The Good Shepherd (Murillo)

You can help expand this article with text translated from the corresponding article in Spanish. (October 2021) Click [show] for important translation instructions.

View a machine-translated version of the Spanish article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:El Buen Pastor (Murillo)]]; see its history for attribution.
You may also add the template {{Translated|es|El Buen Pastor (Murillo)}} to the talk page.
For more guidance, see Wikipedia:Translation.

*The Good Shepherd* (c. 1660) by Bartolomé Esteban Murillo

The Good Shepherd is an oil on canvas painting by Bartolomé Esteban Murillo, from c. 1660. It is held in the Prado Museum, in Madrid. It has the Inventory number P00962^[1]

It and other works were bought in 1744 from the heirs of cardinal Gaspar de Molina y Oviedo by Elisabeth Farnese.^[2]

References

[edit]

^ Catalogue page
^ (in Spanish) Morales, Nicolás; Quiles García, Fernando (2010). Sevilla y corte: las artes y el lustro real (1729-1733). Madrid: Casa de Velázquez. ISBN 978-84-9682-035-7, p 211

Bibliography (in Spanish)

[edit]

Esteban Lorente, Juan Francisco (1990). Tratado de Iconografía. Madrid: Istmo. ISBN 84-7090-224-5.
Martínez, María José. «Su vida y su época». Murillo. Los Genios de la Pintura. Valencia: Edicicones Rayuela. ISBN 84-7915-082-3.
Montoto, Santiag (1932). Murillo. Barcelona: Ediciones Hymsa.
Morales Martín, José Luis (2000). «Escuela Española». El Prado. Colecciones de Pintura. Lumwerg Editores. ISBN 84-9785-127-7.
Morales, Nicolás; Quiles García, Fernando (2010). Sevilla y corte: las artes y el lustro real (1729-1733). Madrid: Casa de Velázquez. ISBN 978-84-9682-035-7.
Triadó, Manuel (2001). La Pintura Española. Tomo: El siglo de Oro. Arte Carroggio. ISBN 84-7254-364-1.
Valdivieso, Enrique (1992). Historia de la pintura sevillana. Sevilla: Guadalquivir. ISBN 84-8608-076-2.
Valdivieso, Enrique (2010). Murillo. Catálogo razonado de pinturas. Madrid : El Viso. ISBN 978-84-95241-77-1.

