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Amitāyus Contemplation Sūtra

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A part of a Qing dynasty copy of the Amitāyus Contemplation Sūtra

The Amitāyus Contemplation Sūtra (simplified Chinese: 佛说观无量寿佛经; traditional Chinese: 佛說觀無量壽佛經; pinyin: Fóshuōguānwúliàngshòufójīng, English: Contemplation of Amitāyus Sutra, or Sutra on the Visualization of Measureless Life [Buddha], Sanskrit reconstruction: Amitāyurdhyāna Sūtra or Amitāyur-buddhānusmṛti-sūtra; Taisho Tripitaka no. 365) is a Mahāyāna sutra which is important for East Asian Pure Land Buddhism, a major branch of East Asian Mahāyāna.[1]

It is one of the three principle Pure Land sutras along with the Amitayus Sutra and the Amitabha Sutra. Amitāyus ("Measureless Life") is another name for the Buddha Amitābha, the preeminent figure in Pure Land Buddhism, and this sūtra focuses mainly on meditations involving visualizations of Amitabha and his pure land of Sukhavati (The Blissful). This is reflected in the name of the sūtra, which can be translated as "Amitāyus Contemplation Sūtra." It is believed to have first been composed in Chinese in the 5th century.[1]

Title

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The name of the sūtra translates to the "Amitāyus Meditation Sūtra."[citation needed] According to Paul Williams, a more accurate Sanskrit title for this text would be Amitāyurbuddhānusmṛti Sūtra, meaning "Amitāyus Buddha-mindfulness Sūtra."[2]

History

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According to tradition, it was translated into Chinese by a monk named Kālayaśas 畺良耶舍 between 424 and 442 AD. However, it is generally considered by modern scholarship to be a non-Indian composition, possibly written in China or in Central Asia.[3][4][5][1][6][7][8] Jonathan Silk has also shown that the frame narrative is based on a story which was known in India, so that at least this element of the sutra has an Indic basis.[8]

No Sanskrit original has been discovered and the Sanskrit name and Sanskrit versions would thus be reverse translations.[9]: 10  The text also shows Chinese influences, including references to earlier translations of Chinese Pure Land texts. Modern scholars generally accept that the text describes a meditation which was practiced in Central Asia, but with Chinese additions.[1]

Other pieces of evidence point to a Central Asian origin for at least some of the content in the sutra. Mural paintings at Toyok, Turfan depict the contents of the sutra.[10] Other such paintings, called Guanjing bianxiang 觀經變相, are found in Dunhuang.[6]

The sutra became a very influential text in East Asian Pure Land Buddhism. It was taken up by Shandao 善導 (613–681), a key Pure Land author, who wrote an important commentary on the sutra called Commentary on the Sūtra of Contemplation of the Buddha of Infinite Life 觀無量壽佛經疏 (T 1753).[6] Other commentaries were composed by Jingying Huiyuan (523–592) and Jizang (549–623). Another commentary (觀無量壽佛經疏 T 1750) is commonly attributed to Zhiyi, but this is likely a later composition.[6]

Outline of the Sutra

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wall painting of Ajatashatru from Kizil Caves
Wall painting of King Ajatashatru, his Queen, and his Minister Varshakara from the Kizil Caves (c. 251-403 AD).

Frame story

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The text begins with a story where a prince named Ajātasattu was enticed by the villain Devadatta to murder his father, King Bimbisara, in order to ascend the throne. Ajātasattu kills his father, and nearly kills his mother, Queen Vaidehi, but after advice from his other ministers, he relented and threw his mother in prison.

Lamenting her fate, Queen Vaidehi prays to Gautama Buddha for help, and he is able to visit her. Vaidehi expresses her wish to be born in Amitābha's pure land. Shakyamuni smiles, emitting light from his mouth, and goes on to tell Vaidehi how to be reborn in the Pure Land. The Buddha tells her that although she is in prison, she could still obtain liberation through the practices of Amitābha. The Buddha goes on to describe Amitābha and how one could obtain rebirth in his land of Sukhavati.[11]

This tale references historical incidents of the Haryanka dynasty of Magadha, India, and the religious tension between Gautama Buddha and his brother-in-law, Devadatta.

Thirteen contemplations

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Japanese copy of the Pure Land Taima Mandala, which is based on the Amitāyus Contemplation Sūtra
Korean scroll of the Visualization Sutra, 14th century.

Shakyamuni explains the importance of performing certain meritorious acts in order to be reborn in the Pure Land. He then goes on to teach Vaidehi how to visualize the Pure Land, to further her efforts in attaining rebirth there. Shakyamuni describes thirteen "contemplations," or mental visualization exercises, that are to be followed in order. By deeply contemplating various aspects of the Pure Land and attempting to visualize them in detail, the aspirant draws closer to the Pure Land.

