Tsuru no Ongaeshi

Tsuru no Ongaeshi (鶴の恩返し, lit. "Crane's Return of a Favor") is a story from Japanese folklore about a crane who returns a favor to a man. A variant of the story where a man marries the crane that returns the favor is known as Tsuru Nyōbō (鶴女房, "Crane Wife").

According to Japanese scholar Seki Keigo, the story is "one of the best known" tales in Japan about supernatural and enchanted spouses.^[1]

Crane's Return of a Favor

A man saves a crane that had been shot down by hunters. That night, a woman appears at the man's door and tells him that she is his wife. The man tells her that he is not wealthy enough to support them, but she tells him that she has a bag of rice that will fill their stomachs. Every day, the rice never goes down in the sack, and it always stays full. The next day she tells the man that she is going in a room to make something and that he is not to come in until she is finished. Seven days have passed by and she finally comes out with a beautiful piece of clothing, but she is very skinny. She tells the man to go to the markets the next morning and to sell this for a very large price. He comes back home and tells her that he sold it for a very good price. After that, they are now wealthy. The wife then goes back into the room, telling him once again not to come in until she is finished. The man's curiosity takes over and he peeks in, realizing that the woman is the crane whom he saved. When the crane sees that the man has found out her true identity, she says that she cannot stay there anymore and flies away to never come back.

The Crane Wife

In The Crane Wife story, a man marries a woman who is in fact a crane disguised as a human. To make money, the crane wife plucks her own feathers to weave silk brocade, which the man sells, but she becomes increasingly ill as she does so. When the man discovers his wife's true identity and the nature of her illness, devastated by the truth, he demands her to stop. She responds that she has been doing it for love, for them. The man says that love exists without sacrifice, but he is wrong. He who lives without sacrifice for someone else does not deserve to be with a crane.^[2]

Related variations

In The Copper Pheasant Wife, the wife does not weave cloth but instead provides her husband a plume to feather an arrow shaft the husband is rewarded for. The wife is not looked in on by the husband like in The Crane Wife; instead like in Crane's Return of a Favor the pheasant wife leaves as soon as the favor is returned.

In The Bird Wife, it is an injured wild goose the man saves. In this story, the wife weaves without prompting from the husband. One day she disappears, and he finds her in a local pond. It is there she explains she was trying to repay his kindness, and asks him to use the money from selling the cloth to take care of their child before flying away.

In The Fox Wife, it is a fox that the man helps and who shows up on the man's doorstep to become his bride. In this tale the fox does not weave but uses her tail to help sweep the floors. Upon discovering his wife's identity, the husband drives her away.

In The Clam Wife, a man finds a woman mysteriously appear at his doorway. They become married, and the wife cooks the husband a delicious bean soup each day. He peeks in on her cooking, and discovers that she is urinating clam juice into the soup, so he chases her away.

In The Fish Wife, a fisherman releases fish that he does not need to eat back into the water because he does not have a greedy nature. A woman appears at the fisherman's door and begs to be his wife. The wife cooks the husband a bean soup that is so good he is suspicious of how she makes it. He spies on her while she is cooking, and discovers she urinates in the soup. Later at dinner he alludes to her cooking method. When the wife realizes he knows she says she must return to her former home, and bids the husband visit her at the pond the following day. When he does, she explains how she was a fish he saved and had wanted to repay the favor. She disappears into the water, leaving him a box of gold and silver.

In The Snake Wife, a woman appears in a widower's doorway asking to stay the night. They become married, and the wife becomes pregnant. The wife warns the husband not to look in on the hut where she intends to have their child. He looks, and discovers a snake. The wife says that as the husband has seen her true form, she must leave. She ends up giving her child her two eyeballs for nourishment as she cannot be there to feed it. When the son grows of age he takes care of his blind mother.^[3]

References

^ Seki, Keigo (1963). Folktales of Japan. University of Chicago Press. p. 77. ISBN 978-0-226-74614-2.
^ Elder, John, and Hertha Dawn. Wong. Family of Earth and Sky: Indigenous Tales from around the World. Beacon Press, 1994.^{[page needed]}
^ Mayer, Fanny Hagin. Ancient Tales in Modern Japan: an Anthology of Japanese Folk Tales. Indiana University Press, 1985.^{[page needed]}

External links

つるのおんがえし animated depiction with English closed captioning

[1] Seki, Keigo (1963). Folktales of Japan. University of Chicago Press. p. 77. ISBN 978-0-226-74614-2.