v t e Bartolomé Esteban Murillo
Immaculate Conceptions	San Vicente (c. 1640–1650) La Colasal (1645–1655) Esquilache (1645–1655) El Escorial (1660–1665) Museo Soumaya (c. 1670) Aranjuez (c. 1675) Los Venerables (c. 1678) Walpole (c. 1680)
Other religious works	The Vision of Fray Lauterio (c. 1640) Joseph and Potiphar's Wife (1640–1645) Saint Francis of Assisi at Prayer (c. 1645–1650) The Angels' Kitchen (1646) The Flight into Egypt (1647–1650) Adoration of the Shepherds (Madrid; c. 1650) The Holy Family with a Little Bird (1650) Our Lady of the Rosary (1650–1655) Saint Roderick (c. 1650–1655) Rebecca and Eleazar (1652) The Vision of Saint Anthony of Padua (1656) The Good Shepherd (c. 1660) The Birth of the Virgin (1661) Christ after the Flagellation (Boston; c. 1665) Rest on the Flight into Egypt (c. 1665) The Apparition of the Virgin to Saint Bernard (c. 1665) Mater Dolorosa (1665) The Patrician's Dream (1665) Saint Anthony with the Christ Child (1665–1666, 1668–1669) Liberation of Peter (1665–1667) Isaac Blessing Jacob (1665–1670) Saint Justa and Saint Rufina (c. 1666) Madonna and Child of the Napkin (c. 1666) Christ Healing the Paralytic at the Pool of Bethesda (c. 1667–1670) Christ on the Cross (San Diego; c. 1667–1670) The Return of the Prodigal Son (c. 1667–1670) The Miracle of the Loaves and Fishes (Edinburgh; c. 1667–1682) Adoration of the Shepherds (London; c. 1668) Saint Thomas of Villanova Giving Alms (c. 1668) Saint Francis Embracing Christ on the Cross (1668–1669) Holy Family with the Infant Saint John the Baptist (c. 1668–1670) The Miracle of the Loaves and Fishes (Seville; c. 1669–1674) Moses at the Rock of Horeb (c. 1669–1674) Christ after the Flagellation (Champaign; c. 1670) Abraham and the Three Angels (c. 1670–1674) The Christ Child and the Infant John the Baptist with a Shell (1670–1675) Saint Elizabeth of Hungary Curing the Sick (1672) Saint John of God Carrying a Sick Man (1672) Ecce Homo (c. 1672–1678) Christ on the Cross (New York; c. 1675) The Martyrdom of Saint Andrew (1675–1682) Christ on the Cross (Madrid; c. 1675) Saint Thomas of Villanova Healing a Lame Man (c. 1675) The Conversion of Saint Paul (c. 1675–1680) Christ on the Cross (Madrid; c. 1677) The Christ Child Distributing Bread to Pilgrims (1678) The Heavenly and Earthly Trinities (c. 1680)
Genre works	The Young Beggar (1645–1650) Children Eating Grapes and a Melon (1645–1650) Four Figures on a Step (c. 1655–1660) Boy with a Dog (1655–1660) Two Women at a Window (1665–1675) The Little Fruitseller (c. 1670–1675) Children Eating a Tart (1670–1675) The Flower Girl (c. 1675–1680)
Portraits	Portrait of Diego Ortiz de Zúñiga (c. 1653) Portrait of Íñigo Melchor Fernandez de Velasco (1658–1659)
Related	Baroque painting Casa de Murillo

Museo del Prado

Buildings
Villanueva building Casón del Buen Retiro Hall of Realms Cloister of Saint Jerome

