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This is a mostly complete list of the works of Wolfgang Amadeus Mozart, according to the first, sixth, and ninth editions of the Köchel catalogue. For a selective list of his works, grouped by genre, see List of compositions by Wolfgang Amadeus Mozart.
Köchel-Verzeichnis, published 1975 in East Germany

The Köchel catalogue (German: Köchel-Verzeichnis) is a formerly chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions.

According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626.

Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition.

History

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In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing. Köchel's 551-page catalogue was titled Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke W. A. Mozart's (Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart).[1] Köchel attempted to arrange the works in chronological order, but many compositions written before 1784 could only be estimated, although Leopold Mozart had compiled a partial list of his son's earlier works; Mozart's catalogue of his own compositions (begun in February 1784 with K. 449) allows relatively precise dating of many of his later works. The catalogue included the opening bars of each piece, known as an incipit. Köchel divided the corpus into a main chronology of 626 works, and five appendices (Anhänge in German), abbreviated Anh. I–V which comprise:

  • I – Lost authentic works
  • II – Fragments by Mozart
  • III – Works by Mozart transcribed by others
  • IV – Doubtful works
  • V – Misattributed works

Since Köchel published his original catalogue in 1863 (now referred to as K1), the dating of Mozart's compositions has been subject to constant revision. Many more pieces have since been found, re-dated, re-attributed and re-numbered, requiring three revised editions of the catalogue. Subsequent editions – especially the third edition (K3) by Alfred Einstein (1937), and the sixth edition (K6) by Franz Giegling, Gerd Sievers [de], and Alexander Weinmann [de] (1964) – have reflected attempts to arrange the growing list of works in a more accurate chronological order, according to various levels of scholarship. Because of the confusing renumbering between versions, the ninth edition (K9) by Neal Zaslaw (2024) abandoned the chronological order: all works that were included in a previous edition return to the oldest number they were given, and works newly included in the ninth edition were given numbers past 626, all the way to 721.[2][3]

A major shortcoming of K1 was that there was no room to expand the strictly sequential numbering in the main catalogue to allow for any new discoveries or further reassessment of existing works. For the 1937 edition (K3) Einstein (following the analyses of Théodore de Wyzewa and Georges de St. Foix) reassigned some works from the original K1 appendices into the main catalogue by interpolating numbers with a lower-case letter suffix. In K6 some of these were, per intervening scholarship, returned to re-structured appendices:

  • K. 626a
    • K. 626a I – 64 Cadenzas by Mozart to his own keyboard concertos
    • K. 626a II – Cadenzas by Mozart to keyboard concertos by other composers
  • K. 626b – 42 sketches & other fragments by Mozart (replacing K3 Anh. II)
  • Anh. A – Copies by Mozart of other composers' works
  • Anh. B – Works by Mozart transcribed by others
  • Anh. C – Doubtful and misattributed vocal (C 1–10) and instrumental (C 11-30) works

For example, Divertimento for Wind Octet in E♭ was numbered K. Anh. 226 in K1; Einstein placed it in the K3 main catalogue as K. 196e, between K. 196 and K. 197; K6 reassigned it again to the 'doubtful' appendix C as K. Anh. C 17.01; and K9 reverts to Einstein's assignment as K. 196e (though it is still considered a doubtful work). Some works in Anh. A have been identified since 1965 as by Leopold Mozart. Many works in Anh. C have since been more reliably assigned to other composers, or to Mozart himself.

Editions of Köchel's catalogue
Edition Year Editors Note
1 1862 Ludwig von Köchel Original
2 1905 Paul von Waldersee [de] Limited revision: mostly addition of pieces that had since come to light
3 1937 Alfred Einstein
4 1958 Unchanged reprint
5 1961
6 1964
  • Franz Giegling
  • Gerd Sievers
  • Alexander Weinmann
7 1965 Unchanged reprint
8 1983
9 2024 Neal Zaslaw Chronological ordering abandoned; works no longer renumbered

List of existing Mozart compositions

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To maintain as much of the original K-numbering of the list as possible, while re-ordering in the revised, chronological sequence, letters were added to the new numbers. The following list shows the latest edition (K9), Köchel's original designation (K1), and the sixth edition (K6). Other addenda and supplements to the catalogue are marked Anhang. (This has been abbreviated to 'Anh.' in the list below.)

