Jump to content

ArtsEmerson

Add links
From Wikipedia, the free encyclopedia
ArtsEmerson
Emerson Paramount Center
AddressArtsEmerson
120 Boylston Street

Emerson Cutler Majestic Theatre
219 Tremont Street

Paramount Center
559 Washington Street

Boston, Massachusetts
United States
OwnerEmerson College
CapacityEmerson Cutler Majestic Theatre: 1172

Paramount Center:
Robert J. Orchard Stage: 572
Jackie Leibergott Black Box: 125
Bright Family Screening Room: 170
Years active2010 to present
Website
artsemerson.org

ArtsEmerson is a non-profit, professional theater and film presenting and producing organization in Boston, Massachusetts. Based on an idea from Emerson College President Jackie Liebergott and founded in 2010 by theatrical producer Robert Orchard, ArtsEmerson is housed as part of the Office for the Arts at Emerson College's Boston campus. The organization focuses on contemporary world theater and presents or produces theatrical performances, films, and public dialogues across several Emerson College venues and in locations across Greater Boston.[1][2]

History

[edit]

ArtsEmerson’s first season in 2010–11 featured 17 theater productions, 92 films, and four concerts.[2]

Leadership

[edit]

Robert Orchard founded ArtsEmerson and was its first executive director. In 2012, David Dower joined the organization as Director of Artistic Programs. P. Carl joined ArtsEmerson as Creative Director in 2013, having joined the Office of the Arts as Director of HowlRound. In 2015, Robert Orchard shifted to the role of Founder and Creative Consultant and David C. Howse joined as executive director.[3] Also in 2015, David Dower, P. Carl, and David Howse began a "three-legged" leadership period, sharing leadership as two co-Artistic Directors (Dower and Carl) and an executive director (Howse). This partnership which continued until P. Carl's departure in 2017. David Dower departed in 2021. ArtsEmerson is currently under interim leadership of Interim Executive Director of the Office of the Arts & ArtsEmerson Director of Artistic Programming, Ronee Penoi (Laguna Pueblo/Cherokee). Penoi joined ArtsEmerson in 2021.[4] Penoi currently co-leads Office of the Arts with Jamie Gahlon, the Associate Vice President of Office of the Arts and Director of HowlRound.

Recognition

[edit]

ArtsEmerson was named "Boston's Best Theater" by Boston magazine in 2013 and again in 2015.[5] In 2019, WBUR recognized ArtsEmerson as a "A Model For Equity In The Arts", stating, "From its inception, ArtsEmerson has instituted programs at the intersection of civic dialogue and artistic exploration that have expanded its audience and engaged communities that arts organizations have historically ignored."[6]

Theatrical Presentations and Productions

[edit]

2023–24 Season

[edit]
  • Little Amal (The Walk Productions in association with Handspring Puppet Company)[7]
  • We Are the land (Wampanoag Nation)
  • The Book of Life, Hope and Harmony from Rwandan Voices (Volcano Theatre and The Woman Cultural Center)[8]
  • The Real James Bond ... Was Dominican (DNAWORKS)[9]
  • Moby Dick (Plexus Polaire)
  • Duel Reality (The 7 Fingers, U.S. premiere)[10]
  • Mrs. Krishnan's Party (Indian Ink Theatre Company)
  • Book of Mountains and Seas (Huang Ruo and Basil Twist, Produced by Beth Morrison Productions)

2022–23 Season

[edit]

2021–22 Season

[edit]

2020–21 Season

[edit]
  • State vs. Natasha Banina (Arlekin Players Theatre)
  • Stono (Step Afrika!)
  • Julia (Christiane Jatahy)
  • En Masse (Circa)
  • chekhovOS /an experimental game/ (Arlekin's Zero Gravity (ZERO-G) Lab & The Cherry Orchard Festival Foundation)[14]
  • A Brimful of Asha (Why Not Theatre)

2019–20 Season

[edit]

2018–19 Season

[edit]

2017–18 Season

[edit]

