St James's Goldenacre
| St James' Goldenacre | |
|---|---|
| St Philip’s and St James, Edinburgh | |
 The east front of the church, viewed from across Inverleith Row | |
 | |
| Address | 57b Inverleith Row Edinburgh EH3 5PX |
| Country | Scotland |
| Denomination | Scottish Episcopal |
| Tradition | Anglican |
| Website | www |
| History | |
| Dedication | James the Less |
| Architecture | |
| Architect(s) | Robert Rowand Anderson |
| Style | Gothic |
| Administration | |
| Diocese | Diocese of Edinburgh |
| Clergy | |
| Priest in charge | Rev. Jane MacLaren |
St James' Goldenacre is a Scottish Episcopal church in the Goldenacre area of Edinburgh. It was designed by Robert Rowand Anderson and opened in 1888.[1] It is a Category B listed building[2] and is noted for its interior decoration, including work by distinguished artists of the 19th and 20th centuries.
History
[edit]St James's was originally founded by Rev. Edward Craig, to relieve the overcrowding at Old St Paul's, and initially occupied a building of 1829 in Broughton Place, Edinburgh. In 1883 this building was sold,[3] and the congregation moved to the present site (feued from the Fettes Trust), at first erecting a hall, while conducting a competition for the new church, which was won by Robert Rowand Anderson in 1885. The church was built by John Beattie and Son in red Corsehill stone. In 1888 the church was opened by the Bishop of Edinburgh, but it could not be consecrated until 1894, when it was free of debt.[1] The main entrance to the church was originally up an alleyway at the side (still used for access to the church hall) leading via the baptistery to the west end of the nave.
In 1894 the Vestry voted to accept a generous offer from the distinguished artist William Hole (a member of the congregation) to create a complete painted decoration scheme, in his spare time and at no cost.[4]
In 1898 alterations were made to the chancel, in accordance with a scheme designed by Sir John James Burnet, including a gilded triptych above the altar with paintings by William Hole.[5]
In 1922 a rood was erected on a beam across the chancel arch, as a memorial to a former rector. It was designed by Sir John James Burnet and excuted by the sculptor Gilbert Bayes.[6] It was later thought that the rood detracted from the view of the chancel, and it was removed and the five sculped figures installed in the entrance vestibule.[7] A baptistery, also deigned by Sir John James Burnet, was created in 1923.[7]
In 1985 major structural problems were detected, which led to a progamme of remedial work.[8] including the creation of a new entrance through what had been the Rector's vestry, giving a better entrance from the street and leading directly to the south aisle.[9]
St Philip's
[edit]In 1895 a mission congregation was established at Canonmills. In 1909 this congregation built a new church, St Philip’s, and the joint charge was renamed "St Philip’s and St James’". St Philip's Church is now rented to another religious body.[10] A "Jesse Tree" carving, by Tom Whalen, was commisioned in 1948 and installed in St Philip's.[11] It is now in St James's church hall.
Christ Church
[edit]Christ Church, in the nearby Trinity district, was built in 1854, initially as a private chapel. In 1875 its owner sold it to its congregation.[12] In 1971 Christ Church was linked with St James's under a single rector. but problems with the fabric meant that it became uneconomic to repair: Christ Church was closed in 1980 and is now a private house, "Church House", 118 Trinity Road.[13] Following the closure, a Christ Church chapel was created at St James's in a former cloakroom, containing some of the artefacts familiar to members of the Christ Church congregation.[14]
Description
[edit]The church occupies a narrow site with the east end facing Inverleith Row: It contains a chancel, a three-bay nave with south aisle, and a short tower. There was provision for extending the nave by two further bays, and for increasing the height of the tower, but this did not happen.[15]
The interior decoration includes a frieze with the words of the Te Deum with vines, peacocks, and apostles, prophets and martyrs, created in spirit fresco by William Hole,[16] who also painted the triptych of Christ with St George and St Stephen above the altar. The chancel decoration, including the altar, choir stalls, and paving, is by John James Burnet,[15] with windows depicting the Good Samaritan by Henry Payne of Amberley, described as "two lights with intricate, graceful drawing."[17]
The baptistery at the west end contains a marble font by Charles d'Orville Pilkington Jackson and windows by Douglas Strachan.[18]
Notes
[edit]- ^ a b Cole 1988, p. 39.
- ^ Historic Environment Scotland entry
- ^ Cole 1988, p. 22.
- ^ Cole 1988, p. 45.
- ^ Cole 1988, p. 48–49.
- ^ Cole 1988, p. 67.
- ^ a b Cole 1988, p. 68.
- ^ Cole 1988, p. 140.
- ^ Cole 1988, p. 15.
- ^ St James's Church: History
- ^ Cole 1988, p. 88–89.
- ^ Cole 1988, p. 101–2.
- ^ Canmore entry
- ^ Cole 1988, p. 119.
- ^ a b Gifford, McWilliam & Walker 1991, p. 571.
- ^ Hole 2011, p. 74, 77, 78, 130.
- ^ Gifford, McWilliam & Walker 1991, p. 572.
- ^ Gifford et al., p. 572.
Works cited
[edit]- Gifford, John; McWilliam, Colin; Walker, David (1991). Edinburgh. The Buildings of Scotland. Penguin Books. ISBN 978-0-300-09672-9.
- Cole, Gilbert (1988). A Church in Goldenacre. The Rector and Vestry of St James'.
- Hole, Elizabeth (2011). William Hole R.S.A: Miscellaneous Memories of a Lifetime. Mark O'Hanlon. ISBN 978-0-9528059-5-3.