List of Mozart compositions
K9 K1 K6 Composition Date Age Location
1a 1a Andante in C for Piano early 1761 5 Salzburg
1b 1b Allegro in C for Piano early 1761 5 Salzburg
1c 1c Allegro in F for Piano 11 December 1761 5 Salzburg
1d 1d Minuet in F for Piano 16 December 1761 5 Salzburg
1,01 1 1e Minuet in G for Piano December 1761 – January 1762 5–6 Salzburg
1,02 1 1f Minuet in C for Piano December 1761 – January 1762 5–6 Salzburg
2 2 2 Minuet in F for Piano January 1762 6 Salzburg
3 3 3 Allegro in B-flat for Piano 4 March 1762 6 Salzburg
4 4 4 Minuet in F for Piano 11 May 1762 6 Salzburg
5 5 5 Minuet in F for Piano 5 July 1762 6 Salzburg
9a 9a 5a Allegro in C for Piano 1764 8 Salzburg
9b 9b 5b Andante in B-flat for Piano 1764 8 Salzburg
6 6 6 Violin Sonata No. 1 in C 1762–64 6–8 Salzburg or Paris
7 7 7 Violin Sonata No. 2 in D 1762–64 6–8 Salzburg or Paris
8 8 8 Violin Sonata No. 3 in B-flat January 1764 7–8 Paris
9 9 9 Violin Sonata No. 4 in G January 1764 7–8 Paris
10 10 10 Violin Sonata No. 5 in B-flat 1764 8 London
11 11 11 Violin Sonata No. 6 in G 1764 8 London
12 12 12 Violin Sonata No. 7 in A 1764 8 London
13 13 13 Violin Sonata No. 8 in F 1764 8 London
14 14 14 Violin Sonata No. 9 in C 1764 8 London
15 15 15 Violin Sonata No. 10 in B-flat 1764 8 London
15a – 15ss Anh. 109b 15a – 15ss The London Sketchbook, 43 untitled pieces 1765 9 London
16 16 16 Symphony No. 1 in E-flat August/September 1764 8 London
Anh.C 11.18 Anh. 220 16a Symphony in A minor, Odense (spurious)
19 19 19 Symphony No. 4 in D 1765 9 London
19a Anh. 223 19a Symphony in F early 1765 9 London
19b Anh. 222 19b Symphony in C (fragment) 13 May 1765 9 London
21 21 19c Aria for Tenor, "Va, dal furor portata" 1765 9 London
19d 19d Piano Sonata in C for Four-Hands (doubtful) 13 May 1765 9 London
20 20 20 Motet in G minor, "God is our refuge" July 1765 9 London
21a Anh. 206 21a Variations in A (lost) July 1765 9 London
22 22 22 Symphony No. 5 in B-flat December 1765 9 The Hague
23 23 23 Aria for soprano and orchestra "Conservati fedele" October 1765 and January 1766 9–10 The Hague
24 24 24 8 Variations in G on "Laat ons Juichen" 7 March 1766 10 The Hague
25 25 25 7 Variations in D on "Willem van Nassau" 7 March 1766 10 Amsterdam
26 26 26 Violin Sonata No. 11 in E-flat February 1766 10 The Hague
27 27 27 Violin Sonata No. 12 in G February 1766 10 The Hague
28 28 28 Violin Sonata No. 13 in C February 1766 10 The Hague
29 29 29 Violin Sonata No. 14 in D February 1766 10 The Hague
30 30 30 Violin Sonata No. 15 in F February 1766 10 The Hague
31 31 31 Violin Sonata No. 16 in B-flat February 1766 10 The Hague
32 32 32 Gallimathias musicum (quodlibet) early March 1766 10 The Hague
32a 32a The Third Sketchbook (lost) Winter 1765–66 9–10 Netherlands
33 33 33 Kyrie in F 12 June 1766 10 Paris
33a 33a Solos for Flute (lost) 1766 10 Lausanne
Anh.A 6 33B "Klavierstück" in F early October 1766 10 Zürich
33b 33b Solos for Cello (lost) 1766 10 Donaueschingen
33c 33c "Stabat mater" for 4 voices in G (lost) 1766 10 Paris or Salzburg
33d Anh. 199 33d Piano Sonata in G (lost) 1766 10 Salzburg
33e Anh. 200 33e Piano Sonata in B-flat (lost) 1766 10 Salzburg
33f Anh. 201 33f Piano Sonata in C (lost) 1766 10 Salzburg
33g Anh. 202 33g Piano Sonata in F (lost; doubtful) 1766 10 Salzburg
33h 33h Waldhornstück (lost) 1766 10 Salzburg
36 36 33i Recitative and aria for tenor and orchestra, "Or che il dover – Tali e cotanti sono" December 1766 10 Salzburg
34 34 34 Offertory in C, "Scande coeli limina" early 1767 10–11 Bavaria
35 35 35 Die Schuldigkeit des ersten Gebots 1767 11 Salzburg
42 42 35a Grabmusik 1767 11 Salzburg
Anh.A 7 37 37 Piano Concerto No. 1 in F April 1767 11 Salzburg
38 38 38 Apollo et Hyacinthus 13 May 1767 11 Salzburg
Anh.A 8 39 39 Piano Concerto No. 2 in B-flat June 1767 11 Salzburg
Anh.A 9 40 40 Piano Concerto No. 3 in D July 1767 11 Salzburg
Anh.A 16 41 41 Piano Concerto No. 4 in G July 1767 11 Salzburg
41a 41a 6 Divertimento (lost) 1767 11 Salzburg
41b 41b "Bläserstücke verschiedener Besetzung" (lost) 1767 11 Salzburg
41c 41c Various Marches (lost) 1767 11 Salzburg
41d 41d Various Minuets (lost) 1767 11 Salzburg
41e 41e Fugue (lost) 1767 11 Salzburg
41f 41f Four-part Fugue (lost) 1767 11 Salzburg
41g 41g Serenade for 2 Violins, Cello, and Organ (lost) 1767 11 Salzburg
67 67 41h Church Sonata No. 1 in E-flat 1772? 16? Salzburg
68 68 41i Church Sonata No. 2 in B-flat 1772? 16? Salzburg
69 69 41k Church Sonata No. 3 in D 1772? 16? Salzburg
76 76 42a Symphony No. 43 in F (doubtful) 1767 11 Vienna
43 43 43 Symphony No. 6 in F late 1767 11 Olomouc and Vienna
43a 43a Duet for Two Sopranos, "Ach, was müßen wir erfahren?" (fragment) October 1767 11 Vienna
45 45 45 Symphony No. 7 in D 16 January 1768 11 Vienna
45a Anh. 221 45a Symphony in G, "Alte Lambach" 1766 and 1767 10–11 The Hague
45b Anh. 214 45b Symphony No. 55 in B-flat (doubtful) early 1768 12 Vienna
51 51 46a La finta semplice First half 1768 12 Vienna
50 50 46b Bastien und Bastienne September – October 1768 12 Vienna
52 52 46c "Daphne, deine Rosenwangen" Summer 1768 12 Vienna
46d 46d Violin Sonata in C 1 September 1768 12 Vienna
46e 46e Violin Sonata in F 1 September 1768 12 Vienna
47 47 47 Veni Sancte Spiritus in C Autumn 1768 12 Vienna
139 139 47a Missa solemnis in C minor, "Waisenhaus" 1768 – mid-1769 12–13 Vienna
47b 47b Offertorium in C, "Benedictus sit Deus" (lost) October/November 1768 12 Vienna
47c 47c Trumpet Concerto (lost) Autumn 1768 12 Vienna
49 49 47d Missa brevis in G October – November 1768 12 Vienna
53 53 47e Song, "An die Freude" November 1768 12 Vienna
48 48 48 Symphony No. 8 in D 13 December 1768 12 Vienna
65 65 61a Missa brevis in D minor 14 January 1769 12 Salzburg
65a 61b 7 Minuets 26 January 1769 12 Salzburg
70 70 61c Recitative and Aria for Soprano, "A Berenice" 28 February 1767 and 1769 11–13 Salzburg
103 103 61d 20 Minuets (I. Zwölf Menuette in der Ordnung letzter Hand; II. Acht Menuette aus der ursprünglichen Reihe) 1771–72 13 Salzburg
Anh.A 28 104 61e 6 Minuets (actually by Michael Haydn)
Anh.C 13.05 105 61f 6 Minuets (actually by Michael Haydn)
61g,01 61g 2 Minuets (the second one is now K9 Anh.A 25, because it is actually by Michael Haydn) 1769 13 Salzburg
61h 61h 6 Minuets 1769 13 Salzburg
62 62 62 March in D Summer 1769 13 Salzburg
100 100 62a Cassation in D (Serenade No. 1) Summer 1769 13 Salzburg
63 63 63 Cassation in G Summer 1769 13 Salzburg
99 99 63a Cassation in B-flat Summer 1769 13 Salzburg
Anh.C 13.04 64 64 Minuet in D (actually by Leopold Mozart)
66 66 66 Missa in C, "Dominicus" October 1769 13 Salzburg
117 117 66a Offertory (pro omni tempore) in C September or October 1769 13 Salzburg
141 141 66b Te Deum in C End of 1769 13 Salzburg
66c Anh. 215 66c Symphony in D (lost) 1769? 13? Salzburg?
66d Anh. 217 66d Symphony in B-flat (lost) 1769? 13? Salzburg?
66e Anh. 218 66e Symphony in B-flat (lost) 1769? 13? Salzburg?
71 71 71 Aria for Tenor "Ah più tremar non voglio" in F (fragment) 1769 or early 1770 13–14 Salzburg
72a 72a 72a Molto Allegro in G (fragment) 6 January 1770 14 Verona
72b Anh. 2 72b Aria "Misero tu non sei" 26 January 1770 13 Salzburg
73 73 (K3 75a) 73 Symphony No. 9 in C 1769 or Spring 1770 13–14 Salzburg
143 143 73a Motet for Soprano in G, "Ergo interest" (doubtful) early February 1773 17 Salzburg
78 78 73b Aria for Soprano, "Per pietà, bell'idol mio" 1766 10 Milan
88 88 73c Aria for Soprano, "Fra cento affanni" February – March 1770 14 Milan
79 79 73d Recitative and Aria for Soprano, "O temerario Arbace" 1766 10 Milan
73D 73D Aria for Soprano, "Per quel paterno amplesso" 1766 10 Milan
77 77 73e Recitative and Aria for Soprano, "Misero me...Misero pargoletto" March 1770 14 Milan
80 80 73f String Quartet No. 1 in G 15 March 1770 14 Lodi
123 123 73g Contredanse in B-flat 13–14 April 1770 14 Rome
Anh.H 24,17 94 73h Minuet in D (doubtful) 1769/1770 13–14 Bologna or Rome
Anh.H 10,05 73i Canon in A for 4 or 5 voices in 1 1772 16  
89 89 73k Kyrie in G for 5 voices in 1 1772 16 Rome
81 81 73l Symphony No. 44 in D (doubtful) April 1770 14 Rome
97 97 73m Symphony No. 47 in D (doubtful) April 1770 14 Rome
95 95 73n Symphony No. 45 in D (doubtful) April 1770 14 Rome
82 82 73o Aria for Soprano, "Se ardire, e speranza" 25 April 1770 14 Rome
83 83 73p Aria for Soprano, "Se tutti i mali miei" April – May 1770 14 Rome
84 84 73q Symphony No. 11 in D (uncertain) 1770 14 Milan or Bologna
Anh.H 9,11, 9,14 89a 73r 4 Riddle Canons Summer 1772 16 Bologna
85 85 73s Miserere in A minor July – August 1770 14 Bologna
Anh.A 34 122 73t Minuet in E-flat early August 1770 14 Bologna
Anh.A 20, 21 44 73u "Cibavit eos" (transcription of music by Johann Stadlmayr) early August 1770 14 Bologna
Anh.H 24,16 86 73v Antiphon in D minor, "Quaerite primum regnum Dei" 9 October 1770 14 Bologna
Anh.H 13,01 73w Fugue in D for Piano 9 October 1770 14 Bologna
Anh.H, various Anh. 109d 73x 14 Canonic Studies (No. 3 is K. 720; the others are in Anh.H of K9) 1772 16  
74 74 74 Symphony No. 10 in G Spring 1770 14 Milan
87 87 74a Mitridate, re di Ponto 26 December 1770 14 Bologna and Milan
74b 74b Aria for Soprano, "Non curo l'affetto" early 1771 14–15 Milan or Pavia
118 118 74c Betulia liberata March – July 1771 15 Italy and Salzburg
108 108 74d Regina Coeli in C May 1771 15 Salzburg
109 109 74e Litaniae Lauretanae B.M.V. in B-flat May 1771 15 Salzburg
72 72 74f Offertory in G, "Inter natos mulierum" May or June 1771 15 Salzburg
75 75 75 Symphony No. 42 in F (doubtful) Spring 1771 15 Salzburg
110 110 75b Symphony No. 12 in G July 1771 15 Salzburg
90 90 90 Kyrie in D minor (doubtful) 1771–1772 15–16 Salzburg
Anh.A 29 107;21b 107 3 Concerti for Piano after J.C. Bach Winter 1770–1772 14–16 Salzburg
111 111 111 Ascanio in Alba 17 October 1771 15 Milan
111 120 111a Finale of Symphony No. 48 in D (Ascanio in Alba) August 1771 15 Milan
96 96 111b Symphony No. 46 in C (doubtful) October/November 1771 15 Milan
112 112 112 Symphony No. 13 in F 2 November 1771 15 Milan
113 113 113 Divertimento No. 1 in E-flat November 1771 15 Milan
114 114 114 Symphony No. 14 in A 30 December 1771 15 Salzburg
381 381 123a Sonata in D for Piano Four-Hands early 1772 16 Salzburg
124 124 124 Symphony No. 15 in G 21 February 1772 16 Salzburg
Anh.C 16.02 124A Church Sonata in D (actually by Leopold Mozart) 1774 18 Salzburg
144 144 124a Church Sonata No. 4 in D 1774 18 Salzburg
145 145 124b Church Sonata No. 5 in F 1774 18 Salzburg
125 125 125 Litaniae de venerabili altaris sacramento in B-flat March 1772 16 Salzburg
136 136 125a Divertimento in D "Salzburg Symphony No. 1" early 1772 15–16 Salzburg
137 137 125b Divertimento in B-flat, "Salzburg Symphony No. 2" early 1772 15–16 Salzburg
138 138 125c Divertimento in F, "Salzburg Symphony No. 3" early 1772 15–16 Salzburg
147 147 125g Song, "Wie unglücklich bin ich nit" 1772 16 Salzburg
148 148 125h Song, "Lobegesang auf die feierliche Johannisloge" 1772 16 Salzburg
126 126 126 Il sogno di Scipione May 1772 16 Salzburg
127 127 127 Regina coeli in B-flat May 1772 16 Salzburg
128 128 128 Symphony No. 16 in C May 1772 16 Salzburg
129 129 129 Symphony No. 17 in G May 1772 16 Salzburg
130 130 130 Symphony No. 18 in F May 1772 16 Salzburg
164 164 130a 6 Minuets June 1772 16 Salzburg
131 131 131 Divertimento No. 2 in D June 1772 16 Salzburg
132 132 132 Symphony No. 19 in E-flat July 1772 16 Salzburg
133 133 133 Symphony No. 20 in D July 1772 16 Salzburg
134 134 134 Symphony No. 21 in A August 1772 16 Salzburg
155 155 134a String Quartet No. 2 in D October – November 1772 16 Bozen and Verona
