Exhibition history |
Retrospektiv Theo van Doesburg (?), Landesmuseum, Weimar, 16 December 1923–23 January 1924, as Offene Komposition. (Tempera).
Theo van Doesburg, Retrospective exhibition, Art of this Century Gallery, New York City, 29 April 1947–31 May 1947, cat. no. 20, as Composition 13, 1916.
Walt Kuhn, Lyonel Feininger and Theo van Doesburg (?), June 1947–15 July 1947, County Museum of Art, Los Angeles, no catalogue.
Theo van Doesburg, San Francisco Museum of Modern Art, San Francisco, 29 July 1947–24 August 1947, no catalogue.
Theo van Doesburg (?), September 1947, Henry Art Gallery, Seattle, no catalogue.
Theo van Doesburg, Paintings, drawings, photographs and architectural drawings, The Renaissance Society of the University of Chicago, Chicago, 15 October 1947–8 November 1947, cat. no. 1, as Composition 12 (the Cow), 1916.
Theo van Doesburg, Cincinnati Art Museum, Cincinnati, 20 November 1947–12 December 1947, no catalogue.
Exhibition Van Doesburg, Robinson Hall, Harvard University, Category:Cambridge, Massachusetts, 5 January 1948–23 January 1948, as Composition Thirteen, 1916.
Isms in art since 1800, Rhode Island School of Design, Divine providence, 3 February 1949–9 March 1949, p. 69, ill. 55.
Canadian National Exhibition, Canadian National Exhibition, Toronto, 22 August 1952–6 June 1952, cat. no. 110, p. 29, as Composition (The Cow), 1916-1917.
De Stijl 1917-1928, Museum of Modern Art, New York City, 16 December 1952–15 February 1953, Virginia Museum of Fine Arts, Richmond, 15 March 1953–19 April 1953.
Formal organization in modern painting, Munson-Williams-Proctor Institute, Utica, 1 November 1953–29 November 1953, Cat.no. 11, as Composition (The Cow), 1916-17.
Construction and geometry in painting. From Malevitch to ‘tomorrow’, Galerie Chalette, New York City, 31 March 1960–4 June 1960, Cincinnati Art Museum, The Contemporary Art Center, Cincinnati, 5 July 1960–9 October 1960, The Arts Club of Chicago, Chicago, 11 November 1960–30 December 1960, Walter Art Center, Minneapolis, 14 January 1961–25 February 1961, Cat.no. 7, as Composition (The Cow), 1916-1917.
Theo van Doesburg, Van Abbemuseum, Eindhoven, 13 December 1968–26 January 1969, Gemeentemuseum Den Haag, The Hague, 17 February 1969–23 March 1969, cat. no. A13, as 1917.
De Stijl, 1917-1931, Visions of Utopia, Walker Art Center, Minneapolis, 31 January 1982 - 28 March 1982, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, 20 April 1982–27 June 1982, cat. no. 7, as Composition (The Cow), 1916-1917.
De Stijl, 1917-1931, Stedelijk Museum, Amsterdam, Kröller-Müller Museum, Otterlo, 6 August 1982–4 October 1982, Cat.no. 8, as Compositie VIII (Koe), 1917.
Contrasts of form. Geometric abstract art 1910-1980. From the collection of The Museum of Modern Art, including the Riklis Collection of McCrory Corporation, The Museum of Modern Art, New York City, 2 October 1985–7 January 1986, p. 76, as 1916-1917.
Van Doesburg and the International Avant-Garde, Stedelijk Museum De Lakenhal, Leiden, 20 October 2009–3 January 2010, Tate Modern, London, 4 February 2010–16 May 2010, ISBN 978-1-85437-872-9, without cat. no. , p. 248, with color image (plate 16) on p. 90, as Composition VIII (The Cow), circa 1918date QS:P,+1918-00-00T00:00:00Z/9,P1480,Q5727902 .
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