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A Yank at Oxford

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For the 1984 remake, see Oxford Blues.

A Yank at Oxford
Theatrical release poster
Directed byJack Conway
Written byRoland Pertwee
John Monk Saunders
Leon Gordon
Sidney Gilliat
Michael Hogan
Angus MacPhail
John Paddy Carstairs
Screenplay byMalcolm Stuart Boylan
Walter Ferris
George Oppenheimer
Frank Wead
F. Scott Fitzgerald
Produced byMichael Balcon
StarringRobert Taylor
Lionel Barrymore
Maureen O'Sullivan
Vivien Leigh
Edmund Gwenn
CinematographyHarold Rosson
Edited byMargaret Booth
Charles Frend
Music byHubert Bath
Edward Ward
Production
company
Distributed byLoew's Inc[1]
Release date
  • 18 February 1938 (1938-02-18)
Running time
102 minutes
CountriesUnited Kingdom
United States
LanguageEnglish
Budget$1,374,000[2] or £262,435[3]
Box office$2,736,000[2]

A Yank at Oxford is a 1938 comedy-drama film directed by Jack Conway and starring Robert Taylor, Lionel Barrymore, Maureen O'Sullivan, Vivien Leigh and Edmund Gwenn. The screenplay was written by John Monk Saunders and Leon Gordon. The film was produced by MGM-British at Denham Studios.

A Yank at Oxford was Vivien Leigh and Robert Taylor's first film appearance together; they would later appear as the romantic lead couple in the remake of Waterloo Bridge (1940). Before this film, Taylor was seen as the "romantic love interest" and thus as a 1930s equivalent to Rudolph Valentino, with men therefore starting to doubt Taylor's masculinity. His casting in this film (by Mayer) was a successful attempt to put paid to such doubts, and dramatically boosted his reputation with both men and women.[4]

Plot

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A cocky American athlete named Lee Sheridan (Robert Taylor) receives a scholarship to attend Cardinal College, University of Oxford in 1937. At first, Lee is reluctant to go to the college owing to his father, Dan's, (Lionel Barrymore) limited income, but he finally does attend. Once in England, Lee brags about his athletic triumphs to Paul Beaumont (Griffith Jones), Wavertree (Robert Coote), and Ramsey (Peter Croft) on the train to Oxford. Annoyed, they trick Lee into getting off the train at the wrong stop. Lee, however, does make his way to Oxford where the students attempt to trick him again, this time into thinking that he is getting a grand reception. Seeing through the deception, he follows the prankster impersonating the Dean and after chasing him is thrown off and ends up kicking the real Dean of Cardinal (Edmund Gwenn) before retreating. This begins a contentious relationship between them when Lee reports to apologize.

Lee considers leaving Oxford but stays on after being convinced by Scatters (Edward Rigby), his personal servant. Lee meets Elsa Craddock (Vivien Leigh), a married woman who "helps" the new campus students, and starts a relationship with Paul Beaumont's sister Molly (Maureen O'Sullivan). Lee makes the track team by outpacing other runners while wearing a cap and gown. Just when he begins to fit in, he is hazed for refusing to rest during a crucial relay race at a track meet and pushing his replacement Paul out of the way in his zeal to win. In a fit of anger, Lee goes to a pub, which students are forbidden to frequent, to confront Paul, finding him in a private booth with Elsa. He starts a fight with Paul but Wavertree warns them of the arrival of the Oxford University police, the "Bullers". Lee and Paul run and when they are almost caught by one of the Bullers, Lee punches him. Paul is called before the Dean, who fines him and warns him for hitting the Buller. He is scorned for revealing it was Lee who did it, and Lee is soon the favorite of Paul's old friends. Molly begins to see Lee again, but he still feels regretful for what has happened between him and Paul.

Lee begins rowing for Oxford University Boat Club and in the bumps race for Cardinal's boat club, tries to make amends to Paul after winning a race, but Paul rejects the offer of friendship. Despite this, Lee still helps Paul by hiding Elsa in his own room when Elsa is looking for Paul. The Dean catches the two of them together and expels Lee from Oxford. Lee's father, Dan, comes for the races having not heard of Lee's expulsion from Oxford University. When Lee tells him that he had been having an affair with Elsa, Dan believes he is lying. Judging from Lee's effusive letters about Molly, he feels that Lee could not possibly have had an affair with Elsa.

Dan meets with Molly and the two devise a plan to get Lee back into college. Dan meets with Elsa at the bookstore and convinces her to talk to the Dean. After flirting with the Dean and telling him that Lee was only hiding her from Wavertree, Lee is allowed back into Oxford and Wavertree, who has spent the entire story trying to be expelled so he can come into an inheritance, receives to his disappointment only a minor punishment. Lee and Paul make amends and win the boat race.

Cast

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Production

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F. Scott Fitzgerald spent three weeks working on the script.

