1360s in music
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1350s . 1360s in music . 1370s |
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The 1360s in music involved some significant events.
Events
[edit]- 1361
- The Dauphin of France (the future Charles V) is a guest in the house of Guillaume de Machaut in Reims.[1]
- Francesco Landini is appointed organist at the monastery of Santa Trinita in Florence.[2]
- 1362 –
- Niccolò da Perugia and Gherardello da Firenze visit the monastery of Santa Trinita in Florence.[3]
- The first documented use of polyphony in Brussels, at the collegiate church of Ste Gudule.[4]
Compositions
[edit]- 1360
- January – Two motets by Guillaume de Machaut, No. 21 Veni, creator spiritus and No. 23 Inviolata genitrix, are composed in response to the Siege of Reims.[5]
- after 1360 – Guillaume de Machaut motet No. 21 "Plange, regni respublica / Tu qui gregem tuum ducis / Apprehende arma et scutum et exurge"
- 1365 – Guillaume de Machaut's Messe de Nostre Dame had been composed by this year.[citation needed]
- 1369 – Johannes Vaillant's double-texted (ballade) for three voices, Dame doucement trait / Doulz amis de cuer parfait, was copied in Paris (compilatum fuit parisius) into the Chantilly Codex (fol. 26v), and thus likely was composed in that year.[6]
- unknown – Guillaume de Machaut – David Hoquetus[citation needed]
Births
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Deaths
[edit]- 1361 –
- ?May – Lodewijk Heyligen, Franco-Flemish music theorist.
- 9 June – Philippe de Vitry, French composer (b. 1291).
References
[edit]- ^ Wulf Arlt, "Machaut [Machau, Machault], Guillaume de [Guillelmus de Machaudio]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ John Milsom, "Landini, Francesco", The Oxford Companion to Music, edited by Alison Latham (Oxford and New York: Oxford University Press, 2001).
- ^ Kurt von Fischer and Gianluca D’Agostino, "Niccolò da Perugia [Nicolaus de Perugia, Magister Sere Nicholaus Prepositi de Perugia, Niccolò del Proposto, Ser Nicholo del Proposto]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Robert Wangermée and Henri Vanhulst, "Brussels", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Kurt Markstrom, "Machaut and the Wild Beast", Acta Musicologica 61, No. 1 (January–April 1989): 12–39. Citation on 30–35.
- ^ Gilbert Reaney, "The Manuscript Chantilly, Musée Condé 1047", Musica Disciplina 8 (1954): 59–113. Citations on 79, 85, and 90.