Paintings

Spanish	Esquivel: José de Espronceda Gisbert: Execution of Torrijos and his Companions on the Beach at Málaga Goya: Allegory of Industry – Asmodea – Atropos – Blind Man's Bluff – Boys playing soldiers – Charles IV of Spain and His Family – Los caprichos – Christ Crucified – The Clothed Maja – The Colossus – The Countess of Chinchon – Los disparates – The Dog – The Drunk Mason – The Duchess of Alba and la Beata – Fight with Cudgels – Judith and Holofernes – La Leocadia – Man Mocked by Two Women – La novillada – Portrait of the Marchioness of Santa Cruz – Men Reading – The Milkmaid of Bordeaux – The Naked Maja – The Parasol – A Pilgrimage to San Isidro – Pilgrimage to the Fountain of San Isidro – Saturn Devouring His Son – The Second of May 1808 – Self-portrait at 69 years – Summer – The Third of May 1808 – Two Old Men – Two Old Ones Eating Soup – The Victorious Hannibal Seeing Italy from the Alps for the First Time – Witches' Flight – Witches' Sabbath (The Great He-Goat) El Greco: The Nobleman with his Hand on his Chest – Adoration of the Shepherds – Doña María de Aragón Altarpiece – Annunciation – Christ Carrying the Cross – The Fable – The Flight into Egypt – Holy Face of Jesus – Holy Trinity – Julián Romero and Saint Julian – Portrait of a Doctor – Portrait of a Gentleman – Portrait of a Young Nobleman – Portrait of an Elderly Man – Portrait of an Unknown Gentleman – Portrait of Jerónimo de Cevallos – Portrait of Rodrigo Vázquez de Arce – Saint Andrew and Saint Francis – Saint Anthony of Padua – Saint Bernardino of Siena ^[1] – Saint James the Great – Saint John the Evangelist – Saint Paul – Saint Sebastian – Saint Thomas the Apostle – Holy Trinity – The Saviour – Virgin Mary Luna: The Death of Cleopatra Maíno: Adoration of the Magi – Portrait of a Gentleman – The Recovery of Bahía de Todos los Santos Murillo: Adoration of the Shepherds (1650) – Aranjuez Immaculate Conception – The Christ Child and the Infant John the Baptist with a Shell – Christ on the Cross (1675, 1677) – The Conversion of Saint Paul – The Good Shepherd – The Holy Family with a Little Bird – The Immaculate Conception of El Escorial – The Immaculate Conception of Los Venerables – The Martyrdom of Saint Andrew – Our Lady of the Rosary – The Patrician's Dream – Rebecca and Eleazar Pradilla: Doña Joanna the Mad Ribera: Jacob's Dream – Democritus – Isaac and Jacob – Ixion – Tityos – The Martyrdom of Saint Philip – The Blind Sculptor Sánchez Gallque: The Mulattos of Esmeraldas ^[2] Velázquez: Las Meninas – The Triumph of Bacchus – Las Hilanderas – The Surrender of Breda – Mars Resting – Equestrian Portrait of Philip IV – Equestrian Portrait of Elisabeth of France – Equestrian Portrait of Prince Balthasar Charles – Equestrian Portrait of Philip III – Equestrian Portrait of Margarita of Austria – Equestrian Portrait of the Count-Duke of Olivares – Adoration of the Magi – Apollo in the Forge of Vulcan – Christ Crucified – Coronation of the Virgin – View of the Garden of the Villa Medici – Prince Balthasar Charles as a Hunter – Portrait of the Infante Don Carlos – Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis – The Jester Barbarroja – The Jester Calabacillas – The Jester Don Diego de Acedo – The Jester Don John of Austria – Portrait of Francisco Lezcano – Infanta Margarita Teresa in a Pink Dress – Portrait of Maria Anna – Portrait of Juan Martínez Montañés – The Nun Jerónima de la Fuente – Portrait of Pablo de Valladolid – Portrait of Philip IV in Armour – Portrait of Mariana of Austria – Portrait of Sebastián de Morra Zurbarán: Agnus Dei – The Death of Hercules – The Defence of Cádiz Against the English – Hercules and the Hydra – Hercules Separates Mounts Calpe and Abylla – Hercules Fighting the Nemean Lion – Saint Elizabeth of Portugal – Saint Luke Painting the Crucifixion – Saint Peter Nolasco's Vision of Saint Peter the Apostle – Still Life with Pots – The Vision of Saint Peter Nolasco
