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Guillermo del Toro

From Wikipedia, the free encyclopedia
(Redirected from Guillermo del Toro Gomez)
Not to be confused with Guillermo de Torre.
In this Spanish name, the first or paternal surname is del Toro and the second or maternal family name is Gómez.

Guillermo del Toro
Del Toro in 2023
Born
Guillermo del Toro Gómez

(1964-10-09) 9 October 1964 (age 60)
Guadalajara, Jalisco, Mexico
Occupations
  • Filmmaker
  • author
  • artist
Years active1985–present
Spouse(s)
Lorenza Newton
​
​
(m. 1986; div. 2017)​

Kim Morgan
​
(m. 2021)​
Children2
Signature

Guillermo del Toro Gómez (Spanish: [ɡiˈʝeɾmo ðel ˈtoɾo]; born 9 October 1964) is a Mexican filmmaker, author, and artist. His work has been characterized by a strong connection to fairy tales, gothicism and horror often blending the genres, with an effort to infuse visual or poetic beauty in the grotesque.[1] He has had a lifelong fascination with monsters, which he considers symbols of great power.[2] He is also known for his use of insectile and religious imagery, his themes of Catholicism, anti-fascism, and celebrating imperfection, underworld motifs, practical special effects, and dominant amber lighting.[3][4]

Throughout his career, del Toro has shifted between Spanish-language films—such as Cronos (1993), The Devil's Backbone (2001), and Pan's Labyrinth (2006)—and English-language films, including Mimic (1997), Blade II (2002), Hellboy (2004) and its sequel Hellboy II: The Golden Army (2008), Pacific Rim (2013), Crimson Peak (2015), The Shape of Water (2017), Nightmare Alley (2021), and Pinocchio (2022).

As a producer or writer, he worked on the films The Orphanage (2007), Don't Be Afraid of the Dark (2010), The Hobbit film series (2012–2014), Mama (2013), The Book of Life (2014), Pacific Rim: Uprising (2018), Scary Stories to Tell in the Dark (2019), and The Witches (2020). In 2022, he created the Netflix anthology horror series Guillermo del Toro's Cabinet of Curiosities, featuring a collection of classical horror stories.

With Chuck Hogan, he co-authored The Strain trilogy of novels (2009–2011), later adapted into a comic-book series (2011–15) and a live-action television series (2014–17). With DreamWorks Animation and Netflix, he created the animated franchise Tales of Arcadia, which includes the series Trollhunters (2016–18), 3Below (2018–19), and Wizards (2020), and the sequel film Trollhunters: Rise of the Titans (2021).

Del Toro is close friends with fellow Mexican filmmakers Alfonso Cuarón and Alejandro G. Iñárritu, and they are collectively known as "The Three Amigos of Mexican Cinema".[5] He has received several awards including three Academy Awards, three BAFTA Awards, two Golden Globe Awards, a Daytime Emmy Award, and a Golden Lion. He was included in Time magazine's list of the 100 most influential people in the world in 2018,[6] and he received a motion picture star on the Hollywood Walk of Fame in 2019.[7]

Early life

[edit]
Del Toro promoting his first feature film, Cronos, which was released in 1993

Guillermo del Toro Gómez[8] was born in Guadalajara on 9 October 1964, the son of Guadalupe Gómez Camberos and automotive entrepreneur Federico del Toro Torres.[9] His parents were both of Spanish descent.[9] Raised in a strict Catholic household,[10] he attended the University of Guadalajara's Centro de Investigación y Estudios Cinematográficos (Film Studies Center).[11]

When del Toro was about eight years old, he began experimenting with his father's Super 8 camera, making short films with Planet of the Apes toys and other objects. One short focused on a "serial killer potato" with ambitions of world domination; it murdered del Toro's mother and brothers before stepping outside and being crushed by a car.[12] Del Toro made about 10 short films before his first feature, including one titled Matilde, but only the last two, Doña Lupe and Geometria, have been made available.[13] He wrote four episodes and directed five episodes of the cult series La Hora Marcada, along with other Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.[14]

