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Food museum

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Taiwan Sugar Museum in Kaohsiung, Taiwan.

A food museum tells the story of what sustains humankind. These museums are located all around the world, and spotlight various varieties and origins of certain foods. Such museums may be specifically focused on one plant, as is the Saffron Museum in Boynes, France. They may also explore foods made from plants. For example, The Bread Museum in Ulm, Germany, South Korea; a product such as the National Mustard Museum in Wisconsin, Big Mac Museum in Pennsylvania, Museum Kimchikan in South Korea, Cup Noodles Museum in Yokohama; the art of food displayed at California's Copia; food heritage showcased at Sichuan Cuisine Museum in Chengdu; or historic farms, for example, Iowa's Living History Farms, feature broader exhibits on art, history, and influence of food production.

In some cases, food museums focus on how and what the world eats. Agropolis in Montpellier, France does this, as does Nestle Foundation's Alimentarium, in Vevey, Switzerland. Japan's Ramen Museum is a food museum in the form of a shopping arcade featuring different noodle restaurants and displays on ramen history.

History

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The history of food museums originated in early 20th-century efforts to educate the public on food practices, nutrition, and history.[1] Contemporary dietary reformers sought to combat malnutrition through thrift-focused cooking education rather than addressing the fundamental disparities in food accessibility. This emphasis on individual choices instead of systemic solutions has constrained the long-term effects on society's dietary practices.

The foundation of food-related interpretation in museums was established by early domestic scientists, food reformers, and fair exhibitors, who pioneered tools like the cookbook, cooking demonstration, product tasting, and instructional guide. These methods, which educate the public on food preparation and nutrition, have rapidly gained popularity. By the early 20th century, the concept of food as a subject for education and entertainment had emerged, andexhibit topics had taken hold, setting the groundwork for food museums to adopt and expand these practices and traditions.

In the 1920s, a new type of museum emerged when history enthusiasts and collectors began preserving aspects of pre-industrial American life through open-air museums. Colonial Williamsburg (1924) and Greenfield Village(1929)  were created to recreate everyday life from earlier eras, with public education as a secondary goal. These institutions, funded by influential individuals like J.D. Rockefeller Jr. and Henry Ford, sought to capture an idealized representation of America's past. Early outdoor museums collected tools, furnishings, and agricultural implements, often prioritizing skilled trades over domestic and food-related labor. Early history museum exhibitions featured leatherwork, pottery, and woodworking, highlighting specialized skilled crafts and trades rather than food-related work. For example, at Colonial Williamsburg, exhibits focused on the lifestyle of the elite.

Post-World War II, museum directors worked to standardize visitor participation, developing living history programs that incorporated food preparation into immersive historical experiences. The National Park Service (NPS) contributed by implementing organized interpretive programs at historic sites that explored daily life in the previous eras. The NPS facilitated the popularization of interactive food exhibits by experimenting with live exhibits such as basket weaving and food preparation exhibitions.

Modern food museums have expanded the way of using culinary interpretation to explore social, cultural, and historical themes. Many institutions seek to acknowledge the contributions of diverse groups and the roles of various communities in developing food traditions, reflecting a more inclusive approach and expanding the discourse surrounding food production, interactive culinary practices, and experiences.

The Rise of Food Tourism

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The rise of food museums reflects trends in experiential tourism, including education, cultural interaction, and sensory appeal.[2] For example, the Hangzhou Cuisine Museum offers experiences that combine local food traditions with on-site dining, attracting foodie tourists seeking education, knowledge, sensory engagement, and social interaction.[2]

From 2017 to 2019, TripAdvisor, Inc. recognized the Wonder Food Museum in Malaysia and awarded it the Top Museum Award for Unique Concept and the Best Tourism Museum Award by the INPenang International Awards for exhibiting culinary heritage, diverse local cuisines and interactive displays and promoting cultural, culinary tourism.[3]

