Hamnet Shakespeare

"Hamnet" redirects here. For other uses, see Hamnet (disambiguation).

Hamnet Shakespeare
Born	Stratford-upon-Avon, England
Baptised	2 February 1585
Died	Buried 11 August 1596 (aged 11) Stratford-upon-Avon, England
Nationality	English
Parent(s)	William Shakespeare Anne Hathaway

Baptism record of Hamnet and Judith Shakespeare 1585

Hamnet's death record

Hamnet Shakespeare (baptised 2 February 1585 – buried 11 August 1596) was the only son of William Shakespeare and Anne Hathaway, and the fraternal twin of Judith Shakespeare. He died at the age of 11. Some Shakespearean scholars speculate on the relationship between Hamnet and his father's later play Hamlet, as well as on possible connections between Hamnet's death and the writing of King John, Romeo and Juliet, Julius Caesar, and Twelfth Night.

Life

Little is known about Hamnet. Hamnet and his twin sister Judith were born in Stratford-upon-Avon and baptised on 2 February 1585 in Holy Trinity Church by Richard Barton of Coventry. The twins were probably named after Hamnet Sadler, a baker, who witnessed Shakespeare's will, and the baker's wife, Judith; Hamnet was not an uncommon personal name in medieval and early modern England. According to the record of his baptism in the Register of Solihull, he was christened "Hamlette Sadler".

Hamnet Shakespeare was probably raised principally by his mother Anne in the Henley Street house belonging to his grandfather.

By the time Hamnet was four, his father was already a London playwright and, as his popularity grew, he was probably not regularly at home in Stratford with his family. Honan believes that Hamnet may have completed Lower School, which would have been normal, before his death aged eleven.

The exact circumstances of Hamnet's death are unknown, since parish registers did not always record the cause of death. He was buried at the Church of the Holy Trinity in Stratford on 11 August 1596. At that time in England about a third of all children died before age 10.

Connection to Hamlet and other plays

Further information: Sources of Hamlet

Grief fills the room up of my absent child,
Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then have I reason to be fond of grief?

— Constance, King John, act 3, scene 4, lines 95–99.

Scholars have long speculated about the influence – if any – of Hamnet's death upon William Shakespeare's writing. Unlike his contemporary Ben Jonson, who wrote a lengthy piece on the death of his own son, Shakespeare, if he wrote anything in response, did so more subtly. At the time his son died, Shakespeare was writing primarily comedies, and that writing continued until a few years after Hamnet's death, when his major tragedies were written. It is possible that his tragedies gained depth from his experience.

Biographical readings, in which critics would try to connect passages in the plays and sonnets to specific events in Shakespeare's life, are at least as old as the Romantic period. Many famous writers, scholars, and critics from the 18th to the early 20th century pondered the connection between Hamnet's death and Shakespeare's plays. These scholars and critics included Samuel Taylor Coleridge, Edward Dowden, and J. Dover Wilson, among others. In 1931, C. J. Sisson stated that such interpretations had "gone too far". In 1934, Shakespeare scholar R. W. Chambers agreed, saying that Shakespeare's most cheerful work was written after his son's death, making a connection doubtful. In the mid-to-late 20th century, it became increasingly unpopular for critics to connect events in authors' lives with their work, not just for Shakespeare, but for all writing. More recently, however, as the ideas of the New Criticism have lost prominence, biographical interpretations of Hamnet's relationship to his father's work have begun to re-emerge.

Some theories about Hamnet's influence on his father's plays are centred on the tragedy Hamlet, composed between 1599 and 1601. The traditional view, that grief over his only son's death may have spurred Shakespeare to write the play, is in all likelihood incorrect. Although the names Hamlet and Hamnet were considered virtually interchangeable, and Shakespeare's own will spelled Hamnet Sadler's first name as "Hamlett", critics often assume that the name of the character in the play has an entirely different derivation, and so do not comment on the similarity.

John Dover Wilson, one of the few editors of Hamlet to comment directly, remarks, "It is perhaps an accident that the name [Hamlet] was current in Warwickshire and that Shakespeare's own son Hamnet (born 1585) was christened Hamnet, a variant of it." However Eric Sams points out that it seems to be the author of the Ur-Hamlet who first put an "H" in front of the character's name, and argues that this might be significant: "It was no mere Englishing; he could readily have been called Amleth here too. He had been deliberately rebaptised by his new creator." Sams describes the Christian name Hamlet as "otherwise unrecorded in any archive ever researched" outside Tudor Stratford, and argues that this name-change was probably Shakespeare's work, because "Only Shakespeare among known dramatists had any known links with the name Hamlet, and his could hardly have been more intimate or intense."

Despite this, Prince Hamlet's name is more often seen as related to the Amleth character in Saxo Grammaticus' Vita Amlethi, an old Scandinavian legend that is very similar to Shakespeare's story. More recent scholarship has argued that, while Hamlet has a Scandinavian origin and may have been selected as a play subject for commercial reasons, Shakespeare's grief over the loss of his only son may lie at the heart of the tragedy.