Career

[edit]

1993–2001: Early films and breakthrough

[edit]

His first movie was supposed to be a stop-motion sci-fi feature called Omnivore, about a lizard-man born in a savage land where everything tries to eat everything else.[15] He and his team built sets and about 100 puppets over a three-year period prior to filming. Vandals burglarized the studio one night and destroyed the puppets and sets, which put an end to his project as del Toro decided to switch to a live-action film, Cronos.[16][17]

Del Toro studied special effects and make-up with special-effects artist Dick Smith.[18] He spent 10 years as a special-effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later in his directing career, he formed his own production company, the Tequila Gang.[19]

In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax Films (then owned by Disney) to shoot another film, Mimic. He was ultimately unhappy with the way Miramax treated him during production, which led to his friend James Cameron almost coming to blows with Miramax co-founder and owner Harvey Weinstein during the 70th Academy Awards.[20]

2002–2016: Franchise films and The Strain

[edit]
Del Toro being interviewed in 2002

Del Toro has directed a wide variety of films, from comic book adaptations (Blade II, Hellboy and its sequel Hellboy II: The Golden Army) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, The Devil's Backbone and Pan's Labyrinth, are among his most critically acclaimed works. They share similar settings, protagonists and themes with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s.[21]

I cannot pontificate about it, but by the time I'm done, I will have done one movie, and it's all the movies I want.

People say, you know, "I like your Spanish movies more than I like your English-language movies because they are not as personal," and I go "Fuck, you're wrong!" Hellboy is as personal to me as Pan's Labyrinth. They're tonally different, and yes, of course you can like one more than the other—the other one may seem banal or whatever it is that you don't like. But it really is part of the same movie. You make one movie. Hitchcock did one movie, all his life.

—Guillermo del Toro, Twitch Film, 15 January 2013[1]

Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment."[22]

He is close friends with two other prominent and critically praised Mexican filmmakers Alfonso Cuarón and Alejandro González Iñárritu.[23] The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth, while Iñárritu assisted in editing the film. The three filmmakers, referred to as the "Three Amigos" founded the production company Cha Cha Cha Films, whose first release was 2008's Rudo y Cursi.[24][25]

Del Toro has also contributed to the web series Trailers from Hell.[26] In April 2008, del Toro was hired by Peter Jackson to direct the live-action film adaptation of J. R. R. Tolkien's The Hobbit. On May 30, 2010, del Toro left the project due to extended delays brought on by MGM's financial troubles. Although he did not direct the films, he is credited as co-writer in An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies.[27] On 1 December 2008, del Toro expressed interest in a stop-motion remake of Roald Dahl's novel The Witches in collaboration with Alfonso Cuarón.[28] On 19 June 2018, it was announced that Del Toro and Cuarón would instead be attached as executive producers on the remake with Robert Zemeckis helming the project and writing.[29]

Ivana Baquero and del Toro receive a standing ovation after the North American premiere of Pan's Labyrinth at the 2006 Toronto International Film Festival

On 2 June 2009, del Toro's first novel, The Strain, was released. It is the first part of an apocalyptic vampire trilogy co-authored by del Toro and Chuck Hogan. The second volume, The Fall, was released on 21 September 2010. The final installment, The Night Eternal, followed in October 2011. Del Toro cites writings of Antoine Augustin Calmet, Montague Summers and Bernhardt J. Hurwood among his favourites in the non-literary form about vampires.[30] On 9 December 2010, del Toro launched Mirada Studios with his long-time cinematographer Guillermo Navarro, director Mathew Cullen and executive producer Javier Jimenez. Mirada was formed in Los Angeles, California to be a collaborative space where they and other filmmakers can work with Mirada's artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory.[31]

Del Toro directed Pacific Rim, a science fiction film based on a screenplay by del Toro and Travis Beacham. In the film, giant monsters rise from the Pacific Ocean and attack major cities, leading humans to retaliate with gigantic mecha suits called Jaegers. Del Toro commented, "This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun."[32] The film was released on 12 July 2013 and grossed $411 million at the box office.

