Northumbria's Golden Age

The Northumbrian Renaissance or Northumbria's Golden Age is the name given to a period of cultural flowering in the kingdom of Northumbria, broadly speaking from the mid-seventh to the mid-eighth centuries. It is characterised by a blend of insular art, Germanic art and Mediterranean influence. Authors associated with this golden age include Bede and Alcuin; artefacts include the Lindisfarne Gospels and associated manuscripts, the Ruthwell Cross and associated sculptures, and, arguably, the Franks Casket. An illustration of the cultural activity of Northumbria during this period is given by Alcuin's De Sanctis et Pontificibus Ecclesiæ Eboracensis, which gives particular attention to Bishop Æthelbert of York.

Through Alcuin's sharing of intellectual works in the Frankish kingdom, the Northumbrian Renaissance came to influence the culture of the Carolingian Renaissance.^[1]

References

^ Michael Frassetto (2013). The Early Medieval World [2 Volumes] From the Fall of Rome to the Time of Charlemagne [2 Volumes]. ABC-CLIO. p. 55. ISBN 9781598849967.

Blair, P. Hunter (1976) Northumbria in the Days of Bede. London: Gollancz
Hawkes, Jane & Mills, S. (eds.) (1999) Northumbria's Golden Age
Neuman de Vegvar, Carol L. (1987) The Northumbrian Renaissance: a study in the transmission of style. Cranbury: Associated University Presses
Nordhagen, Per Jonas (1994) 'The Codex Amiatinus and the Byzantine Element in the Northumbrian Renaissance', in Various authors, Bede and his world: the Jarrow lectures, with a preface by Michael Lapidge. 2 vols. Aldershot: Variorum; Vol. 1, pp. 435–62
Orton, F. (2004) 'Northumbrian identity in the eighth century: the Ruthwell and Bewcastle monuments; style, classification, class, and the form of ideology', Journal of Medieval and Early Modern Studies, 34:1 (2004) 95-145

Northumbria's Golden Age

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References

Further reading