Jump to content

The Capture of the Hessians at Trenton, December 26, 1776

Add links
From Wikipedia, the free encyclopedia
For the battle itself, see Battle of Trenton.
The Capture of the Hessians at Trenton, December 26, 1776
American General Washington commands medical attention for wounded Hessian Colonel Rall
ArtistJohn Trumbull
Year1786–1828
Mediumoil on canvas
Dimensions51.1 cm × 76.2 cm (20.125 in × 30 in)
LocationYale University Art Gallery, New Haven, Connecticut

The Capture of the Hessians at Trenton, December 26, 1776 is the title of an oil painting by the American artist John Trumbull depicting the capture of the Hessian soldiers at the Battle of Trenton on the morning of Thursday, December 26, 1776, during the American Revolutionary War. The focus is on General George Washington aiding the mortally wounded Hessian Colonel Johann Gottlieb Rall.[1][2] Nearly 900 Hessians were captured at the battle.[3] It is one of Trumbull's series of historical paintings on the war, which also includes the Declaration of Independence and The Death of General Mercer at the Battle of Princeton, January 3, 1777. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut.[4]

The artist intended to show the compassion of General George Washington in this painting, as he wrote in the catalogue for his exhibited works at Yale University in 1835:

The magnanimous kindness displayed by Washington, on this occasion, offers a sublime example of true heroism, and well deserves to be imitated by all military men. The artist chose this subject, and composed the picture, for the express purpose of giving a lesson to all living and future soldiers in the service of his country, to show mercy and kindness to a fallen enemy,–their enemy no longer when wounded and in their power.

— John Trumbull[5]

History

[edit]

Starting in 1775, Trumbull himself served in the war, having been appointed second aide-de-camp to Washington.[6] He later resigned from the army in 1777.[7] The study for this painting was begun in London in November, 1786.[8] In the study, Washington enters from the left to order that Rall, upheld by two officers, be cared for respectfully.[9] Trumbull returned to New York on November 26, 1789, to continue work on the painting by making portraits of Washington.[10] He continued making changes on the painting until its completion in 1828.[1]

Description

[edit]

In the center of the painting, American General George Washington is focusing his attention on the needs of the mortally wounded Hessian Colonel Johann Gottlieb Rall. Rall is being helped by American Major William Stephens Smith, aide-de-camp to General John Sullivan. Washington orders Smith to "call our best surgeons to his assistance, and let us save his life if possible."[5] During the battle, Rall had been shot twice and needed to be carried into his headquarters, where he died that night.[11] Behind Washington, on horseback, are his aides, Colonel Robert Hanson Harrison and Captain Tench Tilghman.[1][2][12][13]

To the left and behind Rall, severely wounded American Lieutenant James Monroe is attended to by Dr. John Riker. He saved Monroe's life by quickly clamping the damaged artery to stop the heavy bleeding.[14] On the far left, dressed in white, is American Colonel Josiah Parker. He had the honor to receive Rall's sword of surrender and he alone holds a sword in the painting.[15][16] Next to him are Colonels Edward Wigglesworth and William Shepard.[12]

American Major General Nathanael Greene is shown on the right on a light-colored horse, facing Washington. Behind Greene are American Generals John Sullivan, Henry Knox, Philemon Dickinson, John Glover, and George Weedon. Standing to the right of Greene is Captain William Washington, who was wounded in his hand during the battle.[12][13]

In the foreground, a fallen Hessian flag is shown. Washington was later presented one as a war trophy.[17]

Other versions

[edit]

A large scale version (72+1⁄4 inches (184 cm) × 108 inches (270 cm)), finished in 1831, is owned by the Wadsworth Atheneum in Hartford, Connecticut.[18]

Critical reception

[edit]

Trumbull did not use the prelude to the capture, namely the crossing of the Delaware River, as a subject. Artists did not paint that until 1819 by Thomas Sully and then notably by Emanuel Leutze.[19] Trumbull's work drew criticism from historian and painter William Dunlap after he viewed it in the Trumbull Gallery at Yale in 1834:[1]