Del Toro directed "Night Zero", the pilot episode of The Strain, a vampire horror television series based on the novel trilogy of the same name by del Toro and Chuck Hogan. FX had commissioned the pilot episode, which del Toro scripted with Hogan and was filmed in Toronto in September 2013.[33][34] FX ordered a thirteen-episode first season for the series on 19 November 2013, and series premiered on 13 July 2014.[35]

After The Strain's pilot episode, del Toro directed Crimson Peak, a gothic horror film he co-wrote with Matthew Robbins and Lucinda Cox. Del Toro has described the film as "a very set-oriented, classical but at the same time modern take on the ghost story", citing The Omen, The Exorcist and The Shining as influences. Del Toro also stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Jessica Chastain, Tom Hiddleston, Mia Wasikowska, and Charlie Hunnam starred in the film.[36][37] Production began February 2014 in Toronto, with an April 2015 release date initially planned. The studio later pushed the date back to October 2015, to coincide with the Halloween season.[38] He was selected to be on the jury for the main competition section of the 2015 Cannes Film Festival.[39][40]

2017–2019: Awards success and acclaim

[edit]
Del Toro at San Diego Comic-Con in 2015

Del Toro directed the Cold War drama film The Shape of Water, starring Sally Hawkins, Octavia Spencer, and Michael Shannon.[41] Filming began on 15 August 2016 in Toronto,[42][43][44] and wrapped twelve weeks later.[45] On 31 August 2017, the film premiered in the main competition section of the 74th Venice International Film Festival, where it was awarded the Golden Lion for best film, making Del Toro the first Mexican director to win the award.[46][47] The film became a critical and commercial success and would go on to win multiple accolades, including the Academy Award for Best Picture, with del Toro winning the Academy Award for Best Director.

Del Toro collaborated with Japanese video game designer Hideo Kojima to produce P.T., a video game intended to be a "playable trailer" for the ninth Silent Hill game, which was cancelled.[48] The demo was also removed from the PlayStation Network amids major controversies. At the D23 Expo in 2009, his Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, Trollhunters: Tales of Arcadia.[49][50] However, del Toro moved his deal to DreamWorks Animation in late 2010.[51] From 2016 to 2018, Trollhunters was released to great acclaim on Netflix and "is tracking to be its most-watched kids original ever."[52] In 2017, Del Toro had an exhibition of work at the Minneapolis Institute of Art titled Guillermo del Toro: At Home with Monsters, featuring his collection of paintings, drawings, maquettes, artifacts, and concept film art.[53] The exhibition ran from 5 March 2017, to 28 May 2017.[citation needed] In 2019, del Toro appeared in Hideo Kojima's video game Death Stranding, providing his likeness for the character Deadman.

2020–present: Career expansion

[edit]
Guillermo del Toro in Annecy in 2016

In December 2017, Searchlight Pictures announced that del Toro would direct a new adaptation of the 1946 novel Nightmare Alley by William Lindsay Gresham, the screenplay of which he co-wrote with his future wife Kim Morgan.[54] In 2019, it was reported that Bradley Cooper, Cate Blanchett, Toni Collette and Rooney Mara had closed deals to star in the film, which went into production in January 2020.[55][56] It was released in December 2021 to positive reviews. The film received four Academy Award nominations, including Best Picture.[57]

In 2008, del Toro announced he was working on a dark stop-motion film adaptation of the Italian novel The Adventures of Pinocchio, co-directed by Adam Parrish King, with The Jim Henson Company as production company, and music by Nick Cave.[58] The project had been in development for over a decade. The pre-production was begun by the studio ShadowMachine. In 2017, del Toro announced that Patrick McHale is co-writing the script of the film.[59] In the same year, del Toro revealed at the 74th Venice International Film Festival that the film will be reimagined during the rise of Benito Mussolini, and that he would need $35 million to make it.[60] In November 2017, it was reported that del Toro had cancelled the project because no studios were willing to finance it.[61] In October 2018, it was announced that the film had been revived, with Netflix backing the project. Netflix had previously collaborated with del Toro on Trollhunters. Many of the same details of the project remain the same, but with Mark Gustafson now co-directing rather than Adam Parrish King. It premiered at the BFI London Film Festival on 15 October 2022,[62] and received a theatrical release on 9 November of the same year before a scheduled release on Netflix in December.[63] The film won the Best Animated Feature at the 95th Academy Awards.[64]

