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Martin Gordon

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(Redirected from Gilbert Gordon & Sullivan)
For the baseball player, see Martin Gordon (baseball).

Martin Gordon
Martin Gordon
Martin Gordon
Background information
Born (1954-05-03) 3 May 1954 (age 70)
Ipswich, Suffolk, England
GenresRock
Instrument(s)Bass guitar, double bass, piano
Years active1970s–present
Websitemartingordon.de
YouTube information
Channel
Years active1970s–present
GenreMusic
Subscribers1615[1]
Total views1M+[1]

Martin Gordon (born 3 May 1954) is an English musician who plays bass guitar, double bass, and piano. After a long period as band member and session musician, he embarked on a solo career in 2004. His most recent album release was in 2024.

Biography

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Martin Gordon was born in Ipswich, and grew up in Hitchin, Hertfordshire. He studied piano and classical guitar as a child and attended summer schools hosted by the British National Jazz Youth Orchestra, where he took lessons from Nucleus bassist Jeff Clyne.

Gordon began his musical career in the 1970s with the Californian pop brothers Ron Mael and Russell Mael in Sparks, who were seeking a bassist after their relocation to the UK. Gordon played with Sparks on the album Kimono My House, which featured his trademark Rickenbacker 4001 bass. "This Town Ain't Big Enough for the Both of Us" and "'Amateur Hour" were UK hits from that album. "This Town..." made No. 2 in the UK Singles Chart but, after one album, Gordon and Sparks parted company.

He then formed Jet (described by AllMusic as "the first supergroup of glam")[2] and then Radio Stars. Both bands featured singer Andy Ellison, drummer Chris Townson, and guitarist Ian Macleod. Jet's eponymous album was produced by Queen producer Roy Thomas Baker. Between the demise of Jet and its reincarnation as Radio Stars in 1976, he performed briefly with pioneer of American punk Ian North; along with drummer Paul Simon, Gordon played a handful of dates with Ian's Radio before rejoining members of Jet to form Radio Stars.

Radio Stars achieved a modicum of success with a single "Nervous Wreck" (which charted at No. 38 in the UK Singles Chart)[3] and two critically well-received albums Songs for Swinging Lovers and Holiday Album. The band has been anthologised with Two Minutes Mr Smith (Moonlight Records) and Somewhere There's a Place For Us (Ace Records). Ace Records re-released the Radio Stars catalogue on CD in 2003. In 2008, Radio Stars reformed for a gig at London's Blow Up Metro Club, to promote the release of live recordings from the 1970s entitled Something for the Weekend. The performance featured original members Martin Gordon, Andy Ellison and Ian Macleod accompanied by drummer Steve Budney who performed on Gordon's 2007 solo debut in Boston, Massachusetts, United States. The band also performed one-off gigs at the Rebellion Festival in London (13 December 2008) and at London's 100 Club (22 January 2010). In 2017, the 4-CD box set Thinking Inside the Box was released by Cherry Red/Anagram Records, featuring the band's entire recorded output, BBC sessions and rarities.

Session musician

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Following the end of Radio Stars in 1979, Gordon moved to Paris, France, where he worked as house producer for Barclay Records, and played bass with the Rolling Stones during the recording of Emotional Rescue.[4] He returned to the UK at the beginning of the 1980s, and worked as producer and in other capacities with such musicians as George Michael, Boy George, Blur, Primal Scream, Kylie Minogue, S'Express, Tiger Lillies and Robert Palmer, as well as with a host of minor talents.

World music

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At the beginning of the 1990s, world music took Gordon initially to Bombay with Asha Bhosle and Boy George, and subsequently to Pakistan, Morocco, Egypt, Ghana and The Gambia. After studying gamelan in Bali on a Darmasiswa scholarship, he formed the short-lived Mira ensemble with journalist/musician Peter Culshaw in 1995, releasing an album New Hope For the Dead. They created an elaborate theatrical presentation, which delivered two performances at the Place Theatre, in London and an appearance at the Montreux Jazz Festival in 1997. He was a member of the SOAS-based (Balinese) Gamelan Kembang Kirang and the South Bank-based (Javanese) New Music Group between 1996 and 1997. Gordon performs with the Berlin-based (Indonesian gamelan group) Lindhu Raras.[5] During 2019, Gordon was musical director/bassist of the Liberation Orchestra, with the participation of members of the Ensemble Modern, Wimme & Rinne and others, culminating with a one-off performance in Banjul, The Gambia, in the context of the AfriCourage festival in December 2019.

Solo

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Following the recording of an album in Istanbul with Turkish diva Sezen Aksu, Gordon played bass on Aksu's subsequent European tour (2002). This prompted his return to his pop music roots in 2003, via his own label Radiant Future Records.