In Chicago, "Foodseum" highlights local identity with exhibitions like a hot dog-themed installation combining historical artifacts and interactive displays.[4] Foodseum also collaborates with local businesses to offer diverse educational and entertainment experiences and events, promoting local tourism.[4]

Bakery Museum in S.Korea

World's Food Museums

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A widespread trend among global museums is the transition from location-focused, preservation-centric institutions to those that offer multisensory experiences for diverse audiences.[5] Major institutions, including the Getty Center in Los Angeles, have organized food-centric exhibitions integrating edible elements, like the Getty Salad Garden, featuring heirloom seeds as an art installation. The integration of food into exhibitions invites visitors to engage with history and culture via tasting and food preparation, thereby enriching the educational and sensory aspects of museum experiences. In 2015, Expo Milan promoted this idea by hosting an extensive international exhibition centered on food.

Modern food exhibitions often explore the intersection of food with social and political themes, including sustainability, local food production, and global food politics. The Southern Food & Beverage Museum in New Orleans uses food as a medium to emphasize the city’s distinctive food culture and history. The Center for Genomic Gastronomy at the Science Gallery in Dublin, a non-profit, utilizes food to explore environmental and genetic topics, creating a space for visitors to examine the complexities of global food systems. The concept of sensory museology has emerged, using taste, smell, and active participation in food production to boost visitor interactions with exhibits. The Campbell House Museum in Toronto, where visitors can engage with a 19th-century recipe in a historic kitchen, invites audiences to explore historical foodways and sustainability practices.

The function of food in museums is constantly evolving, offering spaces for new research and interdisciplinary cooperation. As more global museums strive for inclusivity and the representation of diverse historical and cultural narratives, food serves as a medium for storytelling, education, and community engagement, inviting museum visitors to experience both personal and sensory interactions through topics like indigenous culinary practices, politics in food history, and the role of food in environmental sustainability, presenting promising ground for future exploration.

See also

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References

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  1. ^ Broyld, Dann J. (June 2018). "Julia Rose. Interpreting Difficult History at Museums and Historic Sites. American Association for State and Local History, Interpreting History. Lanham, MD: Rowman and Littlefield, 2016. 232 pp.; 8 black-and-white illustrations. $75.00.Avi Y. Decter. Interpreting American Jewish History at Museums and Historic Sites. American Association for State and Local History, Interpreting History. Lanham, MD: Rowman and Littlefield, 2016. 248 pp.; 40 black-and-white illustrations. $80.00.Michelle Moon. Interpreting Food at Museums and Historic Sites. American Association for State and Local History, Interpreting History. Lanham, MD: Rowman and Littlefield, 2015. 220 pp.; 17 black-and-white illustrations. $75.00.Joel Stone, ed. Interpreting Maritime History at Museums and Historic Sites. American Association for State and Local History, Interpreting History. Lanham, MD: Rowman and Littlefield, 2017. 176 pp.; 42 black-and-white illustrations, $80.00". Winterthur Portfolio. 52 (2–3): 174–176. doi:10.1086/700088. ISSN 0084-0416.
  2. ^ a b Park, Eerang; Kim, Sangkyun; Xu, Min (2022-03-04). "Hunger for learning or tasting? An exploratory study of food tourist motivations visiting food museum restaurants". Tourism Recreation Research. 47 (2): 130–144. doi:10.1080/02508281.2020.1841374. ISSN 0250-8281.
  3. ^ Ser, ShawHong (2020-11-30). "The Wonder Food Museum Story: Celebrating Malaysia's Food Cultures and Culinary Heritage". E-Journal of Cultural Studies: 51–69. doi:10.24843/cs.2020.v13.i04.p04. ISSN 2338-2449.
  4. ^ a b "Food and fun: celebrate, learn and be inspired by Chicago's first nonprofit food museum".
  5. ^ https://www-bloomsburyfoodlibrary-com.offcampus.lib.washington.edu/encyclopedia-chapter?docid=b-9781474262279&tocid=b-9781474262279-chapter1&pdfid=9781474262279.ch-001.pdf
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