Del Toro revealed plans to direct a stop-motion adaptation of the Kazuo Ishiguro novel The Buried Giant in January 2023, which he is co-writing with Dennis Kelly, as well as an as-yet unrevealed live-action film that he will shoot first.[65] In February, it was announced that del Toro would reteam with Netflix and ShadowMachine on The Buried Giant.[66] In March, 2023, it was confirmed that Oscar Isaac, Andrew Garfield and Mia Goth were in talks to star in his long in-development Frankenstein film, now based at Netflix.[67] Garfield was later replaced by Jacob Elordi and filming commenced in January 2024.[68] At the 2023 Annecy International Animation Film Festival he said he planned to leave live-action films and just do animation: "There are a couple more live-action movies I want to do but not many. After that, I only want to do animation. That's the plan." He also expressed frustration over the fact that five of his projects were turned down by studios in just two months.[69]

Favorite films

[edit]

In 2012, del Toro participated in the Sight & Sound film poll. Held every 10 years to select the greatest films of all time, contemporary directors are asked to select their 10 favorite films. Del Toro chose:[70]

Del Toro updated his list for the 2022 edition of the poll:[71]

Personal life

[edit]

Family and residences

[edit]

Del Toro met and began dating Lorenza Newton, cousin of singer Guadalupe Pineda, when they were both studying at the Instituto de Ciencias in Guadalajara. They were married in 1986 and had two daughters together[72] before divorcing in September 2017.[73] In 2021, he married Kim Morgan, an American film historian who was formerly married to Canadian filmmaker Guy Maddin.[74]

Del Toro maintains homes in Toronto and Los Angeles, and returns to his native Guadalajara every six weeks to visit his family.[75] He also owns two houses devoted exclusively to his collection of books, poster artwork, and other belongings pertaining to his work. He explained, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."[22]

Views

[edit]

In a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films (such as the industrialist in Cronos, the Nazis in Hellboy, Italian Fascism in Pinocchio, and the Francoists in Pan's Labyrinth) are united by the common attribute of authoritarianism: "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalized social, religious, or economic thing."[76]

Raised Catholic, del Toro told Charlie Rose in a 2009 interview that his upbringing was excessively "morbid" and said, "I mercifully lapsed as a Catholic... but as Buñuel used to say, 'I'm an atheist, thank God.'" He insists that he is spiritually "not with Buñuel" and that he is "once a Catholic, always a Catholic, in a way". He concluded, "I believe in Man. I believe in mankind, as the worst and the best that has happened to this world."[77] He has also responded to the claim that he views his art as his religion: "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously."[22] Nevertheless, he became a "raging atheist" after seeing a pile of human fetuses while volunteering at a Mexican hospital.[78] He also said that he was horrified by the way the Catholic Church complied with Francoist Spain, and even had a character in one of his films quote what actual priests would say to Republican faction members in concentration camps.[79] Upon discovering the religious beliefs of English writer C. S. Lewis, del Toro stated that he could no longer related to Lewis and his work, despite having done so beforehand.[80] He described Lewis as "too Catholic" for him, despite the fact that Lewis was never a Catholic.[81]

Del Toro is not entirely disparaging of Catholicism, and his background continues to influence his work. While discussing The Shape of Water, he mentioned the Catholic influence on the film: "A very Catholic notion is the humble force, or the force of humility, that gets revealed as a god like figure toward the end. It's also used in fairy tales. In fairy tales, in fact, there is an entire strand of tales that would be encompassed by the title 'The Magical Fish'. And [it's] not exactly a secret that a fish is a Christian symbol." In the same interview, he said, "I don't think there is life beyond death, I don't. But I do believe that we get this clarity in the last minute of our life. The titles we achieved, the honors we managed, they all vanish. You are left alone with you and your deeds and the things you didn't do. And that moment of clarity gives you either peace or the most tremendous fear, because you finally have no cover, and you finally realize exactly who you are."[82]

