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User:Ssven2/New Wave films in Tamil cinema

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New Wave Tamil cinema
Years active2003–present
LocationTamil Nadu, India
Major figuresAmeer, Bala, Balaji Sakthivel, Cheran, Chimbu Deven, Gautham Menon, Karthik Subbaraj, M. Sasikumar, Pa. Ranjith, Pandiraj, Prabhu Solomon, Selvaraghavan, Suseenthiran, Vetrimaaran

New Wave Tamil cinema, also called Tamil New Wave,[1] is a film movement in Tamil cinema which refers to the time from roughly 2003-2004 (Anbe Sivam, Pithamagan, Autograph and Kaadhal) to present when a new generation of young filmmakers and actors came to prominence in Tamil cinema, influencing the types of films produced, their production and marketing, and the way major studios approached filmmaking. In these New Wave films, the film director took on a key authorial role. Many of these films combine elements of commercial cinema with the complexity of art films unlike traditional commercial cinema. Some of these films also experiment with concepts which were/are new to Tamil cinema. Films categorised as "Off-beat films" or "Realistic cinema" were/are very prominent during this period.[1][2][3]

Background

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Tamil cinema had a string of revolutionary films beginning from the 1970s onwards. Directors like K. Balachander, Balu Mahendra and J. Mahendran revolutionising the Tamil film industry in the 1970s and early 1980s with films such as Arangetram (1973), Uthiripookkal (1979) and Moondram Pirai (1982) that focused on story and screenplay rather than the just the actors' screen presence to ensure that the films are commercial successes. Then a string of commercial films followed beginning with Sakalakala Vallavan (1982) and less amount of these films were made in the 1980s to late 1990s.[4][5]

The New Wave Tamil cinema was kickstarted by Bala's Sethu... (1999), which broke all norms about conventional film-making in Tamil cinema.[6] However, the films that paved way for more New Wave films were Autograph (2004) and Kaadhal (2004).[1] Both these films earned critical acclaim and commercial success and inspired more "Realistic" and "Offbeat" films such as Raam (2005), Imsai Arasan 23rd Pulikecei (2006), E (2006), Veyil (2006), Paurthiveeran (2007), Anjathe (2008), Subramaniapuram (2008),[1] Naan Kadavul (2009), Pasanga (2009), Angadi Theru (2010), Mynaa (2010), Aaranya Kaandam (2011), Attakathi (2012), Pizza (2012), Naduvula Konjam Pakkatha Kaanom (2012), Soodhu Kavvum (2013) and Jigarthanda (2014).

Another popular genre in the New Wave films is comedy horror. This genre was kickstarted by the success of P. Vasu's Chandramukhi (2005), which became a trendsetter for later comedy horror films such as the Muni series, Yaamirukka Bayamey (2014), Aranmanai (2014) and Darling (2015).

Characteristics of New Wave Tamil films

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The New Wave Tamil films are usually either independently filmed or are studio-based. They are generally characterised by either one of these aspects — songs are placed in the background of the film's narrative rather than the lead actors lip syncing and dancing to them in exotic locations, a shorter running time, no comic subplot (the comedy remains central to the plot as seen in the films of director M. Rajesh), themes that are sharply observed, tough-minded explorations of rural life and life on the streets. The characters here are rooted in family, culture and tradition but are forced to break with everything because of their personal choices — usually love or ambition.[1][7]

Notable films

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The following are a chronological list of notable New Wave Films that featured in this period.

List of important figures in the era

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Writers and directors
Producers and distributors
Actors

Below is a list of actors who are/were prominent/who made their debuts/who made their breakthroughs during this period.