Dutch, Flemish, German	Anonymous: The Fountain of Life Baldung: The Ages and Death Bosch: The Garden of Earthly Delights – Adoration of the Magi – Cutting the Stone – The Haywain Triptych – Head of a Halberdier – The Seven Deadly Sins and the Four Last Things – The Temptation of St Anthony Bouts: Triptych with Scenes from the Life of the Virgin Bruegel the Elder: The Triumph of Death – The Wine of Saint Martin's Day – Excursion in the Countryside of Infanta Isabel Clara Eugenia – Life in the Countryside – The Infanta Isabel Clara Eugenia in the Mariemont Park (with de Momper) – Landscape (with de Momper) – The Five Senses (with Rubens) Campin: Marriage of the Virgin – Werl Triptych de Crayer: Caritas Romana (1625) David: Rest on the Flight into Egypt Dürer: Adam and Eve – Self-Portrait van Dyck: Self-portrait with Sir Endymion Porter – The Betrayal of Christ – The Brazen Serpent – Diana and a Nymph Surprised by a Satyr – Saint Rosalia – The Crowning with Thorns van Hemessen: The Surgeon Francken the Younger: The Sciences and the Arts Jordaens: Apollo as Victor over Pan – Meleager and Atalanta – The Painter's Family Memling: Adoration of the Magi Mengs: Portrait of José Nicolás de Azara de Momper: Landscape with Sea and Mountains – A Farm – Flemish Market and Washing Place – Landscape with Skaters – The Infanta Isabel Clara Eugenia in the Mariemont Park (with Brueghel the Elder) – Landscape (with Brueghel the Elder) Patinir: Landscape with Charon Crossing the Styx Rembrandt: Judith at the Banquet of Holofernes Rubens: The Judgement of Paris (1638) – The Three Graces – Adoration of the Magi – The Dance of the Villagers – Diana and Callisto – Equestrian Portrait of the Duke of Lerma – The Fall of Man – The Garden of Love – The Birth of the Milky Way – The Rape of Europa – The Rape of Ganymede – Saint George and the Dragon – Saturn – The Triumph of the Church – Deucalion and Pyrrha – The Five Senses (with Brueghel the Elder) Stom: The Incredulity of Saint Thomas Strobel: Feast of Herod with the Beheading of St John the Baptist Teniers the Younger: Archduke Leopold Wilhelm in his Painting Gallery in Brussels (1651) Verhaecht: Alpine Landscape van der Weyden: The Descent from the Cross – Durán Madonna
Italian	Fra Angelico: Annunciation Anguissola: Portrait of Elisabeth of Valois – Portrait of Infanta Isabella Clara Eugenia ^[3] – Portrait of Giovanni Battista Caselli Barocci: Nativity Bellini: Madonna and Child with Saint Mary Magdalene and Saint Ursula Botticelli: The Story of Nastagio Degli Onesti, part one Caravaggio: David and Goliath Carracci: Assumption of the Virgin – Mural Paintings from the Herrera Chapel – Venus, Adonis and Cupid Correggio: Noli me tangere – Madonna and Child with the Infant John the Baptist A. Gentileschi: The Birth of Saint John the Baptist O. Gentileschi: The Finding of Moses (1633) Leonardo: Mona Lisa (by his studio) Lotto: Portrait of Marsilio Cassotti and His Bride Faustina Mantegna: Death of the Virgin Parmigianino: Holy Family with Angels – Portrait of Camilla Gonzaga and Her Three Sons – Portrait of Pier Maria Rossi di San Secondo – Saint Barbara Raphael: Portrait of a Cardinal – Christ Falling on the Way to Calvary – Madonna of the Rose – Visitation – La Perla (with Romano) Romano: Holy Family under an Oak Tree Andrea del Sarto: Sacrifice of Isaac Tintoretto: Christ Washing the Disciples' Feet – Joseph and Potiphar's Wife – Judith and Holofernes (by his studio) – The Washing of the Feet Tiepolo: The Immaculate Conception Titian: The Bacchanal of the Andrians – Equestrian Portrait of Charles V – The Fall of Man – Alfonso d'Avalos Addressing his Troops – Danaë Receiving the Golden Rain (1565) – The Entombment – La Gloria – Virgin and Child Between Saints Anthony of Padua and Roch – Mater Dolorosa with Clasped Hands – Philip II in Armour – Portrait of Charles V with a Dog – Portrait of Federico II Gonzaga – Portrait of Isabella of Portugal – Sisyphus – Tityus – Religion saved by Spain – Salome - Self-Portrait (1567) – Saint Margaret and the Dragon – Venus and Adonis (1554) – Venus and Musician (1550, 1555) – The Virgin and Child with Saint George and Saint Dorothy – The Worship of Venus Veronese: Venus and Adonis – Christ Among the Doctors – The Finding of Moses
French	Anonymous: Agony in the Garden Baudry: The Pearl and the Wave van Loo: The Family of Philip V (1743) Lorrain: Landscape with St Paula of Rome Embarking at Ostia – The Ford – Landscape with St María de Cervelló – Landscape with the Burial of St Serapia – Landscape with the Finding of Moses – Landscape with the Temptation of St Anthony – Landscape with Tobias and Raphael Poussin: Parnassus – Landscape with Three Figures – Saint Cecilia Ranc: The Family of Philip V (1723) – Portrait of Ferdinand VI as a Boy Watteau: Marriage Contract and Country Dancing Vouet: Time Defeated by Love, Beauty and Hope
Other	British paintings

Sculptures

Rome	The Apotheosis of Claudius Castor and Pollux

^[1] On display at El Greco Museum in Toledo
^[2] On display at Museo de América in Madrid
^[3] On display at the Spanish Embassy in Paris

Category

This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it.