In an interview for his book and exhibition Guillermo del Toro at Home with Monsters, del Toro stated in 2016, "A lot of Mexican Catholic dogma, the way it's taught, it's about existing in a state of grace, which I found impossible to reconcile with the much darker view of the world and myself, even as a child. I couldn't make sense of impulses like rage or envy and, when I was older, more complex ones, you know. I felt there was a deep cleansing allowing for imperfection through the figure of a monster. Monsters are the patron saints of imperfection."[83]

Del Toro is highly skeptical of AI in filmmaking, telling the British Film Institute in September 2024, "I saw a demo of AI [being used for animation] and I thought, 'Oh, that's what people think animation is: giving prompts and the computer does it. [...] AI has demonstrated that it can do semi-compelling screensavers—that's essentially that. And I think the value of art is not how much it costs and how little effort it requires, it's how much you would risk to be in its presence. Are [screensavers] going to make [viewers] cry because they lost a son, a mother? Because they misspent their youth? No. [AI is] in the hands of people that don't think about it as a tool but as a solution. [...] It should be, if at all, optional."[84]

Interests

[edit]

While studying at university, del Toro published his first book when he wrote a biography of English filmmaker Alfred Hitchcock, whom he has long praised and admired.[85]

In 2010, del Toro revealed that he was a fan of video games, describing them as "the comic books of our time" and "a medium that gains no respect among the intelligentsia". He referred to the video games Ico and Shadow of the Colossus as masterpieces.[86] He later cited Asteroids, Cosmology of Kyoto, Gadget: Invention, Travel, & Adventure, and Galaga as his personal favorite games.[87]

Del Toro's favorite film monsters are Frankenstein's monster, the Xenomorph, Gill-man, Godzilla, and the Thing.[88] Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy". He said, "It's the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way."[89] He usually watches three films a day,[90] and lists Brazil, Nosferatu, Freaks, and Bram Stoker's Dracula among his favorite horrors.[91][92]

Del Toro is also a fan of Japanese manga and anime, having called the anime Doraemon "the greatest kids series ever created".[93] He has citied Hayao Miyazaki as one of his influences and one of his favorite storytellers in any medium, having identified with his style and influence through his Toei Animation and Studio Ghibli projects like The Wonderful World of Puss 'n Boots, Heidi, Girl of the Alps, My Neighbor Totoro, and The Boy and the Heron from childhood to adulthood, praising how he evokes the emotion of recognizing an impossible beauty only existing in films and realistically depicting brutal themes that affect the best and the worth of humanity, deeming Miyazaki an entirely genuine one-of-a-kind creator who exists fully in his art.[94]

Del Toro is highly interested in the culture of Victorian England. He said, "I have a room of my library at home called 'The Dickens Room'. It has every work by Charles Dickens, Wilkie Collins, and many other Victorian novelists, plus hundreds of works about Victorian London and its customs, etiquette, architecture. I'm a Jack the Ripper aficionado, too. My museum/home has a huge amount of Ripperology in it."[95]

In 2019, del Toro paid for the flights of the Mexican teams to attend the 60th International Mathematical Olympiad (IMO) in South Africa and the United Kingdom, after the Mexican chapter of the IMO announced the government had suspended financing for the youngsters.[96][97]

Del Toro has an honorary doctorate from the National Autonomous University of Mexico (UNAM). In November 2022, UNAM awarded him the Honoris Causa Doctorate for his "contributions to culture and his support for the youth".[98]

Father's 1997 kidnapping

[edit]

