Jump to content

File:Thomas Luny - The Battle of The Saints.jpg

This is a file from the Wikimedia Commons
From Wikipedia, the free encyclopedia

Original file (1,280 × 831 pixels, file size: 366 KB, MIME type: image/jpeg)

Summary

Thomas Luny: The Battle of The Saints, 12 April 1782   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Thomas Luny  (1759–1837)  wikidata:Q1389224
 
Thomas Luny
Description British painter
Date of birth/death 20 May 1759 Edit this at Wikidata 30 September 1837 Edit this at Wikidata
Location of birth/death Cornwall Edit this at Wikidata Teignmouth Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q1389224
Title
The Battle of The Saints, 12 April 1782
Object type painting
object_type QS:P31,Q3305213
Date between 1782 and 1837
date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1782-00-00T00:00:00Z/9,P1326,+1837-00-00T00:00:00Z/9
Medium oil on panel
medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensions height: 27.5 cm (10.8 in); width: 43.2 cm (17 in)
dimensions QS:P2048,27.5U174728
dimensions QS:P2049,43.2U174728
institution QS:P195,Q1199924
Accession number
BHC0701
Notes The Saints was the last major action of the American Revolutionary War, fought near the islets called the Iles des Saintes, just north of Dominica in the West Indies. Admiral Sir George Rodney's victory over the French fleet of the Comte de Grasse foiled the latter's attempt to invade Jamaica and enabled Britain to secure her position in the West Indies by the treaty that ended the war in 1783, even though she lost her American colonies. The battle is also famous as the point of origin of the tactic of 'breaking the line', which was achieved with great, albeit accidental, effect by Rodney in seizing an advantage created by a shift of wind as the fleets began the action. The principal subject here is the clash of flagships of the two commanders-in-chief, both seen from astern in port- quarter view. The larger 'Ville de Paris' (110 guns) flagship of de Grasse, is fully seen in the centre on the left. Admiral Sir George Rodney, in the 'Formidable' (90 guns) is engaging her to starboard on the right, partly concealed, although de Grasse eventually struck to his second-in-command, Samuel Hood, in the 'Barham'. Rodney correctly flies the St George's cross at the main, as an Admiral of the White, but a red ensign rather than a white one. This was his normal colour but he had specifically ordered the British fleet to fly red on this occasion, to minimize confusion in action with enemy ships flying the white (Bourbon) colours of pre-Revolutionary France, as shown on the 'Ville de Paris'. There is an inscription identifying the action, written by Luny in pen and ink on the back of the panel: 'Adml Lord Rodney Engaging the French Fleet / Commanded by the Count de Grasse April [12th?] 1782. / T.Luny' .The signature is in the same form as he also used for painted signatures. The back also bears, stuck down, the finely engraved trade card of Thomas Merle, who was Luny's London selling agent from early in his independent career in the 1780s, after he left the pupilage of Francis Holman. He still had dealings with Merle until 1817, ten years after permanently moving to Teignmouth. However, while this picture is undated, the colour and handling suggest it is relatively early. The rectangular card has the text centred within a horizontal oval border. At top centre this includes the device of a hanging key in a smaller vertical oval. It reads: ‘THOMAS [hanging key] MERLE / (Successor to the late Mr Deerlove) / Picture Frame Maker, Carver, Gilder & Printseller / At the Golden Key No 36 Leadenhall Street / London. / Makes & Sells all sorts of Picture Frames, Carves & Gilds Looking / Glass Frames & Girandoles in the neatest Taste & at the most / Reasonable Prices. Landscapes & Sea Pieces neatly Painted. / Pictures carefully cleaned, lined & mended. / Old Frames new Gilt on the shortest / Notice. / Mouldings of different Patterns & Lengths for the conveniency of Export.’[1]
Source/Photographer ROYAL MUSEUMS GREENWICH

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Annotations
InfoField
This image is annotated: View the annotations at Commons

Captions

Add a one-line explanation of what this file represents

Items portrayed in this file

depicts

374,800 byte

831 pixel

1,280 pixel

image/jpeg

c240c6b0ea4bd1963a2adeab52c7008d9f02f17a

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current17:42, 1 March 2012Thumbnail for version as of 17:42, 1 March 20121,280 × 831 (366 KB)Botaurus== {{int:filedesc}} == {{Artwork |artist='''Thomas Luny''' (1759-1837) |title=''The Battle of The Saints, 12 April 1782'' |description= |date={{other date|between|1782|1837}} |medium= {{Technique|oil|panel}} |dimensions={{Size|cm|27.5|43.2}} |institu...

Global file usage

The following other wikis use this file:

Metadata