Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, heavy metal, which emphasized an aggressive thick sound, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

General images - load new batch

The following are images from various rock music-related articles on Wikipedia.

Image 1Buddy Holly and his band, the Crickets (from Rock and roll)
Image 2Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 3Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 4Little Richard in 1957 (from Rock and roll)
Image 5"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 6Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 7Golden Earring receives a gold record in 1970. (from Hard rock)
Image 8Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 9Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 10Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 11Chuck Berry in 1957 (from Rock and roll)
Image 12Kiss onstage in Boston in 2004 (from Hard rock)
Image 13Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 14Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 15Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 16The Who on stage in 1975 (from Hard rock)
Image 17Drum notation for a backbeat (from Hard rock)
Image 18Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 19Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 20Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 21Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 22Wolfmother, 2007 (from Hard rock)

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The Allman Brothers Band was an American rock band formed in Jacksonville, Florida, in 1969. Its founding members were brothers Duane Allman (slide guitar, lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently based in Macon, Georgia, they incorporated elements of blues, jazz and country music and their live shows featured jam band-style improvisation and instrumentals.

The band's first two studio albums, The Allman Brothers Band (1969) and Idlewild South (1970), both released by Capricorn Records, stalled commercially but their 1971 live album At Fillmore East was an artistic and commercial breakthrough. It features extended versions of their songs "In Memory of Elizabeth Reed" and "Whipping Post", showcasing the group's jamming style.

Group leader Duane Allman was killed in a motorcycle accident later that year – on October 29, 1971 – and the band dedicated Eat a Peach (1972) to his memory, a dual studio/live album that cemented the band's popularity and featured Gregg Allman's "Melissa" and Dickey Betts's "Blue Sky". Following the motorcycling death of bassist Berry Oakley one year and 13 days later on November 11, 1972, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters. The album included Betts's hit single "Ramblin' Man" and instrumental "Jessica", which went on to become classic rock radio staples and placed the group at the forefront of 1970s rock music. Internal turmoil overtook them soon after as the group dissolved in 1976, reforming briefly at the end of the decade with additional personnel changes and breaking up again in 1982.

The band re-formed once more in 1989, releasing a string of new albums and touring heavily. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge and guitarists Warren Haynes and Derek Trucks (the nephew of Butch) and became renowned for their month-long string of shows at New York City's Beacon Theatre each spring. The band retired for good in October 2014 after their final show at the Beacon Theatre. (Full article...)

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Courtney Michelle Love (née Harrison; born July 9, 1964) is an American singer, guitarist, songwriter, and actress. A figure in the alternative and grunge scenes of the 1990s, her career has spanned four decades. She rose to prominence as the lead vocalist and rhythm guitarist of the alternative rock band Hole, which she formed in 1989. Love has drawn public attention for her uninhibited live performances and confrontational lyrics, as well as her highly publicized personal life following her marriage to Nirvana frontman Kurt Cobain. In 2020, NME named her one of the most influential singers in alternative culture of the last 30 years.

Love had an itinerant childhood, but was primarily raised in Portland, Oregon, where she played in a series of short-lived bands and was active in the local punk scene. After briefly being in a juvenile hall, she spent a year living in Dublin and Liverpool before returning to the United States and pursuing an acting career. She appeared in supporting roles in the Alex Cox films Sid and Nancy (1986) and Straight to Hell (1987) before forming the band Hole in Los Angeles with guitarist Eric Erlandson. The group received critical acclaim from underground rock press for their 1991 debut album Pretty on the Inside, produced by Kim Gordon, while their second release, Live Through This (1994), was met with critical accolades and multi-platinum sales. In 1995, Love returned to acting, earning a Golden Globe Award nomination for her performance as Althea Leasure in Miloš Forman's The People vs. Larry Flynt (1996), which established her as a mainstream actress. The following year, Hole's third album, Celebrity Skin (1998), was nominated for three Grammy Awards.

