Adinkra symbols

Adinkra are symbols from Ghana that represent concepts or aphorisms. Adinkra are used extensively in fabrics, logos and pottery. They are incorporated into walls and other architectural features. Adinkra symbols appear on some traditional Akan goldweights. The symbols are also carved on stools for domestic and ritual use. Tourism has led to new departures in the use of symbols in items such as T-shirts and jewellery.

The symbols have a decorative function but also represent objects that encapsulate evocative messages conveying traditional wisdom, aspects of life, or the environment. There are many symbols with distinct meanings, often linked with proverbs. In the words of Kwame Anthony Appiah, they were one of the means for "supporting the transmission of a complex and nuanced body of practice and belief".^[1]

History

Adinkra symbols were originally created by the Bono people of Gyaman.^[2] The Gyaman king, Nana Kwadwo Agyemang Adinkra, originally created or designed these symbols, naming it after himself. The Adinkra symbols were largely used on pottery, stools etc. by the people of Gyaman people. Adinkra cloth was worn by the king of Gyaman, and its usage spread from Gyaman to Asante and other Akan kingdoms following its defeat. It is said that the guild designers who designed this cloth for the Kings were forced to teach the Asantes the craft. Gyaman king Nana Kwadwo Agyemang Adinkra's first son, Apau, who was said to be well versed in the Adinkra craft, was forced to teach more about Adinkra cloths. Oral accounts have attested to the fact that Adinkra Apau taught the process to a man named Kwaku Dwaku in a town near Kumasi.^[3]^[4]^[5]^[6]^[7]^[8] Over time, all Akan people including the Fante, Akuapem and Akyem all made Adinkra symbols a major part of their culture.

The oldest surviving adinkra cloth was made in 1817. The cloth features 15 stamped symbols, including nsroma (stars), dono ntoasuo (double Dono drums), and diamonds. The patterns were printed using carved calabash stamps and a vegetable-based dye. It has resided in the British Museum since 1818, when it was donated by Thomas E. Bowdich.^[9]^[10]^[11]

The next oldest piece of adinkra textile was sent in 1825 from the Elmina Castle to the royal cabinet of curiosities in The Hague, in response to an assignment from Major Friedrich Last, who was appointed temporary Commander of Dutch Gold Coast. He had the cloth commissioned from the Fante paramount chief of Elmina for William I of the Netherlands, which would explain why the coat of arms of the Netherlands is in the centre. The other motifs are typical of the older adinkras. It is now on display in the National Museum of Ethnology in Leiden.^[12]

In November 2020, a school board in York, Pennsylvania, banned "a children's coloring book that featured African Adrinkra [sic] symbols found in fabrics, logos and pottery."^[13] The decision was subsequently overturned.^[14]

Adinkra cloth

In Akan (Twi), the term adinkra refers to not symbols, but a particular type of cloth.^[15]^[16] Adinkra cloths were traditionally only worn by royalty and spiritual leaders for funerals and other very special occasions. In the past they were hand-printed on undyed, red, dark brown or black hand-woven natural cotton fabric depending on the occasion and the wearer's role; nowadays they are frequently mass-produced on brighter coloured fabrics.^[17]

Anthony Boakye prints an adinkra cloth with a calabash stamp in Ntonso, Ghana.

The present centre of traditional production of adinkra cloth is from Ghana, Ntɔnso, 20 km northwest of Kumasi and in Ivory Coast.^[18] Dark Adinkra aduro pigment for the stamping is made there, by soaking, pulverizing, and boiling the inner bark and roots of the badie tree (Bridelia ferruginea)^[19] in water over a wood fire. Once the dark colour is released, the mixture is strained, and then boiled for several more hours until it thickens. The stamps are carved out of the bottom of a calabash piece. They measure between five and eight centimetres square. They have a handle on the back, and the stamp itself is slightly curved so that the dye can be put on with a rocking motion.

Adinkra Alphabet

Adinkra Alphabet is a phonetic writing system derived from Adinkra symbols. The Adinkra Alphabet, invented by Charles Korankye in 2015, and expanded and refined over the next several years to accommodate various languages spoken in Ghana and Ivory Coast such as Akan, Dagbani, Ewe and Ga- a process that culminated with the creation of a standardized font in 2020.

