Rodolphe de Repentigny (Jauran)
Rodolphe de Repentigny | |
|---|---|
| Born | 11 February 1926 Ville Saint-Laurent, Montreal, Quebec |
| Died | 24 July 1959 (aged 33) Banff, Alberta |
| Other names | "Jauran" |
| Education | mathematics and psychology at the University of Montreal (1947-1949); literature and philosophy at Sorbonne University, Paris (1950-1951) |
| Known for | Painter, art critic, theorist, photographer, and mountaineer |
| Spouse | Françoise Stébenne |
Rodolphe de Repentigny (11 February 1926 – 24 July 1959) was a painter, art and literary critic for the newspaper La Presse in Montreal (1952-1959), theorist, photographer and mountaineer. He was a key member of Les Plasticiens and was the writer of the Manifeste des plasticiens. He painted under the pseudonym Jauran.
Career
[edit]Rodolphe de Repentigny was born in Ville Saint-Laurent, a borough of the city of Montreal, Quebec. He studied at the Collège St. Laurent and became interested in painting but was persuaded by his family to go to the University of Montreal where he studied mathematics and psychology (1947-1949).[1]
He then travelled to Paris to study literature and philosophy at Sorbonne University (1950-1951) and while there became interested in non-figurative art when he saw the work of Mondrian among others. When he returned from Paris, he got a job as a journalist, writing art and literary criticism for the newspaper La Presse (1952-1959). He also wrote for other journals in Quebec.[1] Besides writing, he returned to painting.
In 1954, he reviewed an exhibition of four young artists whom he called ‘Les Plasticiens’, a group composed of Louis Belzile, Jean-Paul Jérôme, Fernand Toupin and 'Jauran' (himself). By contrast to the Automatism of Borduas and his followers, the Plasticiens rigorously pursued hard-edge geometric abstraction.[2] In 1955, de Repentigny (under the pseudonym Jauran) wrote the Manifeste des plasticiens. It was signed by all the members of the group.[2] In the manifesto, they acknowledged their debt to the Automatists, recognizing their place in the revolutions that had helped to free the arts from "servitude to a materialistic ritual". In 1956, de Repentigny stopped painting to explore photography. He also created abstract works on glossy photo paper.[1]
He helped found The Non-Figurative Artists' Association of Montreal and was elected secretary of the forty-member group in 1956.[1][3] In 1957, he was elected President of the Association of International Critics Canada.[4]
In 1959, during a mountaineering trip with friends to Lake Louise in the Rockies, he fell into a crevasse while crossing the Victoria Glacier and died. He was 33 years old.[1] He left behind a large body of work on art criticism and aesthetics, some of which has been subsequently published.[5]
Selected exhibitions
[edit]- 1954: "Les Plasticiens", Tranquille bookstore, Montreal;
- 1955: "Les Plasticiens", Galerie de l'Échourie;
- 1959: Jauran's photos were exhibited following his death at the École des beaux-arts de Montréal;[1]
- 1977: '"Jauran et les Premiers Plasticiens, 1954-1956", Musée d'art contemporain de Montréal;[1]
- 1992: "The Crisis of Abstraction in Canada: The 1950s", National Gallery of Canada, Ottawa;
- 2005: "Les Plasticiens": Louis Belile, Jauran, Jean-Paul Jérôme, Fernand Toupin", Sherbrooke Museum of Fine Arts, Quebec;
- 2013: "Les Plasticiens and the years 1950-1960", Musée national des beaux-arts du Québec and the Varley Art Gallery of Markham, 2013;
Selected public collections
[edit]- Montreal Museum of Fine Arts;[6]
- Musée national des beaux-arts du Québec;[7]
- Musée d'art contemporain de Montréal;[8]
Further reading
[edit]- Carani, Marie (1990). "Oeil de la critique, Rodolphe de Repentigny (L') Écrits sur l'art et théorie esthétique 1952-1959". septentrion.qc.ca. Retrieved 27 March 2024.
- Leclerc, Denise; Barclay, Marion (1992). The Crisis of Abstraction in Canada : The 1950s. Ottawa: National Gallery of Canada. OCLC 88884624. Retrieved 20 March 2024.
- Nasgaard, Roald; Martin, Michel; Lamarche, Lise; Leclerc, Denise (2013). Les plasticiens et les années 1950-60/ The Plasticiens and Beyond: Montreal, 1955-1970. Quebec: Musée national des beaux-arts du Québec. OCLC 830024393. Retrieved 27 March 2024.
- "Rodolphe de Repentigny, A critic in search of meaning: Writings on art (1952-1959)". groupenotabene-com. Varia Quebec. Retrieved 27 March 2024.
References
[edit]- ^ a b c d e f g A Dictionary of Canadian Artists, volumes 1-8 by Colin S. MacDonald, and volume 9 (online only), by Anne Newlands and Judith Parker National Gallery of Canada / Musée des beaux-arts du Canada.
- ^ a b Gagnon, François-Marc. "Les Plasticiens". thecanadianencyclopedia.ca.
- ^ Paikowsky, S. (1981). L’Association des Artistes Non Figuratifs de Montréal/The Non-Figurative Artists' Association of Montreal. Vie des arts, 26(103), pp. 29–78.
- ^ "Founding members". aica-canada.ca. Association of International Art Critics. Retrieved 27 March 2024.
- ^ "Rodolphe de Repentigny, A critic in search of meaning: Writings on art (1952-1959)". groupenotabene-com. Varia Quebec. Retrieved 29 September 2024.
- ^ "Collection". mbam.qc.ca. MMFA. Retrieved 27 March 2024.
- ^ "Collection". collections.mnbaq.org. Musée national des beaux-arts du Québec. Retrieved 27 March 2024.
- ^ "Collection". macrepertoire.macm.org. MACM. Retrieved 27 March 2024.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
- 1926 births
- 1959 deaths
- Canadian male painters
- Artists from Quebec
- People from Montreal
- 20th-century Canadian painters
- 21st-century Canadian painters
- Canadian abstract painters
- 20th-century Canadian male artists
- 21st-century Canadian male artists
- Canadian non-fiction writers
- Canadian art critics
- Canadian journalists
- Canadian male journalists
- Canadian mountain climbers