Portal:Speculative fiction/Selected works
This is a listing of selected works for the speculative fiction portal. To prevent Lua timeouts, only the first and last few excerpts are shown here. All will be considered for display when this page is transcluded to the main portal page.
List of articles in rotation
|
|---|
Lost is an American science fiction adventure drama television series created by Jeffrey Lieber, J. J. Abrams, and Damon Lindelof that aired on ABC from September 22, 2004, to May 23, 2010, with a total of 121 episodes over six seasons. It contains elements of supernatural fiction, and follows the survivors of a commercial jet airliner flying between Sydney and Los Angeles, after the plane crashes on a mysterious island somewhere in the South Pacific Ocean. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved characters.
Lindelof and Carlton Cuse served as showrunners and are executive producers along with Abrams and Bryan Burk. Inspired by the 2000 film Cast Away, the show is told in a heavily serialized manner. Due to its large ensemble cast and the cost of filming primarily on location in Oahu, Hawaii, the series was one of the most expensive on television, with the pilot alone costing over $14 million. The fictional universe and mythology of Lost were expanded upon by a number of related media—most importantly a series of mini-episodes called Missing Pieces; and a 12-minute epilogue, "The New Man in Charge". (Full article...)
Alien vs. Predator (stylized as AVP: Alien vs. Predator) is a 2004 science fiction action horror film written and directed by Paul W. S. Anderson, and starring Sanaa Lathan, Raoul Bova, Lance Henriksen, Ewen Bremner, Colin Salmon, and Tommy Flanagan. It is the first film installment of the Alien vs. Predator franchise, the fifth film in the Alien franchise and third film of the Predator franchise, adapting a crossover bringing together the eponymous creatures of the Alien and Predator series, a concept which originated in a 1989 comic book written by Randy Stradley and Chris Warner. Anderson wrote the story, with the creators of the Alien franchise, Dan O'Bannon and Ronald Shusett receiving additional story credit due to the incorporation of elements from the Alien series, and Anderson and Shane Salerno adapted the story into a screenplay. Their writing was influenced by Aztec mythology, the comic book series, and the writings of Erich von Däniken. In the film, scientists are caught in the crossfire of an ancient battle between Aliens and Predators as they attempt to escape a bygone pyramid. Alien vs. Predator was theatrically released on 12 August 2004. It received generally negative reviews and grossed $177.4 million worldwide against a production budget of $60–70 million. A direct sequel, Aliens vs. Predator: Requiem, was released in 2007. (Full article...)
Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty (Hauer) escapes back to Earth, burnt-out cop Rick Deckard (Ford) reluctantly agrees to hunt them down. Blade Runner initially underperformed in North American theaters and polarized critics; some praised its thematic complexity and visuals, while others critiqued its slow pacing and lack of action. The film's soundtrack, composed by Vangelis, was nominated in 1982 for a BAFTA and a Golden Globe as best original score. Blade Runner later became a cult film, and has since come to be regarded as one of the greatest science fiction films. Hailed for its production design depicting a high-tech but decaying future, the film is often regarded as both a leading example of neo-noir cinema and a foundational work of the cyberpunk genre. It has influenced many science fiction films, video games, anime, and television series. It also brought the work of Dick to Hollywood's attention and led to several film adaptations of his works. In 1993, it was selected for preservation in the National Film Registry by the Library of Congress. (Full article...)
Atlantis: The Lost Empire is a 2001 American animated science fantasy action-adventure film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It was directed by Gary Trousdale and Kirk Wise and produced by Don Hahn, from a screenplay by Tab Murphy, and a story by Murphy, Wise, Trousdale, Joss Whedon, and the writing team of Bryce Zabel and Jackie Zabel. The film features an ensemble voice cast that includes Michael J. Fox, Cree Summer, James Garner, Leonard Nimoy, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Jim Varney, Florence Stanley, John Mahoney, David Ogden Stiers, and Corey Burton. The film is set in 1914 and tells the story of young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from hand-drawn animation toward films with full CGI. (Full article...)
The Fifth Element is a 1997 English-language French science fiction action film conceived and directed by Luc Besson, as well as co-written by Besson and Robert Mark Kamen. It stars Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm, and Chris Tucker. Primarily set in the 23rd century, the film's central plot involves the survival of planet Earth, which becomes the responsibility of Korben Dallas (Willis), a taxicab driver and former special forces major, after a young woman (Jovovich) falls into his cab. To accomplish this, Dallas joins forces with her to recover four mystical stones essential for the defence of Earth against the impending attack of a malevolent cosmic entity. Besson started writing the story that was developed as The Fifth Element when he was 16 years old; he was 38 when the film opened in cinemas. Besson wanted to shoot the film in France, but suitable facilities could not be found; filming took place in London and Mauritania instead. He hired comic artists Jean "Moebius" Giraud and Jean-Claude Mézières, whose books inspired parts of the film, for production design. Costume design was by Jean Paul Gaultier. (Full article...)
