Jump to content

Alexander Tuschinski

Edit links
From Wikipedia, the free encyclopedia
(Redirected from Trilogy of Rebellion)

Alexander Tuschinski
2014 on the set of Timeless
Born (1988-10-28) October 28, 1988 (age 36)
Stuttgart, West Germany
Alma materHochschule der Medien (B.Eng. in audiovisual media)
Universität Stuttgart
(B.A., M.A. in history)
Occupation(s)Film director, film producer, writer, actor, musician
Years active2008 – present
RelativesConstantin von Tuschinski (grandfather)
Demeter von Tuschinski (great-grandfather)
AwardsSee list of awards in the article.

Alexander Tuschinski (born October 28, 1988, Stuttgart, West Germany) is a German film director, film producer, writer, actor and musician. Internationally, he is best known for his feature films which have won awards at film festivals. His documentary Caligari in the Desert was a submission to the 91st Academy Awards.[1] Additionally, Tuschinski is known for his academic writing on the early works of Tinto Brass.

Life and works

[edit]

1988-2008: Early life

[edit]

Both of Alexander Tuschinski's parents were born in Romanian Sighișoara and emigrated to West Germany in 1983. Tuschinski was born in Stuttgart on 28 October 1988.[2] As a child, he watched silent films, slapstick-films and early sound films on VHS cassette with his father, leading to a fascination with silent movie aesthetics, montage and camera tricks. He particularly recalled watching films starring Charlie Chaplin.[3]

Tuschinski attended Dillmann-Gymnasium in Stuttgart, Germany, and originally wanted to study physics after graduating in 2008. However, he changed his mind shortly before enrolling at university realizing that film was his main passion, and instead started studying Audiovisual Media at Hochschule der Medien. As a pupil, Tuschinski produced several comedic short films and music videos which he published on YouTube prior to 2008.[4]

2008-present

[edit]

Shortly before graduating Dillmann-Gymnasium in Summer 2008, Tuschinski wrote, produced and directed the no-budget comedy film Killer Squirrels (Killereichhörnchen) with a 56-minute runtime, releasing it on YouTube. As with many of his films, he composed and performed songs and instrumental music for the soundtrack.[5] The next year, he wrote, produced, directed and edited the feature film comedy Menschenliebe about student life and dating. Tuschinski produced the film parallel to his studies, and it had its premiere early 2010 in Stuttgart. Tuschinski wrote the screenplay between November 2008 and January 2009 as a newly enrolled student at Hochschule der Medien inspired by student life and produced the no-budget project entirely from his savings parallel to his studies. Filming took place from April to September 2009, and he credited his studies to have given him insight in technical aspects of filmmaking. The cast consisted of 46 amateur actors found among Tuschinski's friends and acquaintances.[5] Shortly after filming, Tuschinski cited O Lucky Man!, Barry Lyndon and the opera films by Jean-Pierre Ponnelle as works that were stylistically influential to him. Menschenliebe had its world premiere in January 2010 at Dillmann-Gymnasium in a screening for cast, crew and friends. In March 2011, Tuschinski expressed his desire to have a production company produce his next feature film.[5]

Afterward, Tuschinski, again parallel to his studies, produced the documentary film Quasicrystal Research and the no-budget music video Mutant Calculator, writing and producing the music for both. According to him, he filmed Mutant Calculator to "clear his head" after the bigger production Menschenliebe.[6] Quasicrystal Research was selected to play during the Australian National Science Week in 2012, being shown in 400 venues around Australia during that week.[7] During 2010 and 2011, Tuschinski occasionally performed satirical songs live on stage, combined with comedy routines.[8]

Menschenliebe had its US premiere at Park City Film Music Festival,[9] and in 2011/12, along Mutant Calculator, went on to win numerous awards at festivals in the United States, which was covered in the German press and on German TV. Parallel to this, from around 2010, Tuschinski had started filming the first scenes for his next low-budget feature film Break-Up, again parallel to his studies. He first announced working on Break-Up in a February 2012 press article.[4][10]