Del Toro's father, Federico del Toro Torres, was kidnapped in Guadalajara around 1997. Del Toro's family had to pay twice the amount originally asked for as a ransom ($1 million). Immediately after learning of the kidnapping, fellow filmmaker James Cameron, a friend of del Toro since they met after the production of Cronos, offered to help del Toro pay for the ransom, which del Toro accepted.[99] 72 days after Federico was kidnapped, the ransom was paid and he was released. The culprits were never apprehended, nor was the money ever recovered.[100] The event prompted del Toro, his parents, and his siblings to move abroad. In a 2008 interview with Time magazine, he mentioned the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]."[101][22]

Filmography

[edit]
Main article: Guillermo del Toro filmography

Film

[edit]
Year Title Distributor
1992 Cronos October Films
1997 Mimic Miramax Films
2001 The Devil's Backbone Warner Bros. Pictures
Sony Pictures Classics
2002 Blade II New Line Cinema
2004 Hellboy Sony Pictures Releasing
2006 Pan's Labyrinth Warner Bros. Pictures
2008 Hellboy II: The Golden Army Universal Pictures
2013 Pacific Rim Warner Bros. Pictures
2015 Crimson Peak Universal Pictures
2017 The Shape of Water Fox Searchlight Pictures
2021 Nightmare Alley Searchlight Pictures
2022 Pinocchio Netflix
TBA Frankenstein

Television

[edit]
Year Title Distributor
2014–2017 The Strain 20th Century Fox Television
2016–2018 Trollhunters: Tales of Arcadia Netflix
NBCUniversal
2018–2019 3Below: Tales of Arcadia
2020 Wizards: Tales of Arcadia
2021 Trollhunters: Rise of the Titans
2022 Guillermo del Toro's Cabinet of Curiosities[102] Netflix

Recurring collaborators

[edit]
Work
Actor
 1993 1997 2001 2002 2004 2006 2008 2013 2015 2017 2021 2022 TBA
Cronos
Francisco "Napo" Sánchez†
Federico Luppi†
Ron Perlman
Himself
Norman Reedus
Doug Jones
Íñigo Garcés
Fernando Tielve
José Luis Torrijo
Santiago Segura
Ladislav Beran
Pavel Cajzl
Andrea Miltner
Karel Roden
Luke Goss
Jamie Wilson
Selma Blair
John Hurt†
Brian Steele
Jeffrey Tambor
Jeremy Zimmermann
Burn Gorman
Charlie Hunnam
Joe Vercillo
Clifton Collins Jr.
Neil Whitely
Danny Waugh
Cyndy Day
Karen Glave
Amanda Smith
Jim Beaver
Martin Julien
David Hewlett
Richard Jenkins
Dan Lett
Matthew MacCallum
Clyde Whitham
Cate Blanchett
Tim Blake Nelson
Christoph Waltz
David Bradley

Bibliography

[edit]
  • Alfred Hitchcock (1990)[85]
  • La invención de Cronos (1992)
  • Hellboy: The Golden Army Comic (2008)
  • Hellboy II: The Art of the Movie (2008)
  • The Monsters of Hellboy II (2008)
  • The Strain (2009)
  • The Fall (2010)
  • Don't Be Afraid of the Dark: Blackwood's Guide to Dangerous Fairies (2011)
  • The Night Eternal (2011)
  • Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions (2013)
  • Trollhunters (2015)
  • The Shape of Water (2018)
  • At Home With Monsters (2019)
  • Pan's Labyrinth: The Labyrinth of the Faun (2019)
  • The Hollow Ones (2020)
  • The Boy in the Iron Box Series (2024)

Additionally, del Toro has written or co-written unproduced screenplays for adaptations of Justice League Dark (titled Dark Universe), Beauty and the Beast (titled Beauty), At the Mountains of Madness, The Count of Monte Cristo (titled The Left Hand of Darkness), Spanky (titled Mephisto's Bridge), Superstitious, The Coffin, Drood, The List of Seven, The Wind in the Willows, as well as ones for potential remakes of Fantastic Voyage and The Haunted Mansion.[103]

Awards and nominations

[edit]
Main article: List of awards and nominations received by Guillermo del Toro

Del Toro's films have been nominated for and won the following awards.