[2] Elder, John, and Hertha Dawn. Wong. Family of Earth and Sky: Indigenous Tales from around the World. Beacon Press, 1994.^{[page needed]}

[3] Mayer, Fanny Hagin. Ancient Tales in Modern Japan: an Anthology of Japanese Folk Tales. Indiana University Press, 1985.^{[page needed]}

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v t e Japanese folklore
Folktales	Awa Tanuki Gassen Bunbuku Chagama Hachikazuki Hakuzōsu Hanasaka Jiisan Hyakki Yagyō Issun-bōshi Kachi-kachi Yama Kasa Jizō Kintarō Kobutori Jiisan Kurozuka Momotarō Nezumi no Sumō Oto-hime Saru Kani Gassen Shita-kiri Suzume Taketori Monogatari Tamamo-no-Mae Tawara Tōda Tsuru no Ongaeshi Urashima Tarō Uriko-hime Yamata no Orochi Yotsuya Kaidan
Texts	Konjaku Monogatarishū Otogi-zōshi Uji Shūi Monogatari
Legendary Creatures in Japanese Folklore	Abura-akago Abura-sumashi Aka Manto Akaname Akashita Akateko Akuma Amabie Aoandon Amanojaku Amanozako Amazake-babaa Amefurikozō Ameonna Amikiri Aobōzu Aonyōbō Aosaginohi Ashinagatenaga Ayakashi Azukiarai Bake-kujira Baku Basan Binbōgami Chimimōryō Daidarabotchi Dodomeki Dorotabō [ja] Dragon Enenra Funayūrei Furaribi Fūri Futakuchi-onna Gagoze Gashadokuro Goryō Hanako-san Harionago Hashihime Hibagon Hiderigami Hinezumi [ja] Hito-gitsune Hitotsume-kozō Hitotsume-nyūdō Hone-onna Hyōsube Ikiryō Ikuchi Inugami Ishinagenjo Isonade Janjanbi Jinmenju Jorōgumo Jubokko Kaibyō Bakeneko Nekomata Kamaitachi Kamikiri Kappa Kasa-obake Kasha Kawauso Keukegen Kijimuna Kinoko Kirin Kitsune Hakuzōsu Kitsunebi Kodama Komainu Konaki-jiji Korpokkur Koromodako Kotobuki Kuchisake-onna Kuda-gitsune Kudan Kumiho Kuzunoha Kyubi Mazoku Mikaribaba Mikoshi-nyūdō Miage-nyūdō Misaki Mizuchi Mokumokuren Momiji Mononoke Mōryō Mujina Namahage Namazu Ningyo Noderabō Noppera-bō Nue Nuppeppō Nurarihyon Nure-onna Nurikabe Nyūdō-bōzu Obake Oboroguruma Oiwa Okiku Okubi Ōmukade Oni Ibaraki-dōji Kijo/Onibaba Kidōmaru Rashōmon no oni Shuten-dōji Onibi Onihitokuchi Onikuma Onryō Ōnyūdō Ootakemaru Osakabehime Osaki Otoroshi Ouni Raijū Rokurokubi Samebito Sankai Satori Sazae-oni Shachihoko Shidaidaka Shikigami Shikome Shinigami Shiranui Shirime Shiryō Shōjō Shōkera Shussebora [ja] Sōjōbō Sunekosuri Takaonna Tanuki Tanuki-bayashi Danzaburou-danuki Inugami Gyōbu Shibaemon-tanuki Yashima no Hage-tanuki Ten Tengu Tennin Tenome Tesso Tōfu-kozō Tsuchigumo Tsuchinoko Tsukumogami Abumi-guchi Bakezōri Biwa-bokuboku Boroboroton Chōchin'obake Ittan-momen Kasa-obake Koto-furunushi Menreiki Ungaikyō Tsurara-onna Tsurubebi Tsurube-otoshi Ubagabi Ubume Umibōzu Umi zatō Ushi-oni Uwan Waira Wanyūdō Yako Yamabiko Yamajijii Yama-uba Yamawaro Yanari Yobuko Yōkai Yōsei Yosuzume Yuki-onna Yume no seirei Yūrei Zashiki-warashi
Folklorists	Kunio Yanagita Keigo Seki Lafcadio Hearn Shigeru Mizuki Inoue Enryō Fanny Hagin Mayer