The thirteen contemplations are described in order as follows:[12]

  1. Contemplation of the setting sun
  2. Contemplation of an expanse of water
  3. Contemplation of the ground in the pure land
  4. Contemplation of trees in the pure land
  5. Contemplation of ponds in the pure land
  6. Contemplation of various objects in the pure land
  7. Contemplation of the lotus throne of the Buddha
  8. Contemplation of the image of Amitābha
  9. Contemplation of Amitābha himself
  10. Contemplation of Avalokiteśvara
  11. Contemplation of Mahasthamaprapta
  12. Contemplation of the aspirants to the pure land
  13. Contemplation of Amitābha and the two bodhisattvas

Nine levels of birth

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A fragment of a copy of the Amitayurdhyana Sutra at Wenzhou Museum.

In the final part of the sutra, Gautama Buddha discusses the nine levels into which those born into the Pure Land are categorized. The levels are ranked from highest to lowest as follows:[13]

  1. The highest level of the highest grade
  2. The middle level of the highest grade
  3. The lowest level of the highest grade
  4. The highest level of the middle grade
  5. The middle level of the middle grade
  6. The lowest level of the middle grade
  7. The highest level of the lowest grade
  8. The middle level of the lowest grade
  9. The lowest level of the lowest grade

According to the Buddha, all nine grades of human beings can achieve rebirth into the Pure Land if they contemplate Amitābha or at least call on his name. This is similar to the 48 vows made by Amitābha, according to the Infinite Life Sutra, which includes the Primal Vow.

Conclusion

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The sutra ends with a short section describing the benefits gained by those who listened to these words of the Buddha. Vaidehi experienced "great awakening with clarity of mind and reached the insight into the non-arising of all dharmas," while her five hundred female attendants and "innumerable devas" also awakened aspiration for the highest enlightenment. Shakyamuni names the sutra, mentions benefits connected with the name of Amitabha Buddha, and exhorts all to hold the words of the sutra in their minds. Shakyamuni then returns through the air to Vulture Peak.

See also

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Sources

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Bibliography

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  • Muller, A. Charles (1998). "East Asian Apocryphal Scriptures: Their Origin and Role in the Development of Sinitic Buddhism". Bulletin of Toyo Gakuen University. 6: 63–76. Archived from the original on 2013-03-17.
  • Silk, Jonathan A. (April 1997). "The Composition of the 'Guanwuliangshoufo-jing': Some Buddhist and Jaina Parallels to its Narrative Frame". Journal of Indian Philosophy. 25 (2): 181–256. doi:10.1023/A:1004291223455. JSTOR 23448579. S2CID 169187184.

Notes

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  1. ^ a b c d Buswell, Robert E.; Lopez, Donald S. (2014). The Princeton dictionary of Buddhism, p. 332. (Princeton University Press).
  2. ^ Williams, Paul. Mahayana Buddhism: The Doctrinal Foundations, 2nd edition. Routledge, 2009, p. 239
  3. ^ Silk 1997, pp. 181ff.
  4. ^ Muller 1998, p. 68.
  5. ^ Fujita, "The Textual Origins of the Kuan Wu-liang-shou ching: A Canonical Scripture of Pure Land Buddhism", in Buswell, Robert E.; ed. (1990). Chinese Buddhist Apocrypha, Honolulu: University of Hawaii Press, ISBN 0-5853-4963-0
  6. ^ a b c d 觀佛三昧海經 Guanfo sanmei hai jing, Digital Dictionary of Buddhism
  7. ^ Kasugai Shinya  春日井真也. 1953. “Kan Muryōjubutsu kyō ni okeru shomondai 観無量寿仏経に於ける諸問題 (Some Problems in the Amitāyurdhyāna Sūtra). Bukkyō bunka kenkyū 3 : 37–50.
  8. ^ a b Silk, Jonathan A. 1997. “The Composition of the Guan Wuliangshoufo-jing: Some Buddhist and Jaina Parallels to Its Narrative Frame.” Journal of Indian Philosophy 25 : 181–256.
  9. ^ Keown, Damien (2003). "Amitayurdhyana Sutra". A dictionary of Buddhism. Oxford: Oxford University Press. pp. 10–11. ISBN 0-19-157917-3.
  10. ^ Yamabe, Nobuyoshi. 1999b. “An Examination of the Mural Paintings of Toyok Cave 20 in Conjunction with the Origin of the Amitayus Visualization Sutra.” Orientations 30 (4): 38–44.
  11. ^ Hisao Inagaki, Harold Stewart (transl.): The Three Pure Land Sutras, p. XVIII. Berkeley: Numata Center for Buddhist Translation and Research 2003. ISBN 1-886439-18-4
  12. ^ The Three Pure Land Sutras, p. XIX.
  13. ^ The Three Pure Land Sutras, pp. XIX–XXI.

Further reading

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