156 156 134b String Quartet No. 3 in G End of 1772 16 Milan
135 135 135 Lucio Silla 26 December 1772 16 Salzburg and Milan
Anh.A 35 Anh. 109 135a Sketch of a Ballet "Le gelosie del Seraglio" (one trio is K. 665; the rest is K9 Anh.A 35 as an arrangement of work by Josef Starzer and François Granier) December 1772 16 Salzburg and Milan
126 161/163 141a Symphony No. 50 in D March 1772 – late 1772 16 Salzburg
157 157 157 String Quartet No. 4 in C End of 1772 – early 1773 16–17 Milan
158 158 158 String Quartet No. 5 in F End of 1772 – early 1773 16–17 Milan
165 165 158a Motet in F for Soprano, "Exsultate, jubilate" January 1773 16–17 Milan
159 159 159 String Quartet No. 6 in B-flat early 1773 16–17 Milan
160 160 159a String Quartet No. 7 in E-flat early 1773 16–17 Milan
186 186 159b Divertimento No. 4 in B-flat March 1773 17 Milan or Salzburg
166 166 159d Divertimento No. 3 in E-flat 24 March 1773 17 Salzburg
184 184 161a Symphony No. 26 in E-flat 30 March 1773 17 Salzburg
199 199 161b Symphony No. 27 in G 10? April 1773 17 Salzburg
162 162 162 Symphony No. 22 in C 19 April 1773 17 Salzburg
181 181 162b Symphony No. 23 in D 19 May 1773 17 Salzburg
Anh.H 10,01 223 166e Hosanna in G Summer 1773 17 Salzburg
166f Anh. 18 166f Kyrie in C (fragment) 1772 16 Salzburg
166g Anh. 19 166g Kyrie in D (fragment) 1772 16 Salzburg
Anh.A 37 Anh. 23 166h In te Domine in C (fragment) 1772 16 Salzburg
167 167 167 Missa in C, "Trinitatis" June 1773 17 Salzburg
205 205 167A Divertimento No. 7 in D July 1773 17 Vienna
290 290 167AB March in D (opening to K. 167A) July 1773 17 Vienna
185 185 167a Serenade No. 3 in D, "Antretter"[4] July and August 1773 17 Vienna
189 189 167b March in D July and August 1773 17 Vienna
168 168 168 String Quartet No. 8 in F August 1773 17 Vienna
168a 168a Minuet for a String Quartet in F August 1773 17 Vienna
169 169 169 String Quartet No. 9 in A August 1773 17 Vienna
170 170 170 String Quartet No. 10 in C August 1773 17 Vienna
171 171 171 String Quartet No. 11 in E-flat August 1773 17 Vienna
172 172 172 String Quartet No. 12 in B-flat September 1773 17 Vienna
173 173 173 String Quartet No. 13 in D minor September 1773 17 Vienna
180 180 173c 6 Variations in G on "Mio caro Adone" from La fiera di Venezia by Antonio Salieri Autumn 1773 17 Vienna
345 173d 2 Choruses/5 Entr'actes for "Thamos, König in Ägypten" 3 October 1773 17 Salzburg
182 182 173dA Symphony No. 24 in B-flat 3 October 1773 17 Salzburg
183 183 173dB Symphony No. 25 in G minor, "Little G minor Symphony" 5 October 1773 17 Salzburg
174 174 174 String Quintet No. 1 in B-flat December 1773 17 Salzburg
175 175 175 Piano Concerto No. 5 in D December 1773 17 Salzburg
176 176 176 16 Minuets December 1773 17 Salzburg
201 201 186a Symphony No. 29 in A 6 April 1774 18 Salzburg
202 202 186b Symphony No. 30 in D 5 May 1774 18 Salzburg
358 358 186c Sonata in B-flat for Piano Four-Hands Spring 1774 18 Salzburg
195 195 186d Litaniae Lauretanae BMV in D May 1774 18 Salzburg
190 190 186E Concertone for two Violins and Orchestra in C 31 May 1774 18 Salzburg
191 191 186e Bassoon Concerto in B-flat 4 June 1774 18 Salzburg
192 192 186f Missa Brevis in F 24 June 1774 18 Salzburg
193 193 186g Dixit Dominus, Magnificat in C July 1774 18 Salzburg
194 194 186h Missa brevis in D 8 August 1774 18 Salzburg
179 179 189a 12 Variations in C on a Minuet by Fischer 6 December 1774 18 Salzburg
203 203 189b Serenade No. 4 in D, "Colloredo" Summer 1774 18 Salzburg
237 237 189c March in D Summer 1774 18 Salzburg
279 279 189d Piano Sonata No. 1 in C early 1775 19 Munich
280 280 189e Piano Sonata No. 2 in F early 1775 18–19 Munich
281 281 189f Piano Sonata No. 3 in B-flat early 1775 18–19 Munich
282 282 189g Piano Sonata No. 4 in E-flat early 1775 18–19 Munich
283 283 189h Piano Sonata No. 5 in G early 1775 18–19 Munich
200 200 189k Symphony No. 28 in C 17? November 1773 or 1774 17–18 Salzburg
196 196 196 La finta giardiniera 13 January 1775 18 Salzburg
196a Anh. 16 196a Kyrie in G (fragment) 1787–1789 31–33 Munich
220 220 196b Missa brevis in C, "Spatzen" 1775 or 1776 19–20 Munich
292 292 196c Duo in B-flat for Bassoon and Cello early 1775 18–19 Munich
196e Anh. 226 Anh. C 17.01 Divertimento in E-flat for winds (doubtful)
196f Anh. 227 Anh. C 17.02 Divertimento in B-flat for winds (doubtful)
222 222 205a Offertory in D minor, "Misericordias Domini" January or February 1775 18–19 Munich
284 284 205b Piano Sonata No. 6 in D, "Dürnitz" early 1775 18–19 Munich
206a 206a Cello Concerto in F (lost) March 1775 18–19 Munich
207 207 207 Violin Concerto No. 1 in B-flat Spring 1773 17 Salzburg
196 121 207a Finale of Symphony No. 51 in D (La finta giardiniera) End of 1774 – early 1775 18–19 Salzburg
208 208 208 Il re pastore 23 April 1775 19 Salzburg
209 209 209 Aria for Tenor, "Si mostra la sorte" 19 May 1775 19 Salzburg
209a 209a Aria for Bass, "Un dente guasto e gelato" in D (fragment) 1775 19 Salzburg
210 210 210 Aria for Tenor, "Con ossequio, con rispetto" May 1775 19 Salzburg
Anh.A 36 152 210a Aria (canzonetta) for voice and Piano "Ridente la calma" (arranged from Josef Mysliveček) 1772 and 1775 16–18  Salzburg?
211 211 211 Violin Concerto No. 2 in D 14 June 1775 19 Salzburg
212 212 212 Church Sonata No. 6 in B-flat July 1775 19 Salzburg
213 213 213 Divertimento No. 8 in F July 1775 19 Salzburg
204 204 213a Serenade No. 5 in D 5 August 1775 19 Salzburg
215 215 213b March in D August 1775 19 Salzburg
208 102 213c Finale of a Symphony No. 52 in C (Il re pastore) 23 April 1775 – end of 1775 19 Salzburg
214 214 214 March in C, "Il re pastore" 20 August 1775 19 Salzburg
216 216 216 Violin Concerto No. 3 in G, "Straßburg" 12 September 1775 19 Salzburg
217 217 217 Aria for Soprano, "Voi avete un cor fedele" 26 October 1775 19 Salzburg
218 218 218 Violin Concerto No. 4 in D October 1775 19 Salzburg
219 219 219 Violin Concerto No. 5 in A, "Turkish" 20 December 1775 19 Salzburg
238 238 238 Piano Concerto No. 6 in B-flat January 1776 19–20 Salzburg
239 239 239 Serenade No. 6 in D, "Serenata notturna" January 1776 19–20 Salzburg
240 240 240 Divertimento No. 9 in B-flat January 1776 19–20 Salzburg
252 252 240a Divertimento No. 12 in E-flat January and August 1776 19–20 Salzburg
188 188 240b Divertimento No. 6 in C Mid 1773 17 Salzburg
224 224 241a Church Sonata No. 7 in F early 1776? 19–20 Salzburg
225 225 241b Church Sonata No. 8 in A early 1776? 19–20 Salzburg
241 241 241 Church Sonata No. 9 in G January 1776 19–20 Salzburg
242 242 242 Concerto in F for three (or two) Pianos, No. 7, "Lodron" February 1776 20 Salzburg
243 243 243 Litaniae de venerabili altaris sacramento in E-flat March 1776 20 Salzburg
244 244 244 Church Sonata No. 10 in F April 1776 20 Salzburg
245 245 245 Church Sonata No. 11 in D April 1776 20 Salzburg
246 246 246 Piano Concerto No. 8 in C, "Lützow" April 1776 20 Salzburg
262 262 246a Missa longa in C 1776 19 Salzburg
288 288 246c Divertimento in F (fragment) Summer 1776 20 Salzburg
247 247 247 Divertimento No. 10 in F, "Lodron No. 1" ("Lodronische Nachtmusik") June 1776 20 Salzburg
248 248 248 March in F June 1776 20 Salzburg
260 260 248a Offertory in D, "Venite populi" June 1776 20 Salzburg
250 250 248b Serenade No. 7 in D, "Haffner" 21 July 1776 20 Salzburg
249 249 249 March in D, "Haffner" 20 July 1776 20 Salzburg
Anh.A 27 101 250a 4 Contredanses, (Serenade No. 2); actually by Michael Haydn
251 251 251 Divertimento No. 11 in D July 1776 20 Salzburg
253 253 253 Divertimento No. 13 in F August 1776 20 Salzburg
254 254 254 Piano Trio No. 1 in B-flat (Divertimento) August 1776 20 Salzburg
255 255 255 Recitative and Aria for Alto, "Ombra felice" September 1776 20 Salzburg
256 256 256 Aria for Tenor, "Clarice cara mia sposa" September 1776 20 Salzburg
257 257 257 Missa in C, "Credo" or "Spaur" 1775 and 1777 19–21 Salzburg
258 258 258 Missa brevis in C, "Piccolomini", formerly misidentified as "Spaur" 1775–1777 19–21 Salzburg
258a Anh. 13 258a Kyrie in C (fragment) 1787–1791 31–35 Vienna?
259 259 259 Missa brevis in C, "Organ Solo" 1775–1777 19–21 Salzburg
261 261 261 Adagio in E for Violin and Orchestra 1776 20 Salzburg
269 269 261a Rondo in B-flat for Violin and Orchestra 1775–1777 19–21 Salzburg
263 263 263 Church Sonata No. 12 in C December 1776 20 Salzburg
286 286 269a Notturno in D for Four Orchestras (Serenade No. 8) December 1776 or January 1777 20 Salzburg
Anh.C 29.01 269b 12 Contredanses for Graf Czernin (actually by Michael Haydn)
270 270 270 Divertimento No. 14 in B-flat January 1777 20–21 Salzburg
271 271 271 Piano Concerto No. 9 in E-flat, "Jeunehomme" January 1777 20–21 Salzburg
267 267 271c 4 Contredanses 1777 20–21 Salzburg
274 274 271d Church Sonata No. 13 in G 1777 21 Salzburg
278 278 271e Church Sonata No. 14 in C March – April 1777 21 Salzburg
266 266 271f Trio in B-flat Spring 1777 20–21 Salzburg
289 289 271g Divertimento No. 16 in E-flat (doubtful) 1777 21 Salzburg
287 287 271H Divertimento No. 15 in B-flat major, "Lodron No. 2" ("Lodronische Nachtmusik") June 1777 21 Salzburg
271a 271a 271i Violin Concerto "No. 7" in D (possibly authentic; doubtful) 16 July 1777 21 Salzburg or Paris?
314 314 271k Oboe Concerto in C / Flute Concerto No. 2 in D January or February 1778 21–22 Mannheim
272 272 272 Recitative and Aria for Soprano, "Ah, lo previdi" August 1777 21 Salzburg
277 277 272a Offertory in F, "Alma Dei creatoris" Summer or Autumn 1777 21 Salzburg
275 275 272b Missa brevis in B-flat 23 September 1777 21 Salzburg
273 273 273 Hymn in F, "Sancta Maria, mater Dei" 9 September 1777 21 Salzburg
309 309 284b Piano Sonata No. 7 in C October – November 1777 21 Mannheim
311 311 284c Piano Sonata No. 9 in D October – November 1777 21 Mannheim
307 307 284d Arietta in C, "Oiseaux, si tous les ans" 30 October 1777 and 13 March 1778 21–22 Mannheim
Anh.A 42 284e (Flute?) Concerto, really by Johann Baptist Wendling November 1777 21 Mannheim
284f 284f Rondeau for Piano (lost) 28/29 November 1777 21 Munich
285 285 285 Flute Quartet No. 1 in D 25 December 1777 21 Mannheim
285a 285a Flute Quartet No. 2 in G (doubtful) 25 December 1777 and 14 February 1778 21–22 Mannheim
285b Anh. 171 285b Flute Quartet No. 3 in C 1781–1782 25–26 Vienna
313 313 285c Flute Concerto No. 1 in G January or February 1778 21–22 Mannheim
315 315 285e Andante in C for Flute and Orchestra January or February 1778 21–22 Mannheim
291,01 Anh. A 52 Adagio in D for Orchestra 1780 24
301 301 293a Violin Sonata No. 18 in G February 1778 22 Mannheim
302 302 293b Violin Sonata No. 19 in E-flat February 1778 22 Mannheim
303 303 293c Violin Sonata No. 20 in C February 1778 22 Mannheim
305 305 293d Violin Sonata No. 22 in A Spring 1778 22 Mannheim
Anh.G (various) 293e 19 Song Cadenzas Spring 1778 22 Mannheim
294 294 294 Recitative and Aria for Soprano, "Alcandro, lo confesso" 24 February 1778 22 Mannheim
295 295 295 Aria for Tenor, "Se al labbro mio non credi" 27 February 1778 22 Mannheim
486a 486a 295a Recitative and Aria for Soprano, "Basta, vincesti" 27 February 1778 22 Mannheim
308 308 295b Arietta, "Dans un bois solitaire" 30 October 1777 and 13 March 1778 21–22 Mannheim
296 296 296 Violin Sonata No. 17 in C 11 March 1778 22 Mannheim
322 322 296a Kyrie in E-flat (fragment; completed by M. Stadler) early 1778 22 Mannheim
296c 296c Sanctus in E-flat (in conjunction with K. 322/296a) early 1778 22 Mannheim
297a Anh. 1 297a 8 Pieces in a Miserere (lost) Spring 1778 22 Paris
297b Anh. 9 297b Sinfonia Concertante for Four Winds in E-flat (lost) April 1778 22 Paris
299 299 297c Concerto for Flute and Harp in C April 1778 22 Paris