Year Title Academy Awards BAFTA Awards Golden Globe Awards
Nominations Wins Nominations Wins Nominations Wins
2006 Pan's Labyrinth 6 3 8 3 1
2008 Hellboy II: The Golden Army 1
2013 Pacific Rim 1
2017 The Shape of Water 13 4 12 3 7 2
2021 Nightmare Alley 4 3
2022 Guillermo del Toro's Pinocchio 1 1 3 1 3 1
Total 25 8 27 7 11 3

See also

[edit]

References

[edit]
  1. ^ a b Gorber, Jason (15 January 2013). "Gorber's Epic Guillermo del Toro Interview, Part 2: On Producing and Building a Canon of Work". twitchfilm.com. Archived from the original on 18 January 2013. Retrieved 17 January 2013.
  2. ^ Guillermo del Toro (22 September 2010). "Monsters Are Living, Breathing Metaphors". bigthink.com. Big Think. Archived from the original on 1 September 2012. Retrieved 17 January 2013.
  3. ^ "Dissection of Darkness" (PDF). lexpiccione.com. Archived from the original (PDF) on 12 January 2015. Retrieved 17 January 2013.
  4. ^ Whitty, Stephen (7 July 2013). "Guillermo del Toro on Pacific Rim, monsters, Hollywood and other horrors". nj.com. Archived from the original on 22 October 2013. Retrieved 7 July 2013.
  5. ^ Thompson, Anne (24 September 2006). "Three amigos change face of Mexican film". Hollywoodreporter.com. Archived from the original on 17 May 2016. Retrieved 13 July 2016.
  6. ^ "Guillermo del Toro: The World's 100 Most Influential People". Time. Archived from the original on 18 September 2020. Retrieved 22 September 2020.
  7. ^ "Oscar-winning Mexican filmmaker Guillermo del Toro champions immigrants in Hollywood Walk of Fame speech". CNN. 7 August 2019. Archived from the original on 23 October 2020. Retrieved 21 October 2020.
  8. ^ "Guillermo del Toro cumple 48 años en espera de El Hobbit". Informador. 8 October 2012. Archived from the original on 2 December 2013. Retrieved 26 November 2013.
  9. ^ a b Betancourt, José Díaz (19 March 2007). "El laberinto del Toro" (PDF). La gaceta (in Spanish). University of Guadalajara. Archived from the original (PDF) on 25 January 2018. Retrieved 27 February 2018.
  10. ^ Applebaum, Stephen (16 August 2008). "Like his blue-collar demon hero Hellboy, Guillermo del Toro has a few issues with authority". The Scotsman. Edinburgh: The Scotsman Publications Ltd. Archived from the original on 31 August 2010. Retrieved 17 September 2010.
  11. ^ Zalewski, Daniel (7 February 2011). "Show the Monster". The New Yorker. New York City: Condé Nast. Archived from the original on 8 March 2018. Retrieved 9 March 2018.
  12. ^ "I am Guillermo del Toro, director, writer, producer. AMA". Reddit. 11 July 2014. Archived from the original on 13 July 2014. Retrieved 12 July 2014.
  13. ^ Campbell, Christopher (7 July 2013). "Short Starts: Guillermo del Toro's Geometria Has Fun With Irony and Math". filmschoolrejects. Archived from the original on 10 July 2013. Retrieved 8 July 2013.
  14. ^ Vargas, Andrew M. (9 March 2016). "Sci-Fi TV Series 'La Hora Marcada' Launched the Careers of Mexico's Most Acclaimed Filmmakers". Remezcla. New York City. Archived from the original on 9 March 2018. Retrieved 9 March 2018.
  15. ^ "Guillermo del Toro Interview: 'Pinocchio' Took Decades to Pull Off - IndieWire". 30 November 2022. Archived from the original on 30 April 2023. Retrieved 30 April 2023.
  16. ^ Schafer, Sandy (11 October 2022). "Making Pinocchio In Stop Motion Brought Guillermo Del Toro Back To His Roots". SlashFilm. Archived from the original on 16 October 2022. Retrieved 10 December 2022.
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