The Politics of Dancing (Re-Flex album)
| The Politics of Dancing | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 1983 | |||
| Recorded | Late 1982 | |||
| Studio | Utopia Studios (London) | |||
| Genre | ||||
| Length | 45:31 | |||
| Label | ||||
| Producer | John Punter | |||
| Re-Flex chronology | ||||
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| Singles from The Politics of Dancing | ||||
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The Politics of Dancing is the debut studio album by the English new wave band Re-Flex, recorded in late 1982 and released in November 1983 by EMI Records,[1] and was, until September 2010, their only officially released studio album. John Punter of Roxy Music fame produced the album at Utopia Studios in London, England.
The album received moderate success, charting at No. 34 in New Zealand, No. 53 in the United States, and No. 58 in West Germany, but the title track was a big international success and became the band's signature song, causing some to label them a one-hit wonder. Five other singles were released from the album with minor success in the US and UK: "Hitline", "Hurt", "Praying to the Beat", "Couldn't Stand a Day", and "Sensitive".
The album was reissued on CD in 1993 through One Way Records. Jambo Music Ltd., a division of JHP, who publish and administer Re-Flex's catalogue of songs, re-released it as part of a 6-CD box set which also contained the previously unreleased Humanication album and other previously unavailable tracks recorded before and after the band's relationship with EMI.[1] Cherry Red Records issued a 2-CD expanded edition of The Politics of Dancing with bonus material in 2019.
In 2017, the album's title track was prominently featured in the film Atomic Blonde.
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
| Trouser Press | favourable[3] |
| Smash Hits | 5½/10[4] |
Writing for Trouser Press, music journalist Terry Rompers wrote that "Re-Flex display a knack for penning strong melodies and playing walloping dance grooves, best exemplified on the title track and “Hurt.”"[3]
In a retrospective review for AllMusic, critic Stephen Cook wrote that "the album is mostly a bland array of robotic bass and drums, effects-riddled guitars, and annoying keyboard accents. To the band's credit, the songwriting is impressive at times, especially on the title track and "Hitline," and lead singer Baxter's vocals are admirable in their own, Bowie-rehashed way. The album's future cutout-bin status, though, was sealed with aimless funk like "Jungle" and the Toto-aping MOR of "Sensitive." Approach with tongue firmly in cheek."[2]
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Praying to the Beat" |
| 3:39 |
| 2. | "Hitline" | Fishman | 3:39 |
| 3. | "Hurt" | Fishman | 5:08 |
| 4. | "Couldn't Stand a Day" |
| 4:10 |
| 5. | "The Politics of Dancing" | Fishman | 6:36 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 6. | "Something About You" | Fishman | 3:39 |
| 7. | "Pointless" | Fishman | 3:50 |
| 8. | "Jungle" |
| 5:25 |
| 9. | "Sensitive" |
| 3:28 |
| 10. | "Keep in Touch" | Fishman | 5:57 |
| Total length: | 45:31 | ||
| No. | Title | Length |
|---|---|---|
| 11. | "True Lust" | 4:25 |
| 12. | "Hurt" (12" Pete Smith Emotional Mix — U.K. Version) | 5:39 |
| 13. | "What You Deserve" | 3:49 |
| 14. | "The Politics of Dancing" (12" Extended Mix) | 6:42 |
| 15. | "Cruel World" (12" Extended Mix) | 5:53 |
| 16. | "Praying to the Beat" (12" Extended Mix) | 4:10 |
| 17. | "Flex It!" (12" Extended Mix) | 5:28 |
| 18. | "Hitline" (12" Extended Mix) | 5:00 |
| 19. | "Cut It" (12" Extended Mix) | 4:26 |
| 20. | "Hurt" (12" John Luongo Emotional Mix — U.S. Version) | 6:49 |
| 21. | "The Politics of Dancing" (U.S. 7" Version) | 4:29 |
| 22. | "Flex It!" (7" Echo Mix) | 3:45 |
| 23. | "Hurt" (U.S. 12" Rubber Dub Mix) | 9:27 |
Personnel
[edit]Credits are adapted from The Politics of Dancing liner notes.[5]
Re-Flex
- Baxter — guitar; lead vocals
- Paul Fishman — electronic keyboards; backing vocals; computers
- Roland Vaughan Kerridge — electronic and acoustic drums; percussion; programming; backing vocals
- Nigel Ross-Scott — bass; backing vocals
Production and artwork
- John Punter — producer; mixing
- Pete Smith — engineer
- Andrew Carb Canelle – assistant engineer
- Chris Sheldon – assistant engineer
- Keith Breeden – design
Charts
[edit]| Chart (1983–84) | Peak position |
|---|---|
| Australia (Kent Music Report)[6] | 77 |
| Canada Top Albums/CDs (RPM)[7] | 24 |
| German Albums (Offizielle Top 100)[8] | 58 |
| New Zealand Albums (RMNZ)[9] | 34 |
| US Billboard 200[10] | 53 |
References
[edit]- ^ a b "Re-Flex Connect - Html/Flash Portal". Re-flex.com. Retrieved 7 January 2012.
- ^ a b Cook, Stephen. "The Politics of Dancing – Re-Flex". AllMusic. Retrieved 30 January 2022.
- ^ a b Rompers, Terry. "The Politics of Dancing – Re-Flex". Trouser Press. Retrieved 30 January 2022.
- ^ McCloskey, Brian (15 March 1984). "Smash Hits, March 15, 1984 - p.27". Retrieved 19 April 2019.
- ^ The Politics of Dancing (CD booklet). Re-Flex. EMI Records. 1983.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 249. ISBN 0-646-11917-6.
- ^ "Top RPM Albums: Issue 3121". RPM. Library and Archives Canada. Retrieved 29 March 2024.
- ^ "Offiziellecharts.de – Re-Flex – The Politics of Dancing" (in German). GfK Entertainment Charts. Retrieved 30 January 2022.
- ^ "Charts.nz – Re-Flex – The Politics of Dancing". Hung Medien. Retrieved 30 January 2022.
- ^ "Re-Flex Chart History (Billboard 200)". Billboard. Retrieved 30 January 2022.
External links
[edit]- The Politics of Dancing at Discogs (list of releases)