Sample of symbols listed

Recorded sample of 53 adinkra symbols and their meanings

List of symbols and Information
Number	Symbol Name	Literal Meaning	Further Details	Related Symbols
1	Aban	a two-storied house, a castle	this design was formerly worn by the King of Gyaman alone
4	Adinkira 'hene	the Adinkira king	'chief' of all these Adinkira designs
8	Agyindawuru	the agyin tree's gong	the juice of a tree of that name is sometimes squeezed into a gong and is said to make the sound pleasing to the spirits
	Akam	an edible plant, possibly a yam
9	Akoben	the war-horn
12	Akoko nan tia 'ba, na nkum 'ba	A hen treads upon chickens but does not kill them
13	Akoma	a heart, with a cross in the centre
	[None listed]			No. 13
14	AKOMA NTOSO	the joined hearts
18	Aya	the fern	the word also means 'I am not afraid of you', 'I am independent of you' and the wearer may imply this by wearing it
20	BI NKA BI	no one should bite the other
23	DAME-DAME	name of a board game	symbol of intelligence and ingenuity
25	Dono	the dono drum
26	Dono ntoasuo	the double dono drums
27	Duafe	the wooden comb
28	Dwenini aben	the ram's horns
30	Epa	handcuffs
34	Fihankra	the circular house
35	Se die fofoo pe, ne se gyinantwi abo bedie	what the yellow-flowered fofoo plant wants is that the gyinantwi seeds should turn black	A Bono saying. One of the cotton cloth designs bears the same name. The fofoo, the botanical name of which is Bidens pilosa, has a small yellow flower, which, when it drops its petals, turns into a black spiky seed. Said of a jealous person. According to Ayensu (1978), the gyinantwi also refers to Bidens pilosa.^[20]
37	Funtunfunefu Denkyemfunefu	Siamese crocodiles	They share one stomach yet they fight over food
38	Gyawu Atiko	the back of Gyawu's head	Gyawu was a sub-chief of Gyaman who at the Adae Kesse ceremony is said to have had his hair shaved in this fashion
39	Gye Nyame	'Except God' or 'Only God'
41	Hye wo nhye	He who would burn you be not burned
44	Kojo Biaden
47	Papani amma yenhu Kramo	The (large number of) people who do good prevents us knowing who really are Mohammedans	as adherents of Islam are enjoined to do good works in the community, and increasing numbers of non-Muslims are also doing so, we can no longer use that criterion to distinguish those Muslims living amongst us
49	Kuntinkantan	bent and spread out	kuntinkantan is used in the sense of 'do not boast, do not be arrogant'
50	[None Listed]		copied from Europeans
Non listed	Kwatakye atiko	at the back of Kwatakye's head	Kwatakye was a war captain of one of the Gyaman kings; at the Adae Kesse ceremony he is said to have cut his hair after this fashion
Non listed	Mmrafo ani ase	the keloids on a Hausa man
55	Mmra Krado	the Hausa man's lock
56	Musuyidie	something to remove evil	a cloth with this design stamped upon it lay beside the sleeping couch of the King of Gyaman, and every morning when he rose he placed his left foot upon it three times
58	Mpuannum	five tufts (of hair)
62	Nkonsonkonson	links of a chain
63	Nkotimsefuopua		certain attendants on the Queen Mother who dressed their hair in this fashion. Similar to a swastika.
66	Nkyimkyim	the twisted pattern
68	Nsaa		from a design of this name found on nsa cloths
69	Nsirewa	cowries
70	Nsoroma / Nsoromma	a child of the Sky / Child of the Heavens	referring to the saying: Oba Nyankon soroma te Nyame so na onte ne ho so, 'Like the star, the child of the Supreme Being, I rest with God and do not depend upon myself.' / the pattern was on the King of Gyaman's pillow
71	Ma te; Masie	I have heard (what you have said); I have hidden it	this extols the virtue of being able to keep a confidence
Non listed	Nyame, biribi wo soro, ma no me ka me nsa	O God, everything which is above, permit my hand to touch it	the pattern was stamped on paper and hung above the lintel of a door in the palace. The King of Gyaman used to touch lintel, then his forehead, then his breast, repeating these words three times
74	Nyame dua	an altar to the Sky God
76	Nyame nwu na ma wu	May Nyame die before I die
Non listed	Obi nka obie	I offend no one without a cause
84	Ohene niwa	(in) the king's little eyes	To be in the king's favour
85	Ohen' tuo	the king's gun
86	Kodie mmowerewa	the eagle's talons
92	Owo Foro Adobe	The symbol of heroic deeds and accomplishing the impossible, but being quiet about it
96	Sankofa	turn back and fetch it
97	Sankofa	turn back and fetch it
98	Sepow	a knife thrust through the cheeks of a man	the man is about to be executed to prevent his invoking of a curse on the king