Tuschinski's first novel, Das Fahrzeug, was published in Germany in 2011.[11] In Summer 2011, Tuschinski graduated Hochschule der Medien as a Bachelor of Engineering in Audiovisual Media. His Bachelor's thesis focused on reconstructing Tinto Brass' original intentions for the film Caligula that, in the 1970s, had been changed in editing without the director's input. Before graduating, Tuschinski had already written papers on film history and on Tinto Brass' film Nerosubianco.[12] From October 2011, Tuschinski enrolled at University of Stuttgart to study history and literature. On 13 February 2012, he did a public reading from the novel Das Fahrzeug at Stadtbibliothek Stuttgart, and on that occasion also performed satirical songs he had written. During a second reading at Literaturhaus Stuttgart, he first presented scenes from his work-in-progress film Break-Up.[10] While Tuschinski was filming Break-Up, he reached out to German film director Hugo Niebeling whose films he considered influential to his style. They became friends, and Hugo Niebeling made positive remarks about Tuschinski's works.[13]

In 2012, Tuschinski restored several of Tinto Brass' 1960s films using material from the director's private archive, and they were screened at a retrospective in Hollywood.[14] In 2014, Tuschinski was called an "encyclopledic Brass expert" on Caligula.[15] The same year, Tuschinski wrote an essay on Tinto Brass' film The Key which was published as a booklet with the British Blu-ray release of said film.[16] Break-Up had its world premiere in Los Angeles in early 2014. It was called a "surreal satire on power and conventions", and was filmed with 38 amateur actors, again cast from friends and acquaintances of the director. The film received awards in the United States.[17] In the summer of 2014, Tuschinski received his second degree as a Bachelor of Arts in history and German philology at Universität Stuttgart, and immediately continued pursuing a Master's Degree in history there. That year, he published an album featuring classical music recorded on synthesizer and vocoder.[citation needed]

Helmut Berger (right) and Alexander Tuschinski on the set of Timeless (2015)

In 2014/15, Tuschinski produced, wrote, directed and edited the feature film Timeless mostly in Stuttgart. He had started writing the film in 2013. The cast included international actors like Harry Lennix, Rick Shapiro and Angus Macfadyen, whom Tuschinski had met at film festivals. On the occasion, Lennix called Tuschinski "an avant-gardist and neo-classical director".[18] In August 2015, scenes with Helmut Berger were filmed in Stuttgart.[19] Shortly after filming ended in 2015, Tuschinski considered Timeless "by far" his best film.[citation needed] In an interview, Tuschinski mentioned doing the film with a low budget and no external funding, so he would be able to start filming immediately and be spontaneous. As people helped the production without expecting payment, sequences like a WW2 scene featuring a Soviet T-34 tank were possible despite being initially planned with fewer props and sparser settings.[20] In 2016, Hörzu reported a theatrical release happening soon.[21] In 2021, Tuschinski self-published a coffee-table book about the filming of Timeless featuring information about the production process and numerous photos.[22]

Hugo Niebeling, photographed by Alexander Tuschinski in 2014.

Parallel to producing Timeless, Tuschinski assisted Hugo Niebeling in restoring and re-editing B7, Niebeling's director's cut of his 1972 film showing the Berlin Philharmonic performing Beethoven's seventh symphony conducted by Herbert von Karajan.[23] Additionally, Niebeling and Tuschinski together edited Niebeling's short film Apotheosis of Dance from the last movement of the symphony.[24] Parallel to this, Tuschinski produced his own experimental short film Gold., which set the last movement of Beethoven's seventh symphony to images of nature and decay.[25] Gold. won the "Golden Pelican" award at Mykonos Biennale in early 2015.[26]

After Timeless, Tuschinski produced and directed several short films between 2017-2019, including a silent movie adaption of Woyzeck starring Thomas Goersch, the experimental film Cycle-Kreislauf, as well as several documentary portraits of artists. Among those documentaries, the film Caligari in the Desert about Roger Ball was a submission to the 91st Academy Awards,[27] and the film The Songwriter of Botnang portraying Gerda Herrmann, a poet and composer born in 1931, was screened at several international festivals.[28][29][30] In late 2017, Tuschinski filmed first scenes for his feature film Revolution!, including Helmut Berger's last appearance in as an actor which was filmed in Salzburg during December of that year. While the film Revolution! as of 2024 has been shelved, some of its scenes were used for the short film Gas-Shaped Light and for Tuschinski's autobiographic 2024 documentary Cutting Squares.[31]