2016–17 Season

[edit]

2015–16 Season

[edit]

2014–15 Season

[edit]

2013–14 Season

[edit]
  • Columbinus (American Theater Company)
  • Baritones Unbound (Marc Kudisch and Friends)
  • Kiss & Cry (Charleroi Danses)
  • Waiting for Godot (Gare St. Lazare Players and Dublin Theatre Festival)
  • Mies Julie (Farber Foundry)
  • Step Afrika! (Step Afrika!)
  • Sleeping Beauty (Colla Marionette)
  • We Are Proud to Present a Presentation … (Company One)
  • House/Divided (The Builders Association)
  • Red-Eye to Havre de Grace (Lucidity Suitcase Intercontinental)
  • No Place To Go (Ethan Lipton & His Orchestra)
  • Man in a Case (Baryshnikov Productions)
  • A Midsummer Night's Dream (Bristol Old Vic)
  • Not By Bread Alone (Nalaga'at Deaf-Blind Acting Ensemble)[25]
  • Lebensraum (Habitat) (Jakop Ahlbom)
  • The Wholehearted (Stein/Holum Projects)
  • Sontag Reborn (The Builders Association)

2012–13 Season

[edit]

2011–12 Season

[edit]

2010–11 Season

[edit]

Community Engagement

[edit]

Play Reading Book Club

[edit]

With the guidance of a teaching artist, Play Reading Book Club (PRBC) participants read and discuss selected plays from each ArtsEmerson season, over a four-week period. PRBC participants attend the play they have studied, attend a reception and private question and answer session with a creative member of the production, and receive resources to enhance the experience of a live theater performance.[39]

Public Dialogues

[edit]

After selected performances, audience members, artists, and members of the ArtsEmerson staff hold discussions related to performance content.[40]

Community Curators

[edit]

The Community Curators program allows Boston artists and organizers to produce events in ArtsEmerson's downtown spaces. Two consistent Community Curators programs are the film-based series' Shared Stories and Projecting Connections.

Shared Stories is a monthly film series presented by ArtsEmerson in collaboration with the Boston Asian American Film Festival (BAAFF),[41] CineFest Latino Boston, and the Roxbury Film Festival. ArtsEmerson also presents Projecting Connections: Chinese American Experiences, a film series highlighting the lives of the Chinese in the Greater Boston Area.

Films presented as part of Projecting Connections include:

  • A Chinese American Giant: The Y.C. Hong Story, Rick Quan[41]
  • Vanishing Chinatown: The World of the May's Photo Studio, Emiko Omori[41]
  • Meditations on the Power of Community, Lenora Lee[41]
  • Far East Deep South, Larissa Lam and Baldwin Chiu[41]
  • Within These Walls, Tatsu Aoki
  • Curtain Up! Hui Tong and Kelly Ng
  • Suk Suk, Raymond Yeung
  • Snakehead, Evan Jackson Leong
  • The Six, Arthur Jones
  • Blurring the Color Line, Crystal Kwok
  • American Girl, Feng-I Fiona Roan and Clifford Miu

Artist Residencies

[edit]

Each season features an artist in residence, showcasing their work and introducing them to Boston-based artists.

ArtsEmerson artists in residence:

Fresh Sound Master Artists in Residence

[edit]

Venues

[edit]

ArtsEmerson's public facing offerings, as opposed to events produced by students and faculty, are spread across four main spaces: the Emerson Cutler Majestic Theatre (1,172 seats) and the Emerson Paramount Center, which encompasses the Robert J. Orchard Stage (renamed in honor of founder Robert Orchard)[45] (572 seats), the Jackie Liebergott Black Box (126 variable seats), and the Bright Family Screening Room (primarily for film presentation at 170 seats).

ArtsEmerson also uses the Semel Theatre[44] (216 seats) and The Kermit and Elinore Greene Theater (130 seats), both part of the Tufte Performance Production Center at Emerson College, for artistic residency work and housing. Other activities take place in a variety of public spaces throughout Greater Boston.