298 298 298 Flute Quartet No. 4 in A 1786–1787 30–31 Vienna
354 354 299a 12 Variations for Piano on "Je suis Lindor" 1778 22 Paris
299b Anh. 10 299b Ballet, Les petits riens 11 July 1778 22 Paris
299c 299c Ballet Intermezzo (fragment) Summer 1778 22 Paris
320f Anh. 103 299d La Chasse (fragment) Autumn 1778 22 Paris
300 300 300 Gavotte 1778 22 Paris
297 297 300a Symphony No. 31 in D, "Paris" late May/early June 1778 22 Paris
316 316 300b Recitative and Aria for Soprano, "Popoli di Tessaglia" 8 January 1779 23 Munich
304 304 300c Violin Sonata No. 21 in E minor early summer 1778 22 Paris
310 310 300d Piano Sonata No. 8 in A minor Summer 1778 22 Paris
265 265 300e Twelve Variations on "Ah vous dirai-je, Maman" 1781/1782 25 Vienna
353 353 300f 12 Variations in E-flat on "La belle Françoise" 1778 22 Paris
395 395 300g Capriccio in C for Piano 1778 22 Munich
330 330 300h Piano Sonata No. 10 in C 1783 27 Vienna or Salzburg
331 331 300i Piano Sonata No. 11 in A, "Alla Turca" 1783 27 Vienna or Salzburg
332 332 300k Piano Sonata No. 12 in F 1783 27 Vienna or Salzburg
306 306 300l Violin Sonata No. 23 in D Summer 1778 22 Paris
311A Anh. 8 311A Overture (lost or unidentified) August 1778 22 Paris
315b Anh. 3 315b Scena late August 1778 22 St. Germain
333 333 315c Piano Sonata No. 13 in B-flat, "Linz" 1783–1784 27–28 Linz and Vienna
264 264 315d 9 Variations in C on "Lison dormait" late August or September 1778 22 Paris
315e Anh. 11 315e Music to "Semiramis" November 1778 21 Mannheim
315f Anh. 56 315f Concerto for Violin, Piano, and Orchestra (fragment) November 1778 21 Mannheim
315a 315a 315g 8 Minuets early 1779 23 Salzburg
365 365 316a Concerto in E-flat for Two Pianos, No. 10 early 1779 23 Salzburg
317 317 317 "Coronation Mass" in C 23 March 1779 23 Salzburg
329 329 317a Church Sonata No. 15 in C March 1779? 23 Salzburg
146 146 317b Aria for Soprano in B-flat, "Kommet her, ihr frechen Sünder" March or April 1779 23 Salzburg
328 328 317c Church Sonata No. 16 in C early 1779? 22–23 Salzburg
378 378 317d Violin Sonata No. 26 in B-flat early 1779 22–23 Salzburg
318 318 318 Symphony No. 32 in G 26 April 1779 23 Salzburg
319 319 319 Symphony No. 33 in B-flat 9 July 1779 23 Salzburg
320 320 320 Serenade No. 9 in D, "Posthorn" 3 August 1779 23 Salzburg
335 335 320a Two marches in D early August 1779 23 Salzburg
246b 246b 320B Divertimento in D (fragment) 1772/1773 16–17  
334 334 320b Divertimento No. 17 in D major Summer 1780 24 Salzburg
445 445 320c March in D Summer 1780 24 Salzburg
364 364 320d Sinfonia Concertante for Violin, Viola and Orchestra in E-flat 1779 23 Salzburg
320e Anh. 104 320e Sinfonia Concertante for Violin, Viola, and Cello (fragment) Summer 1779 23 Salzburg
321 321 321 Vesperae de Dominica in C 1779 23 Salzburg
321a 321a Magnificat in C (fragment) 1779 23 Salzburg
276 276 321b Regina Coeli in C 1779 23 Salzburg
323 Anh. 15 323 Kyrie in C (fragment; completed by M. Stadler) 1779? 23 Salzburg
323a Anh. 20 323a Gloria in C (in conjunction with K. 323) 1779? 23 Salzburg
345 345 336a Choruses and Entr'actes for Thamos, König in Ägypten 1779 23 Salzburg
344 344 336b Zaide (Das Serail) 1779 23 Salzburg
343 343 336c 2 German Hymns c. early 1787 30–31 Prague or Vienna
336 336 336d Church Sonata No. 17 in C March 1780 24 Salzburg
337 337 337 Missa solemnis in C March 1780 24 Salzburg
338 338 338 Symphony No. 34 in C 29 August 1780 24 Salzburg
339 339 339 Vesperae solennes de confessore in C 1780 24 Salzburg
392 392 340a Song, "Verdankt sei es dem Glanz" August 1781 and May 1782 25–26 Vienna
391 391 340b Song, "Sei du mein Trost, verschwiegne Traurigkeit" August 1781 and May 1782 25–26 Vienna
390 390 340c Song, "Ich würd auf meinem Pfad mit Tränen" August 1781 and May 1782 25–26 Vienna
363 363 363 3 Minuets for Orchestra 1780 24 Salzburg
365a Anh. 11a 365a Scene for Schikanender's "Peter der Grausame" (fragment) 1780 24 Munich
366 366 366 Idomeneo, re di Creta 29 January 1781 25 Salzburg and Munich
367 367 367 Ballet for Idomeneo 29 January 1781 25 Salzburg and Munich
349 349 367a Song, "Die Zufriedenheit" 8 November 1780 and mid-March 1781 24 Munich
351 351 367b Song, "Komm, liebe Zither" 8 November 1780 and mid-March 1781 24 Munich
368 368 368 Recitative and Aria for Soprano, "Ma che vi fece" January 1781 24–25 Munich
341 341 368a Kyrie in D minor 1787–1791 31–35 Vienna
370 370 368b Oboe Quartet in F early 1781 24–25 Munich
369 369 369 Recitative and Aria for Soprano, "Misera, dove son!" 8 March 1781 25 Munich
361 361 370a Serenade No. 10 for Winds in B-flat, "Gran Partita" 1783–1784 27–28 Vienna
370b Anh. 97 370b Horn Concerto movement in E-flat 21 March 1781 25 Vienna
371 371 371 Rondo in E-flat for Horn 21 March 1781 25 Vienna
372 372 372 Allegro in B-flat for Violin and Piano (fragment; completed by M. Stadler) 24 March 1781 25 Vienna
400 400 372a Allegro in B-flat for Piano (fragment; completed by M. Stadler) 1781 25 Vienna
373 373 373 Rondo in C for Violin and Orchestra 2 April 1781 25 Vienna
379 379 373a Violin Sonata No. 27 in G April 1781 25 Vienna
374 374 374 Recitative and Aria for Soprano, "A questo seno deh vieni" April 1781 25 Vienna
359 359 374a 12 Variations in G on "La Bergère Célimène" (by Antoine Albanèse [fr] 1729/31–1800) June 1781 25 Vienna
360 360 374b 6 Variations in G minor on "Hélas, j'ai perdu mon amant"
(recte "Au bord d'une fontaine" by Antoine Albanèse)[5] 		June 1781 25 Vienna
352 352 374c 8 Variations in F on "Dieu d'amour" from Les mariages samnites by André Grétry June 1781 25 Vienna
376 376 374d Violin Sonata No. 24 in F Summer 1781 25 Vienna
377 377 374e Violin Sonata No. 25 in F Summer 1781 25 Vienna
380 380 374f Violin Sonata No. 28 in E-flat Summer 1781 25 Vienna
374g Anh. 46 374g Andantino in B-flat for Cello and Piano (fragment) 1782 26 Vienna
375 375 375 Serenade No. 11 in E-flat for Winds 15 October 1781 25 Vienna
448 448 375a Sonata in D for Two Pianos November 1781 25 Vienna
375b Anh. 42 375b Movement to a Piano Sonata for two Pianos in B-flat Spring 1782 26 Vienna
375c Anh. 43 375c Movement to a Piano Sonata for two Pianos in B-flat Spring 1782 26 Vienna
375d Anh. 45 375d Fugue in G for Two Pianos (fragment) Spring 1782 26 Vienna
401 401 375e Fugue in G minor for Organ (fragment) Spring 1782 26 Vienna
Anh.H 12,14 153 375f Fugue in G for Piano (fragment) Spring 1782 26 Vienna
Anh.H 12,01 Anh. 41 375g Fugue in G for Piano (fragment) Spring 1782 26 Vienna
Anh.H 12,18 375h Fugue in F for Piano (fragment; = K. 626b/14) Spring 1782 26 Vienna
382 382 382 Rondo for Piano and Orchestra in D March 1782 26 Vienna
Anh.H 10,22 229 382a Canon in C minor for 3 voices in 1 (doubtful) 1782 26 Vienna
Anh.H 10,23 230 382b Canon in C minor for 2 voices in 1 (doubtful) 1782 26 Vienna
231 231 382c Canon in B-flat for 6 voices in 1, "Leck mich im Arsch" (doubtful) 1782 26 Vienna
Anh.A 39 233 382d Canon in B-flat for 3 voices in 1, "Leck mir den Arsch fein recht schön sauber" (Wenzel Trnka) 1782 26 Vienna
Anh.A 40 234 382e Canon in G for 3 voices in 1, "Bei der Hitz im Sommer eß ich" (Wenzel Trnka) 1782 26 Vienna
Anh.H 10,13 347 382f Canon in D for 6 voices in 1 1782 26 Vienna
Anh.H 10,02 348 382g Canon in G for 12 voices in 3, "V'amo di core teneramente" (doubtful) 1782 26 Vienna
119 119 382h Aria for Soprano, "Der Liebe himmlisches Gefühl" (doubtful) 1782 26 Vienna
383 383 383 Aria for Soprano, "Nehmt meinen Dank, ihr holden Gönner!" 10 April 1782 26 Vienna
394 394 383a Prelude and Fugue in C for Piano early 1782 25–26 Vienna
Anh.H 12,26 Anh. 33 & Anh. 40 383b Fugue for Piano in F (fragment) Spring 1782 26 Vienna
383C Anh. 32 383C Fantasia in F minor for Piano (fragment) 1789 33 Vienna
383d Anh. 38 383c Theme and Variations for Organ in C (fragment) Spring 1782 26 Vienna
383d Anh. 38 383d Theme for Variations in C (fragment) Spring 1782 26 Vienna
408,01 408 383e March in C September 1782 26 Vienna
408,03 408c 383F March in C 1782 26 Vienna
409 409 383f Symphonic Minuet in C May 1782 26 Vienna?
383g Anh. 100 383g Symphony in E-flat (fragment, lost) May 1782 26 Vienna?
440 440 383h Aria for Soprano "In te spero, o sposo amato" May 1782 26 Vienna?
467a 383i Movement to a Symphony in C (fragment) May 1782 26 Vienna
384 384 384 Die Entführung aus dem Serail 16 July 1782 26 Vienna
389 389 384A Duet for two Voices "Welch ängstliches Beben" April 1782 26 Vienna
388 388 384a Serenade No. 12 in C minor for Winds (later arranged as K. 406/516b) July 1782 or late 1783 26–27 Vienna
384B 384B Andante for Winds in B-flat (fragment) 1782 26 Vienna
384b 384b March for Winds in B-flat (in conjunction with K. 384B) July 1782 26 Vienna
196g Anh. 96 384c Allegro for Winds (in conjunction with K. 384b) July 1782 26 Vienna
385 385 385 Symphony No. 35 in D, "Haffner" July 1782 26 Vienna
408,02 408b 385a March in D 1782 26 Vienna
Anh.H 20,01–12 393 385b Solfeggios for Voice August 1782? 26 Vienna
403 403 385c Violin Sonata No. 30 in C (fragment; completed by M. Stadler) 1782? 26 Vienna
404 404 385d Violin Sonata No. 31 in C (fragment; completed by M. Stadler) 1782 26 Vienna
480a Anh.48/480a 385E Allegro for Piano and Violin (fragment) 1782 26 Vienna
402 402 385e Violin Sonata No. 29 in A (fragment; completed by M. Stadler) August or September 1782 26 Vienna
396 396 385f Fantasia for Piano & Violin in C minor (fragment) August or September 1782 26 Vienna
397 397 385g Fantasia in D minor (fragment) 1782 26 Vienna
385h Anh. 34 385h Adagio in D for Piano or Organ 1782 26 Vienna
399 399 385i Suite in C for Piano (Overture, Allemande, Courante, & incomplete Sarabande) early 1782 25–26 Vienna
Anh.H 12,11 154 385k Fugue for Piano in G minor early 1782 25–26 Vienna
Anh.H 12,29 385n Fugue for four Singers in A late 1782 26 Vienna
385o Piano Concerto in A (fragment; a sketch to K. 414) late 1782 26 Vienna
414 414 385p Piano Concerto No. 12 in A 1782 26 Vienna
386 386 386 Rondo for Piano and Orchestra in A 1782–1783 26–27 Vienna
412 412 386b Horn Concerto No. 1 in D 1791 35 Vienna
407 407 386c Horn Quintet in E-flat End of 1782 26 Vienna
386d Anh. 25 386d O Calpe! Dir donnert's am Fuße (Gibraltar) (fragment) December 1782 26 Vienna
387 387 387 String Quartet No. 14 in G, "Spring" 31 December 1782 26 Vienna
413 413 387a Piano Concerto No. 11 in F 1782–1783 26–27 Vienna
415 415 387b Piano Concerto No. 13 in C 1782–1783 26–27 Vienna
Anh.C 21.02 404a Arrangement of 6 Preludes and Fugues by J.S. and W.F. Bach 1782 26 Vienna
Anh.H 12,10 443 404b Fugue for String Trio in G 1782 26 Vienna
Anh.A 46 405 405 Arrangement of 5 Fugues by J.S. Bach 1782 26 Vienna
Anh.H 12,27 Anh. 77 405a Fugue for String Quartet in C minor (fragment) 1782–1784 26–28 Vienna
416 416 416 Scena and Rondo for Soprano, "Mia speranza adorata" 8 January 1783 26 Vienna
416a 416a German Opera "Der Diener zweier Herren" (lost or unrealised) 8 January 1783 26 Vienna
435 435 416b Aria for tenor and orchestra (sketch), "Mußt' ich auch durch tausend Drachen" 1783 27 Vienna
433 433 416c Aria for bass and orchestra (sketch), "Männer suchen stets zu naschen" 1783 27 Vienna
446 446 416d Music to a Pantomime in D (fragment) February 1783 27 Vienna
398 398 416e 6 Variations on "Salve tu, Domine" March 1783 27 Vienna
293 293 416f Oboe Concerto in F (incomplete) March 1783 27 Vienna
417 417 417 Horn Concerto No. 2 in E-flat 27 May 1783 27 Vienna
427 427 417a Great Mass in C minor July 1782 – October 1783 27 Vienna
Anh.H (various) Anh. 109f 417B 6 Sketches & Fragments to a Mass (K. 698 is an instrumental piece/theme in B-flat; the rest is broken up throughout K9 Anh. H) 1770–1783 24–27 Vienna