Battlefield Earth is a 2000 American science fiction film based on the 1982 novel of the same name by Scientology founder L. Ron Hubbard. It was directed by Roger Christian and stars John Travolta, Barry Pepper, and Forest Whitaker. The film follows a rebellion against the alien Psychlos, who have ruled Earth for 1,000 years. Travolta, a Scientologist, began adapting Battlefield Earth in the mid-1990s. He was unable to obtain major studio funding because of concerns regarding the script and its connections to Scientology. In 1998, it was picked up by the independent production company Franchise Pictures, which specialized in rescuing pet projects. Production began in 1999, largely funded by the German distribution company Intertainment AG. Travolta, as co-producer, also contributed millions of dollars; he envisioned Battlefield Earth as the first in a two-part adaptation of the book, as it only covers the first half of the novel's story. (Full article...)
Professor Bernard Quatermass is a fictional scientist originally created by writer Nigel Kneale for BBC Television. An intelligent and highly moral British scientist, Quatermass is a pioneer of the British space programme, heading the British Experimental Rocket Group. He continually finds himself confronting sinister alien forces that threaten to destroy humanity. The role of Quatermass was featured in three influential BBC science fiction serials of the 1950s, and again in a final serial for Thames Television in 1979. A remake of the first serial appeared on BBC Four in 2005. The character also appeared in films, on the radio and in print over a fifty-year period. Kneale picked the character's unusual surname from a London telephone directory, while the first name was in honour of the astronomer Bernard Lovell. (Full article...)
Pattern Recognition is a novel by science fiction writer William Gibson published in 2003. Set in August and September 2002, the story follows Cayce Pollard, a 32-year-old marketing consultant who has a psychological sensitivity to corporate symbols. The action takes place in London, Tokyo, and Moscow as Cayce judges the effectiveness of a proposed corporate symbol and is hired to seek the creators of film clips anonymously posted to the internet. The novel's central theme involves the examination of the human desire to detect patterns or meaning and the risks of finding patterns in meaningless data. Other themes include methods of interpretation of history, cultural familiarity with brand names, and tensions between art and commercialization. The September 11, 2001 attacks are used as a motif representing the transition to the new century. Critics identify influences in Pattern Recognition from Thomas Pynchon's postmodern detective story The Crying of Lot 49. (Full article...)
Raptor Red is a 1995 American novel by paleontologist Robert T. Bakker. The book is a third-person account of dinosaurs during the Cretaceous Period, told from the point of view of Raptor Red, a female Utahraptor. Raptor Red features many of Bakker's theories regarding dinosaurs' social habits, intelligence, and the world in which they lived. The book follows a year in Raptor Red's life as she loses her mate, finds her family, and struggles to survive in a hostile environment. Bakker drew inspiration from Ernest Thompson Seton's works that look at life through the eyes of predators, and said that he found it enjoyable to write from a top predator's perspective. Bakker based his portrayals of dinosaurs and other prehistoric wildlife on fossil evidence, as well as studies of modern animals. The book was released in hardcover, paperback, and audiobook formats. (Full article...)
Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons on November 5, 1959.
The story is set in a future society ruled by a human interstellar government called the Terran Federation, dominated by a military elite. Under the Terran Federation, only veterans of Federal Service (including, but not limited to, military service) enjoy full citizenship, such as the right to vote. The first-person narrative follows Juan "Johnny" Rico, a young man of Filipino descent, through his military service in the Mobile Infantry. He progresses from recruit to officer against the backdrop of an interstellar war between humans and an alien species known as "Arachnids" or "Bugs". Interspersed with the primary plot are classroom scenes in which Rico and others discuss philosophical and moral issues, including aspects of suffrage, civic virtue, juvenile delinquency, and war; these discussions have been described as expounding Heinlein's own political views. Starship Troopers has been identified with a tradition of militarism in US science fiction, and draws parallels between the conflict between humans and the Bugs, and the Cold War. A coming-of-age novel, Starship Troopers also criticizes the US society of the 1950s, arguing that a lack of discipline had led to a moral decline, and advocates corporal and capital punishment. (Full article...)
- Notes