References

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  1. ^ a b c d e "The New Kollywood". Behindwoods. Retrieved 28 October 2015.
  2. ^ a b c d N. S. Ramnath (30 April 2013). "The Evolving Role of Writers in Tamil Cinema". Forbes. Retrieved 28 October 2015.
  3. ^ a b c d e f g h i j k l m K. Jeshi (23 November 2007). "Formula is passé, freshness is in". The Hindu. Archived from the original on 25 November 2014. Retrieved 16 August 2012.
  4. ^ Kolappan, B. (23 December 2014). "Tamil Film Director K.Balachander Created Realistic Movies that were Story based and Introduced Fresh Talent". DBSJeyaraj.com. Retrieved 7 October 2018.
  5. ^ Kolappan, B. (23 December 2014). "He took Tamil cinema beyond hero-centric creations". The Hindu. Retrieved 7 October 2018.
  6. ^ Rajaneesh Vilakudy (10 March 2009). "Exclusive: Bala on Naan Kadavul, God and faith". Rediff. Retrieved 28 October 2015.
  7. ^ Sukumaran, Ajay (20 June 2016). "Reel In Some Jigarthanda!". Outlook. Retrieved 15 September 2016.
  8. ^ a b c d e f g h i j k l m n o Sundaram, Nandhu (13 April 2017). "Poor scripts, dull content: Why the new wave in Tamil cinema heralded by 'Sethu' is dying". The News Minute. Retrieved 15 September 2018.
  9. ^ a b c d e f g h i j k "Tamil Cinema's New wave – Movies that mattered". Pesum Padam. 8 May 2014. Retrieved 28 October 2015.
  10. ^ a b c d e f g h i Dhananjayan 2014.
  11. ^ a b Gopu Mohan (11 January 2009). "The Tamil New Wave - 5". The Indian Express. Retrieved 28 October 2015.
  12. ^ a b c d e f g h i j k l "'Formulaic Realism' – The New Tamil cinema". Behindwoods. Retrieved 28 October 2015.
  13. ^ a b c d "Aranmanai follows Chandramukhi and Kanchana". Behindwoods. 22 September 2014. Archived from the original on 10 May 2015. Retrieved 10 May 2015.
  14. ^ a b c d e f K. Jeshi (8 May 2015). "The funny thing about horror". The Hindu. Archived from the original on 10 May 2015. Retrieved 10 May 2015.
  15. ^ a b Sudhir Srinivasan (16 January 2015). "Darling: A familiar ghost serves as humour fodder, again". The Hindu. Archived from the original on 10 May 2015. Retrieved 10 May 2015.
  16. ^ Gopu Mohan (11 January 2009). "The Tamil New Wave". The Indian Express. Retrieved 28 October 2015.
  17. ^ a b Gopu Mohan (11 January 2009). "The Tamil New Wave - 3". The Indian Express. Retrieved 28 October 2015.
  18. ^ a b c d e f g h i N. S. Ramnath (6 July 2011). "The Tamil Film Industry's New Storyline". Forbes. Retrieved 28 October 2015.
  19. ^ a b c d e f g h i j Pradeep Sebastian (1 February 2010). "The New Southern Sensation". Caravan. Retrieved 28 October 2015.
  20. ^ a b M. Suganth (27 June 2014). "Saivam Movie Review". The Times of India. Retrieved 28 October 2015.
  21. ^ a b c d e f g G. Dhananjayan (22 June 2012). "The charge of the Tamil brigade". The Sunday Indian. Archived from the original on 23 June 2013. Retrieved 28 October 2015.
  22. ^ "Vinnaithaandi Varuvaaya review". Sify. Retrieved 28 October 2015.
  23. ^ Pavithra Srinivasan (26 February 2010). "Vinnaithaandi Varuvaayaa is a must watch". Rediff. Retrieved 28 October 2015.
  24. ^ "Taste of candyfloss -- Vinnai Thaandi Varuvaaya". The Hindu. 5 March 2010. Retrieved 28 October 2015.
  25. ^ Bhama Devi Ravi (10 May 2010). "Irumbukottai Murattu Singam Movie Review". The Times of India. Retrieved 28 October 2015.
