Bachtiar Siagian
Bachtiar Siagian | |
|---|---|
 Siagian, from Peran Pemuda dalam Kebangkitan Film Indonesia (2009), p147 | |
| Born | 19 February 1923 Binjai, North Sumarta, Indonesia |
| Died | March 19, 2002 (aged 79) |
| Nationality | Indonesian |
| Known for | Film directing and screenwriting |
Bachtiar Siagian (19 February 1923 – 19 March 2002)[1] was an Indonesian film director and scriptwriter, who was "arguably the country's most significant leftist film director and theorist".[2] He was a leading figure of Lembaga Kebudajaan Rakjat (LEKRA),.[3] His film Turang (1957) won the main price at the Indonesian Film Festival in Jakarta in 1960. In 2016 he posthumously received the 'Creator, Pioneer and Innovator Cultural Award' from the Indonesian Ministry of Education and Culture.[4]
Biography
[edit]Siagian was born 19 February 1923 in Binjai, North Sumatra, Indonesia, the son of a railway worker.[5]
In 1950, Siagian joined LEKRA and became an influential member of the Indonesian Communist Party's cultural organisation. His experiences of cinema during the Japanese war convinced him of the political power of film, leading to a deep engagement with Russian cinema. Between 1955 and 1965, he wrote and directed 13 feature films, making him one of the most prolific indigenous Indonesian filmmakers prior to the General Suharto's anti-communist crackdown of 1965. In 1964 Siagian as head the Jakarta Afro-Asian Film Festival executive committee, proclaimed the festival as "not a commercial project, but a tool of the Afro-Asian people for the realisation of their common objectives:" to fight "against cultural penetration of imperialist and colonial forces."[6]
He was shooting a documentary in Tokyo when Suharto claimed power. On returning to Indonesia, he read that authorities were offering cash for his arrest and went into hiding. He was eventually arrested in 1966 and imprisoned without trial for 12 years and not released until December 1977.[7] As a former political prisoner, he was banned from participating in the media but nevertheless wrote various scripts anonymously during this time.
His films, that he often wrote himself, focused on the weak and powerless, providing rare critical insights into society. His often led to clash with authorities and censors as he sought to expose inequalities in society. His film debut in 1955, Kabut Desember (December Mist), "remained until the 1980s the only Indonesian film that treated prostitutes as anything but abject."[3] Daerah Hilang/The Lost Area (1956) that follows 24 hours in life of a released prisoner was heavily censored by the Indonesian government for its socially critical scenes. And in 1961, the PKI leadership tried to stop the circulation of Baja Membara (Burning Steel) because of what they saw as its pro-Islam stance. Despite the renown and acclaim of many of his films the majority of them, and others of other Leftist filmmakers have been lost or destroyed during the New Order regime. [3] Violetta, made in 1962, is the only film of his that survived.[8] The film was restored by the Sinematek in 2013 and screened for the first time post-1965 at the Kinoforum in Jakarta as part of the ARKIPEL - Jakarta International Documentary & Experimental Film Festival in 2015.[9] [10]
The majority of his films, and others of other Leftist filmmakers have been lost or destroyed.[2][3]
Siagian died in Jakarta on 19 March 2002.[2]
Filmography
[edit]| Year | Title | Credited as | ||
|---|---|---|---|---|
| Director | Screenplay/story writer | Cast | ||
| 1955 | Tjorak Dunia / December Mists | Yes | Yes | |
| Kabut Desember | Yes | Yes | ||
| 1956 | Daerah Hilang / The Lost Area | Yes | Yes | |
| Melati Sendja | Yes | Yes | Yes | |
| 1957 | Turang / Beloved | Yes | Yes | |
| 1959 | Sekedjap Mata | Yes | Yes | |
| Iseng | Yes | |||
| 1960 | Piso Surit | Yes | Yes | |
| Darah Tinggi (Dir. Lilik Sudjio) | Yes | |||
| 1961 | Notaris Sulami | Yes | Yes | |
| Memburu Menantu | Yes | |||
| Kamar 13 / Room 13 (Dir. Basuki Effendi) | Yes | |||
| Badja Membara / Burning Steel | Yes | Yes | ||
| 1962 | Violetta | Yes | Yes | |
| 1963 | Kami Bangun Hari Esok | Yes | Yes | |
| 1964 | Njanjian di Lereng Dieng | Yes | Yes | |
| 1965 | Karmapala (unfinished) | Yes | ||
| 1981 | Intan Mendulang Cinta (dir. Djamal Harputra) | Yes | ||
References
[edit]- ^ Bachtiar Siagian (alm), Film Harus Diabdikan bagi Bangsa". Diarsipkan dari versi asli tanggal 2017-03-01. Diakses tanggal 2017-02-28.
- ^ a b c Sen, Krishna (2015-10-12). "Death of a film legacy: remembering Indonesia's Bachtiar Siagian". The Conversation. Retrieved 2023-07-26.
- ^ a b c d Bachtiar Siagian, Indonesian Film Centre https://www.indonesianfilmcenter.com/profil/index/director/6138/bachtiar-siagian
- ^ Mohammad, Films Must Serve The Nation wildanhttps://kebudayaan.kemdikbud.go.id/ditwdb/bachtiar-siagian-alm-film-harus-diabdikan-bagi-bangsa/, October 14, 2016
- ^ Siagian, Bunga, The Disappearing Decade : Agency of Leftist Subject in Indonesian Film History, Asian Film Archive, January 11, 2021
- ^ Elena Razlogova, Cinema in the Spirit of Bandung: The Afro-Asian Film Festival Circuit, 1957-1964, The Cultural Cold War and the Global South, Routledge, 2021, p
- ^ 'Indonesia Frees 10,000 Of 29,791 Political Prisoners', Sarasota Herald-Tribune, 21 Dec 1977, p3
- ^ Siagian, Bunga, The Disappearing Decade : Agency of Leftist Subject in Indonesian Film History, Asian Film Archive, January 11, 2021
- ^ Screening Bachtiar Siagian’s Violetta, (1964), Binus Film, 26 Aug 2015
- ^ 'Curatorial Program Screening on Bachtiar Siagian’s Violetta' Arkipel, 14 Sept 2015