All that is good in this picture was painted in 1789 and shortly after. What is good is very good, but unfortunately the artist undertook, in after life, to finish it, and every touch is a blot.[20]

[edit]
  • Study for painting, 1787–88
    Study for painting, 1787–88
  • Nathanael Greene, by John Trumbull, 1792
    Nathanael Greene, by John Trumbull, 1792
  • Washington inspecting the captured colors after the Battle of Trenton, by Edward Percy Moran, c. 1914
    Washington inspecting the captured colors after the Battle of Trenton, by Edward Percy Moran, c. 1914

See also

[edit]

References

[edit]
  1. ^ a b c d Cooper, Helen A. (2008). "The Capture of the Hessians at Trenton, December 26, 1776". Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery. New Haven, Conn.: Yale University Art Gallery. pp. 88–89. ISBN 978-0-300-12289-3.
  2. ^ a b "The Capture of the Hessians at Trenton, December 26, 1776 (Descriptive data)". Yale University Art Gallery.
  3. ^ Fischer, David Hackett (2006). "The Surprise". Washington's Crossing. New York: Oxford University Press. p. 254. ISBN 0-19-517034-2. The Americans captured 896 officers and men, including the wounded
  4. ^ "The Death of General Mercer at the Battle of Princeton, January 3, 1777". Yale University Art Gallery.
  5. ^ a b Trumbull, John (1835). "No. 11.–Capture of the Hessians at Trenton–December 26, 1776". Catalogue of Paintings, by Colonel Trumbull; Including Eight Subjects of the American Revolution, with Near Two Hundred and Fifty Portraits of Persons Distinguished in That Important Period. Painted by Him from the Life. Gallery of Yale College. pp. 16–18.
  6. ^ Trumbull, John (1841). Autobiography, Reminiscences and Letters of John Trumbull, from 1756 to 1841. New York: Wiley and Putnam. pp. 17–23.
  7. ^ Trumbull (1841), pp. 39–48.
  8. ^ Trumbull (1841), p. 147.
  9. ^ "Study for The Capture of the Hessians at Trenton". Fordham University Libraries.
  10. ^ Trumbull (1841), pp. 163–4.
  11. ^ Fischer (2006), pp. 248, 255.
  12. ^ a b c Fischer (2006), p. 256.
  13. ^ a b Dexter, Franklin Bowditch (1892). A Catalogue, with Descriptive Notices, of the Portraits, Busts, etc. Belonging to Yale University. Yale University. p. 128.
  14. ^ Fischer (2006), p. 247.
  15. ^ Ward, Harry M. (2011). "Josiah Parker". For Virginia and for Independence: Twenty-Eight Revolutionary War Soldiers from the Old Dominion. McFarland. pp. 60–61. ISBN 9780786486014.
  16. ^ "NRHP Nomination: Col. Josiah Parker Family Cemetery" (PDF). Virginia Department of Historic Resources. 2004. p. 15.
  17. ^ Lossing, Benson John (1883). Mount Vernon and Its Associations: Descriptive, Historical and Pictorial. pp. 116–7.
  18. ^ "Capture of the Hessians at Trenton, December 26, 1776 (painting)". Inventory of American Sculpture, Smithsonian Institution Research Information System. Smithsonian American Art Museum. IAP 06910063. Owner: Wadsworth Atheneum
  19. ^ Staiti, Paul (2016). Of Arms and Artists: The American Revolution through Painters' Eyes. Bloomsbury Publishing. p. 221. ISBN 978-1-63286-465-9.
  20. ^ Dunlap, William (1918). A History of the Rise and Progress of the Arts of Design in the United States. Vol. 2. p. 75.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Capture_of_the_Hessians_at_Trenton,_December_26,_1776&oldid=1176603807"