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The Kingmaker (film)

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(Redirected from The Kingmaker (2019))
For the 2022 film, see Kingmaker (film).

The Kingmaker
Theatrical release poster
Directed by
[1]
Written byLauren Greenfield[2]
Produced by
Starring
Cinematography
  • Lars Skree
  • Shana Hagan
[3]
Edited byPer K. Kierkegaard
Music byJocelyn Pook
Production
companies
Distributed by
Release dates
  • August 30, 2019 (2019-08-30) (Venice)
  • November 8, 2019 (2019-11-08) (United States)
  • January 29, 2020 (2020-01-29) (Philippines)
Running time
100 minutes
CountryUnited States
LanguageEnglish
Box office$352,274[4][5]

The Kingmaker is a 2019 documentary film written and directed by Lauren Greenfield, featuring the political career of Imelda Marcos[6] with a focus on the Marcos family's efforts to rehabilitate the family's image and to return to political power,[7][8] including her plans to see her son, Bongbong, become President of the Philippines,[9][10] and the alliance that Bongbong and Imee Marcos established with Rodrigo Duterte in his bid to win the 2016 Philippine presidential election.[3][11]

It debuted internationally in August 2019 at the 76th Venice International Film Festival,[12] and debuted in the Philippines on January 29, 2020.[13]

The Kingmaker was nominated as best documentary at the BFI London Film Festival and the Stockholm International Film Festival, and for the Checkpoints Award at the Bergen International Film Festival. It was nominated for four categories in the 2019 Critics' Choice Documentary Awards, eventually winning the award for Most Compelling Living Subject of a Documentary. It also received the Audience Award for Best Documentary Film at the 2019 Warsaw Film Festival.

Plot

[edit]

Greenfield's exploration of Imelda Marcos's narrative takes on what The New York Times calls a "dialectic" approach, allowing Imelda to tell her narrative and slowly introducing opposing viewpoints as the movie progresses.[3]

The film is organically divided into two parts, following the chronology of the events of Marcos's life.

The first half focuses on Imelda's life from the time she became first lady of the Philippines in 1965, through the 21 years where she and her husband ruled the Philippines, until they were deposed and forced into exile by the 1986 People Power Revolution.[8][14]

As described by IndieWire, the second half of the film "features survivors of her husband's declaration of martial law and focuses on the political comeback of the Marcos family,"[6] focused on the ascension of her son, Bongbong Marcos, to increasingly prominent national posts.[15]

[edit]
See also: Bongbong Marcos, Benigno Aquino III, Leni Robredo, Andres D. Bautista, Etta Rosales, and List of torture methods used by the Marcos dictatorship

Aside from Imelda Marcos herself, other figures Greenfield featured in the documentary include Marcos' son, the vice-presidential candidate Bongbong Marcos; former Philippine President Benigno Aquino III; Vice president Leni Robredo who had defeated Bongbong Marcos in the 2016 Philippine vice presidential election; former Presidential Commission on Good Government head Andres D. Bautista; and Martial Law torture survivors including former Commission on Human Rights chair Etta Rosales, and journalist-screenwriter Pete Lacaba.

Portrayal of Marcos

[edit]

In numerous promotional interviews, Greenfield characterizes Imelda Marcos as the documentary's unreliable narrator.[2][1][10]

In various interviews, Greenfield says she did not know this was going to be the case. She went into the first interviews with Marcos without knowing what to expect.[2]

In an interview with Vox,[2] Greenfield recounts thinking Imelda was being "surprisingly candid" in her first interview, and that she first thought Marcos actually believed her own words. Greenfield only realized that some of Marcos's statements were "obviously untrue" once she did further research. In later interviews, the topics got to "really egregious things," which Greenfield says made it "really clear" Marcos was lying.

In an interview with Fortune,[1] Greenfield says:

She's a narcissist. I think she does believe her own story, but the self-serving, strategic story, too. I think that in the past, people have made the mistake of thinking she's delusional, and she kind of puts that out there, but I think it's very strategic. She says early on in the film, "People underestimate women, and sometimes that's useful." I think people have underestimated her, and that's made her only the more powerful and successful.

Dialectic approach

[edit]

Greenfield recounts that Marcos was so effective that test-viewers who watched the interviews could not tell whether or not Marcos was lying.[2] So in order to make sure viewers understood that something Marcos was saying was untrue, Greenfield would intersperse interviews with people who knew otherwise, such as Martial Law torture victims and officials who investigated the Marcoses. This resulted in a narrative style which the New York Times described as "dialectic."[3]

Interviews as cinéma vérité

[edit]
See also: Cinéma vérité

Another method Greenfield used in order to show that Imelda Marcos is an unreliable narrator was to turn the interviews into instances of Cinéma vérité, showing that Marcos was making efforts to project a pre-planned image of herself.[2] One example prominently shown in early trailers shows how Marcos accidentally knocks over a glass picture frame, but doesn't acknowledge the fact even while a uniformed servant cleans the glass shards off the floor for her.[1]

Greenfield tells Fortune Magazine:[1]

I see that scene as showing how unstoppable she is. ... I think about it more like she breaks things and she's not even aware and lets other people clean up the mess. She doesn't even acknowledge it. She's telling her story about being friends with and courting all of the dictators of the 20th century, so she doesn't pay attention to the wreckage around her and the fact that other people have to deal with it.

