Arthur Munby

Arthur Joseph Munby
Arthur J. Munby. Frontispiece to Munby's Vestigia Retrorsum: Poems (1892)
Born	Arthur Joseph Munby 19 August 1828 York, United Kingdom
Died	29 January 1910(1910-01-29) (aged 81) Pyrford, United Kingdom
Nationality	British
Education	Trinity College, Cambridge
Occupation(s)	Barrister, solicitor

Arthur Joseph Munby (19 August 1828 – 29 January 1910) was a British diarist, poet, portrait photographer, barrister and solicitor. He is also known as Arthur J. Munby and A. J. Munby.

Biography

Arthur Munby was born in York on 19 August 1828. He was educated at St Peter's School, York and Trinity College, Cambridge, graduating with a BA in 1851, and was called to the Bar from Lincoln's Inn in 1855. Munby became a barrister in accordance with his father's wish, a traditional role for an eldest son in his class. He worked as a civil servant in the Ecclesiastical Commissioners' office from 1858 until his retirement in 1888.

His published poetry included the collections Benoni (1852) and Verses New and Old (1865).

He taught Latin at the Working Men's College for more than a decade and helped promote the Working Men's College Volunteer Corps, a response to the national call in 1859 for Volunteer Rifle Corps in response to a perceived war threat from Napoleon III. Munby penned verses of support, the Invicta: a Song of 1860, for the 19th Middlesex Regiment, a regiment to which the W.M.C.V.C. was attached. In 1864, a sister Working Women's College was established; Munby was a leading spirit of the new college and taught there.

Munby had an interest in working-class women, particularly those who performed hard physical labour. He strolled through the streets of London and other industrial cities and approached working women to ask about their lives and the details of their work, while noting their clothes and dialects.

He kept journals from 1859 to 1898 that recorded the details of his interactions and in them he expressed his desire for the strength and care of a working woman. He was an amateur artist, and his diaries contain sketches of working women. He collected hundreds of photographs of such subjects as women who worked at collieries, kitchen maids, milkmaids, charwomen, and acrobats. His diaries and images provide historical information on the lives of working-class Victorian women.

In 1854 Munby met Hannah Cullwick (b. 1833), a Shropshire-born maid-of-all-work who had been working in London since her late teens. They formed a relationship in which Munby was the master, whom Cullwick addressed as 'massa', and Cullwick the slave, with him training her in the virtues of hard work and loyalty. However, Cullwick used this master/slave dynamic to prove her own worth outside of Munby and put herself in a place of power. For example, she used the slave band Munby gave her to display the fact that she was a working-class woman, and that she was not ashamed of it; this can be seen in Cullwick’s journal when she says "my hands and arms are tho' chief to me, to get my living with."

Munby and Cullwick experienced their roles differently. He once visited Cullwick at her workplace where she is actually a servant. He wrote: "But to see her stand in a drawing room in her servant's dress and know that she is a servant and that the piano, the books, the pictures belong to her mistress... this I could not endure." She, on the other hand, enjoyed waiting on him when he stayed at an inn where she was working.

They married secretly in 1873 but Cullwick resisted his efforts to place her in the role of a Victorian wife of his class. She continued to play the role of his domestic servant and only took on the role of a wife and lady when they traveled to Europe. They separated in 1877, but continued to see each other and at times lived together until Cullwick's death in 1909. From 1887 onwards, the couple rented a cottage in the Shropshire village of Hadley, and they regularly spent time together. In 1903, they moved to Wyke Place in Shifnal, just a few metres from the house where she was born. Their landlord was her brother Jim Cullwick. Their marriage was kept secret from all but a few close friends and Munby revealed it to his brother only a few months before his own death from pneumonia in Pyrford, Surrey, on 29 January 1910.

His papers are housed at Trinity College, Cambridge. He required they remain sealed until the 77th anniversary of his wedding day in 1950.

One of Munby's best friends was Richard Monckton-Milnes, an aristocrat who collected sexual literature and wrote of sexual fetishes.

Selected works

Poetry

• Benoni, 1852
• Verses New and Old, 1865

Transcriptions

• Faithful Servants: being epitaphs and obituaries recording their names and services, 1891
  • Sometimes catalogued with J.W. Streeten as co-author. Munby did not collect all of the 692 epitaphs he published himself. His volume includes 311 epitaphs collected by Streeten which were published anonymously in 1826 in a volume titled Epitaphia.

References

Further reading

• Flanders, Judith; Inside the Victorian Home: A Portrait of Domestic Life in Victorian England. New York: W. W. Norton, 2004
• Atkinson, Diane; Love and Dirt: The Marriage of Arthur Munby and Hannah Cullwick. New York: Macmillan, 2003
• Reay, Barry; Watching Hannah: Sexuality, Horror and Bodily De-formation in Victorian England. Reaktion, 2002. (ISBN 1-86189-119-9)
• Hudson, Derek; Munby: Man of Two Worlds. Gambit, 1972. (ISBN 0-87645-066-4)
• Hiley, Michael; Victorian Working Women: Portraits from Life. Gordon Fraser, 1979 (ISBN 978-0-86092-033-5)
• Cullwick, John; Our Hannah: A biography of the Victorian published diarist Hannah Cullwick (1833-1909). Lewis Sinclair Associates, 2022 (ISBN 978-1-3999-3139-7)
• Stanley, Liz, editor; The Diaries of Hannah Cullwick, Victorian Maidservant. Rutgers University Press, 1984.
• Rust, Martha Dana (1994). "In the Humble Service of Her Emancipation: Hannah Cullwick's Maid-of-All-Work Diaries". Pacific Coast Philology. 29 (1): 95–108. doi:10.2307/1316351. JSTOR 1316351.