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Talk:Richard Watson (bass)

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Great work

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Thanks, Tim! This article is great work. Too bad we don't know more about his family and early years. Perhaps we'll turn up some Australian interviews or obituaries with more information. -- Ssilvers (talk) 18:35, 19 February 2011 (UTC)[reply]

True, but meanwhile grateful thanks to the marvellous Who Was Who site for its basic biographical info. Tim riley (talk) 20:13, 19 February 2011 (UTC)[reply]

Voice type

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The article is not clear on Watson's voice type: bass or bass-baritone? Whichever it is, it should be used as the article's disambiguator, as done with (almost) all other opera singers. -- Michael Bednarek (talk) 01:25, 18 January 2022 (UTC)[reply]

Michael Bednarek: some of his roles were bass roles, while others were bass-baritone roles. About half and half. Of his G&S recordings, King Hildebrand is a bass-baritone, the Learned Judge is a baritone, Sergeant of Police is a bass, Pooh-Bah is a baritone, Sir Despard Murgatroyd is a baritone, Wilfred Shadbolt is a baritone and Don Alhambra is a bass-baritone. His Mozart roles were basses. What would you recommend? -- Ssilvers (talk) 03:39, 18 January 2022 (UTC)[reply]
Kutsch/Riemens Großes Sängerlexikon (2003) calls him a bass, as does the collection of recordings, Australian Singers on Record, and some Naxos and Decca booklets too, so I think that can't be wrong. OTOH, bass-baritone doesn't seem to be wrong either, and one or the other would be an improvement over "singer". I lean slightly towards "bass". -- Michael Bednarek (talk) 12:47, 18 January 2022 (UTC)[reply]
Feel free to make the move. I have no objection. All the best, -- Ssilvers (talk) 13:44, 18 January 2022 (UTC)[reply]