Love continued to work as an actress into the early 2000s, appearing in big-budget pictures such as Man on the Moon (1999) and Trapped (2002), before releasing her first solo album, America's Sweetheart, in 2004. The subsequent several years were marred with publicity surrounding Love's legal troubles and drug relapse, which resulted in a mandatory lockdown rehabilitation sentence in 2005 while she was writing a second solo album. That project became Nobody's Daughter, released in 2010 as a Hole album but without the former Hole lineup. Between 2014 and 2015, Love released two solo singles and returned to acting in the network series Sons of Anarchy and Empire. In 2020, she confirmed she was writing new music. Love has also been active as a writer; she co-created and co-wrote three volumes of a manga, Princess Ai, between 2004 and 2006, and wrote a memoir, Dirty Blonde (2006). (Full article...)

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Hybrid Theory is the debut studio album by American rock band Linkin Park, released on October 24, 2000, by Warner Bros. Records. Recorded at NRG Recordings in North Hollywood, California, and produced by Don Gilmore, the album's lyrical themes deal with problems lead vocalist Chester Bennington experienced during his adolescence, including drug abuse and the constant fighting and eventual divorce of his parents. Hybrid Theory takes its title from the previous name of the band as well as the concepts of music theory and combining different styles. It is also the band's only album on which bassist Dave "Phoenix" Farrell does not play, however, he is credited as a songwriter on some of its tracks as well as a member of the band.

Four singles were released from Hybrid Theory: "One Step Closer", "In the End", "Crawling" and "Papercut", all of them being responsible for launching Linkin Park into mainstream popularity. While "In the End" was the most successful of the four, all of the singles in the album remain some of the band's most successful songs to date. Although "Runaway", "Points of Authority", and "My December" from the special edition bonus disc album were not released as singles, they were minor hits on alternative rock radio stations thanks to the success of all of the band's singles and the album.

Generally receiving positive reviews from critics upon its release, Hybrid Theory became a strong commercial success. Peaking at number two on the US Billboard 200, it is certified 12× Platinum by the Recording Industry Association of America (RIAA). It also reached the top 10 in 15 other countries and has sold 32 million copies worldwide, making it the best-selling debut album since Guns N' Roses's Appetite for Destruction (1987). At the 44th Grammy Awards, it won Best Hard Rock Performance for "Crawling".

On August 13, 2020, Warner Records announced a re-release of Hybrid Theory for its 20th anniversary. A previously unreleased demo song, "She Couldn't", was released at the same time. (Full article...)

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"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy", are about the boy's sister going on dates at a local Palais dance hall.

When first released as a single in United Kingdom in November 1982, "Come Dancing" failed to chart. Although Arista Records founder Clive Davis had reservations about releasing the single in the United States due to the English subject matter of dance halls, the track saw an American single release in April 1983. "Come Dancing" reached number six on the Hot 100, becoming the band's highest US charting single in over a decade and tying with "Tired of Waiting for You" as the band's highest-charting single ever. This success was achieved largely with the help of a promotional music video directed by Julien Temple that saw frequent airing on MTV. As a result of its American success, the single was re-released in Britain. Unlike its first release, the single became a top 20 British hit, reaching number 12.

In addition to its presence on State of Confusion, "Come Dancing" has appeared on numerous compilations albums since its release. It spawned a successful follow-up single, "Don't Forget to Dance", which became a top 40 hit in the United States. Come Dancing, a musical written by Ray Davies that premiered in 2008, was named after the song. (Full article...)

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Credit: Henry W. Laurisch (derivative Blutgretchen)

Zachary Barnett of the rock band American Authors.

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Did you know (auto-generated)

... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?
... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?
... that heavy metal led Ossian D'Ambrosio to druidism?
... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
... that heavy metal band Judas Priest took their name from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest"?
... that raw material waste from the West influenced a generation of rock music in China?

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Chamber pop (also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture. (Full article...)