In 2018, Tuschinski's research into, and interest in, Tinto Brass's work on Caligula was examined in his feature documentary Mission: Caligula.[32] At the documentary's premiere in Los Angeles, Tuschinski made a joint announcement with Kelly Holland, then-owner of Penthouse and rightsholder of Caligula regarding a proposed new cut of the film. In the 1970s, Brass had been dismissed by Penthouse in post-production before he could complete editing, and his workprint had been dismantled to edit the film again from scratch. In 2016, Tuschinski had discovered and reconstructed Tinto Brass' unfinished workprint in Penthouse's archive. The announced project would have aimed for Brass to restore and finish his 1970s workprint of Caligula with Tuschinski's assistance. In case Brass would decline to work on the film, Tuschinski would have finished the workprint according to his reconstruction of Brass' 1970s style and plans. [33] In July 2018, Tuschinski released Mission: Caligula on Vimeo and YouTube.[32] However, the project did not come to pass.[31] That year, Tuschinski also self-published his second novel Fetzenleben, which he had written in 2014/15 parallel to working on Timeless.[34]

In Summer 2019, Tuschinski started filming a feature film adaption of his novel Fetzenleben. The film used the same title as the novel, but was freely adapted, focusing on a love story set in Paris and changing many aspects from the novel to fit the new setting and focus. Filming in Paris started in August 2019, and the cast consisted of German and international actors. As with his prior feature films, Tuschinski produced, wrote, directed and edited Fetzenleben himself, improvising many scenes on set. Additionally, he wrote and performed much of the film's soundtrack on accordion, piano and various instruments.[3] The film won several awards at international film festivals and has a runtime of 165 minutes.[2]

Tomas Kurth in Tuschinski's film Statue of Liberty.

From 2020, German online magazine postmondän published interviews that Tuschinski conducted with artists of his friend circle, like Gerda Herrmann,[35] Stephen Kalinich,[36] and Tomas Kurth (known as vanderkurth).[37] The November 2020 Blu-ray release of the 1971 film The Other Side of Madness includes a booklet written by Tuschinski, in which he gives a positive assessment about the film's visual style, sound design and editing.[38] From Winter to Summer 2021, Tuschinski produced, filmed, directed and edited the feature-length documentary Statue of Liberty about vanderkurth's life and his quest to build a "Statue of Liberty of Stuttgart" during lockdown.[39] Tuschinski calls the film a "docu-comedy". Throughout the film, its making is part of the documented process, giving it an experimental meta layer.[40] Statue of Liberty screened together with Fetzenleben and the second instalment of Die Liedermacherin von Botnang at Filmschau Baden-Württemberg in December 2022.[41]

On 27 December 2022, Tuschinski published his hour-long documentary Whisper and Laugh (Flüstern und Lachen) on YouTube.[42] The film portrays German protest singer Yann Song King, the peaceful protests in Germany during the COVID-19 pandemic and the treatment of "unvaccinated" people in the country in winter 2021/22. It was filmed at 30 demonstrations throughout Germany and maintains a sense of humour while retelling the period from the protesters' point of view.[43] Tuschinski produced the film entirely by himself, filming it on a smartphone.[44] On 1 March 2023, Whisper and Laugh screened in competition at Hollywood Reel Independent Film Festival at Regal Cinemas at L.A. Live, together with Tuschinski's short film "Vigil" (Mahnwache) about a healthcare-workers' demonstration in Berlin.[45] Eugen Zentner considers Whisper and Laugh as part of 2020s German counter-culture.[46]

September 2024 in Vienna

In 2023, Tuschinski digitally released his concept album Cut Squares, which he composed and recorded by himself. Eugen Zentner considers the album's second half an "anti-war-album", while the first half mainly addresses conformity in society. He names it as characteristic for 2020s counter-culture pop music and notes the album's "unconventional, at times very experimental" sound, which together with the lyrics tells a story about the narrator "breaking out of a depressive situation with another person, and both finding like-minded people."[46] Most of the music was written during lockdowns between 2020-2022.[47]