A Yank at Oxford was MGM's first British production, with MGM head Louis B. Mayer taking a personal interest in casting.[5] He visited the set several times. British playwright Roland Pertwee was one of several uncredited writers, and F. Scott Fitzgerald also spent three weeks working on the script, touching up rough points and adding pieces of dialogue. Mayer and Balcon later got into a fight on set, within earshot of Vivien Leigh and Maureen O'Sullivan, that led to Balcon resigning as the producer.[6]

To the surprise of other actors, Taylor was able to do all of the physical scenes himself, especially running and rowing.[7] He had competed in track and field as a student at Doane College.[8]

At first, Mayer was reluctant to cast the then little known Vivien Leigh in the role of Elsa Craddock, until persuaded by Michael Balcon, who stated that she was already living in Britain and it would cost much more to fly someone else out to England.[9] During the filming of A Yank at Oxford, Leigh gained a reputation for being "difficult" to work with. According to her biographer Alexander Walker, Leigh felt judged by Maureen O'Sullivan, whom she had befriended years earlier at school, because O'Sullivan was happily married and Leigh was in the midst of an affair with Laurence Olivier and awaiting word of a divorce from her first husband, Leigh Holman. Therefore, the relationship was "strained." Also Leigh had developed a foot problem whereupon she asked to go to London to seek treatment. As Leigh was preparing to leave, the wardrobe department cut a hole in her shoes so that her toe would be at ease.[10]

According to Leigh, she was forced to pay for her own shoes and demanded that MGM help her make some of the payments. On the other hand, MGM said that they bought all of Leigh's shoes and she didn't have to pay a penny on the film. Because of the dispute, her manager, Alexander Korda, sent Leigh a message stating that if her behaviour did not improve, he would not renew her contract. Leigh's behaviour did shape up and her contract was renewed.[11]

Some film historians believe A Yank at Oxford was instrumental in Vivien Leigh being noticed by David O. Selznick for Gone with the Wind.[12] Regardless of her prior behavior, Leigh managed to make her way through the filming of A Yank at Oxford without much additional acrimony and made an impression on her costar, Robert Taylor.[13] Taylor returned to Hollywood talking about the great English actress he had worked with and suggested to Selznick, who was still searching for his Scarlett O'Hara, that they ought to look at her.[14]

Reception

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A Yank at Oxford was reviewed by Frank S. Nugent in The New York Times as a "pleasant spoof." He wrote that the film "turns out to be an uncommonly diverting show. It can't be the story, for we've read the one about the old college spirit before. ... It must be the accents, the caps and gown, the cycles and the remarkably credible chaps Metro hired to play dean and tutor, scout and students. When the camera turns upon them you can jolly well smell the fog, you know."[15]

The film review in Variety concentrated on Taylor's appeal. "Robert Taylor brings back from Oxford an entertaining rah-rah film which is full of breathless quarter-mile dashes, heartbreaking boat race finishes and surefire sentiment—Metro's first British-made film under Hollywood supervision and with Hollywood principals and director."[16]

A Yank at Oxford and A Yank at Eton (1942), portrayed the British in a mainly positive light, and set the scene for other films that were financially successful in both the United States and the United Kingdom during the war years.[17] The film was later parodied in the Laurel and Hardy film A Chump at Oxford (1940) and remade as Oxford Blues (1984) .

Box office

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According to MGM records, the film earned $1,291,000 in the US and Canada and $1,445,000 elsewhere resulting in a profit of $513,000.[2]

See also

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References

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Notes

  1. ^ A Yank at Oxford at the AFI Catalog of Feature Films
  2. ^ a b c "The Eddie Mannix Ledger." Margaret Herrick Library, Center for Motion Picture Study, Los Angeles.
  3. ^ Chapman, Llewella. "'The highest salary ever paid to a human being': Creating a Database of Film Costs from the Bank of England". Journal of British cinema and television, 2022-10. Vol. 19, no. 4. Edinburgh University Press. p. 470-494 at 481.
  4. ^ Wayne 1973, p. 79.
  5. ^ Taylor 1984, p. 51.
  6. ^ Looney, Deborah."Article: 'A Yank at Oxford'." Turner Classic Movies. Retrieved: 27 January 2015.
  7. ^ Wayne 1973, p. 80.
  8. ^ Kral, E. A. "Robert Taylor of Beatrice: The Nebraska Roots of a Hollywood Star."[usurped] Nebraska History, Volume 75, Issue 4, Winter 1994, pp. 280–290.}
  9. ^ Landazuri, Margarita. "Article: 'A Yank at Oxford'." Turner Classic Movies. Retrieved: 27 January 2015.
  10. ^ Walker 1987, p. 94.
  11. ^ Walker 1987, p. 95.
  12. ^ Capua 2003, p. 43.
  13. ^ Vickers 1988, p. 87.
  14. ^ Walker 1987, p. 96.
  15. ^ Nugent, Frank S. (25 February 1938). "Robert Taylor Appears as A Yank at Oxford at the Capitol--She Married an Artist at Criterion". The New York Times. Retrieved 22 July 2020.
  16. ^ "A Yank at Oxford". 'Variety. 31 December 1937. Retrieved 22 July 2020.
  17. ^ Glancy 1999, p. 59.

Bibliography

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