Arcangelo Sassolino
Arcangelo Sassolino | |
---|---|
Born | 1967 Montecchio Maggiore, Italy |
Nationality | Italian |
Occupation | Sculptor |
Arcangelo Sassolino (born 1967) is an Italian artist known for his sculptures that uses technology.[1]
Early life
[edit]Sassolino was born in 1967 in Vicenza, Italy.[2] He was raised in Trissino, near Vicenza, in the north-east of Italy.[3] In his 20s, he created a three-dimensional puzzle game recalling the Rubik's Cube, and was hired by Robert Fuhrer and Nextoy, LLC, representatives of Casio Creative Products, for which worked for 6 years in New York, inventing and developing original and innovative toys and games. In 1996 Sassolino went back to Italy, where he worked on marble sculpture in Pietrasanta.
Artistic Path
[edit]In Sassolino's works the spectators find themselves in front of well known industrial materials, such as stainless steel, glass or concrete. He uses these materials into mechanical/thermodynamical fantastic machines, that make the elements reach their limits: extreme speed, friction, gravity, heat, pressure.
Sassolino's sculptures are inorganic performances in which machines take life, get broken by contrast and conflict of forces, on the verge of a breakdown (which is a fundamental aspect of his work). He works around concepts such caducity, loss, unpredictability, danger, failure.
Solo exhibitions
[edit]- Superdome, Palais de Tokyo, Paris. 29/5/2008 – 24/8/2008[4]
- Time Tomb, Z33 House for Contemporary Art], Hasselt. 0/5/2010 – 29/8/2010[5]
- Piccolo animismo, Macro, Rome. 9/3/2011 – 12/6/2011[6]
- Not Human, Contemporary Art Museum St. Louis, 15/1/2016 – 3/4/2016[7]
- Mechanism of Power, Frankfurter Kunstverein, Frankfurt. 19/2/2016 – 17/4/2016[8]
- Canto V, Galleria Continua, San Gimignano. 21/9/ 2016 – 15/1/2017[9]
- Matter Revealed Repetto Gallery, London. 4/10/2017 – 29/10/2017
Group exhibitions
[edit]- Materia-Niente, Fondazione Bevilacqua La Masa, Venice. 26/4/2001 – 30/6/2001[10]
- Temi & variazioni[11]
- La scultura italiana del XXI secolo, Fondazione Arnaldo Pomodoro], Milan. 29/10/2010 – 30/ 1/ 2011[12]
- Under Destruction, Museum Tinguely, Basel – 15/10/2010 – 23/1/2011; Swiss Institute, New York 6/4/2011 – 8/5/2011[13]
- Art and the City Zürich-West. 9/6/2012 – 23/9/2012
- Francis Bacon e la condizione esistenziale nell'arte contemporanea, CCC Strozzina, Florence – 5/10/2012 – 27/1/2013[14]
- Follia Continua ! 104 Le Centroquatre, Paris – 21/10/2015 – 21/11/2015
- The Transported Man [Broad Art Museum], East Lansing. 29/4/2017 – 22/10/2017[15]
- Porto Marghera 100 Doge's Palace, Venice, 4/11/2017 – 28/1/2018[16]
Bibliography
[edit]- Gabriele Guercio e Anna Mattirolo (a cura di), Il confine evanescente. Arte italiana 1960–2010, 2010, Electa, pag.188–189
- Francis Bacon e la condizione esistenziale nell’arte contemporanea, exhibit's catalogue by Franziska Nori and Barbara Dawson, Centro di Cultura Contemporanea Strozzina, Fondazione Palazzo Strozzi. October 5, 2012– January 27, 2013
- ART AND THE CITY, A public art project, catalogo della mostra. Zurigo 9 giugno-23 settembre 2012. Curator Christoph Doswald, JRP Ringier Verlag, Zurich.
- A.A.V.V., l’arte del XX secolo. Tendenze della contemporaneità 2000 e oltre, 2010, Skira, pag 270–271
- AAVV, Vitamin 3-D, New Perspectives in Sculpture and Installation. An up-to-the-minute survey of contemporary sculpture and installation featuring 117 artists, Phaidon Editors, 2009, pag 266–267
- Jasper Sharp (edited by), Arcangelo Sassolino, JRP Ringier, 2009. Under Destruction, If nothing can be created, then something must be destroyed, edited by Gianni Jetzer – Chris Sharp, catalogue of the exhibition, Tinguely Museum Basel, Swiss Institute New York, 2010, Published by Distanz.
- Luca Illetterati e Arcangelo Sassolino, 6 words 20 works, Padova University Press, Padova, 2016 ISBN 9788869380556
- Giulia Zandonadi, Il ritmo della materia. Forma e tempo nell'opera di Arcangelo Sassolino, tesi di laurea magistrale, Università Ca' Foscari Venezia, relatore Nico Stringa, correlatore Stefania Portinari, a.a. 2013/2014
- Giulia Plebani, Arcangelo Sassolino. Materiali ai limiti della resistenza, master's degree thesis, University of Bologna, supervisor Silvia Grandi.
Note
[edit]- ^ Arnold, Willis Ryder. "Contemporary Art Museum offers first solo shows for artists to examine human form". news.stlpublicradio.org.
- ^ "Arcangelo Sassolino – Vancouver Biennale".
- ^ Morpurgo, Dani (March 13, 2019). "Arcangelo Sassolino makes material speak through existentialist art". GPS Radar.
- ^ "Arcangelo Sassolino". February 18, 2013.
- ^ "Arcangelo Sassolino – Time Tomb | z33". archief.z33.be.
- ^ "Piccolo animismo".
- ^ "Contemporary Art Museum St. Louis". Contemporary Art Museum St. Louis.
- ^ "Mechanism of Power". Archived from the original on 2016-03-22. Retrieved 2017-12-02.
- ^ "Canto V | Arcangelo Sassolino | 23/09/2016 | San Gimignano". Galleria Continua.
- ^ "Bevilacqua La Masa | Comune di Venezia". www.comune.venezia.it.
- ^ "Guggenheim". www.guggenheim-venice.it.
- ^ "La scultura italiana del XXI secolo". Archived from the original on 2017-12-01. Retrieved 2017-12-02.
- ^ "Museum Tinguely – Under Destruction". www.tinguely.ch.
- ^ "Francis Bacon: mostra d'arte a Firenze ottobre 2012 gennaio 2013 | CCC Strozzina". www.strozzina.org.
- ^ "The Transported Man". Archived from the original on 2018-01-03. Retrieved 2017-12-02.
- ^ "Mostre Archivi".