From 2023, Tuschinski began researching and publicly discussing his paternal family history. On 22 November 2023, he presented an overview of his research on Demeter Ritter von Tuschinski, his great-grandfather, during a conference at Bukowina-Institut an der Universität Augsburg.[48][49][50] On 19 June 2024, Tuschinski's autobiographical documentary film Cutting Squares about his life, works and friends had its world premiere in Los Angeles.[51] In September 2024, Tuschinski published a reprint of his grandfather Constantin's collected 1929-1942 works, including the first published biography of the author that Tuschinski wrote based on his research.[52] Tuschinski intends to follow this up with a collection of Constantin's 1960s-1980s creative writing, and with a standalone, more thorough biography.[53]

Filmmaking style

[edit]

General description

[edit]

Alexander Tuschinski's films have been compared to "the early works of Woody Allen".[54] He uses an impressionistic camera- and editing-style that is considered experimental by some. His films frequently employ classical music with scenes edited to the rhythm and the structure of the music, as well as satirical songs that are often used to progress the story.[citation needed]

I find it boring when I can predict a film's outcome and find that conventional filmmaking can be quite uninteresting at times. My films have a strange, surrealistic logic to them.

— Alexander Tuschinski, Interview by Steve Williams for Take One 2012.[55]

Visual language

[edit]

Tuschinski himself uses an analogy to language when describing his approach to cinematography and editing, calling different shots nouns (e.g. shots showing an object / a person without any additional intention than showing it, like establishing shots), verbs (shots used to depict an action or movement) or adjectives (shots "describing" things, like quick cut-aways and details), comparing regular visual rules of filmmaking to classical literature, while his way of filming is rather like slam poetry.[25]

To return to the example of slam-poetry vs. classical literature and the comparison to language: I throw around "words", meaning shots, in my films; might use more adjectives, nouns etc., than others, but still each sentence needs subject, verb and object so the recipient understands it. But it shouldn't be worded according to textbook rules, else it gets boring.

— Alexander Tuschinski, Interview by Ursula Drees for plusinsight 2015.[56]

In almost all of Tuschinski's films, him and Matthias Kirste share the cinematographer-credit. When Tuschinski is acting, Kirste operates the camera, and when Tuschinski is not seen in the frame, he often operates the camera himself. Sebastian B is often cast as the lead actor in Tuschinski's films.[citation needed]

Filmography (excerpt)

[edit]

Feature Films

[edit]
Year Film Credited as
Director Producer Writer
2008 Killer-Squirrels Yes Yes Yes
2010 Menschenliebe Yes Yes Yes
2014 Break-Up Yes Yes Yes
2016 Timeless Yes Yes Yes
2021 Fetzenleben Yes Yes Yes
2022 Statue of Liberty Yes Yes Yes
2022 Whisper and Laugh Yes Yes Yes
2024 Cutting Squares Yes Yes Yes

Short films (excerpt)

[edit]
Year Film Credited as
Director Producer Writer
2012 Quasicrystal Research Yes Yes
2012 Hollow Date Yes Yes Yes
2014 Break-Up: The Making-Of Yes Yes
2014 The Critic Yes Yes
2015 Gold. Yes Yes Yes
2018 Caligari in the Desert Yes Yes
2018 Cycle - Kreislauf Yes Yes Yes
2019 The Songwriter of Botnang[28] Yes Yes Yes
2019 Gas-Shaped Light Yes Yes Yes
2021 The Songwriter of Botnang - Chapter 2 Yes Yes Yes

Music videos

[edit]
Year Film Credited as
Director Composer Performer
2008 Internet-Liebe Yes Yes Yes
2009 Eine heisse Nacht Yes Yes Yes
2009 Looking for my Messages Yes Yes Yes
2011 Mutant Calculator Yes Yes Yes
2021 Lockdown Load Yes Yes Yes


Awards (selection)

[edit]
Alexander Tuschinski at Hollywood Reel Independent Film Festival 2015, receiving awards for "Break-Up".