He has a number of solo albums to his credit, many recorded in collaboration with Swedish vocalist Pelle Almgren. The first three solo releases were collected in a box-set titled The Mammal Trilogy (2006). Allmusic noted that "any release that reminds the world of the brilliance of Gordon's first three 21s century solo albums can only be applauded".[6] His solo albums also feature a selection of Lennon–McCartney and Gilbert & Sullivan tunes alongside Gordon originals. In 2007, Gordon made his live debut as a solo performer in Boston, United States.

The fourth album God is on His Lunchbreak was accompanied by a book detailing the origins of the material, lyrics and assorted musing entitled The Illustrated and Annotated 'God's on His Lunchbreak, Please Call Back Companion Volume, with illustrations by drummer Chris Townson.[7] The fifth album Time Gentlemen Please was accompanied by the album Time Gentlemen Please – Demos, featuring Gordon's original demos of the material (available only via his website).

Gordon and vocalist Almgren made appearances in 2011 and 2012 as part of the Swedish garage-punk outfit 70–5 (various performances are to be found on YouTube). The sixth and final instalment of the Mammal Trilogy was entitled Include Me Out;[5] released in August 2013, it was recorded in Berlin, Germany and Gnesta, Sweden and was accompanied by Words in Your Shell-Like,[8] a book of Gordon's lyrics from Jet to the Mammal Trilogy. This brought the Trilogy to completion.

An album of Gilbert and Sullivan compositions Gilbert Gordon & Sullivan was released by Radiant Future Records in April 2016, as well as two singles, "Dump the Trump" in October 2016 and Idiots in March 2017. In 2018, Radiant Future released the album Thanks For All the Fish and the single Will of the People.

Gordon's album OMG was released in early 2020, along with a reworking of the Idiots single, entitled COVIDiots and in response to COVID activity and to the fact that German courts decided that the term was in fact allowable under German law. His most recent offering is Another Words, a setting to music of Donald Trump's phone call to Georgia governor Brad Raffensperger, released in 2021. At Xmas 2021, Gordon celebrated the political achievements of Boris Johnson with the single release Booster. Early in 2022, Radiant Future released an expanded version of "Another Words" featuring the original audio from the Trump-Raffensperger call, entitled Another Words - The Phonecall. In February 2022 Gordon released an instrumental track in support of Ukraine entitled Slava Ukraini. In 2023, the album "Greatest Sh!ts was released, featuring a selection of new and reworked material. 2024 saw the release of a pair of albums featuring earlier material, Singular Obscurities and Obscure Singularities.

Equipment

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Gordon is known for using the Rickenbacker 4001 bass guitar, most notably on the Sparks album Kimono My House and the later album Jet by the British group of the same name. He has stated in the Rickenbacker Forum[9] that he used H&H amplification for this recording. He used Rotosound round-wound strings to produce his benchmark sound. Such was his identification with the 4001 that he stated that he preferred to be sacked from the group Sparks rather than accommodate the request for him to use a different instrument.[10] In Radio Stars, he used a Rickenbacker 3001 and a Fender Precision bass. In more recent times he has used Yamaha 5-string basses and Stagg upright e-basses, before returning to the Rickenbacker 4003 in 2014.[11]

Discography

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Solo

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Albums:

Alternative versions:

Singles:

John's Children

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Blue Meanies

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Mira

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  • 1995 New Hope for the Dead – JVC Records
  • 2008 New Hope for the Dead – Radiant Future Records re-issued version with extra material including live tracks, remixes and unreleased content – (download only)

Radio Stars

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Jet

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Sparks

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References

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  1. ^ a b "About Radiant Future Records Official Channel". YouTube.
  2. ^ "Allmusic > Jet biography". Allmusic. Retrieved 3 August 2006.
  3. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 447. ISBN 1-904994-10-5.
  4. ^ Nico Zentgraf (19 January 1980). "Rolling Stones database 1979". Nzentgraf.de. Retrieved 8 May 2020.
  5. ^ a b "Martin Gordon Aug. 2013 interview on Outsight Radio Hours". Archive.org. Retrieved 22 September 2013.
  6. ^ Thompson, Dave. (13 March 2006) Mammal Trilogy – Martin Gordon : Songs, Reviews, Credits, Awards. AllMusic.
  7. ^ Martingordon.de Archived 21 May 2009 at the Wayback Machine. Martingordon.de.
  8. ^ "Words in Your Shell-Like - Martin Gordon". Retrieved 8 May 2020.
  9. ^ "Rickenbacker International Corporation - Forum • View topic - Sparks Bass man Martin Gordon". Rickenbacker.com. Retrieved 8 May 2020.
  10. ^ "Martin Gordon - official site". Archived from the original on 24 June 2014. Retrieved 8 May 2020.
  11. ^ "Martin Gordon". Facebook.com. Retrieved 8 May 2020.
  12. ^ "Black & White" album Record Collector (Kris Needs) review. Recordcollectormag.com.
  13. ^ modspeedproduction.blogspot.com Black & White album review, Modspeedproduction.blogspot.com
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