421 421 417b String Quartet No. 15 in D minor June 1783 27 Vienna
Anh.H 14,21 Anh. 76 417c Fugue for String Quartet in D minor (fragment) 1782–1784 26–28 Vienna
417d 417d Allegro for String Quartet in E minor (fragment) June 1784 28 Vienna
178 178 417e Aria for Soprano, "Ah, spiegarti, oh Dio" c. June 1783 27 Vienna?
418 418 418 Aria for Soprano, "Vorrei spiegarvi, oh Dio!" 20 June 1783 27 Vienna
419 419 419 Aria for Soprano, "No, no, che non sei capace" June 1783 27 Vienna
420 420 420 Aria for Tenor, "Per pietà, non ricercate" 21 June 1783 27 Vienna
432 432 421a Recitative and Aria for Bass, "Così dunque tradisci" 1783 27 Vienna
428 428 421b String Quartet No. 16 in E-flat June – July 1783 27 Vienna
422 422 422 L'oca del Cairo late 1783 27 Salzburg and Vienna
422a Anh. 14 422a Kyrie in D 1787–1789 31–33 Salzburg
423 423 423 Duo in G for Violin and Viola c. summer 1783 27 Salzburg?
424 424 424 Duo in B-flat for Violin and Viola c. summer 1783 27 Salzburg?
430 430 424a Lo sposo deluso late 1783 27 Salzburg and Vienna
425 425 425 Symphony No. 36 in C, "Linz" October – November 1783 27 Linz
Anh.A 53 444 425a Symphony No. 37 in G, Introduction to Symphony No. 25 by Michael Haydn (previously all was Symphony No. 37 in G) late 1783 or 1784 27–28 Vienna
431 431 425b Recitative and Aria for Tenor, "Misero! O sogno!" December 1783 27 Vienna?
426 426 426 Fugue in C minor for Two Pianos 29 December 1783 27 Vienna
426a Anh. 44 426a Allegro in C minor for Two Pianos (fragment) December 1783 27 Vienna
Anh.A 47.03 436 436 Notturno for Two Sopranos and Bass, "Ecco quel fiero" (Gottfried von Jacquin) 1783 27 Vienna
Anh.A 47.04 437 437 Notturno for Two Sopranos and Bass, "Mi lagnerò tacendo" (Gottfried von Jacquin) 1783 27 Vienna
Anh.A 47.02 438 438 Notturno for Two Sopranos and Bass, "Se lontan" (Gottfried von Jacquin) c. 1783–1786 27–30 Vienna?
Anh.A 47.01 439 439 Notturno for Two Sopranos and Bass, "Due pupille" (Gottfried von Jacquin) c. 1783–1786 27–30 Vienna?
Anh.A 47.05 346 439a Notturno for Two Sopranos and Bass, "Luci care, luci belle" (Gottfried von Jacquin) c. 1783–1786 27–30 Vienna?
439b Anh. 229 439b 5 Divertimenti in B-flat (doubtful) 1783–1788 27–32 Vienna
441 441 441 Trio for Soprano, Tenor and Bass, "Liebes Manndel, wo ist's Bandel?" 1783 27 Vienna
441a 441a Song, "Ja! grüß dich Gott" 1783 27 Vienna
442 442 442 3 Unrelated Fragments for a Piano Trio (completed by M. Stadler) 1783–1788 27–32 Vienna
447 447 447 Horn Concerto No. 3 in E-flat c. 1784–1787 28–31 Vienna
461 461 448a 5 (6) Minuets (the sixth is a fragment) early 1784 27–28 Vienna
462 462 448b 6 Contredanses January 1784 27–28 Vienna
463 463 448c 2 Minuets with Contredanses early 1784 27–28 Vienna
449 449 449 Piano Concerto No. 14 in E-flat, "First Ployer" 9 February 1784 28 Vienna
450 450 450 Piano Concerto No. 15 in B-flat 15 March 1784 28 Vienna
451 451 451 Piano Concerto No. 16 in D 22 March 1784 28 Vienna
452 452 452 Quintet for Piano and Winds in E-flat 30 March 1784 28 Vienna
452a Anh. 54 452a Quintet for Piano and Winds in B-flat (fragment) 1784 28 Vienna
387c Anh. 55 452b Chamber Music with Piano in C (fragment) 1784 28 Vienna
452c Anh. 65 452c Movement to a Piano Concerto in C (fragment; in conjunction with K. 453) April 1784 28 Vienna
453 453 453 Piano Concerto No. 17 in G, "Second Ployer" 12 April 1784 28 Vienna
453a 453a Funeral March for Piano in C minor 1784 28 Vienna
Anh.H 1,01 453b Exercise Book for Barbara Ployer (including a Fugue in G minor for String Quartet, K9 Anh.H 12,17) 1784 28  
454 454 454 Violin Sonata No. 32 in B-flat, for Regina Strinasacchi 21 April 1784 28 Vienna
460 460 454a Eight/Two (K9) Variations in A major on "Come un agnello" from Sarti's Fra i due litiganti il terzo gode (1782); the long version is spurious (K9 Anh.C 26.23) c. June 1784 28 Vienna
455 455 455 10 Variations in G on "Unser dummer Pöbel meint" 25 August 1784 28 Vienna
456 456 456 Piano Concerto No. 18 in B-flat, "Paradis" 30 September 1784 28 Vienna
457 457 457 Piano Sonata No. 14 in C minor 14 October 1784 28 Vienna
458 458 458 String Quartet No. 17 in B-flat, "The Hunt" 9 November 1784 28 Vienna
458a Anh. 75 458a Minuet for String Quartet in B-flat (fragment) November 1784 28 Vienna
458b Anh. 71 458b Rondo for String Quartet in B-flat (fragment) November 1784 28 Vienna
459 459 459 Piano Concerto No. 19 in F 11 December 1784 28 Vienna
466a Anh. 59 459a Movement to a Piano Concerto in C (in conjunction with K. 459) December 1784 28 Vienna
464 464 464 String Quartet No. 18 in A 10 January 1785 28 Vienna
464a Anh. 72 464a Rondo for String Quartet in A (rondo to K. 464; fragment) 10 January 1785 28 Vienna
465 465 465 String Quartet No. 19 in C, "Dissonance" 14 January 1785 28 Vienna
466 466 466 Piano Concerto No. 20 in D minor 10 February 1785 29 Vienna
467 467 467 Piano Concerto No. 21 in C 9 March 1785 29 Vienna
468 468 468 Song, "Lied zur Gesellenreise" 26 March 1785 29 Vienna
429 429 468a Cantata, "Dir, Seele des Weltalls" (fragment) 1783 27 Vienna
469 469 469 Davide penitente 13 March 1785 29 Vienna
470 470 470 Andante to a Violin Concerto of Viotti (lost) 1785 29 Vienna
Anh.A 48 470a Instrumentation for a Concerto for Violin by G.B. Viotti April 1785 29 Vienna
471 471 471 Cantata, Die Maurerfreude (Score) 20 April 1785 29 Vienna
472 472 472 Song, "Der Zauberer" 7 May 1785 29 Vienna
473 473 473 Song, "Die Zufriedenheit" 7 May 1785 29 Vienna
474 474 474 Song, "Die betrogene Welt" 7 May 1785 29 Vienna
475 475 475 Fantasia for Piano in C minor 20 May 1785 29 Vienna
475a Anh. 26 475a Song, "Einsam bin ich, meine Liebe" in D minor (fragment, doubtful) 1785? 29 Vienna
476 476 476 Song, "Das Veilchen" 8 June 1785 29 Vienna
477a Anh. 11a 477a Cantata, "Per la ricuperata salute di Ofelia" (fragment) September 1785 29 Vienna
478 478 478 Piano Quartet No. 1 in G minor 16 October 1785 29 Vienna
479 479 479 Quartet for soprano, tenor and two basses, "Dite almeno in che mancai" (Score), for La villanella rapita (1785) 5 November 1785 29 Vienna
477 477 479a Maurerische Trauermusik (Masonic Funeral Music) November 1785 29 Vienna
480 480 480 Trio for soprano, tenor and bass, "Mandina amabile" (Score), for La villanella rapita (1785) 21 November 1785 29 Vienna
434 434 480b Aria for tenor, 2 basses and orchestra, "Del gran regno delle amazzone" End of 1785 29 Vienna
481 481 481 Violin Sonata No. 33 in E-flat 12 December 1785 29 Vienna
482 482 482 Piano Concerto No. 22 in E-flat 16 December 1785 29 Vienna
483 483 483 Song with chorus, "Zerfließet heut" End of 1785 29 Vienna
484 484 484 Song with chorus, "Ihr unsre neuen Leiter" End of 1785 29 Vienna
411 411 484a Adagio in B-flat for Two Clarinets and Three Basset Horns c. end of 1785 29 Vienna?
440b Anh. 95 (440b;484b) 484b Allegro assai for Winds in B-flat (fragment) end 1785 29 Vienna
440c Anh. 93; 440c 484c Adagio for Winds in F (fragment) end 1785 29 Vienna
410 410 484d Adagio in F for Two Basset Horns and Bassoon (= D Anh. III/11) end 1785 29 Vienna?
484e 484e Allegro for Basset Horn in F (fragment) end 1785 29 Vienna
485 485 485 Rondo in D for Piano 10 January 1786 29 Vienna
486 486 486 Der Schauspieldirektor 7 February 1786 30 Vienna
488 488 488 Piano Concerto No. 23 in A 2 March 1786 30 Vienna
488a Anh. 58 488a Movement to a Piano Concerto in D (fragment) March 1786 30 Vienna
488b Anh. 63 488b Movement to a Piano Concerto in A (in conjunction with K. 488; fragment) March 1786 30 Vienna
488c Anh. 64 488c Movement to a Piano Concerto in A (in conjunction with K. 488; fragment) March 1786 30 Vienna
488d 488d Rondo for a Piano Concerto in A (in conjunction with K. 488; fragment) March 1786 30 Vienna
489 489 489 Duet for Soprano and Tenor, "Spiegarti no poss'io" 10 March 1786 30 Vienna
490 490 490 Scena and Rondo for Soprano and Tenor, "Non più. Tutto ascoltai – Non temer, amato bene" 10 March 1786 30 Vienna
491 491 491 Piano Concerto No. 24 in C minor 24 March 1786 30 Vienna
537c Anh. 62 491a Movement to a Piano Concerto in E-flat (in conjunction with K. 491) March 1786 30 Vienna
492 492 492 Le nozze di Figaro 1 May 1786 30 Vienna
493 493 493 Piano Quartet No. 2 in E-flat 3 June 1786 30 Vienna
493a Anh. 53 493a Movement to a Piano Quartet in E-flat (original final movement to K. 493) 3 June 1786 30 Vienna
494 494 494 Rondo in F 10 June 1786 30 Vienna
494a Anh. 98a 494a Movement for a Horn Concerto in E (fragment) Summer 1786 30 Vienna
495 495 495 Horn Concerto No. 4 in E-flat 26 June 1786 30 Vienna
495a Anh. 52 495a Movement to a Piano Trio in G (in conjunction with K. 496) June 1786 30 Vienna
496 496 496 Piano Trio No. 2 in G 8 July 1786 30 Vienna
487 487 496a 12 Duos for Two Horns (Nos. 2, 4, 5, 7–12 doubtful) 27 July 1786 30 Vienna
497 497 497 Sonata in F for Piano Four-Hands 1 August 1786 30 Vienna
357,01 357/1 497a Allegro in G for Piano Four-Hands (in conjunction with K. 500a) late Summer 1786 30 Vienna
498 498 498 Trio in E-flat for Piano, Clarinet and Viola, "Kegelstatt" 5 August 1786 30 Vienna
499 499 499 String Quartet No. 20 in D, "Hoffmeister" 19 August 1786 30 Vienna
500 500 500 12 Variations in B-flat 12 September 1786 30 Vienna
357,02 357/2 500a Variations and Coda in G for Piano Four-Hands September 1786 30 Vienna
501 501 501 5 Variations in G 4 November 1786 30 Vienna
501a Anh. 51 501a Allegro for Piano Trio in B-flat (fragment) 1786 30 Vienna
502 502 502 Piano Trio No. 3 in B-flat 18 November 1786 30 Vienna
502a Anh. 60 502a Movement to a Piano Concerto in C (draft to K. 503) November 1786 30 Vienna
503 503 503 Piano Concerto No. 25 in C 4 December 1786 30 Vienna
504 504 504 Symphony No. 38 in D, "Prague" 6 December 1786 30 Vienna
504a Anh. 105 504a Movement to a Symphony in G (in conjunction with K. 504) December 1786 30 Vienna
505 505 505 Scena and Rondo for Soprano, "Ch'io mi scordi di te?" 26 December 1786 30 Vienna
506 506 506 Song, "Lied der Freiheit" c. end of 1785 29 Vienna
506a Studies for Thomas Attwood 1785–1786 29–30 Vienna
Anh.H 11,15 507 507 Canon in F for 3 voices in 1 After 3 June 1786 30 Vienna
Anh.H 11,16 508 508 Canon in F for 3 voices in 1 After 3 June 1786 30 Vienna
Anh.H 11,18 508A Canon in C for 3 voices in 1 After 3 June 1786 30 Vienna
Anh.H 11,19–26 508a 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1 After 3 June 1786 30 Vienna
509 509 509 6 German Dances 6 February 1787 31 Prague
232 232 509a Canon in G for 4 voices in 1, "Lieber Freistadtler, lieber Gaulimauli" After 4 July 1787 31 Vienna
509b Comedy "Der Salzburger Lump in Wien" July 1787? 31? Vienna
Anh.C 6.01 Anh. 28 509c Comedy "Die Liebesprobe" July 1787? 31? Vienna
511 511 511 Rondo for Piano in A minor 11 March 1787 31 Vienna
512 512 512 Recitative and Aria for Bass, "Alcandro, lo confesso" 19 March 1787 31 Vienna
513 513 513 Aria for Bass, "Mentre ti lascio" 23 March 1787 31 Vienna
514 514 514 Rondo in D for horn and orchestra (actually an arrangement of KV 412,02 by Franz Xaver Süßmayr)
514a Anh. 80 514a Movement for a String Quintet in B-flat 1787 31 Vienna
515 515 515 String Quintet No. 3 in C 19 April 1787 31 Vienna
515a Anh. 87 515a Movement for a String Quintet in F (in conjunction with K. 515c) not before March 1791 35 Vienna
228 228 515b Double Canon in F for 4 voices in 2 24 April 1787 31 Vienna
515c Anh. 79 515c Movement for a String Quintet in A minor not before March 1791 35 Vienna
516 516 516 String Quintet No. 4 in G minor 16 May 1787 31 Vienna
516a Anh. 86 516a Rondo for String quintet in G (fragment) May 1787 32 Vienna
406 406 516b String Quintet No. 2 in C minor (arrangement of K. 388/384a) 1777/1788 32 Vienna