  26. ^ a b c d Akhila Krishnamurthy (9 July 2011). "The new darlings of Kollywood". Tehelka. Retrieved 28 October 2015.
  27. ^ Sai Shyam G. (4 May 2011). "You'll be hooked". The Hindu. Retrieved 28 October 2015.
  28. ^ N. Venkateswaran (2 April 2011). "Vaanam Movie Review". The Times of India. Retrieved 28 October 2015.
  29. ^ "Attakathi Movie Review". Behindwoods. 3 August 2012. Retrieved 28 October 2015.
  30. ^ M Suganth (16 August 2012). "Attakathi Movie Review". The Times of India. Retrieved 28 October 2015.
  31. ^ a b c d e f g h Sashi Kumar (3 May 2013). "Tamil cinema's double act". Frontline. Retrieved 28 October 2015.
  32. ^ a b c d "'Thegidi' - a mastermind (IANS Tamil Movie Review)". Business Standard. 1 March 2014. Retrieved 28 October 2015.
  33. ^ a b c K. Hariharan (10 August 2013). "After the Cinema of Disgust". Open Magazine. Retrieved 28 October 2015.
  34. ^ Jigdesh (31 October 2012). "Has The New Wave Of Tamil Cinema Shunted Out The Classic Masala Fares?". Behindwoods. Retrieved 28 October 2015.
  35. ^ "'Goli Soda' review: This Tamil film is a slap in the face of heroism". CNN-IBN. 25 January 2014. Retrieved 28 October 2015.
  36. ^ a b c d e f Rajendran, Sowmya (20 August 2016). "Breaking fresh ground: Five Tamil directors with exciting new ideas and themes". The News Minute. Retrieved 15 September 2016.
  37. ^ Baradwaj Rangan (28 June 2014). "Saivam: Something to crow about". The Hindu. Retrieved 28 October 2015.
  38. ^ Baradwaj Rangan (16 August 2014). "Kathai Thiraikathai Vasanam Iyakkam review: Season of the meta movie". The Hindu. Retrieved 28 October 2015.
  39. ^ "'Jeeva' - passion versus politics (IANS Tamil Movie Review)". Business Standard. 26 September 2014. Retrieved 28 October 2015.
  40. ^ "'Madras'- as realistic as it can get (Tamil Movie Review)". Business Standard. 27 September 2014. Retrieved 28 October 2015.
  41. ^ a b c Sreedhar Pillai (16 May 2015). "Have ghosts taken over Tamil cinema? Decoding the popularity of horror genre in Kollywood". Firstpost. Retrieved 28 October 2015.
  42. ^ Avinash Gopinath (24 September 2015). "Kirumi Movie Review & Rating: A Realistic Thriller With A Unique Treatment!". Oneindia. Retrieved 28 October 2015.
  43. ^ a b c d e f Subramanian, Anupama (30 December 2017). "2017 belonged to freshers with quirky themes". Deccan Chronicle. Retrieved 7 October 2018.
  44. ^ a b c d e f g Sundar, Priyanka (27 December 2017). "20 offbeat must watch south Indian films of 2017". Hindustan Times. Retrieved 4 October 2018.
  45. ^ Rajendran, Gopinath (20 May 2018). "'Peranbu' is our answer to international cinema: South Indian actress Anjali". The New Indian Express. Retrieved 4 October 2018.
  46. ^ Raman, Sruthi Ganapathy (5 September 2018). "Love without boundaries: Director Prem Kumar on crafting the offbeat romance '96'". Scroll.in. Retrieved 4 October 2018.
  47. ^ Ramachandran, Avinash (1 October 2018). "I wish to balance mainstream and offbeat cinema: Kathir". The New Indian Express. Retrieved 4 October 2018.
  48. ^ a b c Parshathy J. Nath (27 August 2015). "'I knew I was meant to be an actor'". The Hindu. Retrieved 28 October 2015.
  49. ^ a b c d e f g h i j k l m n o K, Janani; Manohar, Niveda (28 march 2017). "They came, they conquered". Deccan Chronicle. Retrieved 7 October 2018. {{cite news}}: Check date values in: |date= (help)

Further reading

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