Jump to content

Agnes Booth

From Wikipedia, the free encyclopedia

Agnes Booth
In W. S. Gilbert's Engaged, 1879.
Born(1843-10-04)October 4, 1843
Sydney, New South Wales, Australia
DiedJanuary 2, 1910(1910-01-02) (aged 66)
Brookline, Massachusetts, US
Other namesMarian Agnes Land Rookes
OccupationActress
Years active1858–97
Signature

Agnes Booth (October 4, 1843 – January 2, 1910), born Marian Agnes Land Rookes, was an Australian-born American actress and in-law of actors Junius Brutus Booth, Edwin Booth, and John Wilkes Booth, the assassin of Abraham Lincoln.[1]

Biography

[edit]
Harry A. Perry, first husband of Agnes Booth

Although there are no records of Agnes Booth's birth or her family's residence in Australia,[2] by her own account she was born in Sydney, New South Wales. She migrated to California with her family in 1858, at the age of about 14.

She made her US debut in early 1858 as Agnes Land, performing with her sister Belle at Maguire's Opera House, San Francisco, attracting attention and gaining recognition and managing a season of the Metropolitan theatre in Detroit. In 1861 she married actor Harry A. Perry in San Francisco, but was widowed in 1862.[2][3][4] Her six-year apprenticeship with Thomas Maguire allowed her to move from shape actress to leading lady.[5]

In 1865 she moved to New York where she appeared at the Winter Garden Theatre.[6] As Agnes Perry, in 1866 she joined the Boston Theatre Company, of which she was a member for several years. In 1867, she was married to Junius Brutus Booth Jr. and she performed as Agnes Booth thereafter.

Agnes Booth in 1907

At the height of her popularity reviews of her performances were effusive. In 1874, the News described her as "the most finished and effective emotional actress at present on the metropolitan stage."[1] She played Belinda in the first American production of W. S. Gilbert's Engaged in 1879.[7] In 1889, Belford's Magazine wrote of another "great triumph" by Agnes Booth in Captain Swift. "For painstaking attention to detail, nicety of intonation, and powerful expression, Agnes Booth is in the front rank of leading ladies. We have seen her in many society dramas, and in each she has shown a charming appreciation of all the requirements... The mingled expression of shame, suffering and maternal love in Agnes Booth's face during [one] scene is one not soon to be forgotten.[8] In 1874, she and Junius made a praise-worthy trip to the far west playing San Francisco's California Theater and Piper's Opera House in Virginia City. Her repertoire included Romeo and Juliet, Hunchback, and Lady of Lyons.[9]

In 1878 she played Madeleine Renaud in the Union Square Theatre's production of A Celebrated Case, the program noting that she had "kindly undertaken this part in order to strengthen the cast." From 1881 to 1891, she was with the Madison Square Company. After 1891, she went to Europe, then returned to the United States where she resided in the artist community of New Rochelle, New York and resumed her work on Broadway in nearby New York City. Booth gained fame for her role in the melodrama The Sporting Duchess (The Derby Winner by Cecil Raleigh) along with fellow actress and New Rochelle neighbor Cora Tanner.[10][11]

Junius Booth died in 1883, and in 1885 she married John B. Schoeffel, manager of Boston's Tremont theatre. Her last major performance was in L'Arlesienne in 1897.[1]

She died at her home in Brookline, Massachusetts on January 2, 1910.[12]

References

[edit]
  1. ^ a b c Gerald Bordman & Thomas S. Hischak (1984)The Oxford Companion to American Theatre P.83, Oxford University Press, ISBN 0195169867
  2. ^ a b Pat M. Ryan in Edward T. James, Janet Wilson James, Paul S. Boyer, eds. (1971) Notable American Women, 1607–1950: A Biographical Dictionary, Volume 1, p. 202-3. Belknap Press of Harvard University Press ISBN 0-674-62734-2
  3. ^ Willard, Frances Elizabeth; Livermore, Mary A. (1893). A Woman of the Century. Buffalo, New York: Moulton. p. 106. ISBN 9780722217139. OCLC 1207791.
  4. ^ Sunday Times (Sydney, NSW : 1895–1930) Sunday, 27 February 1910, page 18. An "Australian American." Accessed January 22, 2017
  5. ^ Carolyn Grattan Eichin, From San Francisco Eastward: Victorian Theater in the American West, (Reno: University of Nevada Press, 2020), 175.
  6. ^ Jane Kathleen Curry (1994) Nineteenth-century American Women Theatre Managers. Greenwood Press, Westport, Conn. ISBN 0313291411
  7. ^ "Dramatic and Musical", The New York Times, February 18, 1879, p. 5 (subscription required)
  8. ^ Belford's Magazine [2:8] (January 1889)
  9. ^ Eichin, From San Francisco Eastward, 176,
  10. ^ New York: A Guide to the Empire State; The Workers of the Writers' Program of the Works Projects Administration in the State of New York, p. 244
  11. ^ "Agnes Booth To Act Once More; The Popular Actress Will Create the Role of the Sporting Duchess at the Academy". The New York Times. February 12, 1895. p. 9. Retrieved April 27, 2021 – via Newspapers.com.
  12. ^ "Agnes Booth Dies; Once Stage Star". Chicago Tribune. Boston, Massachusetts. January 3, 1910. p. 7. Retrieved April 27, 2021 – via Newspapers.com.

Sources

[edit]
  • Asia Booth Clarke (1882). The Elder and the Younger Booth, Boston: J.R. Osgood and Co.
  • McKay and Wingate (1896). Famous American Actors of To-day, New York: T.Y. Crowell.
  • Clapp and Edgett (1899). "Players of the Present", Dunlap Society Publication. New York.
  • Montrose Jonas Moses (1906). Famous Actor-Families in America, New York: Greenwood Press.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Agnes_Booth&oldid=1256359240"