, 1903
Alton, Illinois, United States
DiedApril 8, 1962(1962-04-08) (aged 58)
Alton, Illinois, United States
GenresBlues, boogie-woogie
Occupation(s)Pianist, singer, composer
InstrumentPiano
Years active1920s–1962
LabelsParamount, Decca, Folkways, Delmark

Thomas F. McFarland (September 16, 1903 – April 8, 1962), known professionally as Barrelhouse Buck McFarland was an American blues and boogie-woogie pianist, singer and composer.[1] He first recorded material in the early 1930s, but had to wait until three decades later, before providing his 'barrelhouse' swan song.

Life and career

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He was born in Alton, Illinois, United States, the son of William Henry and Elizabeth "Lizzie" McFarland, as one of 12 siblings.[2]

He moved with his family to St. Louis, Missouri, before World War I,[3] and then to Detroit, Michigan, in 1951.[2] In his youth, McFarland learned to play the piano and often provided the entertainment at his mother's house parties. His ability was enhanced by mixing with itinerant pianists passing through St. Louis, and playing in a number of local clubs, particularly at Johnny Pegg's Club on Biddle Street. He subsequently toured the South with the Georgia Smart Set Show.[3] His first recording took place in Grafton, Wisconsin, probably in November 1929, which resulted in two tracks being issued the following year.[4] These were "St. Louis Fire Blues" and "On Your Way", which were released on Paramount Records. On the disc he was billed as Buck McFarland.[5] Spotted in 1934 by the musician and talent scout, Charley Jordan, McFarland recorded two sides, "I Got to Go Blues" and "Lamp Post Blues", on August 20, 1934, in Chicago, which were released by Decca Records that year. Three other tracks he recorded around that time were unissued.[3][6] He sang in a reflective manner and used a more percussive barrelhouse piano playing style than his contemporaries.[1] On the 1934 recordings, McFarland played the piano and sang in a gruffer, deeper voice than before, and was accompanied by Peetie Wheatstraw on guitar, Lem Johnson (clarinet), plus an unknown fiddle player.[1][5] The recordings were not a commercial success and further opportunities to record were then left unfulfilled, due to effects of the Great Depression.[3]

McFarland was not recorded throughout the rest of that decade, nor in the 1940s and 1950s,[7] but as interest in blues music started to grow again in the late 1950s, in the so-called American folk music revival, agents were despatched to try to seek out those musicians, who were still alive and capable of performing. In February 1957, Bob Koester was informed that McFarland was still around St. Louis. With help from fellow St. Louis Jazz Club member Charlie O’Brien, they managed to track McFarland down, when he was visiting relatives in his birthplace of Alton.[8] McFarland cut his session for Folkways Records, under the production of Sam Charters.[6] In 1962, Backcountry Barrelhouse was released as a seven track cassette.[9] Charters commented in the collection's liner notes that McFarland's piano playing had a rural charm, dubbing it "backcountry", and noted that McFarland had remained faithful to the classic barrelhouse style from decades earlier.[10] However, the recording was equally noted for the fact that the piano was out-of-tune,[11] and the overall sound had "noticeable warble from the tape".[4]

On August 6, 1961, McFarland got another opportunity to record. He performed with just his voice and piano accompaniment, in the same gutsy, outgoing and tough style, as was reminiscent of true "barrelhouse".[7][12] Alton Blues, which was re-released on CD in 2007, contained pieces such as "Alton Blues", "Mercy Blues", and "I Got to Go Blues", which one reviewer commented "all sound like rewrites of 'St. Louis Fire Blues'". Several cuts, including "So Long Buck", were in a similar manner to the earlier "On Your Way", and utilised a 16-bar blues formula, but instead of the more usual dominant toward the end of the progression, "there is one and a half bars of the submediant (vi)". Several reviewers commented Alton Blues had the best sound of all his recordings.[4]

Before McFarland had any chance to capitalise, he died eight months after the recording, on April 8, 1962.[1]