Footnotes

[edit]
  1. ^ Edgers, Geoff (January 1, 2012). "Rob Orchard plays starring roles at ArtsEmerson". The Boston Globe.
  2. ^ a b "Orchard for Internationalism". American Theatre, Volume 27, Issue 7. September 2010.
  3. ^ Aucoin, Don (September 12, 2014). "A final bow for ArtsEmerson director Final curtain for ArtsEmerson director: Robert Orchard gave theater panache". The Boston Globe, B. 1.
  4. ^ Aucoin, Don (July 22, 2021). "ArtsEmerson's new leader of artistic programming is eager to shape its next era: Ronee Penoi arrives as the organization attempts to map a post-pandemic path forward". The Boston Globe. B.6.
  5. ^ "Best of Boston: Best Theater". Boston. Retrieved 31 July 2023.
  6. ^ Garcia, Maria (2 October 2019). "How ArtsEmerson Serves As A Model For Equity In The Arts". wbur.org. WBUR. Retrieved 31 July 2023.
  7. ^ Aucoin, D. (26 May 2023). "'Little Amal' leads the way to ArtsEmerson's season". The Boston Globe. pp. G. 10. ProQuest 2819180714.
  8. ^ Aucoin, D. (26 May 2023). "'Little Amal' leads the way to ArtsEmerson's season". The Boston Globe. pp. G. 10. ProQuest 2819180714.
  9. ^ Aucoin, D. (26 May 2023). "'Little Amal' leads the way to ArtsEmerson's season". The Boston Globe. pp. G. 10. ProQuest 2819180714.
  10. ^ Aucoin, D. (9 February 2024). "Wonders Never Cease with the 7 Fingers". The Boston Globe (Online). ProQuest 2819180714.
  11. ^ Campbell, Karen (September 11, 2022). "An 18th-century rebellion drives the beat in 'Drumfolk': 'Ever since that moment, Africans began to use their body as the drum,' says Step Afrika! founder C. Brian Williams". The Boston Globe.
  12. ^ Wallenberg, Christopher (January 22, 2023). "A creator of experimental theater steps anxiously into the spotlight with 'Made in China 2.0'". The Boston Globe, N. 7.
  13. ^ Weininger, David (November 12, 2021). "Wayne Shorter long dreamed of making an opera; esperanza spalding helped bring it to life: '… (Iphigenia),' the many-years-in-the-making collaboration between the two virtuosos, receives its world premiere in Boston". The Boston Globe, G. 1.
  14. ^ Byrne, Terry (June 3, 2021). "Say Chekhov had a 100-year-old computer, and people were trapped inside. What would that look like?". The Boston Globe Online.
  15. ^ Aucoin, Don (February 7, 2020). "A young Malcolm X, searching for his identity in Boston". The Boston Globe, G. 1.
  16. ^ Aucoin, Don (October 1, 2018). "Can 'Hamnet' move theatergoers? It's not to be". The Boston Globe B. 10.
  17. ^ Aucoin, Don (January 17, 2019). "Projecting lives of quiet desperation in ArtsEmerson's 'The End of TV'". The Boston Globe (online).
  18. ^ Brown, Joel (March 15, 2019). "In 'An Inspector Calls' at ArtsEmerson, the crime of privilege". The Boston Globe.
  19. ^ "Privileged Spectatorship: Theatrical Interventions in White Supremacy". Northwestern University Press. 2020.
  20. ^ Aucoin, Don (May 4, 2017). "New Rankine play to highlight ArtsEmerson season". The Boston Globe, G. 6.
  21. ^ Aucoin, Don (July 15, 2016). "'Cuisine & Confessions' concocts a meal that amazes". The Boston Globe. G 1.
  22. ^ Preston, Carrie J. (2018). "Hissing, Bidding, and Lynching: Participation in Branden Jacobs-Jenkins's An Octoroon and the Melodramatics of American Racism". The Drama Review Volume 62, Number 4, Winter 2018 (T240), pp. 64–80.
