The Calyx Krater by the artist called the "Painter of the Berlin Hydria" depicting an Amazonomachy is an ancient Greek painted vase in the red figure style, now in the Metropolitan Museum of Art, New York. It is a krater, a bowl made for mixing wine and water, and specifically a calyx krater, where the bowl resembles the calyx of a flower.[1] Vessels such as these were often used at a symposion, which was an elite party for drinking.[1]
Warfare depicted in Greek art was often not representative of actual ancient warfare, but rather depictions of epic and mythological scenes.[2][3] This depiction style became common in the 6th century, possibly reflecting the political and social turmoil Greece was beginning to experience, and the desire to triumph over barbarians.[3] In the 5th century, with the adoption of the novel red-figure vase painting technique, amazonomachies changed slightly, beginning to shift from depicting just the defeated to illustrating a real threat.[2]
This calyx krater was made in the Classical Period of ancient Greece ca. 460–450 BCE.[4] It is a red-figure vase made of terracotta and attributed to the painter of the Berlin Hydria.[4] The vase is from the region of Attika and is 21.9375 in (55.8) cm high and 22.9375 in (58.3) cm in diameter.[4] The figures and poses seen are representative of the time in which it was made, evoking a sense of pathos and showing motion. The complexity and overlapping of items and figures evokes a dramatic representation of battle.[4]
From left to right there is a Greek soldier holding a raised spear and poised to strike. The next figure is a falling Amazon who is half hidden behind her shield. In the center there is a mounted Amazon sitting calmly on her horse. Beside her is a crouched Amazon who appears to be striking something behind the horse. To the right of that Amazon is another Greek soldier leaning away with an ax raised above his head. On the far right is an Amazon with an ax raised above her head apparently preparing to strike a Greek soldier around the side of the vase.[citation needed]
^ abT., Neer, Richard (2012). Greek art and archaeology : a new history, c. 2500-c. 150 BCE. New York. pp. 384–386. ISBN9780500288771. OCLC745332893.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link)
^ abSahin, Reyhan (2017). "Representations of Mythological War Scenes in Attic Figure Pottery and Approaches in Research". Social Sciences Review of the Faculty of Sciences & Letters of the University of Uludag. 19 (32): 259–285.
^ abTarbell, Frank B. (1920). "Centauromachy and Amazonomachy in Greek Art: The Reasons for Their Popularity". American Journal of Archaeology. 24 (3): 226–31. doi:10.2307/497687. JSTOR497687. S2CID191363969.
_MET_DP116942.jpg)
