Jump to content

Barbara Mor

Edit links
From Wikipedia, the free encyclopedia

Barbara Mor (October 3, 1936 — January 24, 2015)[1] was an American poet, editor, and Feminist of the twentieth-century Goddess movement. She became most widely known for The Great Cosmic Mother, a cross-disciplinary study that cites numerous archaeological, anthropological, historical and mythological texts and artifacts as evidence of women's role as creators and first practitioners of humanity's earliest religious and cultural belief systems. She was published by Athena Press, WomanSpirit, Second Porcupine Press, Harper & Row, and The Oliver Arts & Open Press. Her poetry was included in Fired Up with You : Poems of a Niagara Vision, edited by the poet Will inman (Border Press 1977)

Beat origins

[edit]

Attracted by the Beat Movement of the late 1950s and early 1960s, Mor lived and wrote in the Santa Cruz Mountains, Baja California, and Los Angeles before settling in San Diego to attend San Diego State University, where she became deeply involved with the Feminist Movement. She taught poetry, gave readings and lectures, and helped compile and edit a variety of poetry anthologies, as well as being Poetry Editor for WomanSpirit magazine.[2]

Early work

[edit]

Mor spent the mid-1970s in Taos, New Mexico. During this period she wrote and published three volumes of poetry, Bitter Root Rituals in WomanSpirit 1975, Mother Tongue 1977, and Winter Ditch (Second Porcupine Press, 1982).[3]

The Great Cosmic Mother

[edit]

When Mor published The Great Cosmic Mother in 1987, the book met with immediate critical acclaim. It has never been out of print and remains on the curricula of many college and university Women's Studies and Mythology programs.[4][5] It was considered an important reference books for students who studying ancient history and religion by the School Library Journal.[4]

Mor's original and preferred title for the book was 'The First God',[6] but her choice was over-ruled by publisher Harper & Row. The book began as a short pamphlet written in the 1970s by Monica Sjöö, a Swedish artist, writer, and feminist. Mor and Sjöö, having learned of one another through WomanSpirit magazine, collaborated in expanding the pamphlet to an 80-page small book, which was published by Rainbow Press, in Trondheim, Norway, in 1981. However, after this time Mor dedicated herself, independently, to research, extend, deepen, and expand the book to its present heft of almost 500 pages, this being the volume that was published in 1987 by Harper & Row. Said the publisher at that time, "For this American edition, the book has been completely rewritten and updated by Barbara Mor."

Mor's comprehensive analysis of world mythologies traces the origin of ancient spiritual beliefs, ceremonies, and rituals as related to Women. She argues that the goddess-centered beliefs that dated from humanity's Paleolithic age were violently destroyed and replaced by war-like patriarchal cultures and religions during the rise of agriculture and the erection of the first cities in Sumeria and elsewhere. With the displacement of matriarchy by patriarchy, the foundations of "modernity" were laid down, helping explain the rise of war, the manifestation of the Inquisition, and even the Salem witchcraft trials.[7]

With royalties for The Great Cosmic Mother late in coming, Mor attempted to parley the success of the book into a teaching position, but ultimately could not find even menial work and ended up destitute and homeless for several years.[8] She moved to Portland, Oregon in the 1990s, but her experience of homelessness and poverty in the American southwest even as The Great Cosmic Mother was being taught in colleges throughout the country provided much of the material for her next and last two books The Blue Rental[9] and The Victory of Sex and Metal.[10]

Later work

[edit]

The Blue Rental

[edit]

Mor's years as a self-described "bag lady" [8] in the southwest provide the scenery and thematic backdrop to her collection of prose-pieces, The Blue Rental (The Oliver Arts & Open Press, 2011). Most of the narratives included in The Blue Rental take place in Arizona and New Mexico and focus on poverty, violence – particularly against women – and trying to survive in a culture hostile to both poverty and women.[2]

The Victory of Sex & Metal

[edit]

Mor's last finished work, a 60-page long-poem, was posthumously published by The Oliver Arts & Open Press in October, 2015.[11] The poem takes place in an impoverished urban region of the American Southwest and examines the bleak psychological and external and physical landscapes of a destitute young woman and her male partner living hard lives in the ruthless and unforgiving environment of a modern American city.[3]

References

[edit]
  1. ^ Dempsey, Jack; Mor, Barbara (December 2015). "Barbara Mor -- "Relentless Love": Letters 1988-2002 from a Writer's Best Friend". Ancient Lights.
  2. ^ a b Barbara Mor (19 April 2014). "Barbara Mor's "The Blue Rental:" Rooms Outside Hollywood, Hell, USA - The Los Angeles Review of Books". Lareviewofbooks.org. Retrieved 2016-01-13.
  3. ^ a b Mor, Barbara. "The Oliver Arts & Open Press The Victory of sex and Metal". Oliveropenpress.com. Retrieved 2016-01-13.
  4. ^ a b Bettler, Lucia (May 1988). "Sjoo, Monica & Barbara Mor. The Great Cosmic Mother". Book review. School Library Journal. 34 (9): 124 – via EBSCO. This long-awaited reference book is an important addition for students studying women's ancient history and the roots of religion. Sjoo and Mor describe the great spiral of cultural movement that began ``in the beginning . . .with a very female sea, and continued into Neolithic times." They show how our brains have been emptied of women's cultural history, and then they begin to piece together, detail by detail, that history. This does not lend itself to cover-to-cover reading, but it is a worthy book to discover while researching the roots of religion and/or the history of women as creators of culture. Readers will get a varied taste of world symbols, obscure myths, dazzling images, and formidable goddesses which will allow them to see connections that they might otherwise miss in current culture. The black-and-white illustrations include sketches, photographs, and reproductions of Goddess sites worldwide and ancient artifacts and culture. While libraries with women's studies' collections and schools in which students study cultural history will need this book, it is also an engaging book to browse through, and belongs on the shelves of any library.
  5. ^ Monica Sjoo (27 May 1987). The Great Cosmic Mother: Rediscovering the Religion of the Earth. Harper Collins. ISBN 9780062507914. Retrieved 2016-01-13 – via Amazon.ca.
  6. ^ Well, Lisa. "Radical: A Tribute to Barbara Mor". Trivia: Voices of Feminism. Retrieved 11 December 2017.
  7. ^ Larsen, Eric (7 January 2011). "Some Thoughts on The Significance of "The First God" also titled "The Great Cosmic Mother: Rediscovering the Religion of the Earth" (pub. 1987) by Barbara Mor" (PDF). The Oliver Arts & Open Press.
  8. ^ a b Sjöö, Monica; Mor, Barbara (1991). "Preface". The Great Cosmic Mother: Rediscovering the Religion of the Early (2nd ed.). Harper & Row.
  9. ^ "The Blue Rental: Texts". The Oliver Arts & Open Press. 2018. Retrieved 3 January 2018.
  10. ^ "The Victory of sex and Metal". The Oliver Arts & Open Press. Retrieved 2018-01-03.
  11. ^ Barbara Mor; Edgar Garcia (August 2015). THE VICTORY OF SEX AND METAL. Oliver Arts and Open Press. ISBN 9780988334342.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Barbara_Mor&oldid=1217820570"