Release

[edit]

The film had its world premiere at the Venice Film Festival on August 29, 2019.[16] It also screened at the Telluride Film Festival on August 31, 2019,[17] and the Toronto International Film Festival on September 9, 2019.[18] The film was released in the United States in a limited release on November 8, 2019, by Greenwich Entertainment.[19] It was broadcast on Showtime on February 28, 2020.[20]

The Kingmaker made its Philippine debut on January 29, 2020, when it was shown for the first time at the Cultural Center of the Philippines (CCP).[21] Both Imelda and Bongbong Marcos were invited to the premiere but did not respond to Greenfield's invitation,[22] and two of President Aquino's sisters, Viel Aquino-Dee and Ballsy Aquino-Cruz, attended a later screening at the University of the Philippines Diliman on February 25, 2020.[23] It was later released on iWantTFC, the streaming platform of ABS-CBN, on May 15, 2020,[24] and made available to watch on demand starting August 1 of that year.[25]

On March 19, 2022, the original documentary premiered in the Philippines for free on YouTube with more than 500,000 views as of May 4, ahead of the May 9 elections.[26] The Tagalog dub and Tagalog subtitle version was released on March 30 which is also accessible in the official Evergreen Pictures YouTube channel.[27]

Five separate Tagalog-dubbed versions of the film with subtitled versions in Tagalog, Bisaya, Ilocano, Bicolano, and Hiligaynon premiered on the first week of April 2022 with a preceding announcement by Greenfield via Twitter.[28] They can all be accessed and downloaded for free in Evergreen Pictures' Vimeo[29] and official website of the Digital Museum of Martial Law.[30]

The documentary was also streamed in various local film festivals in the Philippines.[31]

Reception

[edit]

Critical response

[edit]

The Kingmaker received critical acclaim and has a 97% rating from Rotten Tomatoes. The critical consensus on Rotten Tomatoes reads, "The Kingmaker aims a disquieting spotlight at the private life of a divisive public figure – as well as the ways in which unchecked power seduces and corrupts."[32] On Metacritic, the film has a weighted average score of 76 out of 100 based on 16 critics.[33]

Accolades

[edit]

The Kingmaker was nominated for numerous Best Documentary Awards, including the 2019 BFI London Film Festival, the 2019 Stockholm International Film Festival, the 2019 Bergen International Film Festival, the 2020 Chicago Independent Film Critics Circle Awards, the 2019 El Gouna Film Festival 2019, the 2020 Hollywood Critics Association Awards, the 2019 Philadelphia Film Critics Circle Awards, and the 2019 Warsaw Film Festival (which it won).[citation needed]

It was also nominated for four categories in the 2019 Critics' Choice Documentary Awards, eventually winning the award for Most Compelling Living Subject of a Documentary.[citation needed]

Greenfield also received a nomination at the 72nd Writers Guild of America Awards for Best Documentary Screenplay.[34] With this second WGA nomination, she became the first woman ever to achieve this honor.[citation needed]