516c Anh. 91 516c Allegro for Clarinet Quintet in B-flat (fragment) 1787 31 Vienna
516d 516d Rondo for Clarinet Quintet in E-flat (fragment) 1787 31 Vienna
Anh. 89 516e Rondo for a Clarinet Quintet in E-flat (fragment) 1787 31 Vienna
Anh.H 24,11 516f Musical Dice Game in C 1787 31 Vienna
517 517 517 Song, "Die Alte" (fragment) 18 May 1787 31 Vienna
518 518 518 Song, "Die Verschweigung" (fragment) 20 May 1787 31 Vienna
519 519 519 Song, "Das Lied der Trennung" 23 May 1787 31 Vienna
520 520 520 Song, "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" 25 May 1787 31 Vienna
521 521 521 Sonata in C for Piano Four-Hands 29 May 1787 31 Vienna
522 522 522 Ein musikalischer Spaß 14 June 1787 31 Vienna
522a Anh. 108 522a Rondo for Orchestra in F (in conjunction with K. 522) 14 June 1787 31 Vienna
523 523 523 Song, "Abendempfindung an Laura" 24 June 1787 31 Vienna
524 524 524 Song, "An Chloe" 24 June 1787 31 Vienna
525 525 525 Serenade No. 13 in G, Eine kleine Nachtmusik 10 August 1787 31 Vienna
525a Anh. 69 525a Larghetto for Strings in C (draft to K. 525) 10 August 1787 31 Vienna
526 526 526 Violin Sonata No. 35 in A 24 August 1787 31 Vienna
526a Anh. 50 526a Movement to a Violin Sonata in A (draft to K. 526) 24 August 1787 31 Vienna
527 527 527 Don Giovanni 28 October 1787 31 Prague
528 528 528 Scena for Soprano, "Bella mia fiamma" 3 November 1787 31 Prague
529 529 529 Song, "Des kleinen Friedrichs Geburtstag" 6 November 1787 31 Prague
530 530 530 Song, "Das Traumbild" 6 November 1787 31 Prague
531 531 531 Song, "Die kleine Spinnerin" 11 December 1787 31 Vienna
Anh.A 54 532 532 Grazie agl'inganni tuoi (La Libertà a Nice),
Sketch/fragment for a vocal trio and instruments (Michael Kelly) 		1787 31 Vienna
533 533 533 Piano Sonata No. 15 in F 3 January 1788 31 Vienna
534 534 534 Contredanse, "Das Donnerwetter" 14 January 1788 31 Vienna
535 535 535 Contredanse, "La Bataille" 23 January 1788 31 Vienna
535a 535a 3 Contredanses early 1788 31–32 Vienna
535b Anh. 107 535b Contredanse in B-flat (fragment) early 1788 31–32 Vienna
536 536 536 6 German Dances 27 January 1788 32 Vienna
537 537 537 Piano Concerto No. 26 in D, "Coronation" 24 February 1788 32 Vienna
537a Anh. 57 537a Movement to a Piano Concerto in D (in conjunction with K. 537) February 1788 32 Vienna
537b Anh. 61 537b Movement to a Piano Concerto in D minor (in conjunction with K. 537) February 1788 32 Vienna
Anh.A 55 537d Arrangement of Aria for Tenor by Carl Philipp Emanuel Bach February 1788 32 Vienna
538 538 538 Aria for Soprano, "Ah se in ciel" 4 March 1788 32 Vienna
539 539 539 Song, "Ein deutsches Kriegslied" 5 March 1788 32 Vienna
540 540 540 Adagio in B minor for Piano 19 March 1788 32 Vienna
540a 540a Aria for Tenor, "Dalla sua pace" 24 April 1788 32 Vienna
540b 540b Duet for Soprano and Bass, "Per queste tue manine" 28 April 1788 32 Vienna
540c 540c Recitative and Aria for Soprano, "In quali eccessi … Mi tradì quell'alma ingrata" 30 April 1788 32 Vienna
541 541 541 Arietta for Bass, "Un bacio di mano" May 1788 32 Vienna
542 542 542 Piano Trio No. 4 in E 22 June 1788 32 Vienna
543 543 543 Symphony No. 39 in E-flat 26 June 1788 32 Vienna
544 544 544 Incipit of "March in D 'Ein kleiner Marsch'" (fragment) 28 June 1788 32 Vienna
545 545 545 Piano Sonata No. 16 in C, "'Facile'" 26 June 1788 32 Vienna
546 546 546 Adagio and Fugue in C minor 26 June 1788 32 Vienna
546a Anh. 47 546a Allegro for Piano & Violin in G (fragment) Summer 1787 31 Vienna
547 547 547 Violin Sonata No. 36 in F, "für Anfänger" 10 July 1788 32 Vienna
547a Anh. 135 547a Piano Sonata in F (fragment?) July 1788 32 Vienna
54 54 Anh. 138a; 547b 5 Variations in F for Piano July 1788 32 Vienna
548 548 548 Piano Trio No. 5 in C 14 July 1788 32 Vienna
549 549 549 Canzonetta for two Sopranos and Bass, "Piu non si trovano" 16 July 1788 32 Vienna?
550 550 550 Symphony No. 40 in G minor, "Great G minor Symphony" 25 July 1788 32 Vienna
551 551 551 Symphony No. 41 in C, "Jupiter" 10 August 1788 32 Vienna
552 552 552 Song, "Beim Auszug in das Feld" 11 August 1788 32 Vienna
553 553 553 Canon in C for 4 voices in 1, "Alleluia" 2 September 1788 32 Vienna
554 554 554 Canon in F for 4 voices in 1, "Ave Maria" 2 September 1788 32 Vienna
555 555 555 Canon in A minor for 4 voices in 1, "Lacrimoso son'io" 2 September 1788 32 Vienna
556 556 556 Canon in G for 4 voices in 1, "Grechtelt's enk" 2 September 1788 32 Vienna
557 557 557 Canon in F minor for 4 voices in 1, "Nascoso e il mio sol" 2 September 1788 32 Vienna
558 558 558 Canon in B-flat for 4 voices in 1, "Gehen wir im Prater" 2 September 1788 32 Vienna
559 559 559 Canon in F for 3 voices in 1, "Difficile lectu mihi Mars" 2 September 1788 32 Vienna
560 560a 559a Canon in F for 4 voices in 1, "O du eselhafter Peierl" 2 September 1788 32 Vienna
560 560b 560 Canon in F for 4 voices in 1, "O du eselhafter Martin" 2 September 1788 32 Vienna
561 561 561 Canon in A for 4 voices in 1, "Bona nox! bist a rechta Ox" 2 September 1788 32 Vienna
562 562 562 Canon in A for 3 voices in 1, "Caro bell'idol mio" 2 September 1788 32 Vienna
Anh.H 10,16 562a Canon in B-flat for 4 voices in 1 September 1788 32 Vienna
562c Anh. 191 562c Canon in C for 4 voices in 1 September 1788 32 Vienna
562e Anh. 66 562e String Trio in G (in conjunction with K. 563) September 1788 32 Vienna
563 563 563 Divertimento in E-flat (Trio in E-flat) 27 September 1788 32 Vienna
564 564 564 Piano Trio No. 6 in G 27 October 1788 32 Vienna
565 565 565 2 Contredanses (lost) 30 October 1788 32 Vienna
565a 565a Contredanse in D (fragment) October 1788 32 Vienna
Anh.A 56 566 566 Arrangement of Händel's Acis und Galathea November 1788 32 Vienna
567 567 567 6 German Dances 6 December 1788 32 Vienna
568 568 568 12 Minuets 24 December 1788 32 Vienna
569 569 569 Aria "Ohne Zwang" (lost) 1789 33 Vienna
569a Anh. 31 569a Sonata movement for Piano in B-flat (fragment) 1787–1789 31–33 Vienna
570 570 570 Piano Sonata No. 17 in B-flat February 1789 33 Vienna
571 571 571 6 German Dances for Orchestra 21 February 1789 33 Vienna
571A Anh. 106 571A Minuet in A (fragment) February 1789 33 Vienna
571a Anh. 5 571a Quartet for Soprano, two Tenors and Bass, "Caro mio Druck und Schluck" c. 1789 33 Vienna?
Anh.A 57 572 572 Arrangement of Händel's Messiah March 1789 33 Vienna
572a Anh. 4 572a Double canon for six voices (lost or unidentified) March 1789 33 Leipzig
573 573 573 9 Variations in D 29 April 1789 33 Potsdam
574 574 574 Kleine Gigue in G for Piano 16 May 1789 33 Leipzig
575 575 575 String Quartet No. 21 in D, first of the three "Prussian Quartets" June 1789 33 Vienna
576 576 576 Piano Sonata No. 18 in D July 1789 33 Vienna
385h,02 Anh. 34/2 576a Minuet for Piano in D July 1789 33 Vienna
355 355 576b Minuet for Piano in D July 1789 33 Vienna
577 577 577 Rondo for Soprano, "Al desio, di chi t'adora" July 1789 33 Vienna
578 578 578 Aria for Soprano, "Alma grande e nobil core" August 1789 33 Vienna
579 579 579 Aria for Soprano, "Un moto di gioia mi sento" August 1789 33 Vienna
580 580 580 Aria for Soprano, "Schon lacht der holde Frühling" 17 September 1789 33 Vienna
580a Anh. 94 580a Adagio for Winds in F September 1789 33 Vienna
580b Anh. 90 580b Movement for a Clarinet Quintet in F September 1789 33 Vienna
581 581 581 Clarinet Quintet in A 29 September 1789 33 Vienna
581a Anh. 88 581a Movement for a Clarinet Quintet in A September 1789 33 Vienna
582 582 582 Aria for Soprano, "Chi sà, chi sà, qual sia" October 1789 33 Vienna
583 583 583 Aria for Soprano, "Vado, ma dove? -- oh Dei!" October 1789 33 Vienna
584 584 584 Aria for bass, "Rivolgete a lui lo sguardo" December 1789 33 Vienna
585 585 585 12 Minuets December 1789 33 Vienna
586 586 586 12 German Dances December 1789 33 Vienna
587 587 587 Contredanse in C, "Der Sieg vom Helden Koburg" December 1789 33 Vienna
587a Anh. 85 587a Allegro for String Quartet in G minor (fragment) End 1789 33 Vienna
588 588 588 Così fan tutte 26 January 1790 33 Vienna
106 106 588a Overture and 3 Contredanses (doubtful) January 1790 33–34 Vienna
Anh.A 41 236 588b/Anh. 36 Andantino for Piano in E-flat (arranged from Christoph Willibald Gluck, "Non vi turbate") 1790 34 Vienna
589 589 589 String Quartet No. 22 in B-flat, second of three "Prussian Quartets" May 1790 34 Vienna
589a Anh. 68 589a Movement for a String Quintet B-flat (in conjunction with K. 590) May 1790 34 Vienna
589b Anh. 73 589b Movement for a String Quintet F (in conjunction with K. 590) May 1790 34 Vienna
590 590 590 String Quartet No. 23 in F, third of the three "Prussian Quartets" June 1790 34 Vienna
590a Anh. 29 590a Sonata movement for Piano in F (fragment) 1787–1789 31–33 Vienna
590b Anh. 30 590b Rondo for Piano in F (fragment) 1787–1789 31–33 Vienna
590c Anh. 37 590c Rondo for Piano in F (fragment) 1787–1789 31–33 Vienna
312 312 189i/590d Sonata movement for Piano in G minor (fragment) 1790/1791 34–35 Vienna
Anh.A 58 591 591 Arrangement of Händel's Alexander's Feast July 1790 34 Vienna
Anh.A 63 592 592 Arrangement of Händel's Ode to Saint Cæcelia July 1790 34 Vienna
Anh.A 64 625 592a Comical Duet for Soprano and Bass, "Nun, liebes Weibchen" August 1790 34  Vienna
592b Anh. 83 592b Movement for a String Quintet in D (draft for K. 593) August 1790 34  Vienna
593 593 593 String Quintet No. 5 in D December 1790 34 Vienna
593a Anh. 35 593a Adagio for Organ in D minor (fragment) December 1790 34 Vienna
594 594 594 Adagio and Allegro in F minor for Mechanical Organ October – December 1790 34 Vienna and ?
595 595 595 Piano Concerto No. 27 in B-flat 5 January 1791 34 Vienna
596 596 596 Song, "Sehnsucht nach dem Frühling" 14 January 1791 34 Vienna
597 597 597 Song, "Im Frülingsanfang" 14 January 1791 34 Vienna
598 598 598 Song, "Das Kinderspiel" 14 January 1791 34 Vienna
599 599 599 6 Minuets 23 January 1791 34 Vienna
600 600 600 6 German Dances 29 January 1791 35 Vienna
601 601 601 4 Minuets 5 February 1791 35 Vienna
602 602 602 4 German Dances 5 February 1791 35 Vienna
603 603 603 2 Contredanses 5 February 1791 35 Vienna
604 604 604 2 Minuets 12 February 1791 35 Vienna
605 605 605 3 German Dances 12 February 1791 35 Vienna
607 607 605a Contredanse, "Il Trionfo delle Donne" (fragment) 28 February 1791 35 Vienna
606 606 606 6 "Ländler" 28 February 1791 35 Vienna
608 608 608 Fantasia in F minor for a Mechanical Organ 3 March 1791 35 Vienna
609 609 609 5 Contredanses 1791 35 Vienna
610 610 610 Contredanse, "Les filles malicieuses" 6 March 1791 35 Vienna
611 611 611 German Dance 6 March 1791 35 Vienna
612 612 612 Aria for Bass, "Per questa bella mano" 8 March 1791 35 Vienna
613 613 613 8 Variations in F on "Ein Weib ist das herrlichste Ding" March 1791 35 Vienna
613a Anh. 81 613a Allegro for String Quintet in E-flat (fragment) March 1791 35 Vienna
613b Anh. 82 613b Allegro for String Quintet in E-flat (fragment) March 1791 35 Vienna
614 614 614 String Quintet No. 6 in E-flat 12 April 1791 35 Vienna
615 615 615 Chorus "Viviamo felici" (lost) 1791 35 Vienna
615a 615a Andante in F for a Small Mechanical Organ 1791 35 Vienna
616 616 616 Andante in F for a Small Mechanical Organ 4 May 1791 35 Vienna
616a 616a Fantasia in C for glass harmonica, flute, oboe, viola, and cello (fragment) April–June 1791 35 Vienna
617 617 617 Adagio and Rondo for glass harmonica, flute, oboe, viola and cello 23 May 1791 35 Vienna
356 356 617a Adagio in C for Glass Harmonica 1791 35 Vienna
618 618 618 Motet in D, "Ave verum Corpus" 17 June 1791 35 Baden
619 619 619 Cantata, "Die ihr des unermeßlichen Weltalls" July 1791 35 Vienna
