Kathryn Smith (artist)
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Kathryn Smith | |
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| Born | 1975 |
| Nationality | South African |
| Known for | Video art, performance art |
| Awards | Standard Bank Young Artist Award for Visual Arts 2004 2001 Finalist: FNB Vita Art Prize; Absa Atelier Award 1999 Sasol New Signatures Competition |
| Website | serialworks |
Kathryn Smith is a South African artist, curator, and researcher. She works on curatorial projects, scholarly research, and studio practices, while her art deals with uncertainty, risk, and experimentation. She works in Cape Town and Stellenbosch. Her works have been exhibited and collected in South Africa and elsewhere. In 2006, she was appointed senior lecturer in the Department of Visual Arts at the University of Stellenbosch and head of the Fine Arts Studio Practice program. She took a break in 2012/2013 to read for an MSc (Forensic Art) at the University of Dundee.
Education
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
Smith was born in Durban, South Africa in 1975.[1] In 1997 she graduated from Witwatersrand University(Wits) with a Bachelor in Fine Arts in Printmaking. Two years later in 1999 she received her Masters with distinction in Printmaking, also from Wits University.[2] She participated in artist residencies in the United States, Canada, Europe, and South Africa. She is currently based in Dundee, Scotland, where she is as a postgraduate student in the Centre for Anatomy and Human Identification, specializing in forensic art, under the Chevening Award scheme.
Artistic works and career
[edit] | This section of a biography of a living person needs additional citations for verification. (July 2015) |
Smith views printmaking as the ability to reproduce and repeat images, thinking "of it as a kind of failed forgery; failed because there really was no 'original' from which to begin".[3] She characterises her works are characterized as "crime artist and muse", and are visceral and uncanny.[4] Her identity as both an artist and historical researcher led to her preoccupation with forensic methods of observation and perception. Her interests in forensic pathology and psychology lead to mixed media works that are art and social commentaries.[citation needed]
Smith defines herself as a performance artist, cultural manipulator of media, and photographer. During her time at the Artist's Press in 2004, she produced a series of collages incorporating visual media, conversations, observations and sampled words from society. These works challenge the viewer to play the role of a detective by "unraveling clues and references that may not announce themselves outright."[5] Photography, creative and journalistic, theoretical and practical, occupies a central place in her work. In forensics, her works stretch modernity and photography and are often unnerving. She cites her camera-based media as being heavily influenced by film, photography, new media, and theories of law, psychology and psychoanalysis.[6]
While practicing fine art, Smith is also very involved in curatorial projects. For example, one of her more recent collaborative projects, (with Roger van Wyk) Dada South? Exploring Dada legacies in South African art, 1960 to the present, investigated Dada tendencies in South African art for the past 50 years. This project was displayed in the Iziko South African National Gallery in 2009.[7]
She has been represented by the Goodman Gallery since 2004. In 2009, Smith opened up Serialworks, her apartment studio in the Woodstock neighbourhood in Cape Town, as a project space. Her work can be found publicly in the South African National Gallery as well as the Johannesburg Art Gallery. Her work is privately held throughout South Africa, the United States, the United Kingdom, and throughout Europe.[citation needed]
Solo exhibitions and projects
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
- 2012: Incident Room: Jacoba ‘Bubbles’ Schroeder, Gallery AOP, Johannesburg, South Africa
- 2009: In Camera, Fotografins Hus, Stockholm, Sweden
- 2004-5: Euphemism, National Arts Festival, Grahamstown; Nelson Mandela Metropolitan Art Museum, Port Elizabeth; Durban Art Gallery, Durban; Johannes Stegmann Art Gallery, University of the OFS, Bloemfontein; South African National Gallery, Cape Town; Standard Bank Gallery, Johannesburg, South Africa
- 2003: Jack in Johannesburg, as part of 24.7, Johannesburg Art Gallery, Johannesburg
Group exhibitions and projects
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
- 2012: 11th Havana Biennale ‘Art Practices and Social Imaginaries’, Havana, Cuba
- 2010/2011: Noli Procrastinare: Public Art for Laingsburg, Laingsburg, Great Karoo, South Africa
- 2010: Biennale of Young Art, Moscow, Russia
- 2009: AiM Biennale, Marrakech, Morocco
- 2008: Revolutions – Forms that Turn, Sydney, Australia
Publications
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
Kathryn Smith conceptualised and edited One Million and Forty-Four Years (and Sixty Three Days), which is an anthology of current attitudes towards the avant-garde. She also did research and edited the monographic books Penny Siopis (2005) and Sam Nhlengethwa (2006), which were published by Goodman Gallery Editions. Kathryn was also a researcher and author of Barend de Wet (2011), published by SMAC, Stellenbosch.
Reviews and citations
[edit]Organisations
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
Smith was a founding member of the Trinity Session in 2000 (active in the group until 2004), as well as a founder of The Premises Project Room.
Awards
[edit] | This section of a biography of a living person does not include any references or sources. (July 2015) |
- 2012/2013: Chevening scholar
- 2007: iCommons Summit Artist-in-Residence Scholarship; Croatia
- 2005: National Arts Council funding Award, South Africa
- 2003: Ampersand Fellowship, New York City
- 2004: Business and Arts South Africa project partnership
- 2003: Standard Bank Young Artist Award for 2004, Johannesburg, South Africa
- 2002: Inaugural Wits Convocation/Alumni Bright Star Award for Outstanding Contribution to the Arts and Humanities, Johannesburg, South Africa
- 2001: FNB Vita Art prize nominee, Durban, South Africa
- 2000: ABSA Atelier Award (finalist), Johannesburg, South Africa
- 1999: Sasol New Signatures winner, Pretoria Art Museum, Pretoria, South Africa
References
[edit]- ^ "Kathryn Smith". serialworks. Retrieved 20 January 2020.
- ^ "ARTTHROB - ARTBIO". ArtThrob. Retrieved 20 January 2021.
- ^ "Artist Press". Art Print SA. Retrieved 30 January 2014.
- ^ "The Bloody Book Week". The Bloody Book Week. Retrieved 30 January 2014.[permanent dead link]
- ^ "Kathryn Smith". The Artists' Press. Retrieved 20 January 2021.
- ^ "Kathryn Smith – Visual Artist/Researcher" (PDF). Serial Works. Retrieved 30 January 2014.
- ^ "Borders & Crossings: The Artist as Explorer". Impact 8. Retrieved 21 April 2020.
- ^ Williamson, Sue (17 May 2011). South African Art Now – Kathryn Smith. Harper Collins. ISBN 9780062043474. Retrieved 30 January 2014.
- ^ Perryer, Sophie (2004). 10 Years, 100 Artists. Bell-Roberts Pub. ISBN 9781868729876. Retrieved 30 January 2014.
External links
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