References

[edit]
  1. ^ Rudolph, Ken. "2018 Oscar Short Documentary Submissions". letterboxd. Retrieved August 20, 2023. Note: The film, which premiered in 2018, was submitted in that year for the 91st Academy Awards taking place in early 2019.
  2. ^ a b "Spielfilm „Fetzenleben" von Alexander Tuschinski im Wettbewerb der Filmschau Baden-Württemberg" (in German). Siebenbürgische Zeitung. Retrieved September 16, 2024.
  3. ^ a b Goersch, Thomas (December 22, 2019). "Alexander Tuschinksi, Filmregisseur, 31 Jahre, aus Stuttgart - Interview". postmondän. Retrieved September 16, 2024.
  4. ^ a b c Schieler, Benjamin (August 12, 2011). "Ein Stuttgarter zieht in Vegas das große Los". Stuttgarter Zeitung (in German). p. 19.
  5. ^ a b c Schieler, Benjamin (March 18, 2011). "Kafkaeskes mit Don Giovanni und Studenten". Stuttgarter Zeitung (in German).
  6. ^ Demetriou, Ramona (2011). "Kreativer Überschuss" (PDF). UniTipp-das kostenlose Unimagazin vom Stadtmagazin Lift (in German). p. 8.
  7. ^ "Official Program Guide to the Festival of Science film, taking place as part of the National Science Week" (PDF). Retrieved November 5, 2014..
  8. ^ Video recording of a performance at Rosenau Stuttgart, 25 October 2010.
  9. ^ Wylie, Pam (May 30, 2011). "Radio Interview with Alexander Tuschinski about his film screening at Park City Film Music Festival". KPCW.
  10. ^ a b Tuschinski, Alexander (February 13, 2012). "Meine Woche". Stuttgarter Zeitung - S-West (in German). p. III.
  11. ^ Tuschinski, Alexander (October 10, 2011). "Google Books: Entry for Das Fahrzeug". ISBN 9783844876857. Retrieved November 5, 2014..
  12. ^ Tuschinski, Alexander. "Alexander Tuschinski's bachelor thesis and two other film historic papers written as a student at Hochschule der Medien, for download on his official website". Retrieved September 16, 2024.
  13. ^ Youtube: Making Of Documentary for Break-Up, with interviews of Hugo Niebeling
  14. ^ "Films in Review: Article about Nerosubianco, and about the retrospective". Archived from the original on August 29, 2014. Retrieved November 5, 2014.
  15. ^ "Mondo Digital: Review of the Blu-Ray edition of Tinto Brass' "The Key", to which Tuschinski wrote the booklet". Retrieved November 5, 2014.
  16. ^ "Arrow Video: Website for the Blu-Ray release of Tinto Brass' film "The Key", featuring a booklet with an essay by Alexander Tuschinski". Retrieved November 5, 2014.
  17. ^ "Note about Break-Up winning Award at American Movie Awards". filmecho (in German). May 3, 2014. p. 34.
  18. ^ Schieler, Benjamin (June 30, 2014). "Der Star macht Urlaub von der Ehefrau". Stuttgarter Zeitung.
  19. ^ "Helmut Berger holt Ehemann auf die Leinwand!". Bild, Stuttgart. August 5, 2015.
  20. ^ ""Lieber Spontan"". Stuttgarter Zeitung. January 9, 2018.
  21. ^ "Zeitreise Helmut Berger". Hörzu. May 20, 2016. p. 4-5.
  22. ^ Tuschinski, Alexander (2021). Timeless - Drehbuch. Books on Demand, Norderstedt. ISBN 978-3-7526-5898-9.
  23. ^ "Entry for "B7" with credits". filmportal.de. Retrieved September 16, 2024.
  24. ^ "Article on "Apotheosis of Dance" with editorial credits". Filmbewertungsstelle Wiesbaden. Retrieved September 16, 2024.
  25. ^ a b Drees, Ursula. "plusinsight: Interview with Alexander Tuschinski (German)". Retrieved June 22, 2015..
  26. ^ Drees, Ursula. "plusinsight: Interview with Alexander Tuschinski". Retrieved September 16, 2024..
  27. ^ Rudolph, Ken. "2018 Oscar Short Documentary Submissions". letterboxd. Retrieved August 20, 2023. Note: The film, which premiered in 2018, was submitted in that year for the 91st Academy Awards taking place in early 2019.