  23. ^ O'Rourke, Emily (December 2016). "A BECKETT TRILOGY: NOT I / FOOTFALLS / ROCKABY". Theatre Journal, Vol. 68 Issue 4, p652-654.
  24. ^ Wallenberg, Christopher (November 21, 2014). "Cicely Tyson's long trip to 'Bountiful'". The Boston Globe. G 4.
  25. ^ Daniels, Susan (March 28, 2014). "'Not By Bread Alone' offers a literal and figurative feast for the senses". Jewish Advocate. 25.
  26. ^ Collins-Hughes, Laura (March 31, 2013). "Exploring the actor's life, as revolution rages, in 'Neva'". The Boston Globe, N. 2.
  27. ^ Wallenberg, Christopher (April 21, 2013). "A one-man 'Iliad' comes to ArtsEmerson". The Boston Globe, N. 1.
  28. ^ Aucoin, Don (February 26, 2013). "A mash-up of humor, horror in 'Birth Breath Bride'". The Boston Globe, G. 8.
  29. ^ Collins-Hughes, Laura (September 10, 2011). "Sharing their value of interactive theater: Creative team puts audience in the spotlight". The Boston Globe, G. 4.
  30. ^ Aucoin, Don (September 30, 2011). "Malkovich coolly unspools chilling mind of a killer". The Boston Globe.
  31. ^ Aucoin, Don (November 4, 2011). "A 'DollHouse' that alters our vision: Mabou Mines holds mirror up to Ibsen". The Boston Globe G. 7.
  32. ^ Gantz, Jeffrey (February 4, 2012). "Retracing Shackleton's journey: '69 degrees S.' envisions the explorer's trek". The Boston Globe, G.3.
  33. ^ Aucoin, Don (September 28, 2010). "Shepard tragedy, 10 years removed: 'Laramie' projects bear witness to crime and denial". The Boston Globe, G.9.
  34. ^ Wallenberg, Christopher (November 7, 2010). "Imagining a puppet 'Petrushka' with Twist: Twist wants audience to relate to puppets". The Boston Globe.N. 1.
  35. ^ Byrne, Terry (November 13, 2010). "This 'Petrushka' is magic on a string". The Boston Globe. G 6.
  36. ^ "To Do List, Today". The Boston Globe, G.2. January 27, 2011.
  37. ^ Aucoin, Don (March 18, 2011). "Hemingway adaptation rises and falls: Author's 'Lost Generation' takes the stage". The Boston Globe. G 4.
  38. ^ Byrne, Terry (May 13, 2011). "Enchanting blend of science and arts becomes child's play". The Boston Globe.
  39. ^ Colby, Celina (October 10, 2019). "Reading plays, creating community". The Boston Banner, 15–16.
  40. ^ a b Greenstein, Colette (November 19, 2015). "ArtsEmerson hosted acclaimed author Walter Mosley in its Public Dialogue Series". The Boston Banner, 15–17.
  41. ^ a b c d e Kohli, Diti (May 6, 2021). "How to celebrate Asian American and Pacific Islander Heritage Month". The Boston Globe, 030.
  42. ^ Collins-Hughes, Laura (September 26, 2010). "RECIPE FOR ADVENTURE: Theatrical residencies are key to creativity at ArtsEmerson". The Boston Globe.
  43. ^ Colby, Celina (June 4, 2020). "PARABLE PATH BOSTON: A PANDEMIC-ERA ARTIST RESIDENCY TACKLES SOCIETAL FAULT LINES". The Boston Banner.
  44. ^ a b "Emerson College Hosts Pulitzer Prize-Winning Artist Ayad Akhtar—Senior Artist-in-Residence". Targeted News Service. March 13, 2014.
  45. ^ Byrne, Terry (September 15, 2016). "ArtsEmerson renames Paramount stage to honor founding director Orchard". The Boston Globe.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=ArtsEmerson&oldid=1259008441"