Legacy

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Early tracks by McFarland were reissued on several compilation albums, including The Blues Box - Country Blues (1968), The Blues in St. Louis, 1929-1937 (1969), and Barrel House Piano (2009).[13][14] In 2009, Wolf Records released a compilation album, Barrel House Piano, which included 18 tracks by Speckled Red and five by McFarland. All of the barrelhouse recordings were from 1929 to 1938, and originally recorded in either Chicago or Aurora, Illinois.[15]

Discography

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Singles

[edit]
Year Title (A-side / B-side) Record label Credited to
1930 "St Louis Fire Blues" / "On Your Way" Paramount Records Buck McFarland
1934 "I Got to Go Blues" / "Lamp Post Blues" Decca Records Barrel House Buck

[16][17]

Albums

[edit]
Year Title Record label Credited to
1961 Backcountry Barrelhouse Folkways Records Barrelhouse Buck
1961 Alton Blues Delmark Records (released on CD in 2007) Barrelhouse Buck McFarland

[10][8]

Selected compilation albums

[edit]
Year Title Record label Credited to
2009 Barrel House Piano Wolf Records Speckled Red & Barrel House Buck McFarland

[15]

See also

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References

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  1. ^ a b c d "Barrelhouse Buck McFarland | Biography & History". AllMusic. Retrieved March 20, 2021.
  2. ^ a b Eagle, Bob L.; LeBlanc, Eric S. (1 May 2013). Blues: A Regional Experience. ABC-CLIO. pp. 134/5. ISBN 9780313344244. Retrieved March 20, 2021 – via Google Books.
  3. ^ a b c d Silvester, Peter J. (July 29, 2009). The Story of Boogie-Woogie: A Left Hand Like God. Scarecrow Press. p. 141. ISBN 9780810869332. Retrieved March 20, 2021 – via Google Books.
  4. ^ a b c "'Barrelhouse' Buck McFarland". Pianobluesreview.com. Retrieved March 20, 2021.
  5. ^ a b "Katherine C.McDavid, Barrelhouse Buck McFarland, Keghouse, Arthur McKay – St. Louis Piano Styles (1925-1937) (Complete Recordings) (1989, Vinyl)". Discogs.com. Retrieved March 20, 2021.
  6. ^ a b D'Souza, Ajay. "Barrelhouse Buck McFarland | Big Road Blues". Sundayblues.org. Retrieved March 20, 2021.
  7. ^ a b "Alton Blues - Barrelhouse Buck McFarland | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved March 20, 2021.
  8. ^ a b "Barrelhouse Buck McFarland - Alton Blues". Delmark.com. 25 June 2018. Retrieved March 20, 2021.
  9. ^ "Backcountry Barrelhouse - Barrelhouse Buck | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved March 20, 2021.
  10. ^ a b "Barrelhouse Buck : Backcountry Blues". Folkways.si.edu. Retrieved March 20, 2021.
  11. ^ Colin Larkin, ed. (1995). The Guinness Who's Who of Blues (Second ed.). Guinness Publishing. p. 24. ISBN 0-85112-673-1.
  12. ^ "Barrelhouse Buck McFarland – Alton Blues (2007, CD)". Discogs.com. Retrieved March 20, 2021.
  13. ^ "Illustrated Speckled Red discography". Wirz.de. Retrieved March 20, 2021.
  14. ^ "Illustrated Kokomo Arnold discography". Wirz.de. Retrieved March 20, 2021.
  15. ^ a b "Speckled Red & Barrel House Buck McFarland - Barrel House Piano 1929 - 1938". Wolfrec.com. 26 March 2020. Retrieved March 20, 2021.
  16. ^ "Decca matrix C 9321. I got to go blues / Buck McFarland - Discography of American Historical Recordings". Adp.library.ucsb.edu. Retrieved March 20, 2021.
  17. ^ "Decca 7013 : Barrel House Buck : I Got To Go Blues". Bluesimages.com. Retrieved March 20, 2021.
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