  28. ^ a b Mostbacher-Dix, Petra (June 26, 2019). "Mit Mut und Humor". Stuttgarter Zeitung (in German).
  29. ^ a b Mostbacher-Dix, Petra (April 8, 2021). "Anbetung aus Hollywood". Stuttgarter Zeitung (in German).
  30. ^ "Entdeckungstour durchs Filmland". Stuttgarter Amtsblatt (in German). November 26, 2020. p. 2.
  31. ^ a b "Interview with Alexander Tuschinski about the film "Caligula" and his projects since 2018". The Projection Booth. Retrieved September 16, 2024.
  32. ^ a b Tuschinski, Alexander (July 26, 2018), Mission: Caligula, retrieved July 27, 2018
  33. ^ AVN, Mark Kernes. "Penthouse Event Previews New Version of Classic Film 'Caligula' | AVN". AVN. Retrieved July 29, 2019.
  34. ^ Tuschinski, Alexander (2018). Fetzenleben (in German). Books on Demand, Norderstedt. ISBN 978-3-7481-3298-1.
  35. ^ Tuschinski, Alexander (May 20, 2020). "Von Botnang nach Hollywood – Gerda Herrmann im Interview". postmondän. Retrieved September 16, 2024.
  36. ^ Tuschinski, Alexander (September 13, 2020). "Poetry, The Beach Boys and the Arts – An Interview with Stephen Kalinich". postmondän. Retrieved September 16, 2024.
  37. ^ Tuschinski, Alexander (February 6, 2022). "Freiheitsstatue im Lockdown". postmondän. Retrieved September 16, 2024.
  38. ^ Booklet for: The Other Side of Madness, Blu-ray, 2020. Issued by The Film Detective.
  39. ^ Wesely, Kathrin (June 29, 2021). "Allegorie des Lockdowns". Stuttgarter Nachrichten. Retrieved September 16, 2024.
  40. ^ Zentner, Eugen (January 15, 2023). "«Statue of Liberty» – Kurzweilige Doku über ein Kunstprojekt im Lockdown". kultur-zentner.de. Retrieved September 16, 2024.
  41. ^ "Nach zwei Corona-Jahren: Filmschau wieder in den Kinos". Die Zeit. December 4, 2022. Retrieved September 16, 2024.
  42. ^ Whisper and Laugh on Youtube on Alexander Tuschinski's channel.
  43. ^ Zentner, Eugen (January 5, 2023). "«Flüstern und Lachen» – Filmporträt von Yann Song King, einem Kultmusiker der Corona-Zeit". Kultur-Zentner. Retrieved September 16, 2024.
  44. ^ 'Austausch auf Augenhöhe' - Interview with Alexander Tuschinski about the film "Whisper and Laugh" and the corona time, on Youtube.
  45. ^ "2023 Program Guide". Hollywood Reel Independent Film Festival. March 1, 2023. Retrieved September 16, 2024.
  46. ^ a b Zentner, Eugen (2024). Kunst und Kultur gegen den Strom (in German). Massel Verlag, Munich. p. 67-69. ISBN 978-3-948576-11-0.
  47. ^ Schindler, Oliver (November 14, 2023). "Regisseur Tuschinski verarbeitet dunkle Corona-Emotionen in neuem Konzeptalbum". Radio Berliner Morgenröte. Retrieved September 16, 2024.
  48. ^ "Geschichte und Kultur der Bukowina". hsozkult.de. November 14, 2023. Retrieved September 16, 2024.
  49. ^ Recording of the presentation on Youtube
  50. ^ Geier, Luzian (December 2023). "Note about the presentation" (PDF). The Bukovina Society of the Americas Newsletter. Retrieved September 16, 2024.
  51. ^ Independent Filmmakers Showcase (November 14, 2023). "IFS Film Festival 2024, program guide". ifsfilm.com. Retrieved September 18, 2024.
  52. ^ Tuschinski, Constantin Ritter von (2021). European Union, State Parties and Political Transformations - Collected Works 1929 - 1942. Books on Demand, Norderstedt. ISBN 978-3-7583-3120-6.
  53. ^ Tuschinski, Alexander (October 26, 2024). "Vom Czernowitzer Staatsanwalt zum Schäßburger Theaterautor: Constantin von Tuschinski zum 40. Todestag". Siebenbürgische Zeitung (in German). Retrieved October 26, 2024.
