1330s in music
Appearance
(Redirected from 1334 in music)
| |||
---|---|---|---|
+... |
1320s . 1330s in music . 1340s |
. Music timeline |
The 1330s in music involved some events.
Events
[edit]- 1330
- Juan Ruiz, the Arcipreste de Hita, writes the first version of his El libro de buen amor, which describes many musical practices in Spain.[1]
- 1334
- 1337
- exact date unknown – Pedro IV of Aragon summons to his court the musicians Ali Eziqua and Çahat Mascum, his favourite players of the rebec and exabeba.[3]
- 1338
- 28 January (by modern reckoning; 1337 by ecclesiastical usage of the time) – Guillaume de Machaut takes up a canonicate in Reims, "per procuratiorem" (i.e., by proxy).[4]
Bands formed
[edit]- 1334 – Pope Benedict XII institutes the Papal Cappella, which would eventually become the Capella Sistina.[5]
Compositions
[edit]This section is empty. You can help by adding to it. (September 2017) |
Births
[edit]This section is empty. You can help by adding to it. (September 2017) |
Deaths
[edit]This section is empty. You can help by adding to it. (September 2017) |
References
[edit]- ^ Robert Stevenson, "Arcipreste de Hita [Ruiz, Juan]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Mary Remnant, "Fiddle [fedylle, ffidil, ffythele, fiele, fithele, phidil, vithele etc.]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Robert Stevenson and Maricarmen Gómez, "Spain, §I: Art Music, 1. Early History", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Roger Bowers, "Guillaume de Machaut and His Canonry of Reims, 1338-1377", Early Music History 23 (2004): 1–48. Citation on 7–8.
- ^ Adele Poindexter and Barbara H. Haggh, "Chapel", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).