Notes

^ Appiah, Kwame Anthony (1993). In My Father's House: Africa in the Philosophy of Culture (1st paperback ed.). New York: Oxford University Press. ISBN 978-0-19-506852-8.
^ "Adinkra Ghanaian Textile is a printed traditional cloth in Ghana". Bellafricana. 30 June 2015. Retrieved 2 September 2021.
^ DeMello, Margo (30 May 2014). Inked: Tattoos and Body Art around the World [2 volumes]. ABC-CLIO. ISBN 978-1-61069-076-8.
^ "Adinkra Symbols | African Themed Weddings | African Wedding Ceremonies | African Wedding Traditions". Archived from the original on 8 June 2020. Retrieved 23 May 2020.
^ "History and Origin of Adinkra Symbols". 25 April 2015.
^ "Adinkra Symbols and the Rich Akan Culture". African Heritage. 27 August 2014.
^ Boateng, Boatema (2011). The Copyright Thing Doesn't Work Here: Adinkra and Kente Cloth and Intellectual Property in Ghana. University of Minnesota Press. ISBN 978-0-8166-7002-4.
^ Rucker, Walter C. (2006). The River Flows on: Black Resistance, Culture, and Identity Formation in Early America. LSU Press. ISBN 978-0-8071-3109-1.
^ "Adinkra". Encyclopedia.com. Retrieved 2 September 2021.
^ "Adinkra Ghanaian Textile is a printed traditional cloth in Ghana". Bellafricana. 30 June 2015. Retrieved 2 September 2021.
^ "cloth | British Museum". The British Museum. Retrieved 2 September 2021.
^ "Archived copy". Archived from the original on 22 March 2012. Retrieved 13 April 2011.{{cite web}}: CS1 maint: archived copy as title (link) clickable image on right links to description
^ Locurto, Tina. "'Afraid to teach': School's book ban targeted Black, Latino authors". York Dispatch. Retrieved 1 December 2023.
^ "Central York School District Reverses Diversity Ban: 'We Have Heard You'". yorkdispatch.com. Retrieved 29 June 2022.
^ Christaller, Johann Gottlieb (1881). "adiṅkărá". A Dictionary of the Asante and Fante Language Called Tshi (Chwee, Tw̌i). Basel. p. 84.{{cite book}}: CS1 maint: location missing publisher (link)
^ Kotey, Paul A. (1998). Twi-English/English-Twi Dictionary. New York: Hippocrene Books. p. 23. ISBN 978-0-7818-0264-2.
^ DeMello, Margo (30 May 2014). Inked: Tattoos and Body Art around the World [2 volumes]. ABC-CLIO. ISBN 978-1-61069-076-8.
^ "Cool Planet - Oxfam Education". Oxfam GB. Archived from the original on 29 July 2012. Retrieved 16 April 2011.
^ Jansen, P. C. M. (2005). Dyes and Tannins. PROTA (Plant Resources of Tropical Africa). p. 102. ISBN 9057821591. Retrieved 19 June 2013.
^ Ayensu, Edward S. (1978). Medicinal plants of West Africa. Algonac, Mich.: Reference Publications. p. 101. ISBN 9780917256073.

External links

[1] Appiah, Kwame Anthony (1993). In My Father's House: Africa in the Philosophy of Culture (1st paperback ed.). New York: Oxford University Press. ISBN 978-0-19-506852-8.

[2] "Adinkra Ghanaian Textile is a printed traditional cloth in Ghana". Bellafricana. 30 June 2015. Retrieved 2 September 2021.

[3] DeMello, Margo (30 May 2014). Inked: Tattoos and Body Art around the World [2 volumes]. ABC-CLIO. ISBN 978-1-61069-076-8.

[4] "Adinkra Symbols | African Themed Weddings | African Wedding Ceremonies | African Wedding Traditions". Archived from the original on 8 June 2020. Retrieved 23 May 2020.

[5] "History and Origin of Adinkra Symbols". 25 April 2015.

[6] "Adinkra Symbols and the Rich Akan Culture". African Heritage. 27 August 2014.

[7] Boateng, Boatema (2011). The Copyright Thing Doesn't Work Here: Adinkra and Kente Cloth and Intellectual Property in Ghana. University of Minnesota Press. ISBN 978-0-8166-7002-4.

[8] Rucker, Walter C. (2006). The River Flows on: Black Resistance, Culture, and Identity Formation in Early America. LSU Press. ISBN 978-0-8071-3109-1.

[9] "Adinkra". Encyclopedia.com. Retrieved 2 September 2021.

[10] "Adinkra Ghanaian Textile is a printed traditional cloth in Ghana". Bellafricana. 30 June 2015. Retrieved 2 September 2021.

[11] "cloth | British Museum". The British Museum. Retrieved 2 September 2021.

[12] "Archived copy". Archived from the original on 22 March 2012. Retrieved 13 April 2011.{{cite web}}: CS1 maint: archived copy as title (link) clickable image on right links to description

[13] Locurto, Tina. "'Afraid to teach': School's book ban targeted Black, Latino authors". York Dispatch. Retrieved 1 December 2023.

[14] "Central York School District Reverses Diversity Ban: 'We Have Heard You'". yorkdispatch.com. Retrieved 29 June 2022.

[15] Christaller, Johann Gottlieb (1881). "adiṅkărá". A Dictionary of the Asante and Fante Language Called Tshi (Chwee, Tw̌i). Basel. p. 84.{{cite book}}: CS1 maint: location missing publisher (link)

[16] Kotey, Paul A. (1998). Twi-English/English-Twi Dictionary. New York: Hippocrene Books. p. 23. ISBN 978-0-7818-0264-2.

[17] DeMello, Margo (30 May 2014). Inked: Tattoos and Body Art around the World [2 volumes]. ABC-CLIO. ISBN 978-1-61069-076-8.

[18] "Cool Planet - Oxfam Education". Oxfam GB. Archived from the original on 29 July 2012. Retrieved 16 April 2011.

[19] Jansen, P. C. M. (2005). Dyes and Tannins. PROTA (Plant Resources of Tropical Africa). p. 102. ISBN 9057821591. Retrieved 19 June 2013.

[20] Ayensu, Edward S. (1978). Medicinal plants of West Africa. Algonac, Mich.: Reference Publications. p. 101. ISBN 9780917256073.

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