  54. ^ "Program Guide of Hollywood Reel Independent Film Festival, found on official website". Archived from the original on June 18, 2014. Retrieved November 5, 2014..
  55. ^ "Take One: Interview with Alexander Tuschinski". Retrieved November 5, 2014..
  56. ^ "plusinsight: Interview with Alexander Tuschinski (German)". Retrieved June 22, 2015.. Original quote in German: "Um das Beispiel Slam-Poetry vs. klassische Literatur aufzugreifen, und die Analogie zur Sprache darin: Ich werfe „Wörter“, also Einstellungsarten, darin durcheinander, arbeite vielleicht mit mehr Adjektiven, Substantiven etc. als andere, aber jeder „Satz“ muss doch Subjekt, Prädikat, Objekt haben, damit der Rezipient ihn verstehen kann. Aber er sollte nicht nur lehrbuchmäßig formuliert sein, sonst wird es dabei langweilig."
  57. ^ a b "Independent Filmmakers Showcase: List of 2021 winners on Official Website". Archived from the original on February 6, 2022. Retrieved September 18, 2024..
  58. ^ Mavericl Movie Awards Official Website - List of 2021 nominees and winners at the Wayback Machine (archived 2022-01-22)
  59. ^ Berlin Independent Film Festival Official Website - List of 2019 winners. at the Wayback Machine (archived 29 August 2019)
  60. ^ "Hollywood Reel Independent Film Festival: List of 2017 winners on Official Website". Archived from the original on August 10, 2024. Retrieved September 18, 2024..
  61. ^ List of 2016 winners on website of California Film Awards. at the Wayback Machine (archived 18 March 2017)
  62. ^ "Maverick Movie Awards: Official Website". Archived from the original on January 28, 2021. Retrieved November 5, 2014..
  63. ^ "HRIFF 2015 Program Guide". hollywoodreelindependentfilmfestival.com. Retrieved May 10, 2024.
  64. ^ "WorldFest Houston: List of Awards Winners". Archived from the original on January 26, 2016. Retrieved November 5, 2014..
  65. ^ "Oregon Independent Film Festival: List of Awards Winners". Retrieved November 5, 2014..
  66. ^ "Oregon Independent Film Festival: Entry for "Break-Up", mentioning award". Retrieved November 5, 2014..
  67. ^ "American Movie Awards: Official Website". Archived from the original on November 5, 2014. Retrieved November 5, 2014..
  68. ^ "Stuttgarter Zeitung: Article about Alexander Tuschinski's film "Timeless", mentioning win at American Movie Awards". Retrieved November 5, 2014..
  69. ^ "Berlin Independent Film Festival: List of winners 2013". Retrieved November 5, 2014..
  70. ^ "Take One Awards: Official Website with winners 2012". Retrieved November 5, 2014..
  71. ^ "Winners of 2012 Honolulu Film Awards on official website of the festival". Retrieved November 5, 2014..
  72. ^ "List of 2011 winners on website of California Film Awards". Retrieved November 5, 2014..
  73. ^ "Article on official website of Hochschule der Medien Stuttgart". Archived from the original on May 25, 2014. Retrieved November 5, 2014..
  74. ^ "Article on official website of the festival". Archived from the original on June 18, 2014. Retrieved November 5, 2014..
  75. ^ "List of 2011 winners on website of Nevada Film Festival". Retrieved November 5, 2014..
  76. ^ "Hochschule der Medien: Article on "Menschenliebe" and its awards". Retrieved November 5, 2014..
  77. ^ "Park City Film Music Festival official website: List of past awards-winners". Retrieved November 5, 2014..
[edit]
Wikimedia Commons has media related to Alexander Tuschinski.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Alexander_Tuschinski&oldid=1258222319"