Speculation over Hamnet's influence on Shakespeare's works is not limited to Hamlet. Richard Wheeler theorises that Hamnet's death influenced the writing of Twelfth Night, which centres on a girl who believes that her twin brother has died. In the end, she finds that her brother never died, and is alive and well. Wheeler also posits the idea that the women who disguise themselves as men in The Merchant of Venice, As You Like It, and Twelfth Night are a representation of William Shakespeare's seeing his son's hope in his daughters after Hamnet's death. Bill Bryson argues that Constance's speech from the third act of King John (written in the mid-1590s) was inspired by Hamnet's death. In the speech, she laments the loss of her son, Arthur. It is possible, though, that Hamnet was still alive when Constance's lament was written. Many other plays of Shakespeare's have theories surrounding Hamnet. These include questions as to whether a scene in Julius Caesar in which Caesar adopts Mark Antony as a replacement for his dead son is related to Hamnet's death, or whether Romeo and Juliet is a tragic reflection of the loss of a son, or if Alonso's guilt over his son's death in The Tempest is related. Sonnet 37 may have also been written in response to Hamnet's death. In it, Shakespeare says, "As a decrepit father takes delight / To see his active child do deeds of youth / So I, made lame by fortune's dearest spight / Take all my comfort of thy worth and truth." Still, if this is an allusion to Hamnet, it is a vague one. The grief also echoes in one of the most painful passages Shakespeare ever wrote, in the end of King Lear where the ruined monarch recognizes his daughter is dead: "No, no, no life! / Why should a dog, a horse, a rat, have life, / And thou no breath at all? Thou'lt come no more, / Never, never, never, never, never!"

Michael Wood suggests that sonnet 33, which is typically grouped with Shakespeare's so-called "Fair Youth" sonnets, might instead allude to Hamnet's death. In this sonnet, there is also an implied pun on "sun" and "son": "Even so my sun one early morn did shine / With all triumphant splendour on my brow; / But out, alack, he was but one hour mine, / The region cloud hath mask'd him from me now".

Juan Daniel Millán suggests that not only sonnet 33 alludes to Hamnet's death, but that all of the Fair Youth sonnets were dedicated to Hamnet and that they were Shakespeare's way of dealing with the loss. He suggests that Hamnet is the fair youth the poems are addressing.

In popular culture

Cover to Will Shakespeare's Little Lad by Imogen Clark, an 1897 fictionalization of Hamnet's life

• The 1967 Ngaio Marsh Alleyn Mystery "Death at the Dolphin" features a fictional play on Shakespeare and his son Hamnet.
• Hamnet appears in two comics by Neil Gaiman, namely The Sandman (comic book) #19 "A Midsummer Night's Dream", in which he is seen accompanying his father and playing the role of the changeling boy, and The Books of Magic: The Land of Summer's Twilight, where he serves the Faerie Queen Titania.
• In the 2007 Doctor Who episode "The Shakespeare Code", Hamnet is briefly mentioned by his father.
• He also appears as a character in the 2018 film All Is True, written by Ben Elton. The largely fictionalised plot revolves around William Shakespeare coming to terms with Hamnet's death and his relationship with his family.
• Irish novelist Maggie O'Farrell's 2020 book Hamnet is a fictional account of the life of Hamnet.
• Hamnet Shakespeare is a character in the BBC comedy drama series Upstart Crow, about the life of William Shakespeare in London and Stratford-upon-Avon. Hamnet's death occurs in the final episode of series 3.
• In Suzanne Collins' 2005 book, "Gregor and the Curse of the Warmbloods", the third book in her "Underland Chronicles" series, the character of Hamnet also has a twin sister called Judith and an older sister called Susanna

References

Sources

• Bryson, Bill (2007). Shakespeare: The World as Stage. Eminent Lives. New York City: Harper Perennial. ISBN 978-0062564627.

• Chambers, E. K. (1930). William Shakespeare: A study of facts and problems. Vol. I. Oxford, UK: Clarendon Press. LCCN 31002409. OCLC 353406. OL 1182161W.

• Chambers, E. K. (1930). William Shakespeare: A study of facts and problems. Vol. II. Oxford, UK: Clarendon Press. LCCN 31002409. OCLC 353406. OL 1182161W.

• Dexter, Gary (2008). Why Not Catch-21? The stories behind the titles. Frances Lincoln. ISBN 978-0-7112-2925-9. Retrieved 27 November 2021 – via Internet Archive.

• Fry, Edward Alexander, ed. (1904). The Register of Solihull, Co. Warwick. Vol. I, 1538–1668. Exeter, UK: The Parish Register Society. LCCN 05036801. OCLC 18970847. OL 6962359M – via Internet Archive (archive.org).

• Greenblatt, S. (21 October 2004). "The Death of Hamnet and the Making of Hamlet". The New York Review of Books. Vol. 51, no. 16. Retrieved 17 June 2017.

• Greenblatt, S. (2004). Will in the World: How Shakespeare became Shakespeare. New York, NY: W. W. Norton & Company. ISBN 0-393-05057-2 – via Internet Archive (archive.org).

• Saxo Grammaticus (1983). Hansen, William (ed.). Saxo Grammaticus and the Life of Hamlet: A translation, history, and commentary. Lincoln, Nebraska: University of Nebraska Press. ISBN 0-8032-2318-8.

• Honan, P. (1999). Shakespeare: A life. Oxford, UK: Clarendon Press. ISBN 9780199774753.

• Nelson, Alan H., ed. (n.d.). "William Shakespeare's last will and testament: Original copy including three signatures". Shakespeare Documented. Folger Shakespeare Library. Retrieved 27 February 2023.

• Schoenbaum, S. (1987). William Shakespeare: A compact documentary life. Oxford, UK: Clarendon Press. ISBN 0-19-505161-0.

• Wheeler, Richard P. (2000). "Deaths in the Family: The loss of a son and the rise of Shakespearean comedy". Shakespeare Quarterly. 51 (2). Folger Shakespeare Library: 127–53. doi:10.2307/2902129. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2902129.

External links

• Shakespeare's children and grandchildren