620 620 620 Die Zauberflöte 30 September 1791 35 Vienna
620a Anh. 102 620a Overture in E-flat (draft to Die Zauberflöte) September 1791 35 Vienna
Anh.H 24,04 Anh. 78 620b Contrapuntal Study September 1791 35 Vienna
621 621 621 La clemenza di Tito 6 September 1791 35 Prague
621a Anh. 245 621a Aria for Bass, "Io ti lascio, o cara, addio" c. September 1791 35 Prague?
584b 584b 621b Basset horn Concerto in G (fragment) October 1791 35 Vienna
622 622 622 Clarinet Concerto in A October 1791 35 Vienna
623 623 623 Little Masonic Cantata [es] 15 November 1791 35 Vienna
623a 623a Song, "Laßt uns mit geschlungen Händen" (intended final chorus to K. 623; doubtful) November 1791 35 Vienna
Anh.G (various) 624 626a Cadenzas for Piano Concertos
K. 40i, 107/1, 175, 238, 246, 271, 365, 413, 414,
415, 449, 450, 451, 453, 456, 459, 488 & 595 		1768–1791 12–35 Vienna
626 626 626 Requiem in D minor October–December 1791 35 Vienna
Anh.A 66 626b/16 Allegro in D major, K. 626b/16 1773 (uncertain) Vienna
Anh.H 19,03 626b/48 Finger Exercises for Piano in C End of 1780 24 Vienna
Anh.C 1.39 221 Anh. A 1 Kyrie in C major spurious (by Johann Ernst Eberlin)
Anh.C 1.40 Anh. 21 Anh. A 2 Lacrimosa in C minor spurious (by Johann Ernst Eberlin)
Anh.C 3.42 327 Anh. A 10 Adoramus te in C minor spurious (by Quirino Gasparini)[6]
Anh.A 22 93 Anh. A 22 "De profundis clamavi" in C major[7] spurious (by Johann Georg Reutter)
Anh.A 51 18 Anh. A 51 Symphony No. 3 in E-flat spurious (by Carl Friedrich Abel; Mozart substituted two clarinets for 2 oboes)
Anh.A 52 291 Anh. A 52 Fugue in D major spurious; by Michael Haydn
46 46 Anh. B Quintet in B-flat spurious; anonymous arrangement of parts of K. 361/370a
140 140 Anh. C 1.12 Missa brevis in G (doubtful) 1773 17 Salzburg
142 142 Anh. C 3.04 "Tantum ergo" in B-flat major (doubtful) Mozart's authorship doubtful
197 197 Anh. C 3.05 "Tantum ergo" in D major (doubtful) Mozart's authorship doubtful
Anh.C 1.13 340 Anh. C 3.06 Kyrie (lost; doubtful) 1780 24 Salzburg
198 198 Anh. C 3.08 Offertorium "Sub tuum praesidium" (doubtful) 1773 17 Salzburg
Anh.C 3.09 177 Anh. C 3.09 Convertentur sedentes in D major spurious (by Leopold Mozart)
Anh.C 8.55 Anh. C 3.15 Sancta Maria in G major spurious (by Friedrich Heinrich Himmel)
Anh.C 8.48 350 Anh. C 8.48 Wiegenlied ("Schlafe mein Prinzchen") spurious (by Bernhard Flies)
Anh.C 9.03 441b Anh. C 9.03 Canon for two voices, "Beym Arsch ist’s finster" 1783 27 Vienna
Anh.C 11.02 17 Anh. C 11.02 Symphony No. 2 in B-flat spurious (by Leopold Mozart)
74g Anh. 216; K3 74g Anh. C 11.03 Symphony No. 54 in B-flat (doubtful) 1771 15 Salzburg
Anh.C 11.04 98 Anh. C 11.04 Symphony No. 56 in F (doubtful) November 1771? 15? Milan?
Anh.C 11.07 Anh. C 11.07 Symphony in D (lost or unidentified) 1769? 13? Salzburg?
Anh.C 11.08 Anh. C 11.08 Symphony in F (lost) 1769? 13? Salzburg?
Anh.C 13.01 Anh. C 13.01 Minuet with trio in C spurious (by Kaspar Anton Karl van Beethoven)
Anh.C 13.02 510 Anh. C 13.02 Country Dances (9) ("Quadrilles"), spurious spurious
Anh.C 14.01 297b Anh. C 14.01 Sinfonia concertante in E-flat major, spurious spurious
Anh.C 14.04 268 Anh. C 14.04 Violin Concerto "No. 6" in E-flat (spurious) 1780? 24 Munich?
Anh.C 14.06 Anh. C 14.06 Oboe Concerto in E-flat major Mozart's authorship doubtful
Anh.C 17.12 187 Anh. C 17.12 Divertimento No. 5 in C spurious (by Leopold Mozart; arrangement of dances by Josef Starzer and Christoph Willibald Gluck)
Anh.C 23.01 55 Anh. C 23.01 Violin Sonata in C spurious (composer unknown)
Anh.C 23.02 56 Anh. C 23.02 Violin Sonata in C spurious (composer unknown)
Anh.C 23.03 57 Anh. C 23.03 Violin Sonata in C spurious (composer unknown)
Anh.C 23.04 58 Anh. C 23.04 Violin Sonata in E-flat spurious (composer unknown)
Anh.C 23.05 59 Anh. C 23.05 Violin Sonata in C spurious (composer unknown)
Anh.C 23.06 60 Anh. C 23.06 Violin Sonata in E minor spurious (composer unknown)
Anh.C 23.07 61 Anh. C 23.07 Violin Sonata in A spurious (by Hermann Friedrich Raupach)
498a 498a Anh. C 25.04 Piano Sonata in B-flat spurious (by August Eberhard Müller); possibly 1st and 3rd movements authentic fragments (still doubtful)
Anh.C 27.03 K2. 528a Anh. C 27.03 Fantasia in G minor for organ 1787? (incomplete)
Anh.C 27.04 Anh. C 27.04 Romance in A-flat doubtful
Anh.C 27.10 Anh. C 27.10 Fugue in E (probably by August Alexander Klengel) incomplete
626b/01 Four sketch leaves (lost)
626b/03,01 Sketch leaf (doubtful, lost)
626b/03,02 Sketch leaf (doubtful, lost)
626b/03,03 Sketch leaf
626b/05 "Musique" (lost)
626b/15 Untitled (lost)
626b/22 "Fragment of a duetto" (lost)
626b/22 "Fragment of a duetto" (lost)
626b/49 "Marcia" (lost)
626b/50 "Sketch leaf" (lost)
626b/51 "A few bars of music" (lost)
626b/52 "Musical manuscript" (lost)
626b/53 "Viola part for a contradance" (lost)
626b/55 "Autograph musical manuscript" (lost)
626b/56 "Autograph musical manuscript" (lost)
627 Clavier concerto movement (lost) 9 June 1763 7 Salzburg
628 Divertimento in C for piano four hands (lost) 1764–1765 8–9 London
629 Two piano pieces (second is a fragment) 1765 9
630 Violin Sonata in D major (doubtful) 1766 10
631 Arias for voice and orchestra (lost) 1765–1766 9–10 London, The Hague
632 Instrumental piece in C (doubtful) 1765–1766 9–10
633 Aria "Quel destrier che all'albergo è vicino" (doubtful, lost) 1765–1766 9–10 London, The Hague
634 Polonaise in F (doubtful) 1767 11
635 Piano Piece in G (fragment, doubtful) 1767 11 Salzburg
636 Concerto movement in G (doubtful) 1767 11 Salzburg
637 Song "Oragna figata fa marina gamina fa" for 1 or 2 voices (fragment) 1766 10
638 Instrumental piece in G-sharp minor for orchestra 1766 10
639 Piece for Maximilian III Joseph, Elector of Bavaria (lost) 9 November 1766 10
640 Solos for violin (lost) 1766 – September 1768 10–12
641 Solos for viola da gamba (lost) 1766 – September 1768 10–12
642 Aria for Nepomucena Wolff (lost) 1767 11 Olomouc
643 Symphonies (lost) 1768 12
644 Arias (lost) July 1768 12 Vienna
645 Six trios for two violins and cello (lost) September 1768 12
646 Aria "Cara, se le mie pene" for soprano and orchestra 1769 13
647 Aria in D for soprano and orchestra (fragment) 1769 13
648 Serenade in C "Ganz kleine Nachtmusik" for two violins and bass 1766–1769 10–13
649 Piano piece in C (doubtful) 1769 13
650 Allegro in C for clavier (doubtful) 1769 13
651 Two Latin motets for soprano and orchestra (lost) February 1770 14 Milan
652 Motet "Venti, fulgura, procellae" for soprano and orchestra (doubtful) 1770–1780 14–24 Milan
653 Cassation in C (lost) 1764 – September 1771 8–15
654 Offertory "O supremum coeli Numen" (doubtful) 1771 15
655 Two Church Sonatas in D and G (lost) 1771 15 Salzburg
656 Piano piece in C (fragment) 1771 15
657 Nine piano pieces (doubtful) 7 September 1771 15 Milan
658 Anh. 207 Anh. C 27.06 Ballet for "Ascanio in Alba" K. 111 (fragment, doubtful) 1771 15 Milan
659 Anh. 207 Anh. C 27.06 Twelve variations for clavier (doubtful) 1771 15 Milan
660 Fugue in D minor for clavier (fragment) 1771–1773 15–17 Salzburg
661 Four minuets for dance ensemble (fourth is a fragment) June 1772 16 Salzburg
662 Twelve songs for voice and "Harmoniale" (doubtful) 1774 18 Salzburg or Vienna
663 Orchestral piece in E-flat (fragment) 1773 17
664 Melodic notation in B-flat, probably for dance ensemble "Le matelot" (fragment) 1773 17 Salzburg
665 Trio in C 1773 17
666 KV3 Anh. 223c Anh. A 50 Divertimento in D for two solo violins and orchestra (fragment) 1773–1775 17–19
667 Recitative "Campagne amene" for soprano and orchestra (for K. 208 No. 3) 1775 19 Salzburg
668 Operetta (lost) 19 February 1776 20 Salzburg
669 Vocal movement in C 1776 20 Salzburg
670 Overture in D (fragment) 1776 20 Salzburg
671 Modulating Prelude (F-e) 1776–1777 20–21
672 Antiphon "Alma Redemptoris Mater" in F (lost) 23 September 1777 21 Salzburg
673 Flute Concerto (lost or unrealised) 1777–1778 21–22 Mannheim, Paris
674 Two dance movements in D for orchestra (fragment) 1778 22 Paris
675 Piece in B-flat for dance ensemble or orchestra (fragment) 1778 22
676 March (lost) 1780 24
677 Church Sonata in C (lost) 1780 24
678 Cantata (lost or unrealised) June–September 1781 25
679 Instrumental piece in B-flat (probably for 12 winds and double bass; fragment) 1781 25
680 String Quartet Movement in E (fragment) 1781 25
681 Larghetto and Allegro in E-flat for 2 pianos (fragment completed by Maximilian Stadler) 1781–1783 25–27
682 Instrumental piece in C (probably for dance ensemble; fragment) 1782 26
683 Duet "Ho un pensiero nel cervello" for soprano, tenor, and orchestra (fragment for "L'oca del Cairo", K. 422) June–September 1783 27
684 Rondo (fragment) and lost piece for "Pianoforte de l'harmonie parfaite" (doubtful) 1783 (up to November) 27
685 Aria in B-flat for bass (fragment) 1783 27
686 Trio (probably for 2 violins and cello) in C minor (fragment) 1783 27
687 Trio movement (probably for 2 violins and cello) in C (fragment) 1783 27
688 Violin sonata movement in C (fragment) 21 April 1784 28
689 Aria for Margarethe Marchand (lost or unrealised) 21 July 1784 28
690 Instrumental piece in G for piano or dance ensemble (fragment) 1784–1787 28–31
691 K3. Anh. 190a/[01] 626b/32 (1) Melodic notation in F (fragment) 1784–1787 28–31 Vienna
692 Two Freemason songs (lost) 1785 29
693 Orchestral piece in E minor (fragment) 1785 29
694 Allegro in D for orchestra (fragment) 1785–1786 29–30
695 Piano piece in C (fragment) 1785–1786 29–30
696 Canon in E-flat for 3 sopranos and bass 1785 29
697 Trio movement in C (fragment) 1785 29
698 Theme in B-flat (fragment) 1785 29
699 Anh. 24 626b/26 Duet "Ich nenne dich, ohn' es zu wissen" in B-flat for two voices (discant) and piano (fragment) 1785–1787 29–31
700 "Giunse il momento alfine" – "Non tardar, amato bene" (fragment; predecessor of aria "Giunse alfin il momento – Deh vieni non tardar" from "Le nozze di Figaro", K. 492) March–June 1786 30
701 Melodic notation in C minor (fragment) 1785–1786 29–30
702 Melodic notation in C minor (fragment) 1785–1786 29–30
703 Instrumental piece in A-flat (fragment?) 1787 31
704 Melodic notation in G minor (fragment) 1787 31
705 Melodic notation in G (fragment) 1787 31
706 Vocal movement in D minor (fragment, without text) 1787 31 Vienna
707 Credo in D (fragment) 1787 31 Vienna
708 Adagio in B minor for piano (fragment; predecessor of K. 540) 1788 32
709 Melodic notation in C (probably for dance ensemble) 1785–1788 29–32
710 Allegretto in B-flat (for piano or dance ensemble; fragment) 1785–1788 29–32
711 Instrumental piece in B-flat (for piano or dance ensemble; fragment) 1787–1788 31–32
712 Recitative "Ahi, cosa veggio!" for soprano and orchestra for aria K. 583 "Vado, ma dove? Oh Dei!" (doubtful) October–November 1789 33
713 Recitative "No, caro, fa coraggio e in me ti fida" for soprano and orchestra (doubtful) July–August 1790 34
714 Der Stein der Weisen: three contributions in Act II (doubtful) 1790 (by 11 September) 34
715 Recitative "Ah, da me s'allontani" for soprano and orchestra for aria K. 419 "No, che non sei capace" (doubtful) 1791 (by 16 April) 35
716 Duet "Pamina, wo bist du?" for tenor, bass, and orchestra for K. 620 "Die Zauberflöte" (probably a fragment; doubtful) June–September 1791 35
717 Aria "Se mai senti spirarti sul volto" (lost, doubtful)
718 Adagio in F for string quartet (lost) 1781 25
719 Two German dances in E and C for 2 violins and bass (fragments, doubtful)
720 KV2 Anh. 109d 73x/03 Melodic notation in D 1772 16 Salzburg
721 KV3 Anh. 255a Anh.C 8.16 Song, Prüfung des Küssens "Meine weise Mutter spricht" (lost, doubtful) 1784 28