References

[edit]
  1. ^ a b c d e Enos, Morgan (November 8, 2019). "'The Kingmaker' Tackles the Truths and 'Horrors' Surrounding Imelda Marcos". Fortune. Retrieved November 14, 2019.
  2. ^ a b c d e f Wilkinson, Alissa (November 14, 2019). "How to make a damning documentary about a world-class liar". Vox. Retrieved November 15, 2019.
  3. ^ a b c d Dargis, Manohla (November 6, 2019). "'The Kingmaker' Review: The Power and Vainglory of Imelda Marcos". The New York Times. ISSN 0362-4331. Retrieved November 13, 2019.
  4. ^ "The Kingmaker (2019)". Box Office Mojo. IMDb. Retrieved February 15, 2021.
  5. ^ "The Kingmaker (2019)". The Numbers. IMDb. Retrieved February 15, 2021.
  6. ^ a b Bentley, Jean (October 14, 2019). "Will Imelda Marcos Documentary 'The Kingmaker' Play in the Philippines?". IndieWire. Retrieved November 13, 2019.
  7. ^ "Untold story of 'pathetic' Imelda". philstar.com.
  8. ^ a b Chua, Linus; Batino, Clarissa; Calonzo, Andreo (November 2, 2019). "New Imelda Marcos Film Offers Her Version of Philippine History". Bloomberg. Bloomberg LP. Retrieved November 12, 2019.
  9. ^ Schager, Nick (November 1, 2019). "A Scathing Portrait of the Female Donald Trump". The Daily Beast – via www.thedailybeast.com.
  10. ^ a b Miller, Julie (November 8, 2019). "The Kingmaker: Inside Imelda Marcos's Grand, Present-Day Delusions". Vanity Fair. Condé Nast. Retrieved November 13, 2019.
  11. ^ Kaufman, Amy (November 8, 2019). "How dangerous can a president be? Lauren Greenfield's Imelda Marcos documentary 'The Kingmaker' has some answers". The LA Times. Retrieved November 13, 2019.
  12. ^ Debruge, Peter (August 30, 2019). "Film Review: 'The Kingmaker'".
  13. ^ Yang, Angelica (January 30, 2020). "Teachers, elders urged to tell the truth about martial law to young people". GMA News Online. Archived from the original on January 30, 2020. Retrieved January 30, 2020.
  14. ^ Shaffer, Marshall (November 11, 2019). "Interview: Lauren Greenfield on The Kingmaker and Threats to Democracy". Slant Magazine. Retrieved November 14, 2019.
  15. ^ Sarmiento, Menchu Aquino (January 30, 2020). "Unholy Mother, Our Lady of Limitless Lies". Business World Online. Archived from the original on January 30, 2020. Retrieved February 3, 2020.
  16. ^ Tartaglione, Nancy (July 25, 2019). "Venice Film Festival 2019 Lineup: Polanski, 'Joker', 'The Laundromat', 'Ad Astra', 'Marriage Story' In Competition – Full List Awards". Deadline. Retrieved February 20, 2019.
  17. ^ Hammond, Pete (August 29, 2019). "Telluride Film Festival: 'Ford V Ferrari', 'Judy', 'Motherless Brooklyn', Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition – Full List". Deadline Hollywood. Retrieved February 15, 2021.
  18. ^ "The Kingmaker". Toronto International Film Festival. Retrieved February 15, 2021.
  19. ^ Wiseman, Andreas (September 30, 2019). "'The Kingmaker': Showtime's Fest Favorite Gets U.S. Theatrical Run With Greenwich Entertainment, First Trailer". Deadline Hollywood. Retrieved February 15, 2021.
  20. ^ Turchiano, Danielle (January 13, 2020). "'Love Fraud,' 'The Longest War,' 'The Kingmaker' Among Showtime Documentary Films 2020 Slate". Variety. Retrieved February 15, 2021.
  21. ^ "Imelda Marcos documentary 'The Kingmaker' to make PH premiere at CCP". ABS-CBN News and Current Affairs. January 16, 2020. Retrieved January 30, 2022.
  22. ^ Dumaual, Miguel (January 31, 2020). "Has Imelda seen 'The Kingmaker'? Director says Marcoses were invited to PH premiere". ABS-CBN News and Current Affairs. Retrieved January 30, 2022.
  23. ^ Bagaoisan, Anjo; Valentin, John Lester (February 26, 2020). "'Maganda siya': Aquino sisters watch Imelda Marcos' docu 'The Kingmaker'". ABS-CBN News and Current Affairs. Retrieved January 30, 2022.
  24. ^ "Imelda Marcos documentary 'The Kingmaker' to be streamed on iWant". ABS-CBN News and Current Affairs. May 12, 2020. Retrieved January 30, 2022.
  25. ^ "Imelda Marcos documentary 'The Kingmaker' coming to iWant this August". ABS-CBN News and Current Affairs. July 31, 2020. Retrieved January 30, 2022.
  26. ^ The Kingmaker (avail in the Philippines only), retrieved April 11, 2022
  27. ^ THE KINGMAKER (tagalog dub tagalog subs), retrieved April 11, 2022
  28. ^ Lauren Greenfield [@lgreen66] (March 24, 2022). "Dropping this week...five separate Tagalog-dubbed versions of THE KINGMAKER, captioned in five different languages (Tagalog, Bisaya, Ilocano, Bicol, and Hiligaynon). Please retweet this thread far and wide to yr networks, so everyone gets a heads up... #thekingmaker" (Tweet). Retrieved March 24, 2022 – via Twitter.
  29. ^ "EVERGREEN PICTURES". Vimeo. Retrieved May 4, 2022.
  30. ^ "The Kingmaker – Tagalog Version – Digital Museum of Martial Law in The Philippines". Retrieved May 4, 2022.
  31. ^ "The Kingmaker (2019)". Cinema Centenario. Retrieved May 4, 2022.
  32. ^ "The Kingmaker". Rotten Tomatoes. Fandango. Retrieved October 30, 2021.
  33. ^ "The Kingmaker". Metacritic. Retrieved June 6, 2022.
  34. ^ Lindhal, Chris (February 1, 2020). "Writers Guild Awards 2020: 'Parasite' and 'JoJo Rabbit' Win Screenplay Awards". IndieWire. Retrieved February 3, 2020.
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