Recordings

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Recordings of the complete works of Mozart have been issued three times: on the occasion of the bicentenary of Mozart's death in 1991, Philips Classics Records released a 180-CD collection in 45 box sets and each CD in a jewel case, The Complete Mozart Edition, between 1990 and 1991. A selection of 25 CDs from this set, The Best of the Complete Mozart Edition, was published in 1995. The full selection was then released again in 17 box sets as The Compact Complete Mozart Edition in 2000.[8] The Philips collection was made with recordings from world-renowned artists and is of high audio quality. On the occasion of Mozart's 250th birthday in 2006, Brilliant Classics released a single box with 170 CDs, plus one with liner notes to all works and the libretti to vocal works, Mozart Complete Edition.[9] In 2016, for the 225th anniversary of Mozart's death, Decca Classics and Deutsche Grammophon in partnership with the International Mozarteum Foundation released a box of 200 CDs with 2 hardback books with a new Mozart biography by Cliff Eisen and a newly developed short Köchel guide. Mozart 225: The New Complete Edition contains premiere performances of previously lost compositions and never recorded fragments, as well as key works in alternative versions and recordings of legendary historic performances.[10]

See also

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References

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  1. ^ Köchel, Ludwig Ritter von (1862). Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's (in German). Leipzig: Breitkopf & Härtel. OCLC 3309798. Alt URL
  2. ^ The New Köchel Catalog (2024)
  3. ^ ‘Mr. Mozart’ finishes comprehensive catalog of maestro’s work, David Nutt (2024)
  4. ^ "Orchestral Works, Work Group 12, vol. 2", p. VIII. New Mozart Edition Series IV (1961)
  5. ^ "Naxos Direct". Archived from the original on 2020-05-19. Retrieved 2011-01-26.
  6. ^ "Adoramus te, Christe", commentary, performance, score; Mahr Music Press
  7. ^ Anh. A22: "De profundis clamavi" in C major (Score)
  8. ^ "The Compact Complete Mozart Edition". Decca Classics. 30 November 2000.
  9. ^ Mozart Complete Edition, Brilliant Classics
  10. ^ Mozart 225: The New Complete Edition, home page
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